This fictional account of the Salem witch hunts and trials focuses on Tituba, enslaved servant to minister of Salem, Samuel Parris. Parris, his daughter, Betsey and his niece Abigail Williams were at the heart of the witch scare in Salem, Massachusetts in the late 1600’s. The story is told from Tituba’s point of view, but in third person. Tituba, the Parris’ household servant who may have come to Massachusetts from Barbados, was accused and convicted of witchcraft during the trials, with Abigail and Betsey being among her chief accusers. Tituba was imprisoned, but she did escape with her life, although not her freedom. “In May of 1693 all persons charged with witchcraft were pardoned.” However, Tituba was sold for payment of her jail fees to Samuel Conklin, weaver, and worked for him in Boston for the remainder of her life.

Perhaps it’s good to know that background information going into the story since it is a rather harrowing tale of lies and deceit and flirtation with the occult. According to the story in this book, Tituba does tell fortunes and outlandish tales about talking monkeys and the jungles of Barbados. But from the perspective of this author, Tituba is much more sinned against than sinning. The girls who cry witchcraft are bored and overworked, with imaginations starved by Puritan legalism and the harsh conditions of colonial life. They follow Abigail and become caught up in the social contagion of the time: a belief in and fear of witchcraft. Abigail herself sounds like a piece of work, while Tituba, the character in the book anyway, is both insightful about the girls and their delusions as well as vulnerable to their insistent accusations.

It’s a somewhat scary book, perhaps disturbing to younger readers. I would wait until age thirteen or fourteen to hand this book over. Nevertheless, the outlines of the story are true, and it does illustrate the dangers of “following the crowd” or following a strong and charismatic leader. People can convince themselves of some very strange things when caught up in groupthink or hysteria. Tituba of Salem Village gives one perspective on the outbreak of such hysteria in Salem Village in the late seventeenth century.

If you want to read more about the events in Salem surrounding the witch accusations and trials, there are a number of good books, both well-researched historical fiction and nonfiction:

• A Break With Charity by Ann Rinaldi (reviewed at Plumfield and Paideia) is historical fiction in the same vein as Tituba of Salem Village. A real girl whose parents were accused during the witch trials tells the story from her perspective as an outsider and a victim of the hysteria.
• I Walk in Dread: The Diary of Deliverance Trembley, Witness to the Salem Witch Trials, Massachusetts Bay Colony, 1691 by Lisa Rowe Fraustino is part of the Dear America series of historical fiction written in journal or diary form.
• The Crucible by Arthur Miller. Miller’s play uses the Salem Witch trials as a metaphor for and illumination of the McCarthy and the Committee on Un-American Activites (U.S. House of Representatives) blacklisting of suspected communists in government, entertainment and business. Its initial production on Broadway in 1953 won a Tony Award.
• The Devil’s Door: A Salem Witchcraft Story by Paul B. Thompson.
• The Witchcraft of Salem Village by Shirley Jackson is a nonfiction Landmark book about the witch trials in Salem.
• Devil’s Shadow: The Story of Witchcraft in Massachusetts by Clifford Lindsay Alderman is another nonfiction account of the events.