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The Christmas Pony by Helen McCully and Dorothy Crayder

Dec3

The Christmas Pony by Helen McCully and Dorothy Crayder, illustrated by Robert J. Lee. Bobbs-Merrill, 1967. (Christmas in Nova Scotia, Canada, 1912)

Catching the apple, Helen had been tempted to smile, but since the best way to enjoy the marsh was to be unhappy, she was determined to remain so.

The McCullys and the cats coexisted with the understanding that people were people and cats were cats and it was neither possible nor desirable for it to be otherwise. This understanding made for mutual enjoyment.

Mrs. McCully did not believe in her children’s being sick and consequently they very rarely were. And when they were, they were never allowed to be very sick. Being sick was for people who had nothing better to do.

Every year, two days before Christmas the doors to the Big Rooms and the dining room were closed tight and were not to be opened until Christmas morning. To the children, it was always as if a stage were being set behind those closed doors and when at last they were opened, the play would begin.

The children now began a two-day siege compounded of excitement, fidgets, and the need to be on their best behavior or Santa Claus might have some second thoughts. Deep down in their hearts, the children believed that Santa Claus was a loyal, generous friend who accepted the good with the bad, but they were leery of making a test case of it.

Helen McCully, one of the authors of this brief Christmas novelette (101 pages), is also one of the three children who celebrate a Christmas to remember in this story set in Amherst, Nova Scotia, Canada. The tone and writing of the story, which is sampled in the quotes above, reminded me of old-fashioned magazine story writing from the 1950’s and 60’s, and indeed Ms. McCully and Ms. Crayder both had experience writing for women’s magazines as well as radio plays and television. The Christmas Pony tells about Helen, her brother Robert, and her little sister Nora and the surprise gift that they received one Christmas.

This book would make a wonderful read aloud story sometime during the Christmas season, but there is a rather big risk. The book begins with the statement, “Every child should have a pony.” If you think you can read the story and remain indifferent to the desire for a real, live pony of your own, or if you think your children can contain themselves, then this book is a delight.

The Little Grey Men Go Down the Bright Stream by B.B.

Nov25

This book is the sequel to B.B.’s award-winning gnome novel, The Little Grey Men, and I am happy to say it’s just as exciting, just as nature-loving, and just as good as the first book. Sneezewort, Baldmoney, Dodder, and Cloudberry are the last gnomes living in England, maybe in the world. They live in an old hollow tree on Folly brook sharing their lives and their fortunes with the birds, especially their owl friends, and the otters and the other wild beasts, and their special friend Squirrel–the Stream People. But the Folly has been diverted into an underground drain upstream, and now all of the Stream People, including the four gnomes must decide what to do about their homes.

Can the gnomes rehabilitate their old boat, the Jeanie Deans? Will there be enough water in the Folly to float the boat if and when they do? Where can the four old gnomes go to live safely and comfortably away from the eyes and ears of men?

In the first book the gnomes went upstream to search for their lost brother, and in this sequel they are traveling downstream to find a new home. But the adventures are the same. The gnomes have to keep the boat afloat, avoid predators and enemies, and most of all, agree on a plan for a new living situation. Unfortunately, one of the four gnomes is listening to his own evil pride and jealousy while another has some wild ideas about how to proceed. And Dodder, the oldest of the gnomes, is hard put to keep the Little Men safe and all together as they go on their dangerous journey downriver.

Content considerations with SPOILER: In this sequel, as in the first book, the gnomes and their animal friends pray to and receive help from Pan, the god of the beasts. Pan, in this story, reads to me like another name for God, the Lord of all as the animals know him (kind of like Aslan in the Narnia stories). There are no incantations or pagan sacrifices, only prayer and a faith that Pan will guard and guide. Also, one of the characters in the book (SPOILER!) plans to murder the others, and the depth of evil that lurks in this character’s mind was a surprise to me. It might be disturbing to more sensitive readers. However, goodness and perseverance win out in the end, and the bad guys get their just deserts.

This book and the one before it are absolutely full of nature lore and beautiful descriptions of the English flora and fauna, and it’s all worked into an exciting story that doesn’t lag or lose appeal. It may move a little more slowly than most contemporary adventure books for children, but I found the pace to be fast enough to keep me reading for hours. The gnomes have to survive through flood and fire and enemies without and within to make it to their new home, which turns out to be both a surprise and just what they expected and wanted it to be.

If I lived in England with children, this book and The Little Grey Men would be must-reads, read-aloud. For Anglophiles like me, the same is true. For everyone else, I would still recommend that you at least try out The Little Grey Men, and if you like it at all, pick up The Little Grey Men Go Down the Bright Stream also.

Camel Express by Olive Burt

Aug23

Camel Express: A Story of the Jeff Davis Experiment by Olive Burt is one of the many books in the Winston Adventure series, “a series of tales based on the little-known incidents and nearly forgotten lives of unsung heroes that helped shape history.” Several of the characters in the book were actual people who were key figures in the so-called camel experiment.

Our main protagonist is Obed Green, sixteen years old, newly arrived in Texas at Matagorda Bay from a voyage on the U.S. Navy ship Supply to Turkey and North Africa in search of camels to purchase for the U.S. government’s use on the frontier. Obed goes as assistant to the ship’s veterinarian, Albert Ray, and on the way back Obed learns from the Syrian camel driver, Haj Ali (called Hi Jolly by all the Americans), how to care for camels, and even how to love and appreciate the ungainly and temperamental animals.

Yes, in 1855, Congress appropriated $30,000 to carry out a scheme of Secretary of War, Jefferson Davis, to purchase camels for use in the American desert. There’s a foreword in the book where Ms. Burt tells readers the history of Jeff Davis’ camel experiment, but let it suffice to say, the importation of camels to frontier forts was not a raging success. And then came the Civil War, and the camels were mostly lost or forgotten.

And that’s why, in one of my favorite children’s books from last year, we get a story-telling camel living in the wild in West Texas. Once Upon a Camel by Kathi Appelt is a fantastical story with anthropomorphized animals, and Camel Express is a western adventure story, so the two are very different in tone and genre. Nevertheless, I feel as if the two books would make a good pair, read together, and discussion would ensue. Just the idea of camels roaming the country of my birth, West Texas and parts west, makes me smile. If you read either or both books, let me know your smile quotient.

Alone on a Wide Wide Sea by Michael Morpurgo

Aug19

This middle grade or young adult novel, by the author of War Horse and Private Peaceful and many other excellent titles, takes place in Australia—and on the ocean. Part 1 of the book is The Story of Arthur Hobhouse, a British orphan who at the tender age of six years old is sent to Australia to live with foster parents in an orphanage in Cooper’s Station. Arthur’s story has its ups and downs, some of it quite harrowing. There’s child abuse, and outback survival, and the sad death of one of the main characters, which is why maybe the book is more for older teens and adults. But it’s a good and ultimately hopeful story, and I liked the fact that almost none of the characters in the book is all good or all bad. They are a mixture for the most part (except for the main villain with an appropriate name, Piggy Bacon).

Part 2 is The Voyage of the Kitty Four, the story of how Arthur’s daughter Allie takes the boat her father built for her and sails from Australia to England, alone. It’s an ocean adventure, reminiscent of one of my favorite true life adventure stories, The Boy Who Sailed ‘Round the World Alone (aka Dove) by Robin Graham. Allie’s story also has ups and downs, not just on waves, but also in her emotional state as she faces the dangers of sea by herself and learns to rely on her own resources.

There’s some hostility to religion and Christianity in the book since Arthur’s first experiences of “Christianity” are horrifying and anything but Christlike. There’s also a bit of superstition—because if you can’t rely on God then you might tend to look for signs and wonders, right? But these things all made the book more rich and understandable for me. People do have bad experiences with abusive, religious people, and sometimes an albatross could be a sign of God’s love and protection. Allie and Arthur both have a deep love for Colerige’s The Rime of the Ancient Mariner, so that’s a thread throughout both stories.

Good book by a very good author. I’ve enjoyed all of the books by Michael Morpurgo that I’ve read.

The Last Mapmaker by Christina Soontornvat

May5

Christina Soontornvat, author of Newbery Honor book A Wish in the Dark, has written another middle grade fiction novel with an imaginary world setting, and this one is also set in a place that feels southeast Asian or Asian Pacific but is in fact completely imaginary. Sai, our protagonist, is a girl from the slums who is pretending to be an educated, middle class girl with a chance at a future. However, in the Kingdom of Mangkon, future prospects depend on lineage, the number of respected and verified ancestors that one can claim, and Sai not only has no money, she also has no lineage, only a criminal for a father and a mother who disappeared when Sai was a child. Sai managed to finagle her way into becoming Assistant to Mangkon’s most celebrated mapmaker, Paiyoon Wongyai, but when she doesn’t get a “lineal” on her thirteenth birthday, everyone will know that Sai is an imposter and a usurper. Her only chance is to go with Master Paiyoon on an expedition to the south seas, discover the fabled Sunderlands where the dragons live, and come back a heroine.

Sai is a typical middle grade fantasy protagonist, a poor and challenged child with special talents, looking for a way to move up in the world. She is interesting insofar as she makes some bad choices but manages to come through in the end, and she never discovers that she is anything other than the poor child of criminal and often absent parents, although her father does have some saving character traits in the end as well. I like the idea that Sai doesn’t have to discover that she’s really a princess in disguise to become a worthy and productive member of society.

There’s also a touch of anti-colonialism in the story as Sai learns that discovering a new territory and annexing it to the kingdom of Mangkoon, sometimes means exploiting that new place and oppressing its people. And she finds a way to undermine that move toward colonial exploitation without having the story become didactic and heavy with messaging.

Christina Soontornvat is fast becoming one of my favorite contemporary authors of middle grade fantasy fiction, and I can’t wait to read more of her work. I’m especially interested in reading her other Newbery honor book, the nonfiction All Thirteen: the Incredible Cave Rescue of the Thai Boys’ Soccer Team.

I Must Betray You by Ruth Sepetys

Apr21

First of all, Ruth Sepetys is an excellent writer. I read three of her books, Between Shades of Grey, Out of the Easy, and Salt to the Sea, and her ability to place vivid fictional characters within an historical event and context was impressive. The first book, Between Shades of Grey, came out of Sepetys’ own Lithuanian American background and is set in Stalin’s Lithuania and Siberia. The other books, including this latest one set in Ceausescu’s Romania, show evidence of extensive historical research and an ability to create an atmosphere in reading the book that mirrors the cultural ambience of the times.

The place and time of this book are not a good place to be immersed in. In reading about a high school boy, seventeen year old Cristian Florescu, who is attempting to understand how to live in 1989 Romania, I felt a small part of what the people of Romania must have felt: claustrophobia, fear, entrapment, and suspicion. Ceausescu, his family, and his Securitate (secret police) control everything and everyone. And alongside the official apparatus, there are the civilian informers. In her Author’s Note at the end of the book Sepetys says, “It’s estimated that one in every ten citizens provided information.” All of these spies and informers generated thousands and thousands of pages of reports on the daily activities of every citizen, and each page added to “Romania’s perpetual sense of surveillance.”

This story is one that needs to be told, needs to be repeated. I see and hear people in the United States and in Europe flirting with communism, calling themselves “Marxists” or “socialists.” They think that such ideas are “just a better economic system”, that they won’t lead to tyranny or to a cult of charismatic leadership or to poverty and slavery. But everywhere—Cuba, Venezuela, Russia, Lithuania, Latvia, Vietnam, East Germany, and Romania—that’s exactly what communism has produced, has been used to produce. And the stories needs to be told again and again, both as cautionary tales and as a monument to the very real people who suffered under the horror and brutality of life in what was meant to be “just a better economic system.”

Cristian and his friend Luca and his girlfriend Liliana live through the fall of Ceausescu and his regime, but the story doesn’t really have a happy ending. Communism didn’t end in Romania until fifteen years after the death of the Ceausescu’s. And there are still many unanswered questions about what exactly happened in Romania during the rule of communism: who killed whom, and who gave the orders, and who benefitted and how it all came to be. All of the answers to these questions are perhaps buried in tons of records and files and reports, or perhaps just buried, destroyed. I Must Betray You is one attempt to illuminate through story what it felt like and what it required to live in a certain time and place, Bucharest, Romania, 1989 under the communist regime of Nicolae Ceausescu.

Lost in the Barrens by Farley Mowat

Apr15

I realized that I have in my library three books written by Canadian environmentalist and author Farley Mowat—Lost in the Barrens, Owls in the Family, and Never Cry Wolf—but I had not until now read any of them. Mowat’s writing is somewhat controversial; he was accused of fabricating some of the events and the science in his nonfiction books. His response that he “never let the facts get in the way of the truth” did nothing to refute or placate his critics.

However, Lost in the Barrens is fiction, a survival story about two teen boys who are lost and forced to survive during winter in northern Canada. So, if the boys, Jamie and Awasin, are a bit too lucky and plucky and skilled to be believed, and they are, it makes a good story, nonetheless. The book, published in 1956, calls Awasin a Cree Indian rather than Native American or First Nations, and his people’s traditional enemies are called Eskimos. Both groups and the individuals in them are presented in a way that is respectful and admiring of their culture and traditions. Jamie is non-native, of Scottish Canadian extraction, and he is the more impulsive and foolhardy of the two boys. It is Jamie’s fault that the boys are lost, and it is mostly Awasin’s skill and strength and courage that saves them, although Jamie is said to contribute “inventiveness” and “persistence” to the partnership that the boys form.

I must admit that I found myself skimming the many passages in this book that describe exactly how Jamie and Awasin hunt and preserve their food, build their cabin, manage their fuel supply, and do all of the other multitude of things required for survival in a Canadian winter wilderness. I couldn’t tell you if the solutions and inventions that the boys come up with to keep themselves from freezing or starving to death are actually workable and believable or not, and I couldn’t tell even if I had read about them ever so carefully. It all seemed possible, and it made for a good story.

Fans of survival stories such as Hatchet by Gary Paulsen or My Side of the Mountain by Jean Craighead George would probably enjoy Lost in the Barrens. Lost in the Barrens is a little more challenging in terms of vocabulary and detail than either of those two books, but there are no content considerations other than vivid descriptions of hunting and killing animals for food and of the steps involved in curing and preserving the parts of the animals that were killed. I would recommend the book to children ages twelve and up, younger if the child has an interest or experience in outdoor life and hunting in particular.

Mr. Mowat is a good storyteller, factual or not. (Oh, and there’s a movie version of this story. Anybody seen it? Recommended or not?)

A String in the Harp by Nancy Bond

Apr5

A String in the Harp was a Newbery Honor book in 1977. (Roll of Thunder, Hear My Cry was the Newbery Award winner in 1977.) A String in the Harp is a long book, with lots of descriptive passages that evoke a sense of setting in the Welsh countryside. Mrs. Bond, an American, wrote her novel after spending two years going to library school in Wales. In fact, Wales itself, its scenery and its history, is almost the central character in the book. One critic said, “Without the traditional Welsh materials, A String in the Harp would be just another adolescent problem novel.” Well, without the entire setting in Wales, there would actually be no novel at all. It made me want to visit Wales, in spite of the cold and the incessant rain that are emphasized in the book.

The story is about the Morgan family: an American professor and his three children, Jennifer, Peter, and Becky. The story is written in third person, but mostly told from the point of view of Jennifer, age 15, and Peter, age 12. The Morgan family has moved to Aberstwyth, Wales for a year for Professor Morgan to teach and pursue research at a university there, leaving Jennifer behind with her aunt so that she can continue high school. As the story opens, Jennifer is coming to join her family in Wales for the winter/Christmas holidays.

There are, of course, problems to be overcome. Peter hates Wales and everything about it. Becky, age 10, just wants the family to be happy. Professor Morgan is distant and impatient with Peter’s inability to adjust to living in Wales. Jennifer is unsure of what her new role in the family is since they are all trying desperately to learn to be a family without their mother who died in a car accident just before the Morgans moved to Wales. All of the problems in the novel have a lot to do with the grief process that each of the Morgans is going through, but the mother is only mentioned a few times in the course of this long novel. We never get to know her, really, and you get the sense that grief is about forgetting and moving on somehow.

Into all of this rather chaotic family emotion and misunderstanding comes a magic artifact, a harp key. Peter finds the key and becomes attached to it, wearing it around his neck on a string as a sort of talisman. He believes that the key is showing him, even taking him into, the past and the life of the sixth century bard and poet, Taliesin. The novel borrows from C.S. Lewis’s with the children, especially Peter, moving into and out of another time and place. At one point a Welsh professor friend is talking to Jen and Becky about whether or not Peter has imagined all of his stories about Taliesin, and he says to them, “What do they teach in your American schools?” The entire conversation is quite reminiscent of the Professor and the children, Peter, Susan, and Edmund, when the professor asks, “Why don’t they teach logic at these schools?” and later, “I wonder what they do teach them in these schools.” Only the Welsh professor is asking more, “Why don’t they teach wonder or magic at these (American) schools?”

There are a couple of minor elements to the story that didn’t bother me, but someone else may find them problematic. The characters curse sometimes, even the children, mild curses, mostly damn and hell. I wouldn’t have expected to find cursing in a children’s book published in 1976, but there it is. And Jen at about the halfway point in the novel offers to stay on in Wales and take charge of the household, cooking and cleaning and mothering her siblings. It’s taken for granted that someone (some female?) has to be at least a parttime caretaker and homemaker for the Morgans, and for the first semester of the school year they’ve had a local woman paid to clean house and cook meals for them. One critic called this minor plot element “sexist.”

There’s usually a place in any good book where I “fall into” the story, so to speak. I am immersed and intrigued to find out how the story will play out and how it will end and what truths and affinities I will find along the way. For A String in the Harp, it took a while for me to fall in, but eventually, I did. I suppose it’s a matter of wanting to know how the story and the relationships of the various characters will finally be resolved. I think this story of family disorder turning to order, and coming of age, and magical occurrences without clear boundaries or explanations, would be a hard sell to twenty-first century readers who are used to more action and less atmosphere. But anyone who loves Narnia or Tolkien or Welsh mythology or Arthurian legend might really appreciate this small gem of a book.

When the Sky Falls by Phil Earle

Mar31

2022 Middle Grade Fiction: When the Sky Falls by Phil Earle.

I received a review copy of this book, originally published in Great Britain in 2021, and scheduled for publication in April of 2022 in the U.S. The tagline on the front of my ARC says, “Friendship can come from unexpected places,” and that line does summarize at least one of the themes of this story. In 1940, with his parents unavailable and his grandmother unable to control him, twelve year old Joseph Palmer isn’t to London (instead of being evacuated out of the city) to live with his grandmother’s old friend, Mrs. F.

Joseph is filled with anger, rebellious and quick to take offense from the hurts he has sustained in his short life. When he finds out that Mrs. F. is the sole proprietor of a run-down, war torn zoo in the heart of the city, with most of the animals either sent away or barely surviving, Joseph is even more confused and angry with his grandmother for sending him away, with his father for leaving to go to war, with Mrs. F. for her unyielding personality, with the whole world and the war and “Herr Hitler” and just about everything else, including the silver back gorilla called Adonis.

Joseph continues throughout most of the book to be a prickly and rage-filled character, although we do learn some of the underlying reasons for Joseph’s anger and inability to trust. And just as Adonis is not a tame gorilla (there is no such thing), Joseph is not so much tamed as educated, learning that his impulsive anger and rage do not really serve him well as he navigates the city and the zoo during a war that takes and takes and takes away all that is good and hopeful. Mrs. F. says, at one point in the story, “I hate this war. All of it. All it does is take.”

The story is good. Joseph does grow and learn over the course of the book, in a believable story arc that ultimately ends in both tragedy and hope. But . . . the writing and the details felt a little off in some way. Rough. There’s some language, using God’s name in vain and a few curses sprinkled through, but that wasn’t the real problem. Joseph nurses his rage and anger over and over, and I just couldn’t see where it went, what it really was that redeemed him or relieved him of his fear and hatred. Mrs. F. says more than once that there’s something good deep down inside Joseph. Joseph and Adonis do form a connection, or perhaps even a friendship. And the friendship and loyalty of Mrs. F. and others with whom Joseph lives and works become important to him.

Nevertheless, even with a “four years later” epilogue chapter at the end, the story felt unresolved. I think it would be absolutely traumatizing for animal lovers in the younger end of the middle grades. Joseph’s age, twelve, is a good minimum age for reading this harrowing, but somewhat hopeful, tale. It is a war story, and maybe it would be helpful for middle grade and young adult readers who are having to deal with the horrors of war, at least in the news, again, in Ukraine and elsewhere.

I’m ambivalent. It’s certainly not James Herriot and All Creatures Great and Small, but it might resonate with readers who need something a bit more grim and gritty, but still with a glimmer of hope.

Finding You (movie review)

Jan25

I just watched the movie that’s based on this Christian romance novel by Jenny Jones. And I can say that my book review goes double for the movie. If it hadn’t been for the setting, Ireland, I don’t think I would have made it through the entire movie. It’s sort of a Hallmark movie with cute actors and very poor plotting and dialog. So many unbelievable and disconnected twists and turns, and yet at the same time so predictable. Of course the two sisters who are the enactors of a lifelong feud, manage to reconcile just before one of the sisters dies. Of course, boy manages to end up with girls despite the many obstacles along the way. However, the course of true does NOT run smooth. Oh, and there’s a town drunk who magically becomes both wise and sober whenever

Watch it via Amazon when you’re in the mood for something mindless and sort of Irish. Well, at least the scenery is Irish.The accents are sometimes Irish. The story is, well, not to be blamed on the Irish. (Oh, the movie leaves out any God-talk, except for a brief shot of a Bible verse on a tombstone.)