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Amos and the Moon by Jan Balet

Aug2

Jan Balet “was a German/US-American painter, graphic artist and illustrator. Affected by the style naive art he worked particularly as a graphic artist and as an Illustrator of children’s books. Besides this he painted pictures in the style of naive art. Referred to as a “naïve” painter, his works exhibit a dry wit and refreshingly candid, satirical view of life.” ~Wikipedia, Jan Balet.

Amos and the Moon by Jan Balet was first published in 1948. The AMMO Books reprint edition that I received for review is certainly a lovely re-gift to today’s children from the golden age of children’s literature. The story is reminiscent of James Thurber’s Many Moons, which won a Caldecott Medal in 1944. In Thurber’s story, the ailing Princess Lenore wants the moon, and her father, the king, directs various servants and courtiers to get it for her. In Balet’s picture book, Amos sees the moon in his mirror, believes it belongs to him, and goes out to find it himself when it disappears the next day. Various vendors and storekeepers give him gifts–a piece of ice, a horse, a watch, a moon-shaped cookie—- as he searches, but none of his friends can give Amos “his moon”. Finally, Joe Ming, the Chinese laundryman, wisely tells Amos, “No one has the moon always–just once in a while.”

It’s a gentle, old-fashioned kind of story, and the illustrations are delightful. Mr. Balet was first and foremost an artist, and the pictures of the various shops that Amos visits in search of his moon will interest and appeal to anyone, young or old, who is inspired by detailed scenes, exquisitely rendered. The illustrations sort of remind me of Norman Rockwell or Currier and Ives or even the Impressionists like Manet, but Balet has his own style and subject matter. There is a European feel to the story and to the pictures, perhaps because of the many immigrants and ethnic groups that Amos encounters on his quest, even though the story is obviously set in an English-speaking, probably American, city.

AMMO Books has reprinted another of Balet’s picture books, The Five Rollatinis, which is a circus story and a counting book combined. Some of his other books, both those he illustrated that were written by other authors and those he wrote himself, are available on Amazon used. I really appreciate the publishers who find these old, treasured titles and bring them back into print for a new generation.

Thumbelina, illustrated by Elsa Beskow

Jul25

In the mail the other day, I received a review copy of Hans Christian Andersen’s Thumbelina, illustrated by famous Swedish artist Elsa Beskow. Ms. Beskow’s illustrations are justly known throughout Sweden and the world as classic artwork, both for her own books and for stories by other authors. Of course, Andersen’s story of a tiny girl “no taller than your thumb” is perfectly suited to Ms. Beskow’s lovely watercolor pictures.

This edition of Thumbelina features beautiful framed, full-page illustrations. The illustrations probably come from one of the eight (!) fairy tale collections that Elsa Beskow illustrated. Like Beatrix Potter, Ms. Beskow was a close observer of nature, and her pictures remind me of Potter’s, except larger. The “largeness” of the world, from Thumbelina’s vantage point, is portrayed quite well in this book, and a child reader will identify with Thumbelina as she travels through the countryside until she finally finds a home with the tiny King of the Fairies.

Elsa Beskow also wrote thirty-three stories of her own in Swedish, many of which have been translated into English and published along with her original illustrations. In my library I have Ollie’s Ski Trip and Pelle’s New Suit. Floris Books, the publisher of this Thumbelina, also has available and in print: Peter in Blueberry Land, The Land of Long Ago, The Sun Egg, Princess Sylvie, The Children of Hat Cottage, Emily and Daisy, Children of the Forest and many more. If you like classically styled picture book art, like the picture on the cover of Thumbelina, and then you will probably enjoy all of Ms. Beskow’s books.

The author and her husband Nathanael Beskow, a minister, had six children—all boys. I’m sure she enjoyed creating the pictures for Thumbelina and feeding the “girl-y” part of her nature, while surrounded by all those boys.

Playground by Mies Van Hout

May17

Originally published in the Netherlands under the title Speeltuin, this visually rich and colorful picture book is fun to look through, if a little confusing. The pictures are stunning, busy, and lively. The plot is almost non-existent: two children travel through the pages of this colorful world on their way to The Playground. The reader is invited to “take an exciting trip through this book! Find the way with your finger. These red arrows on each page show you where to start and where to go next.”

Maybe I just don’t get it, but the arrows seem unnecessary. If a child reader wants to run his finger over the double page spreads of rather abstract landscapes, I can’t see how the arrow on the edge of each page helps. But the adventure in art is enticing, and as the two children collect animal friends on each page to accompany them on their journey, the illustrations become more and more imaginative. I can see how this book would inspire children to create their own artistic journey-scape.

The ending is . . . disappointing. Perhaps the author/illustrator is trying to show that the journey is more interesting than the destination, or maybe I’m reading too much into it. At any rate, I would let children explore this book on their own and see what they come up with. Maybe start them on the adventure with the invitation, “Let’s go to the playground! Are you coming?”, but the text, translated from the Dutch, is fairly basic and dull. In fact, I can see this one as a wordless book, and it might work better that way.

Enjoy the color. (Did I mention that the book is very colorful?)

Sam and the Construction Site by Tjibbe Veldkamp

May2

This over-sized picture book is a translation from the Dutch, illustrated by the Dutch illustrator Alice Hoogstad and translated by Ineke Lenting. It translates well. Sam is a little boy who loves watching the big machines at the construction site and imagining himself driving the steamroller or manipulating the crane. One day he’s left to keep an eye on the construction site while the workers go off to lunch.

“If anyone does enter the construction site, call the police!” says the boss. But will someone else call the police if Sam is the one who breaks the rules and enters the construction site?

Sam and the Construction Site is an exciting story for preschoolers, especially those who have a love for big machines and big adventures. The pictures themselves are big, and yet detailed, with hidden clues to the ending of the story that make the book a read-again-and-again book rather than a one time read. Sam has a bad reason for going into the construction site, a dare from some bigger boys, but then he has a good reason for his next rule-breaking actions.

What a great story and such an opening for discussion! Preschoolers might want to talk about rules and rule-breaking, dares, when to call the police, consequences, observational abilities, and of course, steam rollers, cement trucks, and cranes. Pair this one with Mike Mulligan and His Steam Shovel by Virginia Lee Burton, Trucks and New Road! by Gail Gibbons, Goodnight, Goodnight Construction Site by Sherry Rinker, and Building a House by Byron Barton.

Other favorite building construction picture books?

Wee Gillis by Munro Leaf

Apr14

Alastair Roderick Craigellachie Dalhousie Gowan Donnybristle MacMac, aka Wee Gillis, doesn’t know which he wants to be: a Lowlander like his mother’s relations, calling cows, or a Highlander like his father’s relatives, stalking stags. He tries both out, but in the end he turns out to be something else entirely.

This picture book by Munro Leaf was published in 1938, two years after Leaf’s most famous picture book, The Story of Ferdinand. Both book share a common illustrator, Robert Lawson, and similar protagonists, seeking their identity. Ferdinand must decide what kind of bull he is, and Wee Gillis must choose how and where he will be a Scotsman. Lawson’s illustrations, black and white pen-and-ink, complement the story and its setting in Scotland with memorable, detailed facial features and clothing for Wee Gillis and all of his relatives.

Munro Leaf and Robert Lawson were in fact friends before Ferdinand was published in 1936, and Leaf actually wrote The Story of Ferdinand “on a whim in an afternoon in 1935, largely to provide his friend, illustrator Robert Lawson (then relatively unknown) a forum in which to showcase his talents.” Lawson went on to illustrate many more books, two others with Munro Leaf as author, The Story of Simpson and Sampson and an edition of Aesop’s Fables. Mr. Lawson also illustrated another book in 1938 that won a Newbery Honor in 1939, Mr. Popper’s Penguins by Richard and Florence Atwater.

The details are what make this picture book stand the test of time: a picture of Wee Gillis yelling through the fog, Wee Gillis’s absurdly long name, the alliterative fun of “calling cows” and “stalking stags”, and the tempestuous tantrum that Wee Gillis’s uncles throw when trying to persuade him to choose either the Highlands or the Lowlands for his home. And of course the theme/plot of finding a way to reconcile both halves of your heritage and still become uniquely yourself is always timely.

Read to your primary and preschool age children and then, listen to some bagpipe music together:

Giraffe Meets Bird by Rebecca Bender

Apr7

An indeterminate but colorful species of bird meets a a large, mostly peaceful giraffe. Bird and Giraffe learn to share, live and let live, and eventually they face and conquer danger together.

This Canadian picture book opens with Bird flying, or perhaps dancing, off the edge of the front endpaper into the beginning of his growing friendship with Giraffe. However, the title page shows Bird’s egg beginning to crack open, and the real story begins at hatching. Giraffe and Bird are in turns surprised, amazed, fascinated, tickled, cross, angry, pleasant and polite as their unusual friendship moves through its successive phases. Then, danger unites the two friends, and they share in their escape together. On the final endpaper illustration, Giraffe gets his own picture, upside down and munching on a leaf.

I looked for “giraffe books” a few months ago when a teacher I know was doing a giraffe day in her ongoing series of animal mini-units. The only good giraffe-themed picture books I found in my library were Jaffa by Hugh Lewin, about an African boy who pretends to be different animals, and Giraffes Can’t Dance by Giles Andrede, about courage to fail and self-expression. I may never be asked again for a set of books featuring giraffe characters, but if I am, Giraffe Meets Bird would be a nice addition to the other two.

It’s cute and light-hearted, and the illustrations, also by Rebecca Bender, are adorable, especially the expressive eyes, faces, and bodies of the two main characters. The story is a little illogical in a couple of places: at the end Bird and Giraffe say a tearful goodbye (to each other?) and then set off together. And they hide from danger together in a rather peculiar position. Nevertheless, I can overlook and suspend disbelief since the pictures and the story are just cute and engaging.

As it turns out, when I look on Amazon I see that Giraffe and Bird have been featured in two previous picture books written and illustrated by Ms. Bender, Giraffe and Bird and Don’t Laugh at Giraffe. Those two look delightful, too.

A Year of Borrowed Men by Michelle Barker

Mar31

1944. Not all World War 2 stories, even those about prisoners, are about concentration camps and horror and death. Even those stories that exist in the shadow of death and destruction can be human and hopeful. A Year of Borrowed Men is one such hopeful war story about kindness and friendship.

Seven yer old Gerda’s father and brother have been “borrowed” by the German military to fight in the war. But the farm where Gerda and her mother and her four brothers and sisters live is necessary to the war effort, too. So the Nazi government sends three French prisoners of war to Gerda’s farm to help with the farm work.

The German families who were hosting the French prisoners were under strict orders not to treat them as family members or even as valued workers, but rather the prisoners were to be used as slave labor to support the German war effort and the feed the populace. However, Gerda’s mother tells her that the French men are only borrowed, that someday they will return to France, and in the meantime they are to be respected and well-treated. The growing friendship between little Gerda and the French prisoners demonstrates the possibility that even in a time of oppression, humanity can bloom.

The illustrations in this Canadian import are beautifully evocative of a rural island of peace in the midst of war. Renne Benoit, the illustrator, lives in Ontario, Canada, and the pictures remind me a little of photographs I have seen of the Canadian prairies, although the book is set in Germany. The watercolor and colored pencil illustrations are also quite similar in style to Renee Graef’s illustrations for the Little House picture books. If you like those pictures of cozy farm life, you’ll probably appreciate those found in The Year of Borrowed Men.

The story is based on the World War 2 experiences of the author’s mother. An afterword at the end of the book informs the reader that little Gerda, Ms. Barker’s mother, never saw her father and brother return from the war. She also never again saw the three Frenchmen who worked the farm after war was over, but she did remember the French “borrowed men” with fondness as “fruende” or “amis”.

I am pleased to add this picture book to the World War 2 section of my library as it gives a different perspective on the war and its many stories.

Baker’s Dozen: Recent Nonfiction Picture Books

Jan8

I am developing a great affection and enjoyment for nonfiction picture books. The picture book seems well-adapted to the telling of a short episode from history or a scientific breakthrough or observation in concise prose with pictures to illuminate the story. The following narrative picture books would be great for “doing history” or “doing science” with elementary age children, and each one is a good introduction to an historical events, famous person, or scientific concept for even older students.

Impossible Voyage of Kon-tiki by Deborah Kogan Ray. Thor Heyerdahl’s Kon-tiki: Across the Pacific by Raft has been required reading in many schools for more than a generation. I was assigned to read it more than 40 years ago. But I didn’t finish it because, frankly, at the time, I was bored by the minute by minute account of Heyerdahl’s voyage across the Pacific. This picture book account of the journey could be a doorway into the story of Mr. Heyerdahl’s experiment to see if ancient South American inhabitants could have voyaged by raft to the islands of the Pacific.

The House That George Built by Suzanne Slade. The building of the White House. See my review here.

The Boy Who Fell Off the Mayflower, or John Howland’s Good Fortune by P.J. Lynch. Candlewick, September 2015. I haven’t read this one yet, but I’m told it’s an absorbing account of the Mayflower immigrants and their journey to the HNew World.

Mahalia Jackson: Walking with Kings and Queens by Nina Nolan. Amistad, January 2015. This picture book biography of the great gospel singer is limited in informational value, but quite lovely and inspiring. The book should inspire children to listen to Mahalia Jackson’s music, and that in itself self makes the book worthwhile.

Ira’s Shakespeare Dream by Glenda Armand. Lee & Low, August 2105. Ira Aldridge dreamed of becoming a great Shakespearean actor, but in the early 1800’s, for a black man, it seemed impossible. Nevertheless, with determination and perseverance, Mr. Aldridge was able to become a celebrated and accomplished actor, even though he had to emigrate to England to make his dream a reality.

The Amazing Age of John Roy Lynch by Chris Barton. Eerdmans, April 2015. John Roy Lynch was a field slave who became a photographer, then Justice of the Peace, then Speaker of the Mississippi House of Representatives, and then a U.S. Representative. His climb from slavery to Congress is chronicled in Chris Barton’s book. Semicolon review here.

Drum Dream Girl: How One Girl’s Courage Changed Music by Margarita Engle. Newbury honor winner Margarita Engle writes a poem-story about 1930’s and 40’s Cuban jazz drummer Millo Castro Zaldarriaga. The book makes lovely use of words and phrases to evoke drums and music and a Caribbean atmosphere.

Spic-and-Span! Lillian Gilbreth’s Wonder Kitchen by Monica Kulling. Illustrated by David Parkins. Tundra Books, 2014. If you’re a fan of Frank Gilbreth, Jr. and Ernestine Gilbreth Carey’s Cheaper by the Dozen and its sequel Belles on their Toes, this picture book biography of the mother of the clan, Lillian Gilbreth, will certainly be a welcome addition to your reading list. Semicolon review here.

Elvis: The Story of the Rock and Roll King by Bonnie Christensen. Elvis’s boyhood and early career are the focus of this picture book biography, with a long, tall two page spread illustration of Elvis and his guitar placed at the climax of the story when Elvis recorded his first hit song, That’s All Right. The book emphasizes Elvis’s youth, summarizing the bulk of Elvis Presley’s career with these words at the end: “With echoes of gospel, country, jazz, and blues, Elvis’ voice touched the hearts and souls of millions, then, now, and always.”

Winnie: The True Story of the Bear Who Inspired Winnie-the-Pooh by Sally M. Walker. A delightful lead-in or accompaniment to a read or re-read of Winnie the Pooh, which is always a good thing at any age.

Draw What You See: The Life and Art of Benny Andrews by Kathleen Benson. Benny Andrews, African American painter, illustrator, and printmaker, provides a role model and an example for aspiring young artists. His story is told succinctly, but expansively, in this biography, and the illustrations from Mr. Andrews’ own work make the story even richer.

A Nest Is Noisy by Dianna Hutts Aston. Ms. Aston, the celebrated author of A Seed Is Sleepy and An Egg Is Quiet, is back with a treatise on nests of all sorts and sizes for young naturalists to savor.

Emmanuel’s dream: the true story of Emmanuel Ofosu Yeboah by Laurie Ann Thompson. Cybil’s nonfiction finalist. Emmanuel, born with only one leg, shows Ghana, and then the world, how people with disabilities can do important, world-changing work.

Christmas in Antartica, 1911

Dec14

On December 14, 1911, a party led by Norwegian polar explorer Roald Amundsen became the first to reach the South Pole.

Picture Books:
Benson, Patrick. Little Penguin. Philomel, 1990.
Wood, Audrey. Little Penguin’s Tale. HBJ, 1989.
McMillan, Bruce. Puffins Climb, Penguins Rhyme. Harcourt, 1995, 2001.
Spinelli, Eileen. Something to Tell the Grandcows. Eerdmans, 2004, 2006.
Hooper, Meredith. Tom’s Rabbit: A Surprise on the Way to Antarctica. National Geographic, 1998.
Fromental, Jean-Luc and Joelle Jolivet. 365 Penguins. Abrams Books, 2006.
Chester, Jonathan. A for Antarctica. Tricycle Press, 1995.
Gibbons, Gail. Penguins! Holiday House, 1998.

Young adult fiction and nonfiction:
Surviving Antartica: Reality TV 2083 by Andrea White. A surprisingly good story, set in a future dystopia in which the politicians are the bad guys, and TV is the opiate of the people. Five kids travel to Antarctica to re-enact Scot’s expedition to discover the South Pole. Unfortunately the kids are set up to re-enact everything about Scott’s journey, including the calamities that caused him and all his crew to perish in the Antarctic snows.

Troubling a Star by Madeleine L’Engle. Vicky Austin receives a birthday present of a month-long trip to Antartica.

The White Darkness by Geraldine McCaughrean. I read this one several years ago, and I remember it as rather dark and disturbing with mature themes.

Shipwreck at the Bottom of the World by Jennifer Armstrong. A nonfiction account of the survival of Ernest Shackleton and his crew of 27 men who set out in August 1914 to be the first to cross the Antarctic continent from sea to sea, via the pole.

Adult Nonfiction:
Terra Incognita by Sara Wheeler. Sara Wheeler was the first woman selected by the American government to be the “Writer in Residence at the US South Pole Station”. She spent six weeks at the pole. In this book she reveals how people live on the bases and how the landscape affects them.

Marcus Sedgwick’s Top Ten Tales of Cold Climes.

Reading Picture Books With Children by Megan Dowd Lambert

Sep25

Reading Picture Books to with Children: How to Shake Up Storytime and Get Kids Talking About What They See by Megan Dowd Lambert, in association with the Eric Carle Museum of Picture Book Art.

I was quite impressed, and furthermore educated, by this guide to the “Whole Book Approach” to reading picture books aloud to children. Like the author, I am much more attuned to print than to pictures, and many of the techniques and strategies for helping children to engage with not only the text but also the illustrations and the graphic layout of a book would never have occurred to me on my own. Who looks closely at the endpapers of of a picture book? Or the frames and white space around the pictures? Have you ever thought about how artists adjust their illustrations to take into account the gutter, the place where the facing pages come together in the middle? Other than my husband, who used to be a printer, does anyone look at the typography in a picture book and think about how it adds to or detracts from the meaning and feel of the story? What about the size of the book? The orientation, portrait or landscape, of the pictures on the pages? The shape of the the book?

Ms. Lambert suggests some simple questions that story readers (adults) can ask the children with whom they are sharing a picture book:

How is the cover of this book inviting you into the story?
what clues do you see in the jacket art that tell you what the story might be about?
Why do you think the endpapers or the boards are this color?
Can you make a color connection to the jacket art?
What’s going on in this picture?
What do you see that makes you say that?
What more can you find?
Does anyone else have a different idea about this picture?

These are all things that Ms. Lambert spends a great deal of time analyzing and explaining, and she also has developed many ways of helping children to see and think about these things during story time. Reading Picture Books With Children is great book for parents, teachers, and librarians to come back to over and over to refresh and expand the way we engage with picture books and the way we lead children to do the same. I’m going to recommend the book to the Cybils picture book judges, who probably already know all about all this stuff. But I didn’t. And I went to library school, back in the dark ages. But I don’t remember discussing any of these design and illustration choices in my children’s literature classes or in any other education or library science classes. Anyway, I really appreciate the publisher, Charlesbridge, who sent me a copy of this book for review, and I plan to recommend it to others who are interested in introducing children to art and illustration and graphic design in picture books.

Reviewing picture books here on the blog just got a lot more interesting, and my reviews might be a lot more perceptive and interesting, too. Maybe. But I’m still a print/story/words kind of gal.

” But art just wasn’t my thing. Or so I thought. The picture book class showed me that art could be my thing–even if I wasn’t an artist. I’d just have to learn to think with my eyes.”