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Friday Night at the Cinema: All About Eve

We watched All About Eve, a 1950 movie with Bette Davis, Anne Baxter, Celeste Holm, Gary Merrill, and Hugh Marlowe. Brown Bear Daughter said it was “the creepiest movie ever, except for Signs and The Village.” Anne Baxter plays what we nowadays would call a stalker; she idolizes actress Margo Channing (Bette Davis). Ms. Channing is a great actress, but has her own insecurities and character flaws, to say the least. Eve (Anne Baxter) plays off those insecurities masterfully and acts as diabolically as any backroom politician or criminal mastermind.

If you’re in the mood for wickedly entertaining, I’d recommend All About Eve. As a study in idolatry, it’s superb.

According to Internet Movie Database:

In real life, Bette Davis had just turned 42 as she undertook the role of Margo Channing, and Anne Baxter, still an up-and-comer, not only wowed audiences with her performance, but successfully pressured the powers that be to get her nominated for an Oscar in the Best Actress category rather than Best Supporting Actress. This is thought to have split the vote between herself and Davis. The winner for the 1950 Best Actress was Judy Holliday for her noticeable turn in Born Yesterday (1950), so Baxter’s actions in effect blocked Davis’ chances for the win.

The dialog in the movie is remarkable, like a play since it’s from a different era and it takes place in the world of the New York theatre. Here are some quotes. And here’s my favorite scene:

Semicolon’s September: Celebrations, Links and Birthdays

them by Joyce Carol Oates

7/26/08: I’m over halfway through this book, “the third and most ambitious of a trilogy of novels exploring the inner lives of representative young Americans from the perspective of a ‘class war’.” “The them of the novel are poor whites, separated by race (and racist) distinctions from their near neighbors, poor blacks and Hispanics.” The words of explanation are Ms. Oates’ commentary on her own novel in an afterword at the end of the book.

I’m finding the novel condescending and full of stereotypes: the spoiled rich girl, the poor but violent young man full of unresolved rage, the eternal victim of that “victimless crime”, prostitution. I’ve been borderline poor, not in the inner city, and I’ve lived among poor people in the city. I don’t believe there is any “class war” in the U.S. Racism, yes. A division of classes, yes. But the poor people I have known mostly don’t think of themselves as poor, resent being classified as poor, intend to become middle class or rich as soon as hard work or a lucky break will enable that to happen. And there are all sorts of poor people. Some are hard working and others are lazy. Some are conscientiously religious, and others are profane and vulgar. Some are happy; others are morbidly depressed. Ms. Oates’ them are all the same: materialistic, violent, and devoid of moral values (probably because moral values are “middle class values” in the jargon and the perspective of the sociologist).

Ms. Oates again: “Few readers of them since its 1969 publication have been them because them as a class doesn’t read, certainly not lengthy novels.” How patronizingly untrue. And yet, Ms. Oates’s main character, Maureen, one of them, reads and enjoys Jane Austen and other novels. Perhaps the author is correct in writing that the poor as a class don’t read novels like them because they generally prefer hope and optimism to a vision that condemns them to generations of poverty and violence and victimhood.

7/27/08: I was sitting in church this morning thinking about Loretta, Maureen, and Jules, the central characters in them. Even though I still believe they tend toward stereotype, there are people out there, them, who fit the stereotype. What does the Gospel have to say to the Lorettas, hard as nails, seen it all, loud, brash and poverty enslaved? How can the Church, Jesus’s church, reach and speak to the Maureens of the city, victims of a bad home, bad education, a dearth of values, and their own longing for something better? If Jesus himself could speak to the Samaritan woman who was both of these women in one, can’t the Church somehow act redemptively in the lives of women like these as Christ’s representatives? And Jules. At a point in the story Jules, the smart but criminally destined young man, has a Bible and time and inclination to read it. (He’s in the hospital.) But he says, “My main discovery is that people have always been the same, lonely and worried and hoping for things, and that they have written their thoughts down and when we read them we are the same age as they are.” Jules finds hope and fellow feeling in the Scriptures but no salvation, no change. How could Christians, how could God’s Spirit, reach a man so embedded in sin and degradation and lift him up, not into the middle class, but into heaven itself? I’m not sure. I know it happens for some people, but not for others. I do know that the Gospel of Jesus Christ is the only hope for people like Loretta, Maureen, and Jules . . . and for people like me, good old middle class me, just as sinful and degraded in my own middle class way.

There you have it. I have already this week established myself as a philistine and an anachronism. A family member, who shall remain nameless, accused me of calling her an elitist when I confessed my lack of appreciation for one of her favorite novels, Walker Percy’s The Moviegoer. And now I fear that the kindred spirit-ness that a certain blogger and I have shared in the past is tinged with a lack of understanding on my part. I will say that them made me think about poverty and racism and class struggle and sin, but I didn’t enjoy reading it and don’t wish to repeat the experience anytime soon. (Maybe some of the other novels of Joyce Carol Oates would suit me better? She’s quite a prolific writer, and this one is the only one I’ve read.)

So be it. Give me Dickens or Dostoyevsky or Victor Hugo or just a rousing adventure by Tolkien or Dumas. There’s plenty of poverty and and evil and violence in those authors’ books, but there’s also something else, a lack of inevitabliity, dare I say, a sense of hope? From the twentieth century, I’ll take Alan Paton or P.D. James, Dorothy Sayers or even my newest discovery Wendell Berry (something of an anachronism himself). But saints preserve me from the modern sociological novel.

Joyce Carol Oates fans, we’re still friends, right?

Don’t Talk To Me About the War by David A. Adler

Thirteen year old Tommy Duncan isn’t interested in the news from Europe, news of war. It’s May, 1940, and it just might be the year the Brooklyn Dodgers win the series. And that’s the kind of news that interests Tommy. His friend, Beth, however, talks about the war in Europe all the time, and Tommy doesn’t understand half of what she’s talking about. But he still likes her a lot, even if she does try to get him to read the war news with her when they meet at Goldman’s Coffee Shop to walk to school together.

Tommy and his friends are seventh graders, but they act and feel younger. I think that’s because the story is set in 1940, before the U.S. entered World War II. Even though the kids in the story seem younger than thirteen in some ways, the story feels right, maybe because children didn’t take on a psuedo-sophistication as young as kids do now. They did take on responsibility, however. Tommy’s friend, Beth, does all the cooking and shopping for her family because her mother is dead. And Tommy takes more and more responsibility as the story progresses because his mother is dealing with a mysterious illness that makes her more and more dependent on Tommy and his dad.

The voices of the kids, especially Tommy the narrator, work well and help to set the story in another era. But today’s thirteen year olds and older may become impatient with Tommy and his straightforward way of thinking and talking and behaving. There’s not a lot of nuance or worldly sophistication here. I found it refreshing.

My Enemy’s Cradle by Sara Young

I picked this book up at the library, and I had no idea until I finished it and read the author blurb at the back that Sara Young is Sara Pennypacker, author of the Clementine books. My Enemy’s Cradle is nothing like Clementine, aside from the fact that a talented author is responsible for both the light-hearted Clementine series for kids and this serious WW II adult novel.

Cyrla is beautiful Anneke’s half-Dutch, half Jewish cousin from Poland. When Anneke becomes pregnant, and her boyfriend, a Nazi soldier, refuses to take responsibility for the baby, she seems to have no choice but to apply for admission to the Lebensborn, a maternity home for girls who are giving birth to German, Aryan babies to fuel the Nazi war machine.

However, Anneke does have choices, and when she makes a tragic one, Cyrla must decide what to do next, how to protect herself, and how to protect her family. Cyrla takes her cousin’s place in the Lebensborn, probably the most dangerous place in German controlled territory for a half-Jewish girl with even more secrets than that of her heritage. The question is whether she can escape before the Germans find out who she really is, and can she trust anyone to help her?

Unlike the Spanish Civil War/World War II book I read earlier this week, My Enemy’s Cradle has a happy ending. Although the characters in the novel suffer terribly, there is an optimistic thread that runs through the novel to the very end. Cyrla is a true heroine, although young and naive at the beginning of the book. Because Cyrla is just a teenager dealing with very adult decisions, I think My Enemy’s Cradle would be perfect for older teens as well as adults, although there is some sexual content, not too graphic.

Really good stuff. Suspenseful and surprising and recommended.

Winter in Madrid by C.J. Sansom

Helen MacInnes, but more lugubrious and hopeless.

Ernest Hemingway’s For Whom the Bell Tolls, same setting a few years later, but more complex sentences and British characters.

Alistair Maclean, with less action and more dialogue.

John LeCarre, but set in Spain and less confusingly plotted. (Semicolon review of one of LeCarre’s novels here.

I picked up Winter in Madrid at the library because I read two of Mr. Sansom’s Matthew Shardlake mysteries and enjoyed them very much. (Semicolon review here.) This book is not a mystery, but rather as I indicated by my opening comparisons, it’s a spy novel set in the winter of 1940 as Britain is enduring Hitler’s bombing blitz and hoping that Spain under Generalissimo Franco will not join the Axis powers in declaring war on the Allies.

Harry Brett, the protagonist of the novel, is a survivor of Dunkirk, recently recovered from shell shock and hysterical deafness, who finds himself in Spain working for the Secret Service and spying on an old (public) school friend. That’s public in the British sense, private upper class snob school for us Americans. The friend, Sandy Forsyth, who is the subject of Brett’s somewhat clumsy spying efforts, is a businessman involved in a project that may or may not affect Franco’s decision about whether or not to enter the war. Hence the British interest in Sandy and his project.

The most interesting part of the novel for me was the way that Sansom showed how the belief system of each of the characters in the novel was torn down and destroyed or at least undermined by the realities of life and especially of war. Harry is a conservative, a public school/Cambridge graduate who believes in honor and in traditional British upper class values. But the complications and the sheer messiness of the aftermath of the Spanish Civil War and of being a spy make Harry’s value system at first difficult to follow and later impossible.

Harry’s friend Bernie is a dedicated Communist, probably the most idealistic of the characters in the novel. He, too, becomes disillusioned and confused when he sees his beloved Party under Stalin in alliance with the Fascists that Bernie just lost his freedom and nearly his life in fighting. He manages to hang on to his socialist ideals and his belief in the Communist Party and the coming day of socialist brotherhood, but it’s a confused persistence in a futile hope.

Then, there’s Sandy the dedicated rebel against authority who believes mostly in himself and his destiny to be the “bad boy” who always somehow comes out on top. Sandy doesn’t like anyone telling him what to do, and yet he works with the Facists in Spain who are the most authoritarian and controlling partners in business a man could possibly have.

Christianity, too, is portrayed as corrupt and bankrupt as the Catholic Church and its priests work with the Fascist regime to oppress the people and control them. In the historical note at the end of the book, Mr. Sansom says, “I do not think my picture of the Spanish Church at the period is unfair; they were involved root and branch with the policy of a violent regime in its most brutal phase and those like Father Eduardo who found it hard to square their consciences seem to have been few and far between.”

What Mr. Sansom does best in this novel is create a sense of place and time, showing the confusion and hopelessness of a Spain that’s coming out of the chaos of civil war into the brutal tyranny and suppression of a Fascist dictatorship. Franco did bring order to a country that was a killing field before his Nationalists won the civil war, but the question of whether or not the “cure” was worth the injustice that imposed it is still open. In fact, one of the questions that the novel comes back to time and again is: Can cruelty and injustice be used to fight greater cruelty and injustice? What happens to the character and moral sense of those who use deception and brute force to fight against evil? If there is such a thing as a just war, then must we use all the weapons at our disposal to fight that war, even the weapons of lies and violence and treachery? If we don’t fight withall our might and without mercy, then aren’t we enabling those who are truly dedicated to evil to win and to oppress and murder others?

Winter In Madrid is described on the back cover as an “action-packed thriller,” but the pace of the novel doesn’t live up to that description. It’s really much slower and more thoughtful than a typical thriller, full of moral dilemma and brilliant characterization. The winter setting is a metaphor for the bleakness of the entire plot, and although I usually don’t like novels that end with very little hope or faith for the future, the ending felt right for this novel. It’s a Candide-ish sort of ending in which the main characters, those who are left, decide to cultivate their gardens as the world moves on from catastrophe to catastrophe.

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.

Poetry and Fine Art Friday

One of my favorite books of poetry came out of the Harlem Renaissance in New York in the 1920’s (1927), James Weldon Johnson’s God’s Trombones: Seven Negro Sermons in Verse. So I looked at You Tube to find a spoken version of one of Johnson’s poem/sermons. There I found pastor Wintley Phipps performing “Go Down Death.”

It’s a moving performance, poetry and the art of drama combined.

Today’s Poetry Friday round-up is hosted at Biblio File.

The Man Who Was Thursday: A Nightmare by G.K. Chesterton

Weird. Nightmare-ish. Imaginative. Chestertonian. Spoilers follow.

The Man Who Was Thursday fits all of these adjectives, and to be honest I’m not sure I understand what Chesterton was doing in this novel about a subversive policeman poet who infiltrates and stands against the forces of anarchy. Only it turns out that there are no real anarchists? Or maybe only one or two? Is Chesterton saying that evil is, in the end, only an illusion? That God provides men with the illusion of evil in order to test them and give them the opportunity to suffer and show courage? Or is it that in order to confront real evil, men must “tested by fire” and know suffering? Maybe I’m not intelligent enough for Chesterton.

However that may be, the plot moves quickly and furiously through madcap chases and revelations and surprises. The characters are rather difficult to keep straight, especially since their essential personalities keep changing or being revealed to be other than what the reader first thought them to be. The story is full of such twists and turns and unexpected developments, and by this literary technique Chesterton draws his readers into a dream world in which reality changes colors and aspects in a rapid-fire sequence of fantastical events.

The penultimate scene in the novel is a Job-like Council in which a Real Anarchist confronts the forces of Law and Order and Righteousness. And the Real Anarchist is answered, as Job was answered, with a question: “Can ye drink of the cup I drink of?” The themes of the novel are revealed to be those of redemption through suffering and of the seemingly contradictory faces of God, his justice and his mercy.

It’s a strange nightmare of a vision, and yet Kafka said of Chesterton’s writing, “He is so gay, one might almost believe he had found God.” C.S. Lewis apparently (according to my book’s introduction by Jonathan Lethem) compared Chesterton to Kafka, but Lethem says that Chesterton is instead the anti-Kafka, “so thrilled by his acrobatic stroll along the razor’s edge of nihilism the he earns his sunniness anew on every page.” The book does end with more questions than answers, but also with the main character having “an unnatural buoyancy in his body and a crystal simplicity in his mind that seemed to be superior to everything that he said or did. He felt he was in possession of some impossible good news, which made every other thing a triviality, but an adorable triviality.” Chesterton’s vision of the epic battle of Good versus Evil ends with a sunrise.

NOTE: I thought the strange and bewildering variety of covers at Amazon was somewhat illustrative of the many ways in which Chesterton’s nightmare turned into good news has been understood (or misunderstood) by various people. In a brief commentary appended to my edition, Chesterton even writes that a group of Bolshevists in Eastern Europe, without the author’s permission, “tried to turn this anti-Anarchist romance into an Anarchist play. Heaven only knows what they really made of it; beyond apparently making it mean the opposite of everything it meant.” If so, Chesterton has only himself to thank for writing a story with so many 180 degree turns and unmaskings that when a reader is finished he’s so confused that he’s not sure what’s opposite and what’s inside.

The Zookeeper’s Wife by Diane Ackerman

Jan Zabinski was the Polish director of the Warsaw Zoo in 1939 when the Nazis invaded and subjugated Poland. His wife, Antonina, was his helpmate in runing the zoo and the mother of a young son. During the German occupation, she gave birth to a daughter as well.

This nonfiction book tells the story of how Jan and Antonina worked with the Polish Underground to hide Jews, stockpile arms and ammunition, eventually participate in the doomed Uprising of August 1944 when the Russians halted outside Warsaw and allowed the Germans to destroy the Polish Underground that had come out of hiding to support the Allies in re-taking Poland and driving the Nazis out. A lot of the story tells about the animals in the zoo and what happened to them and how Antonina survived pregnancy-related illnesses, inadequate rations, and providing secret hospitality for fifty to seventy people at any given time throughout the course of the war and the German occupation.

Something about the way the story was told made me admire these people, but not like them very much. I’m not sure what I didn’t like, but I felt uncomfortable in their company. Jan seemed very controlling, and Antonina like a wife making excuses for an authoritarian husband. Maybe that’s not the way it was at all since Ms. Ackerman derives her story from written accounts, Antonina’s diary mostly, and from interviews with people who knew the Zabinskis during the war. Both Jan and Antonina Zabinski died before this book was conceived. Their son, Rys, did contribute his memories of a childhood filled with animals and with war.

I don’t know. I’m ambivalent. If you like nonfiction about animals and and about World War II, you should try it out.

Abbeville by Jack Fuller


Book #6 in Mother Reader’s 48 Hour Book Challenge.

“Until the dot.com bubble burst, George Bailey never gave much thought to why his grandfather seemed so happy.” George Bailey goes back to visit his grandfather’s Central Illinois hometown, Abbeville, and perhaps learn the source of his grandfather’s strength and resilience. The novel skips back and forth between George’s story and that of his grandfather, Karl Schumpeter. It turns out that Karl’s story is a sort of serious, more believable version of It’s a Wonderful Life. (George Bailey says he owes his name to his mother Betty’s sense of humor.) And there’s more to Karl’s life than just a tale of endurance through the trials of the Great Depression and two world wars.

This novel can be enjoyed on many levels. It’s a family/generational saga about the ups and downs of twentieth century history as they affect one town and one family. It’s a story of four generations of young men coming of age, with a fishing trip on the river to anchor and serve as a metaphor for maturation and for the financial cycles that affect the family’s lives. It’s a spiritual narrative about a man’s rise to prominence, his fall to ignominy, and his redemption in the love of small things and of work done well.

It seems as if I’m always reminded of some other work of literature when I read a book. This one reminded me of The Magnificent Ambersons by Booth Tarkington, maybe because of the time period beginning in about 1910, and maybe because of the midwestern setting, or maybe because both books are about the rise and fall of a family dynasty in a small town. Abbeville is, however, filled with a grace and sympathy that Tarkington’s novel lacked.

Key quotation from a French cure (priest) to Karl during World War I:

“And as to your fear, remember that God’s grace is nothing you need to repay, nor is punishment the proof of sin. This is the first great mystery, my son, and it is only made bearable by the second, which is love.”

“You see,” the cure said, “fortune is not the outcome of a test. Good or bad, it is the test.”

Thanks to Unbridled Books for sending me a copy of this novel for review. I’ve never heard of Jack Fuller, although the back cover blurb describes him as “a Pulitzer Prize-winning editorial writer who has published six broadly acclaimed novels and a book of non-fiction.” I don’t know about the other six, but I am seriously impressed with the novel Abbeville.

Celebrate the Day: June 4, 2008

Aesop’s Day. Here’s a fable for today. I particularly liked this one since you get three morals for the price of one (story).

A Labourer lay listening to a Nightingale’s song throughout
the summer night. So pleased was he with it that the next night
he set a trap for it and captured it. “Now that I have caught
thee,” he cried, “thou shalt always sing to me.”

“We Nightingales never sing in a cage.” said the bird.

“Then I’ll eat thee.” said the Labourer. “I have always heard
say that a nightingale on toast is dainty morsel.”

“Nay, kill me not,” said the Nightingale; “but let me free,
and I’ll tell thee three things far better worth than my poor
body.” The Labourer let him loose, and he flew up to a branch of
a tree and said: “Never believe a captive’s promise; that’s one
thing. Then again: Keep what you have. And third piece of advice
is: Sorrow not over what is lost forever.” Then the song-bird
flew away.

Today is also the 19th anniversary of the Tiananmen Square Massacre, June 4, 1989. I realized in thinking about it that none of my children, not even the 22 year old, are old enough to remember what happened at Tiananmen Square when the Chinese students tried to gain some measure of reform and freedom through peaceful protest. 300-800 of the protesters probably died on June 4, 1989, and although the government has never told foreign journalists what happened to him nor has he ever been definitively identified, “Tank Man” probably died, too, shortly after this picture was taken on June 5th.

Tiananmen Square - BW




Tiananmen Square – BW

Poster

Buy at AllPosters.com


Chinese citizens in China who search on google for any information on the massacre or the protests at Tiananmen Square are greeted with no information and this message:

“According to the local laws, regulations and policies, part of the searching result is not shown.”

More June Celebrations, Links, and Birthdays