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Up Periscope by Robb White

Jun21

According to Jan Bloom’s Who Should We Then Read, Volume 2, author Robb White’s books are “high action, well-written adventure yarns peopled with realistically drawn, likable characters in plausible yet exciting situations.” This particular yarn is a World War II submarine adventure that takes place in the South Pacific. Kenneth Braden, lieutenant (junior grade), U.S. Naval Reserve, volunteers for an unnamed job while he’s in Underwater Demolition School, and he soon finds himself in Hawaii, Pearl Harbor, talking to an admiral about doing something “hard, lonely, and dangerous” somewhere in the Pacific. Ken can take the job or back out. Of course, he decides to go for it.

I won’t spoil the story by telling what Ken’s job entails, but it does involve a great deal of time on a submarine. Both Ken and the readers of the novel learn a lot about submarines by the time the story is over. I knew almost nothing about submarines and submarine warfare when I started reading, and now I know . . . a little, not because there’s only a little information in the book, but mostly because I could only take in and assimilate so much. Readers who are really interested in submarine warfare will find the story absorbing and informative, and I assume the details are accurate since Mr. White served in the U.S. Navy himself during World War II. Suffice it to say I enjoyed this action tale, and World War II buffs or submarine aficionados will enjoy it even more than I did.

Apparently, the book was popular in its time, or else Robb White had connections in Hollywood. The novel was published in 1956, and it was made into a movie, starring James Garner, in 1959. White’s memoir, Our Virgin Island, about the Pacific island he and his wife bought for $60.00 and lived on before the war, was filmed as Virgin Island in 1958. The movie starred John Cassavetes, Sidney Poitier, and Ruby Dee. (White did write for Hollywood, so I guess he had connections.)

The author is just about as fascinating as his novel. He was born in the Philippines, a missionary kid. He learned to sail at an early age, graduated from the Naval Academy, and loved the sea. But he also wanted to be a writer, and he wrote magazine articles, screenplays, three memoirs, and more than twenty novels. His novels were mostly marketed to what we would now call the young adult market, but Up Periscope at least is not about teens, but rather adult men, fighting in an adult war. The only reason it might be considered a “children’s” or “young adult” novel as far as I can see is that there is a distinct lack of bad language and sexual content, a welcome relief from modern young adult novels. I counted only one “damn”, and on the flip side, several instances in which the men pray in a very natural, fox-hole way for God to save them from impending death. There is some war nastiness and violence, but that’s to be expected in a war novel. I think anyone over the age of twelve or thirteen could appreciate this thrilling story of espionage and submarine derring-do.

Only a couple of Robb White’s books remain in print; the rest are available at wildly varying prices from Amazon or other used book sellers. On the basis of just having read this one (and Jan Bloom’s recommendation) I would recommend his novels for your World War II-obsessed readers, and I would be quite interested in reading Mr. White’s three memoirs: Privateer’s Bay, Our Virgin Island, and Two on the Isle.

Devil’s Cub by Georgette Heyer

Jun13

Set in the late eighteenth century and originally published in 1932, this book has a lot of conflicting cultural mores and values to balance, and I’m just not sure it works in the feminist-imbued twenty-first century. A virtuous young lady, Mary Challoner, disguises herself as her sister who has a date to run away with the rakish and self indulgent Dominic Alistair, Marquis of Vidal (Vidal for short). In the first chapter Vidal very casually murders a would-be highway robber and leaves the body lying in the middle of the road because he’s too lazy to dispose of it. Then he wounds his opponent in a duel, leaves him for dead, and rushes off to arrange his assignation with Mary’s feckless and gullible sister, Sophia. So, Mary, to save her sister, runs away with Vidal, reveals herself after a while, and hopes that Vidal will lose interest in ruining Sophia. Instead, Vidal decides to abduct Mary out of spite, and he comes close to attempted rape until Mary shoots him in the arm with a pistol.

After all of that set-up, we’re supposed to believe that Vidal is just a misunderstood “bad boy”, kind of a Rhett Butler character, and Mary is just the girl to take him in hand and tame him. Oh, and we know that he’s really a good guy deep down inside because when Mary gets seasick while crossing the Channel with her abductor, Vidal fetches a basin for her to throw up into. By the time they get to France, they are in love with each other although neither one is aware of the other’s regard, and all that remains is for them to discover their mutual admiration, soothe and get the approval of the parents on both sides of the match, assuage Sophia’s wounded pride, and save Mary’s reputation and honor.

I’m just not buying. Vidal never does come across as a good character, although Mary thinks he is. If she marries him, Mary Challoner is in for a rude awakening when he murders a servant someday for polishing his boots the wrong way or tells her that he didn’t know that she would mind his having a mistress on the side. Vidal is not shown to be misunderstood or misjudged, but rather he is absolved of all responsibility and guilt for no discernible reason. He’s actually a cad and a murderer. And if there is such a thing as slut-shaming, Sophia is a victim; it’s said to be justifiable to abduct her because she’s a naive but willing runaway. However, Mary is supposed to be honorable and a cut above her sister because she would never really run away to Paris with Vidal; it’s all a horrible misunderstanding, an adventure, and an accident.

What with the male-female double standard for marital and sexual behavior in the 1930’s and the class distinctions for what is honorable and moral behavior in the eighteenth and nineteenth centuries, this romance is a hot mess. Honorable, decent girls shouldn’t fall in love with their would-be abductors and rapists, and if they do they can expect trouble in the subsequent marriage. As for Vidal, he doesn’t deserve a wife or a mistress, and I don’t believe his protestations of innocence and undying affection for Mary.

The spectacle of the various characters in the novel chasing one another all over France is somewhat entertaining, but othe wise this novel is both infuriating and forgettable. I’ve liked some other Heyer Regency romances, but I’d recommend giving this one a pass.

The Camping Trip That Changed America by Barb Rosenstock

Jun1

“I do not want anyone with me but you, and I want to drop politics absolutely for four days and just be out in the open with you.” ~Theodore Roosevelt’s letter to John Muir, March 14, 1903.

Back in the days (1903) when a president could actually go off on a camping trip alone with a famous author and naturalist, President Teddy Roosevelt (Teedie) asked naturalist John Muir (Johnnie) to take him on a camping trip, and the rest was history. After Teedie’s and Johnnie’s journey through Yosemite, President Roosevelt became more than an outdoorsman; he “turned . . . into one of nature’s fiercest protectors. Roosevelt pushed Congress to pass laws saving the wilderness. He failed at first, but that didn’t stop him. He created national parks, wildlife sanctuaries, and national forests.”

“Teedie” Roosevelt is my favorite president, and this story of his encounter with Johnnie Muir and the wilderness of Yosemite is a colorful and fascinating introduction to Roosevelt’s ideas and his personality. (“Bully!” said Teedie, stretching. “What a glorious day!”) It also introduces children to the concept of nature conservation and even the political concept of changing the president’s mind and direction by a little well-placed lobbying for a good cause. (Maybe someone needs to take our current president on a camping trip?)

There’s a touch of generalized “spirituality” in the imagined dialog between Teedie and Johnnie: “Everywhere nature sang her melody. Can you hear it?” And, of course, Muir adheres to the tenets of “old earth” geology: “a massive river of slow-moving ice carved the rock beneath them millions of years before.” Teedie is said to depend on “John Muir’s spirit as his guide” as the president goes about his work in preserving American parks and wildlife. However, these are minor and personal quibbles, things I would have worded differently, that don’t spoil the overall beauty and message of the book at all.

If you or your child is a fan of TR or John Muir or just a nature lover or even a wannabe naturalist, this book serves up a great slice of American history. The imagined dialog is taken from Muir’s books and from newspaper accounts of the famous camping trip.

A Traveller in Time by Allison Uttley

May30

If ever the term “time slip” applied to a book, it’s this one: Penelope Taberner Cameron slips in and out of two time periods, the twentieth century and the late sixteenth century, like butter slipping about on a plate. She never knows exactly when or how she will slip out of her own time at Thackers, the Derbyshire farm that belongs to her great aunt and uncle, and into another time, the time of Elizabeth I, Mary Queen of Scots, and the Spanish Armada. And no one in either period seems to worry too much about Penelope’s odd absences and re-appearances. It’s a sort of ghostly time travel, although it’s clear that Penelope never becomes a “ghost” in either time that she visits.

This British classic was published in 1939, and the pacing and language reflect the publishing date. Penelope’s adventures, and indeed her personality, are rather languid and slow-moving, even though the excitement of a plot to rescue Mary Queen of Scots from her English captivity does something to enliven the novel. A lot of time is spent describing farm life in the 1930’s as Penelope and her sister and brother come to spend their summer holiday, and then an even longer term, with Aunt Tissie and Uncle Barnabas. Then, there’s also a lot of description of what it was like to live in Elizabethan England. I can see how some children and teens would grow impatient with all of the descriptive passages, but I loved it all, as well as the historical aspects of the novel.

There was a BBC series of five episodes made in 1978 based on this book by Ms. Uttley, but it’s not widely available outside of Britain. Alison Uttley was also a prolific author of very popular books for younger children in England, including a series of books about Sam Pig and another about Little Grey Rabbit.

Wikipedia contrasts time slip novels like A Traveller in Time, where the protagonist has no control or agency in going from one time to another, and time travel books, in which characters use a device like a time machine or a magic talisman to make the time travel happen. Even with time travel books, however, the device often gets lost or malfunctions, leaving the characters marooned in another time period. In Traveller in Time, Penelope worries about getting stuck in the 1500’s, and at one climactic point she almost dies while she’s visiting the sixteenth century, an event which she thinks would surely cause her to also die in the twentieth century. Time slipping and time traveling is fun to read about, but I think it would make my head hurt if it actually happened to me.

If you could time slip or time travel, what time period would you like to visit? What is your favorite time slip or time travel book? (Mine are the Connie Willis books: The Doomsday Book, To Say Nothing of the Dog, Blackout and All Clear.)

The Colt From the Dark Forest by Anna Belle Loken

Apr17

Horse books are not quite as popular these days as they were when I was a child growing up in West Texas. I certainly knew a lot of girls when I was in junior high school who were obsessed with horses and horse stories. They were all planning to become veterinarians or to raise horses when they grew up. I wonder if any of them did.

Published in 1959 by Lothrop, Lee and Shepherd as “A World Famous Horse Story Selection”, The Colt From the Dark Forest, set in Norway, tells the story of a boy and his beloved colt, Rouen. The Bulletin of the Center for Children’s Books in February 1960 described the story:

“Karl finds a colt in the forest, and the neighbor to whom it belongs says that the boy may keep the newborn animal. Father [says] that the colt must go when its food
becomes a financial burden; Karl finds one way and then another of keeping the colt he loves. A not-unusual horse story, but impressive in the Norwegian background details and enjoyable for the easy writing style.”

Indeed, the plot itself isn’t terribly “unusual”, but the details of the setting and the vivid portrayal of a boy’s longing for a horse of his own make the tale come alive. Horse-loving children, and anyone interested in stories from Scandinavia, Norway in particular, will enjoy this gentle tale of a boy and his beloved pet. I certainly did, and I’m not even a horsey sort of person.

My favorite horse story is still Black Beauty by Anna Sewall. And here’s a list of some other favorite horse books most of which I have in my library:

Billy and Blaze by C.W. Anderson (with many sequels). For younger readers these picture books about a boy and his horse are a delight.

Misty of Chincoteague by Marguerite Henry (with many sequels and spin-offs).

Justin Morgan Had a Horse by Marguerite Henry.

The Horse and His Boy by C.S. Lewis. The talking horses Bree and Twin guide two children to Narnia and the North. Some people like this one best of all the Narnia series, and others hate its negative depiction of Arabic-like people, the Calormenes. I think it’s great.

National Velvet by Enid Bagnold. A young British girl named Velvet wins a horse in raffle and then enters it in the Grand National Steeplechase.

My Friend Flicka by Mary O’Hara. A boy’s parents give him the responsibility of training and caring for a colt in hopes of teaching him to mature—and it works.

The Black Stallion by Walter Farley. An Arabian horse and a boy are stranded on an island together. There are lots of Black Stallion books, and I know girls who are or were determined to read them all.

Smoky the Cowhorse by Will James. Smoky is the quintessential cowboy’s horse in this Newbery award-winning story of ranch life.

Come On, Seabiscuit by Ralph Moody. Nonfiction for children about the subject of Ms. Hillenbrand’s adult tome, Seabiscuit.

War Horse by Michael Morpurgo.

The Blind Colt and Blind Outlaw both by Glen Rounds. I read both of these back when I was in junior high or elementary school. Good stories about the survival of a blind horse in the wild.

Paint the Wind by Pam Munoz Ryan.

Flambards by K.M. Peyton. This one is the beginning of a series about horsey people and English country life and romance and family drama and the early twentieth century. It would make a good Downton Abbey-style miniseries, I think. It’s more young adult than it is middle grade, since the protagonist, Christina, is a young adult herself and becomes “romantically involved” with young men.

For adults:
Seabiscuit by Laura Hillenbrand.

The Zookeeper’s Wife by Diane Ackerman

Mar28

I read The Zookeeper’s Wife back in 2008 and wrote about it on Semicolon. Since the book is set to become a movie at the end of March, here are my thoughts on the book at the time I read it.

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Jan Zabinski was the Polish director of the Warsaw Zoo in 1939 when the Nazis invaded and subjugated Poland. His wife, Antonina, was his helpmate in runing the zoo and the mother of a young son. During the German occupation, she gave birth to a daughter as well.

This nonfiction book tells the story of how Jan and Antonina worked with the Polish Underground to hide Jews, stockpile arms and ammunition, eventually participate in the doomed Uprising of August 1944 when the Russians halted outside Warsaw and allowed the Germans to destroy the Polish Underground that had come out of hiding to support the Allies in re-taking Poland and driving the Nazis out. A lot of the story tells about the animals in the zoo and what happened to them and how Antonina survived pregnancy-related illnesses, inadequate rations, and providing secret hospitality for fifty to seventy people at any given time throughout the course of the war and the German occupation.

Something about the way the story was told made me admire these people, but not like them very much. I’m not sure what I didn’t like, but I felt uncomfortable in their company. Jan seemed very controlling, and Antonina like a wife making excuses for an authoritarian husband. Maybe that’s not the way it was at all since Ms. Ackerman derives her story from written accounts, Antonina’s diary mostly, and from interviews with people who knew the Zabinskis during the war. Both Jan and Antonina Zabinski died before this book was conceived. Their son, Rys, did contribute his memories of a childhood filled with animals and with war.

I don’t know. I’m ambivalent. If you like nonfiction about animals and and about World War II, you should try it out.

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The Most Wonderful Doll in the World by Phyllis McGinley

Feb28

I wrote a post a week or two ago about doll stories, when I was reading some of Rumer Godden’s stories about dolls. Now I’ve found another doll book to add to the list—the 1951 Caldecott Honor book, The Most Wonderful Doll in the World. Poet and author Phyllis McGinley wrote this tale of a girl, Dulcy, with a powerful imagination. In fact, Dulcy’s mother says she has “too much imagination” because Dulcy is always dissatisfied with the dolls she receives as gifts and must imagine them just a little bit different or better.

When Dulcy gets a new doll, Angela, from her friend, the elderly Mrs. Primrose, Dulcy thinks Angela is a fine doll, but she can’t help wishing that Angela’s hair were black instead of yellow. However, when Angela is lost, Dulcy’s longing and imagination transform the missing doll into the most wonderful doll in the world.

I couldn’t find much information about Helen Stone, the illustrator of this little story. She won two Caldecott honors for books upon which she collaborated with Phyllis McGinley. Her other Caldecott honor book is called All Around the Town by Phyllis McGinley, and it seems to be an alphabet book. Helen Stone also illustrated my favorite Phyllis McGInley story, The Plain Princess.

Read more about Phyllis McGinley here.
If you know or find out more about Helen Stone, please leave a comment.

Philomena by Kate Seredy

Feb15

Philomena is sturdy young country girl who lives with her grandmother in a village in the Czech Republic sometime in the early twentieth century. After her Babushka’s death, Philomena goes to the city of Prague to learn to be a servant and to find her Aunt Liska who deserted the family many years ago.

The story is very Catholic, and Philomena receives messages via circumstances that she believes are from the sainted Babushka. This aspect of the story didn’t bother me even though I don’t believe in praying to or receiving guidance from the dead. Philomena does believe that her grandmother is guiding her and caring for her from beyond the grave, and the device creates a gentle logic and organization to Philomena’s journey to the city and her growth from an innocent little girl to a self-sufficient and mature young lady.

“Everybody else in the village went to church every Sunday. First they listened to Father Matthias. Father Matthias was a wise priest who knew all about the weather, the sheep, and the chickens. He told the men of the village when to plant potatoes and corn. He told them what to do when animals got sick. He knew about God and Heaven, of course, but he also knew that people must have enough to eat to be happy, and therefore good, so he taught them to be good farmers. Good farmers have so much to do that there simply isn’t enough time left over for them to do anything that would make God angry with them! The good priest told them about Heaven, to be sure, but he just took it for granted that all his people would go there. He didn’t have to bother to tell them about the other place. He was a very wise man.”

While Father Matthias’ teaching or lack thereof doesn’t exactly fit with my own reading of the Bible and its soteriology, it is refreshing to read about such a good and down-to-earth priest.

Kate Seredy (pronounced SHARE-edy) was born in 1899 in Budapest, Hungary, and she grew up as an only child in the home of her teacher father. After World War II, Ms. Seredy emigrated to the United States and became an illustrator, first of cards and book covers and other low-paying artistic endeavors, then textbooks and books by other authors. Eventually, Ms. Seredy began to write and illustrate her own stories, mostly set in Central Europe, Hungary and this one in Czechoslovakia. The White Stag, based on Hungarian mythology and folklore and not her best book in my opinion, won the Newbery Medal in 1937. Philomena was published in 1955 after several other books, either written or illustrated or both by the talented Ms. Seredy, had won Newbery awards or honors.

Aim by Joyce Moyer Hostetter

Jan25

Aim is a prequel to Ms. Hostetter’s two books about Ann Fay Honeycutt, Blue and Comfort. Aim is about Junior Bledsoe, a secondary, but beloved, character in those other two books. (Ann Fay is the minor character in this one.)

The story takes place in 1941-1942. Fourteen year old Junior Bledsoe of Hickory, North Carolina has a troubled life. His father is a drunk. Junior doesn’t like school and can’t really see the point of it. His cantankerous and sometimes cruel granddaddy has moved in and taken over Junior’s bedroom. And World War II is about to involve the United States of America, except according to Granddaddy, “That yellow-bellied president is too chicken to take us to war. He ain’t half the man the Colonel was.” (The Colonel, in Grandaddy’s jargon, refers to Teddy Roosevelt.)

While Junior worries about school and the draft and impending war and that fact that his father seems distant and stern most of the time, Junior’s dad manages to go on a drinking binge and get killed in a accident. Or was it an accident? How can Junior go back to school when he’s not sure what really happened to his Pop? And what are they going to do about Grandaddy who’s becoming more verbally abusive and demanding every day? Should Junior drop out of school and get a job? Or join the army? Or investigate the moonshiners who may have been involved in Pop’s death?

This story is really all about a boy who’s trying to find his way to adulthood without the guidance of a father. However, the wonderful thing is that the community steps in to work together and separately to help Junior find his “aim” in life. Even when Junior Bledsoe makes some really poor choices and gets himself into what could become serious trouble, members of his extended community help his now-single mother guide Junior back to the path of good sense and responsible moral judgement. Junior is a good kid, but he’s looking for a way to deal with his father’s death and a way to earn the respect of his family and his friends. It’s not easy for a fourteen year old boy to lose his father, especially not the way Junior Pop dies. It was inspiring to read about how ordinary, ind neighbors, teachers, and friends help Junior to process his father’s death and to decide which parts of his father’s legacy he wants to continue and which parts he wants to leave in the grave.

Aim is an excellent coming-of-age novel, and I would also recommend Blue, about Ann Fay and her encounter with the dreaded disease of polio about a year after the events in Aim have taken place. I have yet to read Comfort, the sequel to Blue, but it is definitely on my TBR list.

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New York Herald Tribune Spring Book Festival Awards

Jan20

In 1937 two awards of $250 each were established by the New York Herald-Tribune for the best books for younger children and for older children published between January and June. In 1941 the system of awards was revised. Three awards, of $200.00 each, were given to the best books in the following three classes: young children, middle-age children, and other children. Each year a jury, composed of distinguished experts in the field of juvenile literature, was chosen to make the selections.

1937 Seven Simeons, by Boris Artzybasheff. For younger children. Illustrated by the author. (Viking.)

The Smuggler’s Sloop, by Robb White III. For older children. Illustrated by Andrew Wyeth. (Little.)

1938 The Hobbit, by J. R. Tolkien. For younger children. Illustrated by the author. (Houghton.)

The Iron Duke, by John R. Tunis. For older children. Illustrated by Johari Bull. (Harcourt)

1939 The Story of Horace, by Alice M. Coats. For younger children. Illustrated by the author. (Coward.)

The Hired Man’s Elephant, by Phil Stong. For older children. Illustrated by Doris Lee. (Dodd.)

1940 That Mario, by Lucy Herndon Crockett. For younger children. Illustrated by the author. (Holt)

Cap’n Ezra, Privateer, by James D. Adams. For older children. Illustrated by I. B. Hazelton. (Harcourt.)

1941 In My Mother’s House, by Ann Nolan Clark. For younger children. Illustrated by Velino Herrera. (Viking.)

Pete by Tom Robinson. For middle-age children. Illustrated by Morgan Dennis. (Viking.)

Clara Barton, by Mildren Mastin Pace. For older children. (Scribner.)

1942 Mr. Tootwhistle’s Invention, by Peter Wells. For younger children.
Illustrated by the author. (Winston.)

I Have Just Begun to Fight: The Story of John Paul Jones, by
Commander Edward Ellsberg. For middle-age children. Illustrated
by Gerald Foster. (Dodd.)

None But the Brave, by Rosamond Van der Zee Marshall. For
older children. Illustrated by Gregor Duncan. (Houghton.)

1943 Five Golden Wrens, by Hugh Troy. For younger children. Illus-
trated by the author. (Oxford.)

These Happy Golden Years, by Laura Ingalls Wilder. For middle-
age children. Illustrated by Helen Sewell and Mildred Boyle.
(Harper-.)

Patterns on the Wall, by Elizabeth Yates. For older children.
(Knopf.)

1944 A Ring and a Riddle, by M. Ilm and E. Segal. For younger children.
Illustrated by Vera Bock. (Lippincott)

They Put Out to Sea, by Roger Duvoisln. For middle-age children.
Illustrated by the author. (Knopf.)

Storm Canvas, by Armstrong Sperry, For older children. Illustrated
by the author. (Winston.)

1945 Little People in a Big Country, by Norma Cohn. For younger children. Illustrated by Tashkent Children’s Art Training Center in Soviet Uzbekistan. (Oxford.)

Gulf Stream by Ruth Brindze. Illustrated by Helene Carter. For middle-age children., (Vanguard.)

Sandy, by Elizabeth Janet Gray. For older children. (Viking.)

1946 Farm Stories. Award divided between Gustaf Tenggren, illustrator, and Kathryn and Byron Jackson, authors. For younger children. (Simon & Schuster.)

The Thirteenth Stone, by Jean Bothwell, illustrated by Margaret Ayer. For middle-age children. (Harcourt)

The Quest of the Golden Condor, by Clayton Knight. Illustrated by the author. For older children. (Knopf.)

Other than The Hobbit and Laura Ingalls Wilder’s These Happy Golden Years, has anyone read or reviewed any of these prize-winning books? I know of the authors Jean Bothwell, Elizabeth Janet Grey, Armstrong Sperry, Roger Duvoisin, Elizabeth Yates, John Tunis, and Ann Nolan Clark, but not these particular books of theirs.