Archives

Vivid (The Color Theory #1) by Ashley Bustamante

Sep26

All of the people left on Earth live together on a protected island run by those who manifest some sort of color magic as children and by those magical adults who become Benefactors, protectors of the world on this island. Ava’s goal as she studies in her school Prism has always been to become a Benefactor someday. So, there are three kinds of color magic:

  • Red Augmenters have magic that affects the body: healing, strengthening, and increasing agility and speed.
  • Blue Shaper magic changes and makes objects, technology, building and re-forming things into different things.
  • Yellow Mentalists, however are dangerous. They can work on, even control, others’ thoughts and emotions. Yellow, the color and the magic associated with it, has been outlawed, and practitioners of yellow magic have disappeared from the island. They are exiled or perhaps destroyed?

This book is firmly in the Young Adult camp. There’s an on again-off again romance building throughout the novel, and it reads like a very teenage-y, somewhat ridiculous, romantic entanglement in the eyes of this sixty-five year old grandmother. (Not a criticism. If you’re a teen girl, you may fall hard for Ava’s love interest, Elm.) Ava indeed does fall for the “bad boy”, only maybe he’s not a bad boy at all. But he is a Yellow magic mentalist, so maybe he’s manipulating her mind? Ick! Is he good or bad? Can Ava trust him or not? That’s a lot of the plot and tension in the entire story.

I enjoyed the book, but I never could get over my discomfort with the idea that Yellow magic people could manipulate other people’s thoughts and feelings. How would you ever know if what you were feeling or thinking was real and accurate if that’s the case? I think this is exactly why God gives us free will; our responses have to be our own, and we have to know that our loves and and beliefs are not coerced. Otherwise, nothing can be trusted to be real or meaningful or logical.

So, although the premise of the story is catchy, and the writing is decent, I’m having trouble staying on the train. Maybe the second book in the series will explain more. And maybe the romantic part of the story will be just a little more mature? I don’t mean explicit, just less angsty, more carefully considered.

Overall, it’s a decent start to a possibly good series. You might want to wait for the next installment, or if you like clean bad boy romances, you could go ahead and jump in now.

The Wonderland Trials by Sara Ella

Sep17

The Wonderland Trials (The Curious Realities Book 1) by Sara Ella. Enclave Publishing, 2022.

Alice in Wonderland by Lewis Carroll is one of those love/hate it kinds of books. I happen to love it, and now I want to reread it after finishing The Wonderland Trials, a “love letter to Alice and fairy tales and children’s literature and games,” according to the author. Trials is not only a love letter, it’s a Christian love letter, not obvious or preachy, but bringing up Biblical concepts and allusions in an artful and intriguing way. And that makes me think the author and I would have much in common if we were to enjoy a nice cup of tea together.

Still, I’m from Texas, not London, and my cup of tea would probably be a glass of sweet iced tea. Ms. Ella, on the other hand, lives in Arizona and as a young person she immersed herself in Disney’s Alice in Wonderland, not just Carroll’s Alice. Her American nationality shows. The story is good, but the references to British culture are sometimes a bit off. Do people really eat Yorkshire pudding for dessert? And I caught at least a couple of instances of words that were slightly misused. Can you concur when no one has said anything to concur or agree with in the first place?

Nevertheless, I found a lot to like about this story of a girl named Alice who makes a journey into Wonderland to search for the lost competitors in the Wonder Trials. The sense of confusion and nonsense and riddle that pervades the story made my head ache just a little–along with Alice. And I’m still not sure where this journey is taking us as readers any more than I know where Alice and the other members of Team Heart are going. This is only Book 1, and it ends . . . unfinished. I’m not fond of cliffhangers, especially if I enjoyed the story.

And I did enjoy this story despite its minor glitches, so I’ll make an exception. Alice is an interesting, well-rounded protagonist, and her love interest Chess Shire is intriguing and a bit mysterious. Oh, yes, this book is firmly in the Young Adult speculative fiction camp, but also clean and romantic in a playful way. It’s just right for the 13-17 year old crowd, which happens to be the age group of most of the team players and main characters.

By the way, why is a raven like a writing desk?

Alone on a Wide Wide Sea by Michael Morpurgo

Aug19

This middle grade or young adult novel, by the author of War Horse and Private Peaceful and many other excellent titles, takes place in Australia—and on the ocean. Part 1 of the book is The Story of Arthur Hobhouse, a British orphan who at the tender age of six years old is sent to Australia to live with foster parents in an orphanage in Cooper’s Station. Arthur’s story has its ups and downs, some of it quite harrowing. There’s child abuse, and outback survival, and the sad death of one of the main characters, which is why maybe the book is more for older teens and adults. But it’s a good and ultimately hopeful story, and I liked the fact that almost none of the characters in the book is all good or all bad. They are a mixture for the most part (except for the main villain with an appropriate name, Piggy Bacon).

Part 2 is The Voyage of the Kitty Four, the story of how Arthur’s daughter Allie takes the boat her father built for her and sails from Australia to England, alone. It’s an ocean adventure, reminiscent of one of my favorite true life adventure stories, The Boy Who Sailed ‘Round the World Alone (aka Dove) by Robin Graham. Allie’s story also has ups and downs, not just on waves, but also in her emotional state as she faces the dangers of sea by herself and learns to rely on her own resources.

There’s some hostility to religion and Christianity in the book since Arthur’s first experiences of “Christianity” are horrifying and anything but Christlike. There’s also a bit of superstition—because if you can’t rely on God then you might tend to look for signs and wonders, right? But these things all made the book more rich and understandable for me. People do have bad experiences with abusive, religious people, and sometimes an albatross could be a sign of God’s love and protection. Allie and Arthur both have a deep love for Colerige’s The Rime of the Ancient Mariner, so that’s a thread throughout both stories.

Good book by a very good author. I’ve enjoyed all of the books by Michael Morpurgo that I’ve read.

Out of Range by Heidi Lang

Jul26

3 sisters: Abby, Emma, and Ollie McBee.

A months-long feud, trading pranks, insults, and put-downs, culminates in the girls being sent to Camp Unplugged. Their parents hope that some time together, away from internet, cell phones, and other distractions, will help the sisters to re-unite and forgive each other. But it’s not working. Abby, the oldest sister, has found a new friend at camp, and Emma and Ollie feel just as angry and left out as they did at home. So the malicious pranks–a frog in the tent, honey in the sleeping bag, and more–continue, and the girls’ camp counselor, Dana, is just as exasperated with them as their parents were.

So, Dana takes the girls on an all day disciplinary hike up a nearby mountain, and then when the three sisters are separated from Dana, they get lost and and injured. And they have to outrun a fire and navigate a raging river. And they meet a bear, and there may be a mountain lion stalking them. Can the sisters learn to work together, forgive each other, and survive?

The author shows the tangled relationships between these three sisters, their fears and their hopes and their growing pains, so well, as they trade insults and yet come to realize how much they really care for each other and need each other. It’s not an immediate or complete change that happens just because the sisters are in crisis mode. Abby is still the somewhat bossy and superior older sister, twelve years old and responsible but not sure she’s up to the responsibility. Emma is still the middle sister, ten, caught between Abby and Ollie, afraid of strong words, somewhat anxious, and longing for everything to go back to the way it was before the sisters broke up into “sides”—The Youngers against Abby. Ollie is still the baby (who isn’t really a baby any more), stubborn, impulsive, and slow to apologize. There are layers of personality and relationship and sisterhood here that are revealed a little at a time, like peeling an onion, as the three sisters come to know each other and themselves so much more deeply.

I liked this book a lot. The sisters have been rather cruel to each other, but they eventually, and realistically, find a way to forgive each other and move forward. I’m going to be recommending this books to sisters and to brothers, all siblings, who are forging their own sibling relationships, probably in less challenging circumstances than those the McBees face. I always told my kids when they were growing up that friends come and go, but family, sisters and brothers, are forever. Those sibling relationships are an important training ground for life, and sometimes they have to be mended–because we all say and do things to hurt each other.

Good book.

Hana Hsu and the Ghost Crab Nation by Sylvia Liu

Jul18

Hana Hsu can’t wait to be meshed: her brain tied into the multiweb by means of a neural implant that will enable her to communicate with everyone, thought to thought, brain to brain. AND she will be able to choose one of three areas of giftedness to be enhanced: intelligence, sensory powers, or physical strength. However, there are, of course, problems. Hana can’t get meshed for another year, not until she’s thirteen. And Hana feels she is losing touch with the rest of her family, especially her older sister and her Ma, both of whom are already meshed. Then, there’s Hana’s grandmother, Popo, who’s beginning to lose her memory. The only way Hana can see to help Popo and regain her family’s closeness and bond is to get meshed as soon as possible.

Enter the Ghost Crab Nation, a loosely organized group of underground protestors who are trying to, well, Hana’s not sure what their aims are or whether or not she can trust Ink, the girl she met in the junkyard, or Wayman, the old man who wants her to spy on her Start-Up program to see if something nefarious and dangerous is going on. But the Start-Up program is Hana’s way to get herself meshed early, maybe if she does well in as little as three months at the end of the summer. Should Hana trust the leaders of her Start-Up? Should she trust Wayman and Ink? Is there a downside to getting meshed? The entire book is a mystery inside a science fiction dystopian fantasy, and the world building is well done.

Other pluses:

  • Hana is a great character, concerned for her family, ambitious, and curious. She does some rather dangerous things, but all in a good cause.
  • The theme of asking questions about what our reliance on the internet and our interconnectedness is doing to us as individuals and as a culture is certainly relevant, but it’s not a didactic or propagandistic novel. The idea are presented by means of story and on a middle grade level.
  • The action is well paced, and the plot is believable within the confines of the world the author has created.

But . . . a couple of caveats:

  • When meshed (or maybe enmeshed) people meet they get a feed in their brains that tells them some basic stats about the other person, name, age, education, family status, and pronouns? Really, pronouns, like he/him, she/her. Luckily, no weird pronouns appear.
  • One of the characters, Ink, is a girl in the real world, but he’s a boy inside this virtual reality video game that everyone uses not only to play but also to communicate and move around and share information. That wouldn’t really be a problem, a girl choosing a male avatar in a game, except that it’s made very clear that Ink could choose to be male in the real world, too, if he/she wanted to. At least I think it’s clear, although nothing about this whole gender confusion era that we’re in right now is really very clear.

Were it not for the caveats, I would recommend Hana Hsu as a great story and a vehicle for exploring ideas related to the internet and social media and its effect on young, developing brains. It’s also got ideas and questions about family and how you maintain family bonds and how you fight injustice and solve social problems and how much is too much to give up in order to serve the community. But there is already enough gender confusion in this world as it is without adding to the mix. I enjoyed it, but I’m not recommending.

Sir Gibbie by George Macdonald

Apr30

I got a rotten version of this book, or else George Macdonald wrote a dud. The story is there, and it’s a good one. But the “edited” version I read was tedious and much too explanatory, over-simplified and dull. Kathryn Lindskoog, a C.S. Lewis scholar and an author herself of literary and critical works, was the editor of the book I read, in the Classics for Young Readers series, published by P & R Publishing. She also edited several other classics for this series, including  Little Women, The Little Princess, Robinson Crusoe, Hans Brinker, and Black Beauty. If they are all written in the style that I read in her version of Sir Gibbie, I would not recommend them. And honestly, I am not sure why any of those other classics need updating or editing in the first place. They were all readable and lovely in the original for me as a child or young adult.

I do understand why Macdonald’s work is often edited to translate the Scots dialect that is prominent in many of his novels, including Sir Gibbie. I’ve only compared the version I read with the original (from Project Gutenberg) in few places, but I’m fairly sure that a lot of the dialogue, instead of being translated into modern English, is just explained. And most of the descriptive passages are simply left out or edited down to near-nothings. The back of the book says that Lindskoog “stepped up the pace of each chapter.” Also it says “this edition is a winner of the Gold Medallion Book Award in recognition of excellence in evangelical Christian literature.” Ouch! I don’t know why this rather wooden and tedious retelling won such an award, but I’m just not a fan.

According to Wikipedia, Lindskoog wrote, about her edited versions of classics:

I’m as much of a purist as you. I absolutely love these authors. That’s why I’m hand-polishing them for today’s readers and performing what I call literary liposuction – removing flab and fat. I keep every bit of the original story, the style, and the values – even restoring parts cut out in other versions. I know my work would make the author happy; otherwise, I wouldn’t do it

Sir Gibbie, a mute orphan with a heart of gold, is an engaging character, and the plot, although somewhat convoluted, is interesting and even surprising at times. But again, I just couldn’t enjoy the story as it was told in this edited version. I plan to try the original at some point. What I’ve read of George Macdonald’s writing shows him as a much better writer than this “literary liposuction” version displays.

I Must Betray You by Ruth Sepetys

Apr21

First of all, Ruth Sepetys is an excellent writer. I read three of her books, Between Shades of Grey, Out of the Easy, and Salt to the Sea, and her ability to place vivid fictional characters within an historical event and context was impressive. The first book, Between Shades of Grey, came out of Sepetys’ own Lithuanian American background and is set in Stalin’s Lithuania and Siberia. The other books, including this latest one set in Ceausescu’s Romania, show evidence of extensive historical research and an ability to create an atmosphere in reading the book that mirrors the cultural ambience of the times.

The place and time of this book are not a good place to be immersed in. In reading about a high school boy, seventeen year old Cristian Florescu, who is attempting to understand how to live in 1989 Romania, I felt a small part of what the people of Romania must have felt: claustrophobia, fear, entrapment, and suspicion. Ceausescu, his family, and his Securitate (secret police) control everything and everyone. And alongside the official apparatus, there are the civilian informers. In her Author’s Note at the end of the book Sepetys says, “It’s estimated that one in every ten citizens provided information.” All of these spies and informers generated thousands and thousands of pages of reports on the daily activities of every citizen, and each page added to “Romania’s perpetual sense of surveillance.”

This story is one that needs to be told, needs to be repeated. I see and hear people in the United States and in Europe flirting with communism, calling themselves “Marxists” or “socialists.” They think that such ideas are “just a better economic system”, that they won’t lead to tyranny or to a cult of charismatic leadership or to poverty and slavery. But everywhere—Cuba, Venezuela, Russia, Lithuania, Latvia, Vietnam, East Germany, and Romania—that’s exactly what communism has produced, has been used to produce. And the stories needs to be told again and again, both as cautionary tales and as a monument to the very real people who suffered under the horror and brutality of life in what was meant to be “just a better economic system.”

Cristian and his friend Luca and his girlfriend Liliana live through the fall of Ceausescu and his regime, but the story doesn’t really have a happy ending. Communism didn’t end in Romania until fifteen years after the death of the Ceausescu’s. And there are still many unanswered questions about what exactly happened in Romania during the rule of communism: who killed whom, and who gave the orders, and who benefitted and how it all came to be. All of the answers to these questions are perhaps buried in tons of records and files and reports, or perhaps just buried, destroyed. I Must Betray You is one attempt to illuminate through story what it felt like and what it required to live in a certain time and place, Bucharest, Romania, 1989 under the communist regime of Nicolae Ceausescu.

Lost in the Barrens by Farley Mowat

Apr15

I realized that I have in my library three books written by Canadian environmentalist and author Farley Mowat—Lost in the Barrens, Owls in the Family, and Never Cry Wolf—but I had not until now read any of them. Mowat’s writing is somewhat controversial; he was accused of fabricating some of the events and the science in his nonfiction books. His response that he “never let the facts get in the way of the truth” did nothing to refute or placate his critics.

However, Lost in the Barrens is fiction, a survival story about two teen boys who are lost and forced to survive during winter in northern Canada. So, if the boys, Jamie and Awasin, are a bit too lucky and plucky and skilled to be believed, and they are, it makes a good story, nonetheless. The book, published in 1956, calls Awasin a Cree Indian rather than Native American or First Nations, and his people’s traditional enemies are called Eskimos. Both groups and the individuals in them are presented in a way that is respectful and admiring of their culture and traditions. Jamie is non-native, of Scottish Canadian extraction, and he is the more impulsive and foolhardy of the two boys. It is Jamie’s fault that the boys are lost, and it is mostly Awasin’s skill and strength and courage that saves them, although Jamie is said to contribute “inventiveness” and “persistence” to the partnership that the boys form.

I must admit that I found myself skimming the many passages in this book that describe exactly how Jamie and Awasin hunt and preserve their food, build their cabin, manage their fuel supply, and do all of the other multitude of things required for survival in a Canadian winter wilderness. I couldn’t tell you if the solutions and inventions that the boys come up with to keep themselves from freezing or starving to death are actually workable and believable or not, and I couldn’t tell even if I had read about them ever so carefully. It all seemed possible, and it made for a good story.

Fans of survival stories such as Hatchet by Gary Paulsen or My Side of the Mountain by Jean Craighead George would probably enjoy Lost in the Barrens. Lost in the Barrens is a little more challenging in terms of vocabulary and detail than either of those two books, but there are no content considerations other than vivid descriptions of hunting and killing animals for food and of the steps involved in curing and preserving the parts of the animals that were killed. I would recommend the book to children ages twelve and up, younger if the child has an interest or experience in outdoor life and hunting in particular.

Mr. Mowat is a good storyteller, factual or not. (Oh, and there’s a movie version of this story. Anybody seen it? Recommended or not?)

The Lion’s Paw by Robb White

Jan1

I got this book for Christmas, and it was the last book I read in 2021. Author Robb White wrote for magazines and for television (several episodes of Perry Mason) and the movies, but he is best known for his 24 novels for young people. His books would be classified as “Young Adult” nowadays. Although they are full of adventure and feature somewhat rebellious and independent heroes, by today’s standards they probably wouldn’t be quite edgy enough for the YA market. I have read four of his books now, and I like them very much.

The Lion’s Paw is the tale of three runaway children who sail fifteen year old Ben’s father’s boat through the inland waterways of south Florida, down the Atlantic coast all the way to Captiva Island in the Gulf of Mexico. Ben is running away from a guardian who wants to sell his father’s sailboat because the uncle/guardian believes that Ben’s father, a Navy sailor, is dead. (The book was originally published in 1946, so Ben’s dad is assumed either dead or captured by the Japanese in the Pacific during WWII.) The other two runaways, Penny and her little brother Nick, have escaped from an orphanage. The orphanage doesn’t sound exactly cruel, just sterile, regimented, and uncaring. The story begins with Penny and Nick deciding that that they aren’t likely to be adopted by anyone decent and they just can’t stand life in the orphanage anymore. So they run away and meet up with Ben, and off they go!

The story includes tropical storms, bounty hunters, alligator encounters, near escapes, and the hunt for a seashell called the Lion’s Paw. Ben is convinced that if he can find a Lion’s Paw for his dad’s seashell collection, then his dad will come home. The story itself is beguiling with three plucky, courageous, and determined children facing both the dangers of sailing and surviving on the ocean and the strictures of the adult world which threatens to put an end to their freedom and adventure. There are couple of caveats: the children and an adult in the story use slang to refer to the Japanese (“Japs” and “Japoons”), and at one point the children use some potentially deadly weapons to fight a man who wants to turn them in to the searchers for a reward. Being prepared to use deadly force to counter an intruder would probably be disallowed or at least disapproved of if the book were written and published in the twenty-first century.

Still, I thought it was an exciting story with some brave and admirable characters. Both boys and girls, anyone over the age of twelve or so, would enjoy the tale and be inspired, not to run away from home or go out alligator hunting alone, I hope, but to “do hard things” and face difficulties with courage and ingenuity.

2021 MGF: In a Flash by Donna Jo Napoli

Nov11

I’ve enjoyed Donna Jo Napoli’s books in the past; the author blurb says she’s published more than eighty books for children in her long career. Most of the ones I’ve read have been fairy tale and folk tale retellings (The Wager and Zel) or historical adventure tales (Alligator Bayou and North and Song of the Magdalene). Ms. Napoli, a professor of linguistics and social justice at Swarthmore College, is a good writer. Her books tend to fall toward the upper end of the middle grade fiction age group, maybe even pushing into young adult. In a Flash has a child narrator/protagonist, eight years old at the beginning of the story, but the subject matter and setting, the horrible plight of two Italian sisters surviving on their own in WWII Japan (1940-1946), is harrowing enough to call for some maturity in the reader. I was appalled by the suffering that SImona and her little sister Carolina undergo, and I’m a grown up who knew what to expect when the children, toward the end of the story, end up in the city of Hiroshima.

Because the chapter headings have dates affixed at the beginning and the book is written in first person from Simona’s point of view, I thought at first that the author was trying to pretend that this was SImona’s diary or journal. However, the writing isn’t a child’s writing, and the story is told mostly in present tense. Neither of those choices works for a diary entry. So, I soon realized that the dates were just there to assist the reader in knowing how much time had passed between chapters and where the children were in terms of age and in regard to the war. I found the story fascinating, a little slow-moving at first, but the details about life in Tokyo and in Japan as a whole were vivid and enlightening. The cultural differences between Japanese manners, language, and expectations and Italian cultural mores manifest themselves through the eyes of two little girls who struggle to live as the Japanese do while remembering that they are also Italians.

As I indicated, the book doesn’t shy away from the gruesome details of the starvation, fear, political repression, and sheer misery and trauma of living in wartorn Japan, especially as hated Westerners, Italians who were at first welcomed as friends of the Japanese, then despised as traitors after Italy’s surrender to the Allies. The suffering of the common people of Japan, as well as the choice of some of them to resist the suicidal “patriotism” required of them, are also portrayed in the story.

Because of all the suffering and bombing and starvation and imprisonment, the novel read like a Holocaust story, but with a very different setting. I would recommend In a Flash for mature young people who have been reading about the horrors of World War II as a different perspective and view of the atrocities and difficulties of that time.