The Splintered Light by Ginger Johnson

Giving thought to how the world, the universe, we live in was created with so many varied elements of sound, light, taste, smell, invention, and shape is not a bad exercise in gratitude and appreciation for the vibrancy and diversity of our world. Ginger Johnson’s The Splintered Light leads the reader on a journey of pondering the immense creativity and inventiveness of a God who could create this world ex nihilo, out of nothing. And yet it’s a story, not a sermon, as Ishmael, the protagonist of this story, learns more about the Commons, a place where the different halls (schools) of Color, Sound, Gustation, Manufactory, Scent, Shape and Motion work together to create posticums, worlds for the colonization of their creators.

“Posticum means ‘back door.’ It’s a room for creation that opens up in the stone wall of the Commons. Back home is a posticum, too, but you’d never know it. Color Master told me it was one of the first. All the oldest posticums are worn out and run-down and only have oval sheep and round chickens. The sheep and chickens in the newer posticums are more refined. Plus, they have all kinds of other creatures as well. That’s how you know the age of posticums.”

Ishmael only left home to find his brother Luc and bring him back to help Mam and the family on the farm, but when he does find Luc in the Commons, Luc is unwilling to leave. And Ishmael himself is fascinated by the new sights and possibilities he glimpses in the many halls and schools of the Commons. The Hall of Hue, where Luc lives and works, also welcomes Ishmael as an apprentice of exceptional promise, but Ishmael is determined to return home and to bring Luc with him, after just one more day, and then another, and then another . . .

It’s hardly an insult to say of this debut novel that when I reached the end I was disappointed that there wasn’t more. I really would like to know what happened to Ishmael and his friends after the posticum closed and the stones rested. Maybe I should use my own creativity and imagine it for myself.

At any rate, I’m looking forward to whatever might come next from this talented new writer, and I really like the fact that she sprinkles lines from one of my favorite poems throughout this book about the diverse and variegated world(s) in which we live and breathe and move and have our being:

Pied Beauty by Gerard Manly Hopkins

Glory be to God for dappled things –
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced – fold, fallow, and plough;
And áll trádes, their gear and tackle and trim.

All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.

And this TED talk that I saw the other day seems to serendipitously belong alongside The Splintered Light:

Oh, today is the official publication date for The Splintered Light.

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This book may be nominated for a Cybils Award, but the views expressed here are strictly my own and do not reflect or determine the judging panel’s opinions.

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