Tag Archive | science fiction

The Lost Planet by Rachel Searles

This debut novel, first in a projected series, is just the ticket for Star Wars fans. Are there still Star Wars fans around these days? Like Trekkies? Tell me that Trekkies still exist.

Anyway, The Lost Planet opens with our amnesiac hero recovering from a nasty head wound. He doesn’t know where he is or who he is. However, a somewhat damaged memory chip embedded under his scalp (ouch!) indicates that his name might be “Chase Garrety”. The only thing he remembers, sort of, is a message: “Guide the star.” What does it mean? Who is he really? And is someone trying to kill him?

What in this book reminded me of Star Wars?

*a robot helper/guardian.
*lots of alien species with odd non-humanoid bodies from several different planets.
*travel on a rickety old space ship with a less than trustworthy pilot.
*space smugglers and arms dealers.
*a “who am I” and “who are my parents” mystery.
*a vaporized planet.
*a motley crew of frenemies thrown together by misadventure and running for their lives.
*planet-hopping.
*a “federation” made up of many planets (but that’s more Star Trek, isn’t it?).

On the other hand, Lost Planet is not just a Star Wars knock-off. It’s different enough that fans of that sort of story might very well enjoy it, especially middle grade readers who are looking for science fiction/fantasy with “no kissing” parts. No romance, lots of action, and inter-planetary adventure make this novel just the right read for—well, whom does that description bring to your mind?

Amazon Affiliate. If you click on a book cover here to go to Amazon and buy something, I receive a very small percentage of the purchase price.
This book is also nominated for a Cybil Award, but the views expressed here are strictly my own and do not reflect or determine the judging panel’s opinions.

He Laughed With his Other Mouths by M.T. Anderson

I considered NOT reviewing this little volume since it’s just not the kind of humor that tickles my funny bone. Humor is strange and hard to write, I think. Not all of us laugh at the same things, and we’re not always in the mood for the same kind of humor. It must be very difficult to try to be funny for a living, as a comedian or a writer. And I’m not sure exactly why the books in this series don’t make me laugh.

Now, I can do absurd as well as the next guy. I have laughed out loud at the absurdity and wit of Christopher Healy’s Hero’s Guide series. And the third book in that series, which I just read a couple of weeks ago, was as funny to me as the first one. When I read the first book in M.T. Anderson’s Pals in Peril series, The Clue of the Linoleum Lederhosen, I described it as “a pastiche of all those series you read when you were a kid back in the fifties and the sixties, if you were a kid back in the fifties and the sixties: Nancy Drew, the Hardy Boys, Danny Dunn, the Bobbsey Twins, cowboy series that I never read.” I also opined then that the joke was getting old by the end of the book.

Well, it’s still the same joke, and it’s still old. Plus, Mr. Anderson decided to add in a sad little story in the footnotes about a boy named Busby who lived during WW II and read the Jasper Dash, Boy Technonaut books that form the basis for the main story. Busby has a sad life with his dad being injured in the war, and it’s not funny at all. The contrast is jarring.

I just didn’t find Pals in Peril very humorous. If you liked The Clue of the Linoleum Lederhosen, He Laughed With his Other Mouths is more of the same. If not, skip.

Amazon Affiliate. If you click on a book cover here to go to Amazon and buy something, I receive a very small percentage of the purchase price.
This book is also nominated for a Cybil Award, but the views expressed here are strictly my own and do not reflect or determine the judging panel’s opinions.

Dangerous by Shannon Hale

“Shannon Hale as you’ve never read her before!” screams the back cover of my ARC. I would concur. If you’re a fan of Shannon Hale’s Goose Girl and its sequels or her other fairytale-ish stories for middle graders or her take-off on Jane Austen for adult readers, Dangerous might feel a little, well, like new and dangerous territory for Ms. Hale and her readers.

Dangerous is very sci-fi and it’s very much a super-hero story, like Superman(Girl) or Batman or (fill-in-the-blank). The author makes use of lots of common super-hero tropes: a team of superheroes with different powers that work together, hero who dies but is not really dead, the love triangle, big business is evil, superhero needs to save the world from evil aliens. However, and this is where it gets interesting, some of the cliches Ms. Hale turns inside out. Our protagonist, Maisie Danger Brown, who ends up being the only one who can save the world, is a girl. She has loving parents who play a large role in the story. She quotes poetry to express her emotions; however, she’s really into science and math, but not geometry. The team turns out to be not very team-like, with traitors and brokenness abounding.

I read the ARC back in November of 2013, and I’ve found that the outlines of the story stuck with me. Ms. Hale is a skilled writer, with some solidly good ideas. I highly recommend her latest.

Publication date: March 4, 2014.

The Circle by Dave Eggers

Are you afraid of the continued encroachment of Big Government and Big Business and Big Internet on the privacy of individuals? Are you worried about the implications of surveillance drones, cashless business models, data-mining, and internet search engines that seem to be more and more ubiquitous and indispensable to more and more people? Have you opted out of Twitter, Facebook, Pinterest, Google+ and all other social media sites because you want to keep your self to yourself?

If you answered yes to all three questions, you don’t need to read The Circle, but you’ll probably want to read it because you’ll find your own opinions about privacy, the internet, and our own Brave New World, validated and extended in this fictional dsytopia where “The Circle” of everyone knowing everything about everyone is almost complete. If Eldest Daughter wanted to win her friends over to her way of thinking about what the internet is doing to humans and to their social abilities and to their privacy rights, she would give a copy of The Circle to each of them with an admonition to read at their own risk.

Scary stuff. It’s somewhat unbelievable that the main character, a young college graduate named Mae, is so gullible as to never really question, even once, the vast internet conspiracy (or benevolent business model) that is called The Circle in this story. In fact, Mae is a frustrating character, so blind to the consequences of her actions and to the implications of a society built on the concept of complete and total transparency, as to be rather mindless. However, this book isn’t about either plot or characters: it’s about propaganda. It’s about what living a virtual life in a virtual world with social media as our most vital connection could do to us. Have we become, or are we in danger of becoming, rather mindless ourselves? Are we willing to give up all of our freedom for the sake of safety and security? Could our private lives and our independent judgment be taken away, or could we be induced to give them away, piece by piece, for a mess of pottage?

SECRETS ARE LIES, SHARING IS CARING, PRIVACY IS THEFT!

If you believe these central organizing “truths” of The Circle, read The Circle and think about the real implications of a world that is totally and mandatorily transparent. If you believe that Google and Facebook and Twitter are the opiates of the masses, and that 1984 is closer than we think, read The Circle and be vindicated. If you’re philosophically opposed to agitprop and think you already know all about the message Mr. Eggers has to preach, skip it.

Bottom line: flat characters, unbelievable plot and characterizations, thought-provoking message.

Note: I do not usually give “stars” or numerical ratings to books, and after reading The Circle, I doubt if I ever will again. I can’t believe all of the people on Goodreads who say they have read the book and are still giving it a numerical rating. The sheer farce of assigning everyone and everything a numerical value and “liking” or “not liking” it is well-parodied in The Circle. So, just don’t do it, folks. Books are not numbers. (Although I kind of like “like” buttons . . .)

And, yes, I know that the gadget I’m using to allow you to share this review on social media sites, says “sharing is caring” just below this post. Irony or the beginning of the approach to Armageddon?

Ender’s Game by Orson Scott Card: Redux

In light of the movie that’s just been released, I thought I’d re-run my review of Ender’s Game from 2006 when I first read it. I would add the updated perspective that I’m much less inclined to think of books as “boys’ books” or “girls’ books” nowadays, having been proved wrong so many times by my own children and others. Suffice it to say that Ender’s Game is violent, with few or no well-rounded female characters.

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I hate mind games; this book was one big mind game.
I’m not too fond of war movies or novels or violence; Ender’s Game is all about war and violence.
I’m more of a fantasy fan than a science fiction fan; Ender’s Game is science fiction with a vengeance.
And to top it all off, this violent science fiction novel that tries to play games with the reader’s mind is definitely a boys’ book. It wasn’t written for girls, and it probably won’t appeal to many of them.

However, I thought Ender’s Game was one of the best books I’ve read in a long time; maybe the best science fiction novel I’ve ever read. Someone told me that Ender’s Game is on the required reading list for Marine Corps officer candidates. I can see why; did I mention that this book is very military, very male?

Ender Wiggin is an illegal Third (third child), but like his brother, Peter, and his sister, Valentine, he is a genius. The powers that be hope he is also the one kid who can save the world from the Buggers who have already invaded Earth twice and are expected back anytime. Or maybe we’re planning to get them before they invade for a third time. Either way Ender, still a child, must learn enough very quickly to lead Earth’s army in what may turn out to be Armageddon, the final battle for domination of Earth and its colonies.

The themes in this book make it intriguing even as the plot twists and surprises keep the reader turning the pages to see what will happen next. Ender’s Game asks questions about power and violence and sin and forgiveness. Is it morally acceptable to use overwhelming force against an enemy when you know that enemy is willing and able to destroy you? What if you begin to enjoy the exercise of violence and power over others for its own sake? Can members of very different cultures communicate and make peace, or are they doomed to destroy one another? Is it acceptable to strike first to destroy an enemy who has already attacked you once? Can people change? Does a truly evil child, a torturer, become civilized? How? How are leaders formed? What makes a group, an army unit, for instance, a cohesive force? How does a leader go about creating that cohesiveness?

Lots of questions. Some of these questions are questions that we’re still pondering and muddling through as a country in the aftermath of 9/11. Orson Scott Card certainly doesn’t have all the answers, and I thought the ending of the book was its weakest part. However, he definitely asks the right questions, questions that we will be forced to answer as we deal with our own crises in this post 9/11 world.

Highly recommended with one caveat: the language is army language, rough and crude. If that bothers you, skip this book. (To tell the truth, crude language annoys me. However, it wasn’t gratuitous; I would imagine that men whose profession is violent use just the kind of language that is in this book, only worse.) I think it’s worth skimming over some words in order to read this story and think about its implications.

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I assume the movie asks and attempts to answer some of the same questions. I haven’t seen it yet, but I’ve heard it’s quite violent, in keeping with the source material.