Forward Me Back to You by Mitali Perkins

Apr10

Mitali Perkins’ new book, Forward Me Back to You, is excellent YA fiction that deals with adoption, searching for birth parents, sexual assault, human trafficking, faith, and the meaning of family, all in the context of an exciting and romantic story that shows both Christian and non-Christian characters as real people with complex motives, thoughts, and desires. This book is going to be hard to classify, which is a great move in the right direction as far as I’m concerned. It’s not traditional “Christian fiction”. Nobody gets saved or converted at the climax of the novel, and it’s not preachy or trolling for Christian converts. But it’s also not the regular old “sanitized” secular novel either. Prayer and church-going and the application of Scriptural principles to life are a normal part of many of the characters’ lives, just as they are a normal part of my life and the lives of many of the people I know.

In the story eighteen year old Robin, whose birth name was Ravi, goes on a mission trip to Kolkata, India to help an organization that is dedicated to the fight against human trafficking. But Robin/Ravi has a secondary (or maybe primary) motive for traveling to India: he has decided, after many years of seeming indifference to his birth culture and parentage, to search for his birth mother who abandoned him to an orphanage in Kolkata eighteen years ago. Also on the mission trip are Katina, a tough girl with secrets of her own, and Gracie, the girl who has had a crush on Ravi for as long as she can remember. As they each work out their own ways to serve in Kolkata, they also learn to be served and to experience healing from the wounds that they have carried with them to this place.

Both the romantic aspects and the sexual assault themes of the novel are explored frankly but appropriately. Teens should certainly be able to handle the subjects as they are incorporated into the story. Although adoptees and victims of assault should be aware of possible triggers in the story, they should also know that the novel might be helpful and even cathartic. For those of us who have not experienced either adoption or assault, Forward Me Back to You should be helpful in developing understanding and empathy.

However, the novel is primarily a story, not a therapeutic exercise. As such, it’s the best kind of story—a tale in which I could ride along with the characters, grow to care about them, experience their joys and tragedies, and learn something about how to handle my own. And I got to do it all in the safety of my own living room. It’s a good book, one I plan to share with my own teenage and young adult children and with some others that I know who would particularly enjoy it because of their own background with similar issues and themes.

You Bring the Distant Near by Mitali Perkins

Jan18

A multigenerational story of a family that combines and stands out with so many common traits and differences that it’s hard to keep up with who resembles whom and who’s going to defy cultural and family expectations and strike in a new direction.

The Das family is Bengali to begin with, immigrants from India/Bangladesh to the United States, via England and Ghana for brief stays in both of the latter places. Over the years in the U.S. the Das girls, Sunny and Starry, find their own connections to their Bengali heritage while forging a new connection to the United States and to its many peoples and varied cultures. And their children, the third generation, also have to negotiate the sometimes delightful and sometimes treacherous decisions that come with upholding tradition and opening oneself up to change at the same time.

I found this book to be both insightful and challenging. I am plain bread white Texan (with maybe a little bit of Native American heritage that’s been mostly lost in the annals of time). I have no cultural heritage except for the culture of white Southern/West Texas country folks. My family never expected me to square dance or two-step or enjoy certain books or music or dress is a certain way. And yet. I understand the pull of family expectations, both the ones I felt from my parents and the ones I have for my own children. I get the difficulties of combining very different families and learning to accept each other’s differences while appreciating the commonalities. Families are a great joy and a great challenge, and this book speaks that truth in a Bengali/American context.

It’s also a great book about growing up, about appreciating your family and their strengths and weaknesses while at the same time working to differentiate yourself from them. Sunny and Starry grow up to be just like their parents, except for the many ways that they are not at all like their parents. And the book also takes socioeconomic differences and challenges and decisions into account as yet another set of intricate cultural influencers that make the characters in the book look at themselves and and others in disparate, sometimes conflicting, ways.

Don’t get the idea that Sunny and Starry and their parents and their children are simply flat, stand-in characters representing Every Immigrant or the “immigrant experience” or AnyTeen who has a journey to make to “find herself”. The people in You Bring the Distant Near are memorable, well-rounded people who make choices that are sometimes surprising and sometimes predictable, always thought-provoking and endearing. Not all of the people in the book make the best decisions, but they are all trying, and as a reader I was rooting for them to succeed in building strong families and strong connections, the same things I want for my own family.

Reading Through India: a 2018 Focus

Jan13

I thought I might try to focus on one country or part of the world each year, reading books and watching movies from that part of the world in order to develop a “feel” and store of knowledge about a particular country or region. 2018 is going to be the year of India, Nepal, and Sri Lanka. So, the following are some books for me to choose from. I don’t plan to read all of these, but I do hope to read several.

Kim by Rudyard Kipling. I tried this classic novel of India from a British colonial perspective a couple of years ago, but I couldn’t get into it. IthinkI’ll try again.

The Jungle Book by Rudyard Kipling. I think I read this children’s classic when I was a child, but I’d like to re-read.

Two Under the Indian Sun by Jon and Rumer Godden. Famed author Rumer Godden and her sister Jon collaborated on this memoir of their childhood in colonial India, 1915-1920.

The Peacock Spring by Rumer Godden. Two British (white) half-sisters, Una and Hal, come to India to live with their divorced U.N.-diplomat father. Both girls become romantically involved with Indian men.

Kingfishers Catch Fire by Rumer Godden. Fiction about a young widow, Sophie, who goes with her two daughters to live in rural India, written in the wake of Rumer Godden’s own experience of living with her children in an isolated house in Kashmir. The title of the novel comes from a poem by Gerard Manley Hopkins.

Freedom at Midnight by Larry Collins and Dominique LaPierre. “A famous, major work on Gandhi, Jinnah, Nehru, Admiral Lord Mountbatten, and the partition of India.” (Goodreads)

City of Joy by Dominique LaPierre. Fiction inspired by the true story of a doctor who moved to Calcutta in the 1960’s and experienced a spiritual awakening.

The Indian Bride by Karin Fossum. Norwegian mystery about a bride from India.

On the Far side of Liglig Mountain: Adventures of an American Family in Nepal by Thomas Hale. Medical missionary memoir.

The Raj Quartet by Paul Scott. The Jewel in the Crown, The Day of the Scorpion, The Towers of Silence, and The Division of Spoils. The origins of Paul Scott’s vast masterpiece.

My Seventh Monsoon: A Himalayan Journey of Faith and Mission by Naomi Reed. “From the view point of her seventh monsoon, Naomi Reed takes time to look back on the seasons of her life. As she does so, she shares with us her journey of faith and mission and reveals poignant truths about God and the way He works His purposes in our lives through seasons.” (Goodreads)

The Faith of Ashish by Kay Marshall Strom. Christian fiction from the Blessings in India series. Sequels are Hope of Shridula and Love of Divena.

Teatime for the Firefly by Shona Patel. India, 1943 and following.

Life of Pi by Yann Martel. I’ve heard of this book and seen it on numerous lists of recommended reading. I fear that it will be too “spiritual” and ecumenical for my tastes, but maybe not.

Midnight’s Children by Salman Rushdie. Not sure about this one either. “Born at the stroke of midnight, at the precise moment of India’s independence, Saleem Sinai is destined from birth to be special. For he is one of 1,001 children born in the midnight hour, children who all have special gifts, children with whom Saleem is telepathically linked.” It sounds very posh and literary, which may or may not be what I want to read.

A Passage to India by E.M. Forster. This novel is another one that I remember trying to read once upon a time, but I didn’t get very far with it. Maybe a second try is in order.

A Suitable Boy by Vikram Seth. In the early 1950’s, Lata and her mother, Mrs. Rupa Mehra, are both trying to find — through love or through exacting maternal appraisal — a suitable boy for Lata to marry.

Churchill’s Secret War: The British Empire and the Ravaging of India During World War II by Madhusree Mukerjee. I love Churchill, but he definitely had his faults and his blind spots. India was one of them, I think.

Mandala by Pearl S. Buck. “News reaches Maharana Prince Jagat and his wife, Moti, that their only son, Jai, has been killed by the Chinese in a border skirmish. An inconsolable Moti sends Jagat out to bring the boy’s spirit home. On the journey, the prince becomes involved with a beautiful and mysterious young American woman.” (Goodreads)

Dancing Princess by Jean Bothwell. Set in 16th century India during the reign of the Mughal emperor Akbar. Or I may settle for some other novel by this author; many of her novels are set in India, and I’d like to try out her work.

Sold by Patricia McCormick. Verse novel about child sex slavery and prostitution.

A Fine Balance by Rohinton Mistry. My friend Bethany says she “would recommend it as being worth reading, but warn that the fine balance seems strongly tipped to the despairing side of life.” I may or may not be in the right mood for this 500+ page tome sometime this year.

City of Djinns: A Year in Delhi by William Dalrymple. “William Dalrymple explores the seven “dead” cities of Delhi as well as the eighth city-today’s Delhi.” (Goodreads)

Outcast by Dianne Noble. Someone recommended this novel of modern-day Calcutta to me. A Hundred Hands by the same author sounds good, too.

Again, these are all books that I have yet to read, so I’m certainly not recommending all of them. Do you have any books about or set in India, Nepal or Sri Lanka to recommend?

Baker’s Dozen: Books to Read for my Around the World Project

Dec27

I’m planning a new project for 2016, an expansion of my Africa Project. This one is an around the world project in which I hope to read at least one children’s book from or related to each nation of the world. Some countries are easier than others to find books, available in English and written by a citizen of that country. I may have to settle for folktales retold by American or Births authors from some countries or even for books that are simply set in the target country, preferably written by someone who has at least visited the particular setting in the book.

So, here is the page for my Around the World Reading Project. Do you have any suggestions to add to my project list, especially for those countries for which I have no books listed? The books must be for children, available in English (translation or original) in the United States, and preferably written in and popular in the country of origin.

Here are thirteen of the books I already chose that I am planning to read this year:

Blinky Bill by Dorothy Wall. (Australia)

The Paper Bag Princess by Robert Munsch. (Canada)

Comet in Moominland by Tove Jansson. (Finland)

The Horse Without a Head by Paul Berna. (France)

The Adventures of Maya the Bee by Waldemar Bonsels, 1912. (Germany)

Haroun and the Sea of Stories by Salman Rushdie. (India)

The Shadow of Ghadames by Joelle Stolz. (Libya)

A Girl Named Disaster by Nancy Farmer. (American author) (Mozambique)

The Letter for the King by Tonke Dragt. (Netherlands)

Platero y yo by Juan Jimenez. (Spain)

The Brothers Lionheart by Astrid Lindgren. (Sweden)

Go Ahead, Secret Seven by Enid Blyton. (England)

Jamela’s Dress by Niki Daly. (South Africa)

I chose these particular books from the list mostly because I have them or have access to them. Have you read any of them? Any recommended or not?

Tiger Boy by Mitali Perkins

Apr21

Set on an island in the Sunderbans (islands) of West Bengal, Tiger Boy is a story about a disobedient and somewhat lazy boy who nevertheless does the right thing and inspires his father to choose right and justice over the desire to see his family prosper.

I had some hesitations about the plot of the story, showing Neel and his sister deliberately disobeying their parents in order to save a lost tiger cub from poachers, but by the end I was pleased with the way the actions of the characters came together. Everyone grew and learned, except maybe the money-grubbing criminal, Gupta.

One throwaway line in the story has Neel’s headmaster commenting that “It’s so blazing hot for January. I’ll sweat to death, I’m sure. Our climate is changing due to the rest of the world, and we’re the ones who suffer.” I can’t find any hard data, in an admittedly cursory search of the internet, that indicates that the temperatures in Bengal and Bangladesh are getting warmer, and the idea that hot weather is caused by “climate change” produced in Western nations is hotly disputed. However, a Headmaster in the Sunderban islands might very well believe that his perspiration can be blamed on climate change.

Other than that little glitch, I thought the story was a delight. Neel and his sister work together to thwart the evil Gupta, who wants to capture the tiger cub, escaped from a wildlife reserve, and sell him on the black market. Neel, at the beginning of the story, is a boy who would rather play than learn math and who doesn’t understand the great contribution he could make to his family’s economic well-being if he were to work hard to earn a scholarship to a good school. By the end of the story, Neel begins to comprehend that his father’s ambitions for him are good, and Neel’s father also learns that even the scholarship and a good education for his son are not worth the price of losing one’s integrity.

The setting is described so beautifully in this book that I wanted to hop on an airplane and go see the Sunderbans. “Home for him (Neel) was the hiss of his father’s boat as it slipped through the deltas, golpata branches swaying in the monsoon rains, and the evening smell of jasmine flowers near his house mingling with green chilies and fresh ilish fish simmering in mustard-seed oil. Need had climbed all the tall palm trees, waded in the creeks, and foraged for wild guavas in every corner of the mangrove forest.”

In her acknowledgements, Mitali Perkins writes that “many of my writing themes emerge from reflection on the parables of Jesus. This book is based on the story about the talents given to three stewards (Matthew 25:14-30).” Neel certainly does learn to use the gifts that he has been given instead of burying them in a cycle of fear and insecurity. And his father, although tempted to give in to the need to take any opportunity to pull his family out of poverty, steps up to take responsibility for his own gifts and duties as a citizen of the larger community.

Exploring the World in Books

Mar9

I am taking a blog break for Lent, but I thought I’d share some of my old posts from years gone by. I’ve been blogging at Semicolon since October, 2003, more than eleven years. This post is copied and edited from February 28, 2005:

Work without hope draws nectar in a sieve,
And hope without an object cannot live. –Coleridge

I read Nectar in a Sieve by Kamala Markandaya and thought it gave a beautiful, but very sad, picture of life in India for many people. It’s the story of a poor family, a fourth daughter who, because she has no dowry, cannot marry well but must settle for marriage to a landless tenant farmer who brings her home to a mud hut he built himself. Fortunately for the girl, Rukmani, her husband Nathan is “poor in everything but in love and care for me, his wife, whom he took at the age of twelve.”
Rukmani narrates the story in first person, telling of the birth of her daughter, the long wait during which the couple think they will have no more children, and then the birth of her five sons. The village where the family lives is on the edge of poverty and starvation; a bad year with too much rain or too little rain will push Rukmani’s family over the edge. Change and new economic oportunities come to the village; however, these new ideas and possibilities are full of danger too, for peasants who have nothing in reserve and are unable or unwilling to move with the times.
I wrote about a month ago about some of my favorite fantasy worlds. These fantasy worlds were first encountered on the pages of books. Then, there are historical and sociological worlds that I visit mostly in books, too. Finally, there is the actual world. I’ve never been to India or China or South America, but I have a picture of what life in those lands is (or was) like–again, from books. I think that Nectar in a Sieve, first published in 1954, will become a large part of my picture of India, along with missionary stories, the young man I met a few years ago at Baptist World Alliance Youth Conference, and other sources, such as the women I see at the grocery store here in Clear Lake dressed in saris.
Warning: The book has a bittersweet ending, but it’s realistic without being hopeless and depressing. Excellent.
These are some of my favorite books that have given me vivid pictures of the world. Most of them are fiction.
Around the world in books:
South Africa: Cry, the Beloved Country and Too Late the Phalarope both by Alan Paton
India: Homeless Bird by Gloria Whelan, The Christ of the Indian Road by E. Stanley Jones, Boys Without Names by Kashmira Sheth.
China: Imperial Woman by Pearl S.Buck, The Importance of Living by Lin Yutang, Nanjing Requiem by Ha Jin, other books by Pearl Buck
Antarctica: Troubling a Star by Madeleine L’Engle,
The Netherlands: The Hiding Place by Corrie Ten Boom
England (Yorkshire): All Creatures Great and Small by James Herriot and all the many, many books I’ve read that take place in England.
Russia: The Endless Steppe by Esther Hautzig (And, of course, Tolstoy and Dostoyevski, although they’re more historical)
Israel: Exodus by Leon Uris
Hawaii: Hawaii by James Michener

Can you suggest any books that capture the culture and living conditions of a country in either fiction or biography? I do prefer and learn more from stories.

I Do Not Come to You by Chance by Adaobi Tricia Nwaubani and Behind the Beautiful Forevers by Katherine Boo

Jan19

As the opara (eldest son) of the family, Kingsley O. Ibe has certain responsibilities: he must make his parents proud, study hard, and become a great man. But times are hard in Nigeria and in spite of Kingsley’s degree in chemical engineering, he cannot find a job. In spite of Kingsley’s father’s great knowledge, hard work, and superior educational background, he cannot work because of his illness, diabetes. And Kingsley’s industrious and skilled mother is losing her tailoring business because of changes in technology and the time it takes to care for his father. Kingsley’s brothers and sister need school fees and books and uniforms, and his girlfriend, Ola, “the sugar in his tea,” may not be able to marry him unless he can show the ability to support a wife and family.

So slowly, inexorably, Kingsley is sucked into the business of his rich uncle, Cash Daddy. Kingsley becomes a 419-er, breaking the law and bilking foreigners so that he can do what is right: take care of his family. (The number “419” refers to the article of the Nigerian Criminal Code dealing with fraud.) It’s a sad story, and the author, who lives in Abuja, Nigeria, develops the story deftly with just the right amount of sympathy for Kingsley and his plight mixed with enough detail about the heinous scams he perpetrates to make us have mixed feelings at best about this character.

The culture of corruption that pervaded this story made it a striking companion to the nonfiction book I read just after it. Behind the Beautiful Forevers by Katherine Boo is set in Mumbai, India, where Ms. Boo spent three years researching, interviewing and observing the residents of a Mumbai slum that has grown up near the bright, sparkling Mumbai International Airport. The full title of the book is Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity. There’s not much hope in the story. The central characters in the book are a family of Muslim garbage brokers who buy scavenged garbage from their fellow slum-dwellers, sort it, and take it to recycling centers to sell again. The same culture of overwhelming, near-inescapable corruption, bribery, and governmental chaos keeps the garbage pickers of Mumbai in poverty and despair just as the fictional Kingsley Ibe in Nigeria is unable to escape or retain his integrity in an environment and governmental structure that only rewards cunning and dishonesty, not integrity or even educational attainment and hard work.

I just cannot imagine living in a country where bribery is the only way to achieve a semblance of justice, where votes are for sale, and where the poor are not only poor but forced into slavery, prostitution, and degradation. I suppose I am way too middle class American WASP, but I had to keep reminding myself while reading Behind the Beautiful Forevers that this book was nonfiction, that these were real people. And while the first book, I Do Not Come to You by Chance, was fiction, the things that happen in the book were real. 419-ers exist. People who work hard to get an education are unable to find jobs in a broken economy. People are turned away from hospitals because they cannot pay exorbitant amounts of money for simple health care. People like Kingsley turn to lives of crime and extortion because they see no other way to provide for their families or to survive.

I kept asking myself as I read Ms. Boo’s book, which reads like a novel: where are these people now? The Annawadi slum was slated for destruction/removal; has it been removed? What happened to the families that Ms. Boo writes about in her book who are dependent on trash from the airport to resell for basic necessities? Did the book itself change the lives of these people in any way? For the better? For the worse?

â€œThe Indian criminal justice system was a market like garbage, Abdul now understood. Innocence and guilt could be bought and sold like a kilo of polyurethane bags.â€

“It seemed to him that in Annawadi, fortunes derived not just from what people did, or how well they did it, but from the accidents and catastrophes they avoided. A decent life was the train that hadnâ€™t hit you, the slumlord you hadnâ€™t offended, the malaria you hadnâ€™t caught.”

I Do Not Come to You by Chance was awarded the 2010 Commonwealth Writers’ Prize, first novel Africa.

Pulitzer Prize-winning journalist Katherine Boo won the National Book Award in the nonfiction category for Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity.

The Savage Fortress by Sarwat Chadda

Dec5

Not exactly my kind of book. The Savage Fortress was inspired, writes the author, “by the real Savage Fortress–a maharajah’s palace near Varanasi, India–as well as his life long fascination with the goddess Kali.”

So, this Hindu goddess:

'Goddesses' photo (c) 2008, LASZLO ILYES - license: http://creativecommons.org/licenses/by/2.0/

And this rather medieval looking maharajah’s palace:

'India - Varanasi - 010 - one of the Maharaja palaces' photo (c) 2007, McKay Savage - license: http://creativecommons.org/licenses/by/2.0/

And the tag line is: Heroes aren’t made. They’re reborn.

If you’re interested in a reincarnation story in which an British teen of Indian ancestry must fight to keep Ravanna the evil god of the rakshasas (demons) in his place of exile so that Ravanna won’t take over the world and make it into a place of (more) chaos and suffering on a grand scale, then The Savage Fortress is your book. To me, it just felt evil and confusing, although I will admit to a certain train-wreck fascination. The writing certainly ranged from adequate to good, but I’m just repelled and bewildered by Hindu mythology. If everybody is going to come back after death and fight the same battles all over again, what’s the use?

Then there’s the Kali motif that I found deeply disconcerting in this story for middle grade readers:

“KÄli is the Goddess of Time and Change. Although sometimes presented as dark and violent, her earliest incarnation as a figure of annihilator of evil forces still has some influence. . . The figure of KÄli conveys death, destruction, and the consuming aspects of reality. As such, she is also a “forbidden thing”, or even death itself.

Can mercy be found in the heart of her who was born of the stone?
Were she not merciless, would she kick the breast of her lord?
Men call you merciful, but there is no trace of mercy in you, Mother.
You have cut off the heads of the children of others, and these you wear as a garland around your neck.
It matters not how much I call you “Mother, Mother.” You hear me, but you will not listen. From a poet named RÄmprasÄd Sen in Wikipedia article on Kali.

And our hero, Ash, ends up defeating Ravanna with the power of Kali, the goddess of Darkness and Death. Ewwww. (I’m not too fond of zombies or vampires, either.)

One Amazing Thing by Chitra Divakaruni

Jan13

In addition to The Canterbury Tales (which appears in my novel) and Wuthering Heights, I was drawing on works such as The Decameron, The Arabian Nights, and the Indian Wise-Animal tales, The Panchatantra. Just before beginning my book, I reread Ann Patchett’s Bel Canto because I really liked the feel of that novel. ~Chitra Divakaruni

A group of diverse people are trapped by an earthquake inside a visa office, and to survive emotionally they begin, one by one, to tell their stories.

“Unless we’re careful, things will get a lot worse. We can take out our stress on one another–like what happened–and maybe get buried alive. Or we can focus our minds on something compelling— . . . We can each tell an important story from our lives. . . Everyone has a story,” said Uma, relieved that one of them was considering the idea. “I don’t believe anyone can go through life without encountering at least one amazing thing.”

So each of the nine people trapped in the unstable building tells his or her story. I thought the premise was genius, and the execution was good, too. I don’t care much for short stories, but these were knit together by the over-arching plot of nine people imprisoned in an office with possible death staring them in the face. The themes of the characters’ stories were inter-woven, too. The stories were all about thwarted desires and about what happens when we get what we think we want, but not what we really need or want.

What story would you tell if you were to tell about One Amazing Thing that had happened in your life?

I’m thinking about using this book in a high school World Literature class that I’m planning for next year. If you’ve read it, what do you think? Could high schoolers relate to the characters in the book? Wouldn’t it be a good introduction or exposure to colliding cultures and grace under pressure?

Do you have other reading suggestions for an 11-12th grade World Literature class?

Saraswati’s Way by Monika Schroder

Dec21

Twelve year old Akash sees patterns of numbers in his head. The village math teacher can only take him so far in math, bu he puts an idea in Akash’s mind of winning a scholarship to a school in the city. So Akash prays to Saraswati, the goddess of knowledge and wisdom, to make a way for him to hire a tutor to teach the math he needs to know to pass the scholarship examination.

The last book I read, Words in the Dust, was set in Afghanistan and was very Muslim, and now this book, set in India, is very Hindu. Akash prays to Saraswati, goes to the temple, performs Hindu funeral rites for his father (Bapu) in hopes that his Bapu’s soul will be freed to go . . . somewhere good. If this honest and vivid depiction of Hindu religion makes you uncomfortable, as I must admit it did me to some extent, then maybe that’s a good thing. I tend to forget that there are people who live and die in the grips of what I would consider an enslaving and false religious tradition.

Akash becomes a child of the streets, living in the railway station in Delhi. He works and works to find a way to attend a school where he can learn more, especially more math. He makes some good decisions (saving his money and not sniffing glue) and some nearly disastrous ones (dealing drugs to make money). And in the end, the reader is left with only the hope that Akash might, just possibly, be able to go to school and get off the streets.

Author Monika Schroder says in her Author’s Note:

A boy like Akash has only a slim chance of fulfilling his dream in contemporary India. Yet I wanted to write a hopeful book about a child who, with determination, courage, and some luck, achieves his goal against all odds.

If you like this book about a street child in India and you’re interested in similar or related stories, I recommend:

Boys Without Names by Kashmira Sheth. Brief Semicolon review here.
Monsoon Summer by Mitali Perkins. Semicolon review here.
Homeless Bird by Gloria Whelan.
What Then, Raman? by Shirley Arora.
The movie, Slumdog Millionaire.

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