By and By: Charles Albert Tindley, the Father of Gospel Music by Carole Boston Weatherford and Bryan Collier

Jun25

If the world from you withhold of its silver and its gold, 
And you have to get along with meager fare, 
Just remember, in His Word, how He feeds the little bird, 
Take your burden to the Lord and leave it there. 

Refrain: 
Leave it there, leave it there, 
Take your burden to the Lord and leave it there. 
If you trust and never doubt, 
He will surely bring you out, 
Take your burden to the Lord and leave it there.

My mama used to sing this song to me when I was little, but I never knew anything about the man who wrote it, Reverend Charles Albert Tindley. In this picture book biography, written in verse, and illustrated with beautiful paintings of scenes from Rev. Tindley’s life by Caldecott Honor illustrator Bryan Collier, I learned a little about the African American preacher and self-taught musician who wrote that song and many more standard gospel tunes and lyrics.

One sign of a great picture book biography is that it gives a child a snapshot of an admirable person’s life and work while engaging an older reader and causing him to want to know more. After reading Carole Boston Weatherford’s poetic biography, I immediately turned to my computer to find out more: more about Tindley himself, more of his songs, more about Tindley Temple where Reverend Tindley pastored and sang. I learned from the book and from my further researches:

Tindley was born in 1851 to an enslaved father and free mother, making him free by the standard of the law at that time.
As a boy he taught himself to read, and later he studied Hebrew at a synagogue and Greek by correspondence with Boston Theological School.
Tindley became pastor of the East Chapel Methodist Episcopal Church in Philadelphia, later (after Tindley’s death) renamed Tindley Temple United Methodist Church.
Tindley wrote at least 46 published hymns, lyrics and music, and is known as the Father of Gospel Music.
“Tindley’s wife Daisy passed away on the day [his] congregation moved to a larger sanctuary. He was reportedly heartbroken at her death, and later admitted about her death that ‘one day I will understand it better by and by’. Several of the children Tindley had with Daisy would help him publish his hymns and compositions.” (Wikipedia)

Tindley’s songs and hymns include We’ll Understand It Better By and By, Leave It There, The Storm Is Passing Over, What Are They Doing in Heaven?, and I’ll Overcome Someday. That last hymn is credited as the inspiration for the civil rights anthem, We Shall Overcome. Weatherford quotes snippets from several of Tindley’s songs embedded in the text of her picture book poem. I only wish that I could sing those lyrics as I read the book aloud to children, just as Reverend Tindley broke into song in the midst of his sermons.

By and By: Charles Albert Tindley, the Father of Gospel Music by Carole Boston Weatherford and Bryan Collier is a book well worth introducing to your family and leading to further exploration as you appreciate the music of this talented, God-educated man.

Jella Lepman and Her Library of Dreams by Katherine Paterson and Sally Deng.

Mar8

Paterson, Katherine. Jella Lepman and Her Library of Dreams: The Woman Who Rescued a Generation of Children and Founded the World’s Largest Children’s Library. Illustrated by Sally Deng. Chronicle Books, 2025.

I’ve never heard of Jella Lepman, and even though I’ve been in the children’s library world for a long time, I am only cursorily familiar with IBBY, the International Board on Books for Young People, and the International Youth Library in Munich, the world’s largest library for children’s literature. Nevertheless, since I love children’s books and own a library full of them, of course I was drawn to this true story of a German Jewish woman who fled Germany before World War II and came back to bring “nourishment for the soul” to the German children after the war.

“It was obvious that the children of Germany whom Jella had come home to help were in desperate of food, of clothing, of safe shelter. Elly Heuss-Knapp, whose husband later became president of West Germany, told Jella that while soup kitchens and care packages were all good and necessary, ‘nourishment for the soul’ was even more important.”

So, Jella Lepman, who was under contract to work with the U.S. army of occupation in Germany with the title of Advisor for WOmen’s and Youth Affairs, became the originator and spokesperson for gathering, translating, publishing, and providing books for the impoverished German children who, after all, weren’t responsible for the war and for Naziism. She began with an International Exhibition of Children’s Books, an affair for which she had to obtain all of the books free of charge from libraries and donors and publishers all over the world. There was no funding for such an exhibition.

Then, Jella had to find a suitable place to hold the exhibition and get volunteers to help clean and ready the building for a book show. The books came form all over the world–from countries that had been enemies of Germany until recently, and the exhibition opened on July 5, 1946. German publishers, authors, parents, and children were welcomed into the exhibition, and Jella soon began her next project of finding a permanent place to house a library for the many books she had collected.

The remainder of the book tells about the library that Jella Lepman began with the help of such luminaries as German children’s author Erich Kastner, Eleanor Roosevelt, and the Rockefeller Foundation, as well as many volunteers and donors from all over the world, but especially the United States. The library was and is located in a castle, and it made me a bit jealous. All of that room! They even had an art studio where children could paint and draw, inspired by stories read aloud.

Katherine Paterson is a distinguished author in her own right, winner of two Newbery Medals, the Astrid Lindgren Memorial Award, and the Hans Christian Andersen Award. The Andersen Award is administered by IBBY, the international organization that Jella Lepman helped start. This biography of Jella Lepman at first glance looks like a picture book. It’s picture book size, and illustrated with lovely charcoal(?), chalk (?), and watercolor drawings interspersed with photos of Lepman and her colleagues and the places where she lived and worked. So, sort of a picture book, but the text is written for middle grades and older. And the entire book is 105 pages long. So, it’s not a picture book for preschool and primary audiences.

I enjoyed reading about Ms. Lepman and her work with the library and IBBY in post-war Germany. The biography would give children and adults quite a bit of insight into the time period as well as reminding us all of the importance of books as food for the soul. It reminded me of me of the work that the 21st Century Packhorse Librarians are doing in South Carolina and neighboring states and of the work that private living books lending libraries and librarians continue to do daily.

Ode to Grapefruit by Kari Lavelle

Jan25

Lavelle, Kari. Ode to Grapefruit: How James Earl Jones Found His Voice. Illustrated by Bryan Collier. Alfred A. Knopf, 2024.

The things you can learn from picture books! I had no idea that James Earl Jones/Darth Vader was a stutterer. Ode to a Grapefruit by speech pathologist Kari Lavelle tells the story of Mr. Jones’ childhood and young adulthood and his struggles in learning to work with and through his stuttering.

James Earl Jones grew up in Michigan, and according to this picture book biography, he felt such shame and fear about his stuttering that he decided to remain silent in public for the first eight years of his school career. In high school, James Earl, who never received speech therapy as a child, found something that helped him to speak: poetry. The rhythm and cadence of poetry and memorized lines in plays made it easier for James Earl to speak clearly and fluently. With encouragement from a teacher mentor, James Earl began to speak in class and on stage, and he learned to use his resonant voice and overcome his stutter. Even so, he still considered himself a stutterer as an adult, with occasional lapses in fluency.

I had a good friend in college, Gail, who was a stutterer. Gail taught me a lot about stuttering and how it works and how speech therapists teach people to deal with stuttering. This book felt true to what Gail experienced and what she told me long ago about her journey with stuttering. As I was reading the book, I noticed that not much has changed in regard to the advice that is given to people who stutter and to their family and friends.

To those who stutter: “There are no miracle cures for stuttering. But there are many ways to help people who stutter.” To friends: “Be kind. Be patient. Listen to their message. Don’t try to offer word suggestions if they get stuck.”

And what do stuttering and James Earl Jones have to do with grapefruit? Well, that’s something you’ll have to read about in the book. This biography was published in 2024, and James Earl Jones died in September, 2024. It couldn’t have been planned, but the coincidental publication of the book in the same year of Mr. Jones’ death seems like a fitting tribute to the great actor with a great voice.

Gifts From Georgia’s Garden by Lisa Robinson

Jan24

Robinson, Lisa. Gifts From Georgia’s Garden How Georgia O’Keeffe Nourished Her Art. Illustrated by Hadley Hooper. Holiday House, 2024.

Georgia O’Keeffe, renowned for her iconic paintings of skulls and bones, landscapes and skyscapes, and colorful flowers, was also a dedicated gardener and a warm, welcoming host in her New Mexico home. Her garden in the New Mexico desert not only inspired many of her works but also provided fruits, vegetables, and flowers that graced her table and were shared with friends and visitors.

This picture book offers a glimpse into O’Keeffe’s artistic world, but it serves more as an introduction. It can spark curiosity, leaving readers eager to explore her full body of work, whether online or through other books. The focus here is on her New Mexico garden, where she practiced sustainable gardening techniques to enrich the soil, protect her plants, and cultivate food that nourished both her body and her art.

The author also shares some of the dishes—soups, salads, and desserts—that O’Keeffe prepared for her guests, including a recipe for Pecan Butterballs. As someone who loves anything with pecans, this was a delightful bonus!

This book paints a picture of O’Keeffe as not just an artist, but also a gardener and homemaker who left the “male-dominated” art scene of New York City to create a fulfilling life and career in the New Mexico desert. I admire O’Keeffe’s art, and it’s refreshing to learn how her gardening and love of simple, wholesome food shaped her creative process.

One sentence near the end of the book did leave me pondering: “Georgia grew old in her garden sanctuary, and even when she became blind, she continued to tend her garden and paint.” This statement may prompt children to ask how an artist can paint without sight, a valid question that reminds me of how Beethoven composed music despite being deaf. ‘Tis a puzzlement.

Gifts from the Garbage Truck by Andrew Larsen

Jan16

Gifts from the Garbage Truck: A True Story About the Things We (Don’t) Throw Away by Andrew Larsen. Foreword by Nelson Molina. Illustrated by Oriol Vidal. Sourcebooks, 2024.

I have mixed feelings about this picture book biography of sanitation worker, Nelson Molina, a collector of throwaway items. I liked the basic story of Mr. Molina and his Treasures in the Trash Museum. Stories about ordinary people who have extraordinary hobbies and adventures are the best. The letter at the beginning of the book, written by Nelson Molina himself, was great. In fact, that letter, in which Mr. Molina tells about how he came to be a collector, reuser, recycler, and up-cycler of other people’s trash, could have been a much better text for the picture book.

Instead, author Andrew Larson retells Nelson Molina’s story, and the text is rather pedestrian. In addition, the illustrations are flat and uninteresting.

“Nelson Molina collected things. He collected all kinds of things.”

“Nelson brought the objects he found back to the sanitation garage. He displayed them in the locker room so everyone at work could see them. There were toys and teapots. Yo-yos and photos. There were knick-knacks and thingamajigs and whatchamacallits. People throw away the most extraordinary things.”

Then, at the end of the story, someone decided to add a didactic and unnecessary information page that reiterates what the story has been telling us, in case we’re too dense to get it. The title is “The 4 R’s: Reduce, Reuse, Recycle, and Rethink”–with a definition and explanation for each “R” as well as ideas about how to up-cycle junk that’s headed for the garbage truck.

I was fascinated by Nelson Molina’s story of collecting, repairing, and recycling things from the New York City garbage. It reminded me a little bit of my work, rescuing books. But I wish Mr. Molina could have had a better picture book profile. And a few more photographs or pictures of the whatchamacallits and thingamajigs in the museum would have been nice. (There are a few photos in the back of the book.)

This picture book is worth checking out from the library just because of the story. But one time through the book should be enough for most kids and grownups, too.

Growing Patterns: Fibonacci Numbers in Nature by Sarah C. Campbell

Oct28

What are Fibonacci numbers? Who was Fibonacci? Why does the Fibonacci number pattern appear in sunflowers, pineapples, and even the spirals of a nautilus shell?

This book, illustrated with photographs taken by the author and her husband, Richard Campbell, answers the first question and the second (in the end section, called. “More about Fibonacci Numbers”), but the third question of why remains a mystery. The pattern for Fibonacci sequence is: 1, 1, 2, 3, 5, 8, 13 . . . Each Fibonacci number in the sequence is the sum of the two numbers before it in the pattern. Leonardo Fibonacci was the Italian mathematician who first wrote about this fascinating number pattern.

The book starts out easy with pictures of flowers that display the Fibonacci numbers. The reader is told to count the flower petals, which turn out to be a number equal to one of the numbers in the Fibonacci sequence. Most flowers have a Fibonacci number of petals, although some do not. Then it gets more complicated.

Pinecones, pineapples, and sunflowers also display Fibonacci numbers, but these are found in the number of spirals in the pinecone, or in the center of the sunflower, or in the pineapple skin. I truly had trouble counting and understanding the spirals, even though the photographs were clear and even had the spirals numbered.

Then we get to the growth of the spiral on a nautilus shell. This growth can also be expressed in a Fibonacci number sequence. I think I understood this one, but it’s complicated and might be hard to explain to children. I’m not sure the book does an adequate job of explaining (or maybe I just didn’t do a great job of understanding).

I would pair this book with the picture book biography, Blockhead: the Life of Fibonacci by Joseph D’Agnese. Blockhead tells the story of how Fibonacci discovered the numbers sequence that is now named for him as well as popularized the use of Arabic numerals in the West. Even though people thought he was a head-in-the-clouds blockhead, Leonardo Fibonacci is now known as the “greatest Western mathematician of the Middle Ages.”

These two books together give a much more enlightening introduction to Fibonacci numbers than does either book on its own. The photographs in the first book, Growing Patterns, are vivid and helpfully labeled and numbered. The story of Fibonacci’s mathematical obsession and the diagrams that illustrate the numerical sequence are good for creating more interest and for helping children (and adult like me) understand the fun of finding and counting Fibonacci numbers. After reading both books, you could spend a lot of time discovering Fibonacci numbers in nature: in flowers, lemons, apples, leaves, shells, waves and other natural and even man-made objects. Or you could let your children discover more of these numbers for themselves after you have introduced them using these picture books, if they are interested. Spread the feast and see who partakes of the wonder.

Home on the Range by Deborah Hopkinson

Oct24

Home on the Range: John A. Lomax and His Cowboy Songs by Deborah Hopkinson. Illustrated by S.D. Schindler. G.P. Putnam’s Sons, 2009.

“John Avery Lomax grew up singing. Why, he probably knew more folk songs, tunes, and ballads than there were cattle in the great state of Texas.”

John A. Lomax was an “ethnomusicologist”. In layman’s terms, picture book language, that’s a collector of folk songs. He’s of special interest to me, a Texas girl, because he collected cowboy and western folk songs, many of them songs of Texas. John Lomax was a Texas boy, born in Mississippi, but raised in good old Texas. Deborah Hopkinson’s book tells the story of how Mr. Lomax became a folk song collector and how he recorded thousands of folk songs that might be lost to history if not for his work. Lomax’s book Cowboy Songs and Frontier Ballads, published in 1910, helped to preserve songs such as “Git Along, Little Dogies” and “Sweet Betsy from Pike” and of course, the titular song for this book, “Home on the Range.”

The book chronicles the studies and travels of the peripatetic John Lomax and his son Alan who also became a well-known ethnomusicologist. Scattered throughout the biographical material are the lyrics, or at least partial lyrics, to many of the songs that the Lomaxes collected. Unfortunately, unless you already know the songs included, you’ll have to look them up somewhere to find the rest of the lyrics to the song and the tunes. But on YouTube you can find the likes of Gene Autry and Roy Rogers and Johnny Cash and Burl Ives and others singing these old cowboy songs. Some of the songs that are alluded to:

S.D. Schindler’s illustrations that accompany Ms. Hopkinson’s fine text are first-rate. I especially liked the beautiful two page spread of cowboys in a Fort Worth saloon, where Lomax attempts to get them to sing into his “large recording horn.” There’s also a two page spread illustration of John’s classmates at the University of Texas, transformed into cowboys, and even one cowgirl, sitting around the campfire listening to Lomax sing the old songs of the West.

In the end notes to the book, Hopkinson tells readers that many of these songs, including “Home on the Range,” were thought by John Lomax to be folk songs of unknown origin, but some of them indeed had specific lyricists and composers.

“After the song (Home on the Range) became popular in the 1930’s, an Arizona couple claimed to have written it in 1905. Eventually, the song was traced to two Kansas men, Brewster Higley and Daniel E. Kelly, who wrote it in 1873. Finding the origins of songs can be difficult!”

Anyway, whoever wrote these songs, they belong to all of us now, and we can be thankful for John A. Lomax who recorded and preserved them for us to enjoy and for Deborah Hopkinson and S.D. Schindler who were also preservationists, giving us this lovely picture book biography of a pioneer musicologist and his work to save all of the old cowboy songs.

This book can be borrowed by member families from Meriadoc Homeschool Library.

The Little Books of the Little Brontes by Sara O’Leary and Briony May Smith

Nov22

The Brontes–Charlotte, Emily, Branwell, and Anne–are endlessly fascinating subjects for books, fiction and nonfiction. The fact that the Bronte children made little books for each other is a good focus for a book about the hunger for stories that we all have.

I don’t believe I’ve ever seen any illustrations by Briony May Smith, although as I look she has illustrated other books. I’m a fan. The children look like real children , and yet the pictures have a fairy tale, once upon a time quality to them, too. It reminds me a little bit of one of my favorite modern illustrators, Brett Helquist, but Ms. Smith has her own distinctive, original, and recognizable style.

“This is the story of the little Brontes, who lived in a house on the edge of the wild moors–and also in a world of their own imagining.” Sara O’Leary is also a new-to-me author, and she lovingly tells the story of the Bronte children with their pets and toy soldiers, miniature books and real books, and their hunger for stories. It’s a well-told tale, with added information in the back about how to make your own little book, an author’s note about books and the Brontes, and a timeline of the Brontes’ life and times.

The book could certainly be a prequel and encouragement to lots of imaginative play for the children who read it, and it also might lead to the reading of other books about the Brontes and their amazing lives and accomplishments. Some of those follow-up books:

Charlotte Bronte and Jane Eyre by Stewart Ross. A picture book biography that focuses on the writing of Charlotte’s most famous novel, Jane Eyre.

The Return of the Twelve by Pauline Clarke (British title The Twelve and the Genii). Fantasy fiction about the Bronte children and how their toy soldiers come to life and need help to get back home.

The Young Brontes: Charlotte and Emily, Branwell and Anne by Mary Louise Jarden. Historical fiction (not fantasy) about the lives of the young Bronte children.

Girl With a Pen: Charlotte Bronte by Elisabeth Kyle. A biography of just Charlotte.

The Bronte Sisters: The Brief Lives of Charlotte, Emily and Anne by Catherine Reef. Biography for young adults about all of the Brontes and their “brief lives.”

Emma’s Poem by Linda Glaser

Apr4

Emma’s Poem: The Voice of the Statue of Liberty by Linda Glaser, illustrated by Claire A. Nivola. Houghton Mifflin Books for Children, 2010.

The Statue of Liberty originally had nothing to do with immigrants. It was simply a friendship gift from France to the United States, a symbol of French-American amity. But a lady named Emma Lazarus wrote a sonnet in honor of Lady Liberty, and the rest is history.

The New Colossus
BY EMMA LAZARUS

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Emma Lazarus grew up the daughter of wealthy Jewish immigrant parents. She knew nothing of homelessness or poverty or freedom-seeking from her own personal experience or background. But she worked in the Hebrew Immigrant Aid Society and raised money for it and came to have a heart for immigrants.

This brief but telling biography is especially timely in today’s America when we are again having a national debate about immigration and whether or not we as a nation still want to extend the invitation: “Give me your tired, your poor . . ” I believe we need to extend that invitation and to have an ordered, legal way to do so. Politically speaking, I’m caught in the middle again. I begin to see the uses of some walls along the border in certain places to control and channel the flow of illegal immigration. At the same time, I believe that we need to be a country that welcomes immigrants, especially those who are fleeing persecution, but also those who are escaping poverty and violence and who are willing to work to make America strong and to better themselves.

Emma’s poem still rings true today, and I’m afraid its sentiments are becoming lost in the Republican hostility to all immigration and the Democrats’ manipulative use of immigrants and their plight to further their own political ambitions. It’s sad to me that we can’t come together and advocate for a sane and humanitarian immigration policy that welcomes “huddled masses yearning to breathe free” to our shores while keeping out those who only want to prey upon us and take advantage of our freedoms to commit crimes.

At any rate, Emma’s Poem is an introduction to a poem and to a life that we need to remember in these times. The paintings by Claire Nivola that accompany the text of this biography are colorful and striking, a fitting complement to the story of poet Emma Lazarus and her powerful poem. If you are interested in purchasing ($5.00) a curated list of favorite picture book biographies with over 300 picture books about all sorts of different people, email me at sherryDOTpray4youATgmailDOTcom.

I’m reviewing and highlighting poetry picture books this month on Semicolon in honor of Poetry Month. What’s your favorite poetry-related picture book?

A River of Words by Jen Bryant

Apr3

A River of Words: The Story of William Carlos Williams by Jen Bryant, illustrated by Melissa Sweet. Eerdmans Books for Young Readers, 2008. 32 pages.

“By stripping away unnecessary details, Williams tried to ‘see the thing itself . . . with great intensity and perception.'” ~Author’s Note, A River of Words by Jen Bryant

“Then I looked to a big box of discarded books I had from a library sale. One of the books had beautiful endpapers and I did a small painting on it. Then I took a book cover, ripped it off, and painted more. The book covers became my canvas, and any ephemera I had been saving for one day became fodder for the collages.” ~Illustrator’s Note, A River of Words, illustrated by Melissa Sweet

My youngest daughter, Z-baby, says her favorite poem is William Carlos Williams’ brief meditation on the distilled essence of common things that begins with the words: “so much depends/ upon/ a red wheel/ barrow . . .” This picture book biography distills Mr. Williams’ life down to the bare essentials, but it nevertheless tells and implies so much about the man and about his poetry. In the book, I learned:

–that Williams became a doctor, of obstetrics and pediatrics, so that he could make a living and still write poetry in his spare time.

–that Mr. Williams loved poetry from his boyhood days in Rutherford, New Jersey.

–that the poet made friends with other poets: Ezra Pound, Hilda Doolittle, Charles DeMuth, and Marianne Moore.

–that William Carlos Williams lived a busy life of keen observation and “rivers of words”.

Several of Williams’ poems are featured on the end papers of the books, and quotes from his poems are woven into the text and into the collage illustrations. (If you are shocked by the quotation from Ms. Sweet about the wanton destruction of books to make her artwork, I choose to believe that the books she used were already too damaged to be shelved or read.) Without Melissa Sweet’s pictures, this book would be interesting but ephemeral. However, the illustrations complement and enhance the text so well that the book is destined to become a classic in the picture book biography genre. It already won the following awards back in 2009 when it was published:

2009 Caldecott Honor Book
An ALA Notable Book
A New York Times Best Illustrated Children’s Book
A Charlotte Zolotow Honor Book
NCTE Notable Children’s Book

And to those awards I add my kudos. I bought a copy of A River of Words for my library, but I think I will need to buy another copy for Z-baby. (And maybe one for my son-in-law, the poet.)

There is also a book about William Carlos Williams in the Poetry for Young People series that would be a good follow-up for “young people” who are intrigued by this introduction to his life and work. If you are interested in purchasing ($5.00) a curated list of favorite picture book biographies with over 300 picture books about all sorts of different people, email me at sherryDOTpray4youATgmailDOTcom.