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And To Think That I Saw It on Mulberry Street by Dr. Seuss

May5

Theodore Geisel, aka Dr. Seuss, was born in 1904 in Springfield, MA. His first book was To Think That I Saw It On Mulberry Street, and it was rejected by 27 publishers before being published by Vanguard Press in 1937. Dr. Seuss wrote 46 children’s books, and although Mulberry Street wasn’t his best-selling book, it was enduring in its popularity.

In this children’s classic picture book, Marco’s father wants him to “keep your eyelids up and see what you can see,” but also admonishes young Marco to “Stop telling such outlandish tales” about what he does see on his way to school. So Marco is caught between a rock and a hard place. He can’t tell his dad that the only thing he saw was a horse and a wagon on Mulberry Street. So he embellishes just a little, and then a lot!

The horse and wagon turn into a mob, a circus, complete with a brass band, a blue elephant, some even stranger beasts, and people from all over the world. There was some controversy about this book a few years ago, and the Seuss estate pulled the book out of print. Which of course, made the price for used copies of story go sky-high. Most of the controversy had to do with this picture of a “Chinese boy” (originally called a “Chinaman”). You can decide for yourself if you think the picture is offensive or not.

At any rate, when it was first published, the New York Times gave it a good review, and the famous and somewhat dictatorial arbiter of children’s literature at the time, librarian Anne Carroll Moore of the New York Public Library, said it was “as original in conception, as spontaneous in the rendering as it is true to the imagination of a small boy.” She then sent a copy to her friend Beatrix Potter, who wrote, “What an amusing picture book … I think it the cleverest book I have met with for many years.” I’m in agreement with The New York Times (1937), Miss Moore, and Ms. Potter, which is why To Think That I Saw It on Mulberry Street is a Picture Book Preschool selection.

To Think That I Saw It on Mulberry Street is a journey of the imagination, encouraging kids to enjoy all the wonder that their little minds can conjure, while eventually returning to earth with the sober truth. Marco finally tells his father what he really did see on Mulberry Street, or does he? Perhaps imagination is just as real as Reality, just in a different way.

Stateless by Elizabeth Wein

Feb2

Having just re-read the Flambards novels by K.M. Peyton, set in the early days of flying and airplanes before, during , and after World War I, I was prepared and pleased to read another golden age of flying novel, this one set in 1937 Europe, just before World War 2 changed everything. Elizabeth Wein, author of the compelling and well written Code Name Verity, Rose Under Fire, and Black Dove White Raven (as well as a disastrously bad prequel to Code Name Verity), likes to write about female aviators, and airplanes, and flying as well as the politics and adventures surrounding the 1930’s and World War 2. In Stateless she has given us a spy and aviation thriller reminiscent of Helen MacInnes’ spy novels which is a high compliment because I am quite fond of MacInnes.

Stella North, Northie to her friends, has been chosen to represent Britain in the Circuit of Nations Olympics of the Air, Europe’s First Youth Air Race. She’s the only female flyer in the race with eleven other pilots from eleven different European countries. The race is supposed to be promoting peace and friendly relations between the peoples and nations of Europe, but with the Spanish Civil War still raging and the Nazis becoming more powerful and belligerent in Germany, peace seems somewhat elusive. And the press is no help at all, with reporters mobbing the contestants in every city they fly to and asking questions that suggest that the pilots themselves might resort to sabotaging each other’s planes to win the race. When one of the racers goes missing, and Northie has dangerous information about what happened to him, she and others begin to wonder if a murderer might be lurking among the contestants.

The themes of international and world peace and the difficulties of achieving it and of individual identity and nationality and transcending European borders are articulated, but left to simmer as the plot itself and figuring out whodunnit took up most of the space in my reading mind. I did notice that the characters were mostly multilingual and multinational with divided loyalties that were soon to tested by the outbreak of World War 2. The author in her Author’s Note at the end of the book speculates on what would happen to these young flyers in just a couple of years after 1937, but we’ll never know unless Ms. Wein decides to write a sequel.

Well plotted and exciting, this novel falls just short of brilliant. There’s the problem of why don’t Stella and the charming but volatile Tony inform the authorities of their suspicions and of what they have actually witnessed. Of course, for the sake of the story, the authorities can’t just wrap everything up, call off the race, and send everyone home. So Northie and her friends must find reasons not to tell what they know: they don’t trust anyone else. No one would believe them. They don’t have enough proof. Nonsense. If I saw what Stella saw and knew what she knew, I’d be screaming bloody murder (literally, murder!) until someone somewhere listened and believed me and did something. At least, I think I would. Anyway, if you just go with it, it’s a good story.

And it’s clean. There are one or two brief kisses, and some faked necking (standing close and pretending to kiss) while the protagonists are hiding from the Gestapo. No bad language that I recall, except for one exclamation using the word “bloody” by a British character, a word which I understand carries more weight with the Brits. There is violence, but it’s not terribly graphic. All in all, it’s a book I would be happy to recommend to older teenage and adult readers.

Winterbound by Margery Williams Bianco

Aug13

Illustrated by Kate Seredy and published in 1936, Winterbound is a Newbery Honor book that would be classified as Young Adult fiction nowadays, if it were even considered for publication. I doubt it would be considered or published in the current century, however, since it’s a clean, wholesome story of two teen sisters, ages nineteen and sixteen, and how they work together to manage an impoverished household in the country through a Connecticut winter. The older sister, Kay, is an aspiring artist whose art education has been cut short by the family’s move from the city to the country. Kay is refined and tasteful, but also hard-working and determined to make the best of their financially strained circumstances. The younger sister, Garry (short for Margaret), is an outdoors type, interested in gardening, travel, science, and animals. Garry is the practical sister, the one who keeps them afloat financially while both parents are unavoidably absent from the home: Dad is off on a two year long scientific expedition, and Mom is in New Mexico, caring for a sick relative.

This story of two strong, independent young women learning to care for a home and a family is just the sort of “feminist” novel that should be required reading for today’s up and coming generation. There are two younger siblings in the family, Martin and Caroline, and Kay and Garry are responsible for the care and upbringing of their younger family members as well as for feeding the wood stove, doing the shopping, making the meals, pumping the water from an outside pump, and scrounging for extra income when their money almost runs out. It’s really a delightful, self-reliant sort of story that shows how some young people used to learn to be adults in difficult circumstances. I was quite impressed with Kay and Garry and their good humor and their tenacity and determination while living in a home—-no running water, no electricity, cracks in the walls, below zero temperatures—that would be daunting to me and absolutely impossible for most anyone younger than I am. (I sound OLD.)

I think fans of the later Betsy-Tacy books by Maud Hart Lovelace (Heavens to Betsy, Betsy and Joe, etc.) or of the later Anne of Green Gables books ( Anne of the Island, Anne of Windy Poplars, etc.) or of the Emily books also by L.M. Montgomery would enjoy this story by author Margery Williams Bianco, most famous for her children’s book The Velveteen Rabbit. Winterbound is as I said for older readers, with just a touch of hinted romance at the very end of the book, and it’s not nearly as sentimental as The Velveteen Rabbit. But Bianco’s writing skill and ability to tell a good yarn are evident in both books. My copy of this book is a Dover reprint edition, published in 2014 in Dover’s series Dover Newbery Library. Thanks to Dover Press for making these older books available again.

Pigeon Post by Arthur Ransome

Apr17

Pigeon Post is the sixth in the twelve book series of novels about a group of adventurous British children who call themselves the Swallows and the Amazons (and later the D’s are added). The children–John, Susan, Titty, and Roger (the Swallows); Peggy and Nancy Blackett (the Amazons); and Dorothea and Dick (the D’s)—are living what has most recently been named a “free-range childhood.” Their parents are responsible and supervising from a distance, but the children are allowed to camp, cook outdoors, sail boats, pretend, explore, hike, and climb with only minimal adult interference. The negotiations the children go through with their parents and other adults to enable them to do these things are an important and interesting part of the story.

In this installment of the Swallows’ and Amazons’ adventures, the children have decided to form a prospecting and mining company to find gold on the nearby High Topps, a stretch of high moors called “fells” in the book. Because of drought conditions and the danger of fires, the children must go through some extensive exploration and negotiation before they are allowed to actually camp near the High Topps instead of in the Blacketts’ garden, but once they actually make camp on the edge of the fells and begin to explore old, abandoned workings or mines for gold, the story really becomes exciting. The “pigeon post” comes into play because the children use three homing pigeons to stay in touch with their parents at home and send daily status updates to keep the adults informed and happy.

The book contains a lot of mining, engineering, and chemistry information. These children are adventurous children, but they are also studious and quite industrious. In this article at a website called allthingsransome.net, The Chemistry of Pigeon Post, a fan of Ransome’s books writes about the chemistry that is explicated and illustrated in the book. Of course, even the article contains a warning, as should the book itself, probably.

“An important caution: chemistry experiments can be very hazardous and shouldn’t be performed except under well controlled and supervised conditions and preferably in a well equipped laboratory. Reading about Dick making up aqua regia and pouring it on to his unknown powder in Captain Flint’s study makes me quiver! Things were certainly different back then when it came to chemical safety!”

I don’t know what the exact balance between freedom to explore and protection should be for children, but if our children nowadays are over-protected then Ransome’s children may well have been not protected enough. They certainly do some rather dangerous things in the book and manage to survive anyway.

Pigeon Post was the book that won for its author the first Carnegie Medal. The British Library Association presented Ransome with the inaugural Carnegie Medal at its annual conference in June 1936. I thoroughly enjoyed Pigeon Post, and I think my next Ransome read will be Winter Holiday, the fourth book in the series, which is also the book that introduces Dick and Dorothea Callum. (Yes, I’ve managed to read the books out of order.) I’ve already read: Swallows and Amazons, Swallowdale, Peter Duck, and Secret Water.

Born on This Day: Erik Christian Haugaard, 1923-2009

Apr13

Born on April 13, 1923 in Denmark, Erik Christian Haugaard eventually made his way to the United States and became a writer, even though he left school at the age of fifteen and left Denmark at the age of seventeen. When the Germans invaded Denmark in 1940, young Erik Haugaard got out of Denmark just ahead of the invasion on the last ship out of Danish waters to the United States. After that he traveled some in the U.S., joined the Royal Canadian Air Force, went to college some during and after the war was over, and then began to write. An editor at Houghton Mifflin suggested that he rewrite a manuscript he had submitted and make it into a story for children. And so he wrote his first book for children, Hakon of Rogen’s Saga, a novel about the medieval ruler, Earl Hakon of Norway.

I have five of Haugaard’s thirteen or so books in my library:

Hakon of Rogen’s Saga and A Slave’s Tale are both set in Viking times, after the Christianization of Norway, but in a time when the pagan gods and customs were still in conflict with the new Christian way of looking at life. Leif the Unlucky, also set among the Vikings, is a fictionalized look at the Greenland colony of Lief Ericksson, an attempt at nation-building that did not turn out well.

Orphans of the Wind is a U.S. civil war sailing story. Haugaard’s books tend to be about young boys or girls getting caught up in the dangers and travails of war.

The Samurai’s Tale is one of three books that Haugaard wrote about ancient Japan and the samurai. The other two (that I don’t own) are The Boy and the Samurai and The Revenge of the Forty-Seven Samurai.

Cromwell’s Boy is about a young man living during the English civil war of Oliver Cromwell’s day. It’s a sequel to the book, A Messenger for Parliament, a book that’s on my wishlist.

The Little Fishes, another war story that I do not own, is set in occupied Italy with a twelve year old orphaned beggar named Guido as the protagonist.

The Haugaard book that I most recently acquired and read is titled Chase Me, Catch Nobody. Set in pre-war Germany and Denmark, Chase Me, Catch Nobody features a fourteen year old Danish schoolboy who must be at least a semi-autobiographical character. Erik Hansen (not Haugaard) narrates this story of a school trip to Nazi Germany in 1937. Erik in the book describes himself in much the same way that author Erik Haugaard reminisces about his younger self in a 1979 interview I read. Erik Haugaard the author and Erik Hansen the character are both from upper middle class backgrounds, indifferent students, ambitious to write poetry, and as adolescents “a bit of a snob.” Haugaard says in the interview that even as an adult writer what he most needs and craves from an editor is praise, praise, and more praise. Erik Hansen is self-aware enough to know and tell the reader that he is somewhat ashamed of his parents and their “lack of imagination” and middle class values, but that he enjoys being wealthy and generous just like his father and that he and his father indeed share share many of the same faults, “which is why we didn’t get along.”

I thought the book, rated YA for some fumbling talk about sex and for the very adolescent attitudes expressed in story, was very insightful as the characters, mostly Erik and his friend Nikolai, gained more and more insight into their own characters and their own ability to act with courage and conviction. The boys are tested by an encounter with a stranger in a grey raincoat who entrusts Erik with a mysterious package to deliver just before the man is arrested by the Gestapo. Then, later in the book, Erik and Nikolai are given another mission to complete that will require them to face great danger in order to possibly save a life. And through the book while Erik and his friend act with courage and determination, they are also typical teens, idealistic, sarcastic, foolhardy, convinced of their own invincibility and at the same time vulnerable and unsure of their own beliefs and convictions.

I was reminded of this book, The Boys Who Challenged Hitler: Knud Pedersen and the Churchill Club by Phillip Hoose, and I think these two books would be quite a good pair to read in tandem for a teen book club or discussion group. I wrote that The Boys Who Challenged Hitler was “an interesting and exciting portrait of youthful zeal and even foolhardiness which can sometimes trump an adult over-abundance of caution and planning” and the same could be said of Chase Me, Catch Nobody. But the discussion could also cover the possibility that such youthful enthusiasm and lack of respect for possible consequences or for the sheer enormity of the evil that was Naziism could bring many lives to ruin, as it indeed did in some places and situations in the Allied resistance during World War II.

I recommend Haugaard’s books for young adult readers who enjoy a challenging story that will cause them to think about character and philosophy and politics and see these subjects through the eyes of different people from themselves. However, as Haugaard says in the afore-mentioned interview it is much easier to see what’s wrong with the world than it is to see what’s right or to find solutions to the problems. Perhaps just seeing today’s political and social problems in a different historical setting such as medieval Japan or a Viking colony in Greenland will make us see those issues in a new way and begin to understand the path toward new solutions.

Erik Christian Haugaard also made his own translation of Hans Christian Andersen’s stories, published by Doubleday as A Complete Fairy Tales and Stories by Hans Christian Anderson, translated by Erik Christian Haugaard. The translation project took Haugaard three years to finish.

“I don’t know whether my own books will survive, but if I have saved any of Andersen’s stories from obscurity, I have made a contribution to English literature. Who Wouldn’t be grateful for having had such an opportunity!” ~Erik Christian Haugaard, interview in Language Arts, Vol. 56, No. 5 (May 1979), pp. 549-561.

Christmas in Toronto, Canada, c.1937

Nov30

Jane of Lantern Hill is one of Lucy Maud Montgomery’s lesser-known stories. (Ms. Montgomery is, of course, the author of the Anne of Green Gables books as wells the series about Emily of New Moon.) Jane of Lantern Hill tells the story of a girl, Victoria Jane Stuart, who finds out at the age of ten that her father is not dead as she had presumed, and soon after that Jane is compelled to go and visit for the summer with the father she never knew on Prince Edward Island.

This Christmas passage comes from late in the story when Jane is back in Toronto but has grown to know and love her estranged father very much:

The week before Christmas Jane bought the materials for a fruit-cake out of the money dad had given her and compounded it in the kitchen. Then she expressed it to dad.She did not ask anyone’s permission for all this—just went ahead and did it. Mary held her tongue and grandmother knew nothing about it. But Jane would have sent it just the same if she had.
One thing made Christmas Day memorable for Jane that year. Just after breakfast Frank came in to say that long distance was calling Miss Victoria. Jane went to the hall with a puzzled look . . . who on earth could be calling her on long distance? She lifted the receiver to her ear.
“Lantern Hill calling Superior Jane! Merry Christmas and thanks for that cake,” said dad’s voice as distinctly as if he were in the same room.
“Dad!” Jane gasped. “Where are you?”
“Here at Lantern Hill. This is my Christmas present to you, Janelet. Three minutes over a thousand miles.”
Probably no two people ever crammed more into three minutes. When Jane went back to the dining room, her cheeks were crimson and her eyes glowed like jewels.

I do think that perhaps this L.M. Montgomery book, one I don’t remember ever reading, will be my first read of 2018. Skimming it was a delight, and I’m fairly sure that reading the story properly will be quite a good way to start the new year.

I wish my copy were this Virago edition. I love the cover on edition pictured above.

New York Herald Tribune Spring Book Festival Awards

Jan20

In 1937 two awards of $250 each were established by the New York Herald-Tribune for the best books for younger children and for older children published between January and June. In 1941 the system of awards was revised. Three awards, of $200.00 each, were given to the best books in the following three classes: young children, middle-age children, and other children. Each year a jury, composed of distinguished experts in the field of juvenile literature, was chosen to make the selections.

1937 Seven Simeons, by Boris Artzybasheff. For younger children. Illustrated by the author. (Viking.)

The Smuggler’s Sloop, by Robb White III. For older children. Illustrated by Andrew Wyeth. (Little.)

1938 The Hobbit, by J. R. Tolkien. For younger children. Illustrated by the author. (Houghton.)

The Iron Duke, by John R. Tunis. For older children. Illustrated by Johari Bull. (Harcourt)

1939 The Story of Horace, by Alice M. Coats. For younger children. Illustrated by the author. (Coward.)

The Hired Man’s Elephant, by Phil Stong. For older children. Illustrated by Doris Lee. (Dodd.)

1940 That Mario, by Lucy Herndon Crockett. For younger children. Illustrated by the author. (Holt)

Cap’n Ezra, Privateer, by James D. Adams. For older children. Illustrated by I. B. Hazelton. (Harcourt.)

1941 In My Mother’s House, by Ann Nolan Clark. For younger children. Illustrated by Velino Herrera. (Viking.)

Pete by Tom Robinson. For middle-age children. Illustrated by Morgan Dennis. (Viking.)

Clara Barton, by Mildren Mastin Pace. For older children. (Scribner.)

1942 Mr. Tootwhistle’s Invention, by Peter Wells. For younger children.
Illustrated by the author. (Winston.)

I Have Just Begun to Fight: The Story of John Paul Jones, by
Commander Edward Ellsberg. For middle-age children. Illustrated
by Gerald Foster. (Dodd.)

None But the Brave, by Rosamond Van der Zee Marshall. For
older children. Illustrated by Gregor Duncan. (Houghton.)

1943 Five Golden Wrens, by Hugh Troy. For younger children. Illus-
trated by the author. (Oxford.)

These Happy Golden Years, by Laura Ingalls Wilder. For middle-
age children. Illustrated by Helen Sewell and Mildred Boyle.
(Harper-.)

Patterns on the Wall, by Elizabeth Yates. For older children.
(Knopf.)

1944 A Ring and a Riddle, by M. Ilm and E. Segal. For younger children.
Illustrated by Vera Bock. (Lippincott)

They Put Out to Sea, by Roger Duvoisln. For middle-age children.
Illustrated by the author. (Knopf.)

Storm Canvas, by Armstrong Sperry, For older children. Illustrated
by the author. (Winston.)

1945 Little People in a Big Country, by Norma Cohn. For younger children. Illustrated by Tashkent Children’s Art Training Center in Soviet Uzbekistan. (Oxford.)

Gulf Stream by Ruth Brindze. Illustrated by Helene Carter. For middle-age children., (Vanguard.)

Sandy, by Elizabeth Janet Gray. For older children. (Viking.)

1946 Farm Stories. Award divided between Gustaf Tenggren, illustrator, and Kathryn and Byron Jackson, authors. For younger children. (Simon & Schuster.)

The Thirteenth Stone, by Jean Bothwell, illustrated by Margaret Ayer. For middle-age children. (Harcourt)

The Quest of the Golden Condor, by Clayton Knight. Illustrated by the author. For older children. (Knopf.)

Other than The Hobbit and Laura Ingalls Wilder’s These Happy Golden Years, has anyone read or reviewed any of these prize-winning books? I know of the authors Jean Bothwell, Elizabeth Janet Grey, Armstrong Sperry, Roger Duvoisin, Elizabeth Yates, John Tunis, and Ann Nolan Clark, but not these particular books of theirs.

The Three-Year Swim Club by Julie Checkoway

Aug30

The Three-Year Swim Club: The Untold Story of Maui’s Sugar Ditch Kids and Their Quest for Olympic Glory by Julie Checkoway. “For readers of Unbroken and The Boys in the Boat comes the inspirational, untold story of impoverished children who transformed themselves into world-class swimmers.”

The author, Julie Checkoway, is a National Endowment for the Arts individual artist grant recipient and a journalist for the New York Times and other respected publications. She chose a really good and inspiring Olympic story, from poverty in the sugarcane fields of Hawaii to Olympic glory in the swimming pool. However, the execution and the storytelling just weren’t up to par.

I read the entire book, and I’m glad I know the story of these swimming champions from Hawaii and their eccentric Japanese-American coach. However, I feel that the same story in the hands of a Laura Hillenbrand or John Krakauer could have been so much better. I never really understood what motivated the non-swimming coach, Soichi Sakamoto, to spend so much time and energy teaching a bunch of kids to swim competitively. Although Sakamoto is the central character in the book, he remains an enigma throughout, with a shadowy and stereotypical Japanese inscrutability. And when Ms. Checkoway moves the focus to other characters, one of the kid swimmers in training or the famous Hawaiian veteran swimmer Duke Kahanamoku or Sakamoto’s wife, that focus is still soft and indistinct. I never felt I knew any of these people or what they lived for.

Another problem with the story is the lack of suspense or dramatic tension. Almost anyone reading would know that the Hawaiian swimmers’ dreams of going to the Olympics in 1940, and Japan’s dreams of hosting the 1940 Olympics, were doomed by World War II. The only suspense that remains for us is to watch and read about how the characters in the book find out that that there will be no Olympics in 1940 nor in 1944. And after the war, the focus changes again to a new generation of swimmers who didn’t have to train in a sugar ditch and who are more “normal” and middle class and therefore less compelling and interesting than the original group of come-from-behind swimmers who somehow managed to learn to swim and win national championships in spite of their poverty-stricken beginnings.

I think Ms. Checkoway tried to to flesh out her characters and make them more knowable and therefore more interesting, but unfortunately, probably because of a dearth of people to interview almost eighty years after the fact, she often speculates or imagines what the thoughts and feelings of her characters might have been. As I just did. I really don’t know why the author couldn’t or didn’t find out more about what her characters were thinking and feeling, but I assume it was a lack of access to interviews of the characters themselves. Ms. Checkoway makes these sort of assumptions throughout the book, and I didn’t always agree with her imaginary attribution of feelings and thoughts to the people she writes about.

Unbroken by Laura Hillenbrand and The Boys in the Boat by Daniel James Brown are still the gold standard for Olympic narrative nonfiction. This book, while it has its moments, doesn’t even medal. Do you have nominations for the bronze medal in this genre?

FDR and the American Crisis by Albert Marrin

Oct18

History professor Albert Marrin has been writing nonfiction narrative history for quite a while: his first book for young adults was Overlord: D Day and the Invasion of Europe, which was published in 1982. He has written more than thirty history narratives for children and young adults, including Flesh and Blood So Cheap: The Triangle Fire and Its Legacy, a National Book Award finalist.

In his latest book, Marrin returns to the World War II era and to the Great Depression and to the president who shepherded America through both of those crises, Franklin Delano Roosevelt. FDR was a complicated character, and Mr. Marrin presents him—warts, strengths, and all—in the context of the events and attitudes of his time. FDR and The American Crisis is, above all, a comprehensive and balanced vision of Roosevelt, what he did for the United States and what he did to change the country, for better and for worse.

In addition to my appreciation for its even-handedness, I was most impressed with the personal tone of Mr. Marrin’s very detailed, yet broad, narrative. Mr. Marrin is 79 years old. Born in 1936, he actually remembers some of the events of Roosevelt’s presidency and of the second World War. And he’s not afraid to gently insert himself into the narrative with an “I remember” or a “we all wonder if” statement. In addition, Marrin isn’t reluctant to share his own informed opinion when it’s appropriate:

“Critics branded Hoover a ‘do-nothing’ president who let Americans suffer due to his commitment to old-fashioned ideas. It is untrue.”

“The media developed a teenager’s crush on the Red Army.”

“Convinced of his own virtue and wisdom, he (FDR) thought too highly of his personal charm and powers of persuasion. He misjudged the murderous Stalin.”

“Those who praised him (FDR) as a saintly miracle worker are as wrong as those who bitterly cursed him as a monster.”

Bottom line, I learned a lot from reading FDR and the American Crisis—and I learned it in a throughly pleasant and absorbing read. Mr. Marrin once said in an interview, “Kids are very bright. I’m not going to write down. If anything, I’ll have them read up to me.” This book is not dumbed down, nor is it a breezy hagiography of a famous president. Any high school, or even college, student looking for both an in-depth and readable introduction to FDR and his presidency could not do better than to read Mr. Marrin’s book first.

Setting: 1936-39, Just Before the War

Jan27

A friend of ours is writing a book of stories set in a small English village just before World War II, and I’m reading The Last Lion, the second volume of a three volume biography of Winston CHurchill, about the years from 1932-1940. So I’m particularly interested in the time period right now, especially in Europe and Asia. (I didn’t include books set in the United States during the 1930’s.) Do you have any recommended additions to this list?

Spanish Civil War:
Homage to Catalonia by George Orwell. Nonfiction.
Life and Death of a Spanish Town by Elliot Paul. Fiction.
For Whom the Bell Tolls by Ernest Hemingway. Fiction.
Winter in Madrid by CJ Sansom. Fiction. Semicolon review here.

Sino-Japanese War and The Nanjing Massacre:
Shanghai Girls by Lisa See. Fiction. Semicolon review here.
When We Were Orphans by Kazuo Ishiguro. Fiction. Semicolon review here.
Living Soldiers by Ishikawa Tatsuzo. Fiction.
Nanjing Requiem by Ha Jin, reviewed at Semicolon. Fiction.
The Devil of Nanking by Mo Hayder. Fiction. Reviewed by Nicola at Back to Books.
The Rape of Nanking by Iris Chang. Nonfiction.
Dragon Seed by Pearl S. Buck. Fiction.

The Kindertransport, 1938-39:
Sisterland by Linda Newbery. YA fiction.
Far to Go by Alison Pick. Fiction.

Stalinist Russia, Before the War:
Darkness at Noon by Arthur Koestler.
Sashenka: A Novel by Simon Montefiore.

Britain, Before the War:
Miss Buncle’s Book by D.E. Stevenson. Fiction.
A Blunt Instrument and No Wind of Blame by Georgette Heyer. Fiction.
Brideshead Revisited by Evelyn Waugh. Fiction.
Miss Pettigrew Lives For A Day by Winifred Watson, reviewed at Semicolon.
The Last Lion: Winston Spencer Churchill: Alone, 1932-1940 by William Manchester. Nonfiction.
Several Agatha Christie mysteries take place during this time period, titles too numerous to mention.

Continental Europe, Before the War
Pied Piper by Nevil Shute.