Across Five Aprils is a U.S. Civil War novel and another coming of age story.. When the story begins, Jethro Creighton is a nine year old farm boy, the youngest of a large family, in southern Illinois. It’s 1861, the war is about to begin, and any reader who knows anything about that war knows that Jethro is going to have to grow up fast. As Jethro’s three older brothers and his cousin leave to go to war, the burden of the farm falls on Jethro’s shoulders. His father becomes disabled, and even more pressure is put upon Jethro to act like a man.

I really like this photo realistic cover picture on the paperback reprint edition of this book, by the way. Jethro looks like a nine, ten, eleven year boy who is looking out into the future and becoming a man, with the war in the background pushing him forward.

Through letters to home from Jethro’s older brothers and newspaper accounts that Jethro follows assiduously, readers see the battles and the politics of the Civil War from the public perspective as well as from the point of view of a boy trying to understand the war and all of its ramifications. For Jethro it’s mostly a story of battles won and lost and generals who are one day heroes and the next, failures. And president himself, “Old Abe” or Mr. Lincoln in more polite terms, is first thought to be too slow and too careful and later not careful enough, until the book finally ends with the greatest tragedy of the war, Lincoln’s assassination.

The “five Aprils” of the title are the five Aprils of the war, 1861-1865, and Jethro does become a man over those five years, even though he’s only fourteen years old as the book comes to a close. The language might be somewhat challenging for some young readers. The characters speak in a southern dialect that feels authentic to me and adds to the atmosphere of rural farm people looking on and trying to fathom a war that was and still is in some ways beyond understanding. This book would be high on my list of recommendations for children studying the Civil War to get an overview of the war in a fictional format. Not graphically violent, but somewhat tragic, with hope underlying.