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IRIS (1), K-Drama Review

'Byung- Hun Lee' photo (c) 2013, Eva Rinaldi - license: http://creativecommons.org/licenses/by-sa/2.0/I just finished the final (20th) episode of the K-drama, IRIS, last night, and it was indeed a roller coaster of a television series. IRIS is a spy thriller with LOTS of violence. Engineer Husband, who heard the show’s soundtrack coming from my Kindle as I watched, commented that there certainly was a lot of gunfire. I could have told him, but didn’t, that there was also a lot of blood, gore, and death in the program. I think as a movie in the U.S. it would get an “R” rating just for the violence.

So why did I continue to watch? Well, the characters were fascinating. Best friends Kim Hyun-Jun (Lee Byung-hun) and Jin Sa-Woo (Jung Joon-ho) are training to become some kind of Special Forces soldiers in the South Korean Army when they are recruited to become part of NSS, a fictional counterpart to American CIA (although Korea does have an NIS, National Intelligence Service which is similar to the NSS portrayed in the TV show). During the recruitment process they both, unbeknownst to the other, meet and fall in love with Choi Seung-Hee (Kim Tae-hee), who is already an NSS agent. Hyun-Jun is the one who finds that his affection is returned by Seung-Hee.

'Kim tae hee 1' photo (c) 2010, Rashaine - license: http://creativecommons.org/licenses/by-sa/2.0/The remainder of the series finds Hyun-Jun and Seung-Hee and Sa-Woo weaving in and out of alliances and (violent) confrontations as they work within and without NSS to fight against the super-powerful, super-secretive, evil IRIS organization. The three fellow agents encounter traitors within NSS and unusual alliances, specifically with North Korean agent Kim Seon-hwa (Kim So-yeon), outside. There’s also some doubt about whether Hyun-Jun, Seung-Hee, and Sa-Woo are traitors allied with IRIS themselves at any given time during the series.

The themes of the series seem to be enduring love and loyalty, friendship, and the legacy of violence. Hyun-Jun is a conflicted character, believing himself betrayed by his own country, but also in love with Seung-Hee who is a part of the organization that betrayed him. The violence is the series intensifies over the course of the twenty episodes, and Hyun-Jun becomes as much a perpetrator as a victim. All of the characters, in fact, are caught up in a spiral of violence, and Hyun-Jun at least is not sure what it all means or why he does what he does. Is he seeking revenge? Maybe. Is he trying to protect Seung-Hee? To some extent. But he says a couple of times something to the effect, “I didn’t join NSS to do good or to be patriotic. I just wanted to enjoy doing something that I do well.” He’s good at “spy stuff”, so he takes up the invitation to join NSS. In doing so, he places himself in a web of violence and deceit that can only be unravelled or ended by more death and bloodshed.

Matthew 26:52 “Put your sword back in its place,” Jesus said to him, “for all who draw the sword will die by the sword.”

I found IRIS fascinating, even though it had a few dropped plot threads and holes. And, warning, the ending is horrid, although maybe appropriate in both its ambiguity and tragedy. The filmography is beautiful, with scenes taking place mostly in Seoul, but also in Japan and in Hungary. There is a second season of IRIS, with different actors for the most part, but I’m not sure it will be worth all the blood and bullets that must be waded through in this series. I would recommend season 1 for those who don’t mind the violence (and some strongly implied premarital cohabitation).

Headmistress, Common Room reviews IRIS and does an episode-by-episode recap.

Book Tag: Asia Picture Books

It’s time for Book Tag again. The rules are:

“In this game, readers suggest a good book in the category given, then let somebody else be “it” before they offer another suggestion. There is no limit to the number of books a person may suggest, but they need to politely wait their turn with only one book suggestion per comment.”

I’ve been working on a follow-up to my Picture Book Preschool curriculum (for several years I’ve been working, ruefully), called Picture Book Around the World. How about you all help me out by suggesting picture books set in Asia today?

I’ll start us off with one of my favorite authors of picture books set in Japan, Allen Say. Mr. Say’s Bicycle Man tells the story of two American soldiers, immediately after World War II, who entertain Japanese children in a schoolyard by doing tricks on a bicycle.

Allen Say was born in Yokohama, Japan, in 1937. He now lives in the United States, and he both writes and illustrates children’s picture books. Most of his stories are either set in Japan or feature Japanese American characters.

What picture books set in Asia can you suggest for this edition of book tag?

To Whisper Her Name by Tamera Alexander

Romance novels are not usually my thing. Historical fiction is. To Whisper Her Name is an historical romance, set just after the Civil War in Nashville, published by Zondervan, which makes it a Christian historical romance, doubly suspect in some circles.

I must say, however, I found the novel absorbing, if somewhat difficult to swallow whole in some aspects. The romance was fine, although Olivia, the female half of this romantic pairing, overcomes her novel-long inhibitions about marrying the male lead rather abruptly in the last few pages of the book. The part I couldn’t believe was the deep friendship that develops between Ridley Cooper, a white Union army veteran, and Bob Green, a black former slave and expert horse whisperer, on the plantation, Belle Meade. Ridley actually lives with “Uncle Bob” in a cabin on the plantation grounds. I would like to believe that such a friendship would have been possible, would have been tolerated, in those times in the South, but I find it difficult to envision.

The former slaves who are now working at Belle Meade also invite Ridley, and later Olivia, to their church meetings, to eat meals in their homes, and even to their parties. I just can’t picture the class and race differences being overcome so easily and openly. Maybe someone knows of examples of post-Civil War interracial friendships that would disprove my skepticism?

Anyway, it’s obvious from the beginning of the book that Olivia and Ridley are meant to get together by the end. However, there are, of course, impediments to the match. Olivia is a widow, loyal to the Southern cause, betrayed and made wary of marriage by her late husband’s cruelty. Ridley is a Southerner who fought for the Union, a traitor in the eyes of most other Southerners, and keeping that aspect of his life a secret from everyone is the only thing that allows him to live at Belle Meade long enough to learn about the care and husbandry of thoroughbred racing horses from Uncle Bob. Ridley’s plan is to learn all he can and then leave the South to build a ranch in the Wild Western state of Colorado. How can he and Olivia, a proper Southern lady who, moreover, is afraid of horses, ever come together?

Never fear. They can and will. It’s a Christian historical romance, after all.

To Whisper Her Name is on the shortlist of books nominated for the 2013 INSPY Awards in the Romance category.

The Little Way of Ruthie Leming by Rod Dreher

The Little Way of Ruthie Leming: A Southern Girl, a Small Town, and the Secret of a Good Life by Rod Dreher.

I’ve heard excellent things about Rod Dreher’s memoir of his sister Ruthie’s journey with cancer and its effect on his life decisions. And it was a really good book. However, this book is one that should come with a warning: keep reading. Keep reading to the very end, and don’t assume that you understand what Mr. Dreher is trying to say in his story unless you’ve read it all. Even then, you’ll most likely shut the book with a thoughtful look on your face and in a contemplative mood—my favorite take-aways from any story.

On the surface, The Little Way is a book about a courageous and spirited woman who lived a life of service and good works and died at too young an age. Dreher repeatedly calls her a “saint”, and this from a man who was Catholic and converted to Orthodoxy and who believes in “saints” who are singular people especially endowed with God’s grace, not as I believe that we are all saints if we trust in Jesus. Ruthie Leming seems at first to be an uncomplicated, straightforward, country girl who loved teaching school, drinking beer and celebrating life with her friends, and caring for her family. The cancer that eventually ended her life was for Ruthie something to treat according to the doctors’ advice and then ignore as much as she could. As we get to know Ruthie more and more through the pages of Mr. Dreher’s book, however, she is revealed to have depths of character and even faults that go unnoticed and unsuspected in the beginning of the book. Maybe it’s the cancer itself, and its influence in Ruthie’s circle of friends and family, that reveal Ruthie’s essential spirit and her long-lasting influence over her family and her hometown of St. Francisville, Louisiana.

Mr. Dreher’s relationship with his sister, and indeed with his entire family and hometown, turns out to be complicated, too. Suffice it to say that Mr. Dreher and his wife and children try an experiment with the old conundrum of whether or not “you can’t go home again”, and the results are, well, mixed and complex. The Drehers move back to St. Francisville after Ruthie’s death because of something attractive about the way the town supported and loved Ruthie and her family through Ruthie’s illness and death. However, the family tensions and small town prejudices that drove Rod Dreher to leave home in the first place before he even finished high school are still evident. The question isn’t really whether or not you can go home again, but rather what will happen to you as an adult, who has been formed by all of the many settings in which you’ve lived, once you get there? Can an adult who’s lived in Washington, D.C. and New York City and seen Paris ever be content with what Mr. Dreher calls “the little way”?

I want to suggest this book to my Eldest Daughter who will be moving back to Houston soon after several years in graduate school in Nashville, but I don’t want her to get the wrong message from my recommendation. Again, although Mr. Dreher certainly buys into Wendell Berry’s localism and idealistic valuing of community, the book indicates, if you read it all the way through, that creating community among loving but flawed people isn’t easy. And of course, he’s right: those of us who love the Lord and live in the light of His grace are all saints, but we’re broken saints, physically, mentally and spiritually. We get cancer; we make harsh judgments, we hurt each other; and we love one another. All mixed up together. And it’s worth working through the messiness in one place with a specific group of people to call our own community–unless you have to escape that particular place and group in order to find your own “saintliness” and way to Grace.

Wherever you are in your journey away from or towards home and hometown values and community, you’ll find food for thought and discussion in Rod Dreher’s book. It’s much more than just a cancer memoir.

Doc by Mary Doria Russell

He could not accept that Fortuna might smile on him for half of his short life, only to watch pitilessly while his lungs gave out, leaving him to suffocate slowly. He refused to bow before a Providence determined to deliver him to an unmarked pauper’s grave in Colorado, fifteen hundred miles from the home he would never see again.
John Henry Holliday believed in science, in rationality and in free will. He believed in study, in the methodical acquisition and accumulation of useful skills. He believed that he could homestead his future with planning and preparation; sending scouts ahead and settling it with pioneering effort. Above all, he believed in practice, which increased predictability and reduced the element of chance in any situation.
The very word made him feel calm. Piano practice. Dental practice. Pistol practice, poker practice. Practice was power. Practice was authority over his own destiny.
Luck? That was what fools called ignorance and laziness and despair when they gave themselves up to the turn of a card, and lost, and lost, and lost . . .

Ah, yes, Invictus. “I am the master of my fate; I am the captain of my soul.” I don’t believe it, and it doesn’t really seem to have worked too well for Doc Holliday, the central character in Mary Doria Russell’s novel, Doc, either. Doc Holliday, as portrayed in Ms. Russell’s story, was more than a bloodthirsty dentist, gambler, and gunfighter who “shot’em up” at the OK Corral and died at the tender age of 36. In this book, Doc is a philosopher and a pianist and a lover of beauty and a homesick soul. Holliday’s tragedy was that he struggled with tuberculosis, the same disease that killed his mother when John Henry Holliday was only 15 years old. At the time many people who were diagnosed with TB moved to drier climate of the American Southwest because it was believed that the dry air was curative or at least palliative for those suffering from the deadly disease. Holiday left his home and family in Atlanta, Georgia and moved first to Dallas, Texas, then to Dodge City, Kansas, and then to Tombstone, Arizona where the famous gunfight took place—with many stops and detours in between.

The events of this book take place mostly during Holliday’s time in Dodge, and Russell’s Doc seems to be the same man that Wyatt Earp, his friend, once described in a newspaper article, “Doc was a dentist, not a lawman or an assassin, whom necessity had made a gambler; a gentleman whom disease had made a frontier vagabond; a philosopher whom life had made a caustic wit; a long lean, ash-blond fellow nearly dead with consumption, and at the same time the most skillful gambler and the nerviest, speediest, deadliest man with a six-gun that I ever knew.” (Wikipedia, Doc Holliday)

Wikipedia, by the way, lists nine other novels based on the life and times of Doc Holliday. He’s a popular subject, I guess. I found this particular take on this infamous historical character to be fascinating. Warning: the dialog does include some, not much but some, profanity and crude language–which I thought was unnecessary and distracting.

As for the philosophical question that Doc debates with himself in the quotation above, I would argue that neither self-determination nor luck is the key to one’s destiny or future. God is in control, and we have choices within His created order. We can certainly “refuse to bow” or give ourselves up to despair—or we can trust His love and His grace and work within His providence to work out our own salvation with fear and trembling. Thank God it’s not all up to me and my practice and self-control, and thank God His grace is abundant and free, even when I don’t understand His plan.

Book Tag: Books for a Senior Citizen

How would you like to play book tag this summer? The idea for this game originally came from Carmon at her blog Buried Treasure, but since she no longer seems to be keeping a blog, I thought we’d play here.

“In this game, readers suggest a good book in the category given, then let somebody else be ‘it’ before they offer another suggestion. There is no limit to the number of books a person may suggest, but they need to politely wait their turn with only one book suggestion per comment.”

Last week we played book tag by suggesting books for my Dancer Daughter’s summer reading list. (You can still go to that post and suggest books for Dancer Daughter, age 23.) Now it’s time to go older, much older. My mom is almost 80 years old, and she likes to read on her Kindle so that she can adjust the size of the print. What books do you suggest for a “seasoned citizen” who likes to read classics and new books both?

There Is No Me Without You by Melissa Fay Greene

In case you hadn’t noticed ther is a LOT of controversy going on these days about international adoption, especially adoptions by U.S. parent of Ethiopian, Liberian, and other African children. Lots of agencies and groups involved in these adoptions are being accused of child-trafficking, stealing children from their parents and extended families to feed an American “obsession” with adoption. In fact, journalist Kathryn Joyce has recently published a book called The Child Catchers which seems to imply, or maybe state outright, that all international adoptions are suspect and akin to child abuse and kidnapping, especially those where the children are adopted into evangelical Christian families.

Melissa Fay Greene’s book, published in 2006, tells the story of one Ethiopian woman, Haregewoin Teferra, and the ups and downs of her “odyssey to rescue Africa’s children.” Ms. Greene also writes about the AIDs crisis in Ethiopia and in Africa, the political situation in Ethiopia, the ethics and difficulties and joys of Ethiopian adoption, and the difficulties of running an impromptu, under-funded, and unregulated orphanage. The book feels balanced and honest.

The best thing about this book is that Ms. Greene, although she obviously admires Haregewoin Teferra, does not idolize her. This journalistic trek through the back alleys of Addis Ababa and the orphanages and adoption agencies of Ethiopia is no hagiographic tribute to Haregewoin, even though she is the central character. It is instead a realistic picture of one woman who tries to help the orphans who are brought to her door, who sometimes makes mistakes, and who ends up helping some and being unable to help others.

“I would watch Haregewoin’s reputation rise and fall like sunrise and sunset. As she blended her life with the lives of people ruined by the pandemic, she became a nobody, like them. Then, she began to be seen as a saint. Then some cried, ‘hey! This is no saint!’ and accused her of corruption. Or maybe she started out as a saint, became a tyrant, then became a saint again. Or was it the reverse? THe story line hanged. But in ever account, no middle ground was allotted to Haregewoin: either she was all good, or she had gone bad. Those who watched, judged her.
Zewedu, her old friend, saw who Haregewoin was: an average person, muddling through a bad time, with a little more heart than most for the people around her who were suffering and half an eye cocked toward her own preservation. But most observers failed to reach this matter-of-fact point of view, and Ato Zewedu probably would not live much longer.
But then I heard, to my delight, that some people say even Mother Teresa herself was no Mother Teresa.”

This. Yes. We are all complicated, sinful, sometimes grace-filled, selfish, well-meaning, compassionate, but also unobservant, people. Some of us manage, by God’s grace, to do something kind and loving for someone else, even for many others, like the orphans Haregewoin helped. Somehow we muddle through and maybe do more good than harm. And God uses our poorest efforts and our mixed motives to serve Him and to serve others and to bring about His will.

If you are considering an international adoption, if you know someone who has adopted children from another country, if you just want to understand the complexities of adoption from the point of view of an adoptive mother and a journalist, read this book. Then read the articles I’ve linked to below for all kind of opinions and stories about international adoption. Some are horror stories; others are stories that inspire hope and sympathy. It’s complicated, but the complications shouldn’t paralyze us.

If God brings an orphan to your door, what can you do but open your home and your heart and let him in somehow?

Orphan Fever: The Evangelical Movement’s Adoption Obsession in Mother Jones magazine.

Evangelicals and Foreign Adoption by Maralee Bradley at Mere Orthodoxy.

Ethiopian Adoption: An Informal Guide by Melissa Fay Greene.

The Common Room and Adoption Advice.

International Adoptions Struggle for Hollywood Endings

Child Sponsorship instead of Adoption.

Sunday Salon: Links and Thinks: June 9, 2013

Albert Mohler’s Books for a Summer Season: Some Recommended Reading

'sunset on George R. Brown' photo (c) 2012, Steve - license: http://creativecommons.org/licenses/by-sa/2.0/

I didn’t know until I saw Mr. Mohler’s tweet that the Southern Baptist Convention is meeting in Houston this week. Welcome, Baptists!

“Praying for the city of Houston tonight. 4th largest in nation. May the #SBC13 be a Gospel blessing to this city.”

Adult/Teen Summer Reading at Redeemed Reader. This read-along looks like fun!

A Handmade Hobbit Hole, Bag End from The Hobbit by JRR Tolkien. Take a look at this dollhouse/hobbit home; it’s quite impressive.

Peggy Noonan on government surveillance and data gathering “There is no way a government in the age of metadata, with the growing capacity to listen, trace, tap, track and read, will not eventually, and even in time systematically, use that power wrongly, maliciously, illegally and in areas for which the intelligence gathering was never intended. People are right to fear that the government’s surveillance power will be abused. It will be.”

All I can say is have they read Orwell’s 1984? No, I mean really, have they read it, or have they read these books by Cory Doctorow? Or any of the dozens, nay, hundreds of dystopian novels that have been all the rage in YA fiction for the past several years? Don’t they know that the systematic invasion of everyone’s privacy by the government will come back to bite them in the you-know-what?

How to Discourage Artists in the Church by Phillip Ryken. The church needs artists and needs to affirm artists. If some of the items in Mr. Ryken’s list of “ways to discourage artistic giftedness” make you think of something that your church is doing wrong, maybe you can help to create change in this very important area.

Links and Thinks: June 5, 2013

Great Summer Reading Suggestions from Breakpoint and The Chuck Colson Center.

Free June Desktop Wallpaper and Calendar from The HOmeschool Post.

Born on this day:

Federico Garcia Lorca, b.1898, d.1936. Spanish playwright and poet. He was actually executed by Nationalist forces during the Spanish Civil War.

Richard Scarry, b.1919, d.1994. Author of busy, busy children’s books set in Busytown and featuring characters such as Lowly Worm, Bananas Gorilla, Huckle Cat, Mr. Frumble, and others.

Allan Ahlberg b.1938. Author with his wife Jan of The Jolly Postman, The Jolly Pocket Postman, and The Jolly Christmas Postman. Ahlberg on children’s books: ” . . . just because a book is tiny and its readers are little doesn’t mean it can’t be perfect. On its own scale, it can be as good as Tolstoy or Jane Austen.”

Ken Follett, b.1949. Mr. Follett gained fame as a writer of political thrillers, and then turned to historical fiction with 1989’s epic novel The Pillars of the Earth. I read Pillars, but I wasn’t terribly impressed. He’s good at creating characters and setting, but the attitudes and cultural mores in the book sometimes felt anachronistic to me.

Full House, K-Drama Review

I’m going to blog this one as I watch.

Episode 1: Ji Eun, the leading lady in this romantic drama, is sort of an “I Love Lucy” klutz. And I find it difficult, if not impossible to believe that she would just let her friends steal her house, clean out her bank account, and leave her stranded in China, without pressing charges. But Rain, the actor who plays the male lead, Young Jae, is really good-looking. Oh, Young Jae buys Ji Eun’s house from her thieving friends, not knowing that the house is stolen property.

Episode 2: Young Jae likes Hye Won. Hye Won likes Young Jae’s friend, Min Hyuk. Ji Eun just wants her house and her life back. Ji Eun’s “friends” just want an easy life on somebody else’s hard work and money. Gotta get this all sorted out by episode 16.

Episode 3: Ji Eun and Young Jae sign a marriage contract. It’s a marriage of convenience, a way for Young Jae to stay out of “scandals” and protect himself from his desire for Hye Won (who says they’re just friends, but shows up to spoil romantic moments between Young Jae and his “bride”, Ji Eun.) For Ji Eun, it’s a way to get her house back. Young Jae promises that the two of them will divorce within six months, and the house will be hers. Young Jae and Ji Eun get married, go on a honeymoon, ride bicycles, and fight.

Episode 4: Young Jae and Ji Eun fight. Ji Eun is a ditz, and Young Jae is a jerk. They make up, and Young Jae buys Ji Eun a recorder for her writing career as a birthday present. But he still orders her around like a jerk.

Episode 5: Young Jae is even more of a jerk. He calls Ji Eun a birdbrain and makes fun of her writing. He goes to meet Hye Won, who is just pulling his chain, at a bar, and he leaves Ji Eun waiting for him at the mall. He doesn’t even CALL, for Pete’s sake. He tries to make it up to Ji Eun by going to a movie with her, but Hye Won calls to say she’s in the hospital, and of course, Young Jae goes running to comfort her. Ji Eun tags along and sees her (platonic) “husband” holding Hye Won’s hand. This hand-holding thing is apparently very meaningful in Korean culture. Holding hands=he really likes her, not Ji Eun? Pretty boy jerk!

Episodes 6-9: More Young Jae moon-eyed over Hye Won. Hye Won is beautiful, but rather pitiful. The actress who’s playing Hye Won doesn’t seem to have much range: playful or tearful. That’s about it. More Ji Eun getting teated poorly by Young Jae. Did I mention that Young Jae (actor:Rain) is seriously good-looking, but the character he plays has issues with emotionally abusive behavior? More fighting between Young Jae and Ji Eun. But now Min Hyuk, the guy that Hye Won really likes when she’s not jerking Young Jae’s chain, likes Ji Eun. Ji Eun’s thieving friends continue to poke their fingers in the pie, mess things up, and provide comic relief.

Episode 10: Young Jae actually apologizes to Ji Eun! But his behavior doesn’t get much better. The couple sign a revised marriage contract with lots of new requirements from Ji Eun for Young Jae to fulfill (at least 105), including Young Jae has to help with the housework, and he must bring Ji Eun roses on Wednesdays. Young Jae signs the contract without reading it because he wants only one thing: for the contract marriage period to be extended to three years. He’s in love with Ji Eun but still hasn’t admitted it to himself. Ji Eun, on the other hand, is about to give up on Young Jae and go for Min Hyuk.

I knew from the beginning that Ji Eun and Young Jae were going to be together, for real and not just because of a contract of convenience, by the end of the series. But if I were advising Ji Eun at this point, I’d tell her to get herself away from Young Jae and think seriously about Min Hyuk. Young Jae tells her that she’s a birdbrain and an idiot at least five or six times per episode. The only thing he has going for him is his family, which I haven’t mentioned. Grandma (Halmoni) is a hoot, and the family loves Ji Eun. Young Jae, not surprisingly, is not on great terms with his family, especially his father who wanted him to be a doctor instead of an actor. Here’s a scene where Ji Eun gives a gift to Young Jae’s family—priceless:

Really though, what kind of man has a huge, bigger than life-size, model-type photograph of himself, bare-chested, hanging in his bedroom entryway? Narcissistic much?

The series did go on to end as I thought it would: Young Jae and Ji Eun together at last! I still think she would have been better off with the other guy, but you watch and form your own opinion. (I’ll reiterate that Rain, the actor who plays Young Jae, is a good-looking guy, but his behavior as Young Jae leaves something to be desired.)