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The Secrets of Solace by Jaleigh Johnson

I read Ms. Johnson’s The Mark of the Dragonfly, the first book set in the World of Solace, and I enjoyed it. I called it “techno-steampunk fantasy science fiction.” This book fits into the same genre and is set in the same world, but it’s a companion novel, not really a sequel. Either book could be read on its own terms and appreciated with or without the other.

The Mark of the Dragonfly features a super-cool train, and this new Solace book has a sentient airship. Both books feature feisty, adventurous female protagonists with kind and supportive male friends. In The Secrets of Solace, Lina Winterbock is an archivist apprentice in the Archivist stronghold of Ortana. The war between the Merrow Kingdom and the Dragonfly Territories is bringing many refugees and difficult decisions to the mountain strongholds of the Archivists, who are trying to remain neutral in the war.

Lina herself must make some hard decisions about whom to trust when she discovers a valuable artifact in the depths of a secret cavern in the mountain. Can she trust Ozben, a refugee boy with his own secrets? What about her teacher and mentor, Zara, who has been too busy to pay much attention to Lina for a long time now? Can anyone other than Lina herself be trusted with a secret that might change the course of the war?

Although the pacing and the balance between action and explication felt “off” to me as I read, children who are really interested in this sort of thing might not mind or even notice. It takes a long time to get to the climax of the plot, and then all the political stuff is hurriedly explained and within two chapters, resolved. Lina and Ozben develop a good strong friendship, but Lina’s mentor has a rather lame excuse for her neglect of her ward. If this sort of book interests you, I would suggest The Mark of the Dragonfly first because I think it’s the better book. Then, if you like that one, you might like this one, too.

A Clatter of Jars by Lisa Graff

Lisa Graff’s A Tangle of Knots was a National Book Award nominee in 2014, and it was highly recommended by many people I trust. However, I never did manage to read it. If 2016’s sequel, A Clatter of Jars, is any measure, then I missed out and need to go back and pick up a copy of A Tangle of Knots.

A Clatter of Jars is an intricate, multi-layered story of giftedness and ordinariness and sibling jealousy, the suffering it can cause, apology, reconciliation, and forgiveness. The story, told from six different viewpoints of the campers in Cabin Eight at Camp Atropos for Talented Children, weaves in and out of the lives and magical talents of these campers to produce a sometimes confusing, always fascinating, tale of how family and community can grow strong if only we give up our place in the spotlight for the sake of others and ask forgiveness for our selfish and impulsive misdeeds.

I did like the characters and the complexity of this fantastical story. Lily can levitate objects by concentrating her mind on them. Chuck and Ellie, the Frog Twins, can identify the species of any frog within croaking distance. Renny is famous for reading minds, and his brother Miles may have his own secret Talent. All of the other children at the camp have Talents, too, and the way the talented children learn to work with, and sometimes against, one another makes for a wild ride of a story.

BUT. I was repeatedly thrown out of the story by two plot issues, one major and another minor. Am I behind the times? I know things are changing fast, but does any summer camp for middle schoolers—ages eleven, twelve and thirteen—house boys and girls together in the same cabin? Really? Lily, Renny, Miles, Chuck, and Ellie are assigned to Cabin Eight at Camp Atropos–two boys, brothers, and three girls. Really? This cabin assignment was just weird. There’s no boy-girl attraction, no crushes, in the story; it’s all about sibling rivalry and brothers and sisters trying to work out their sibling relationships. BUT. I kept wondering whether the author had any specific camp in mind when she wrote the book. I even looked it up. Coed camps for this age group are a thing, fine, but all of the ones I found on the internet separated boys and girls into different cabins. I can only begin to imagine the possible problems a camp would run into if boys and girls this age were assigned to share cabins. (The minor problem was the swimming policy. I don’t think camp administrators would allow children, even talented children, to just jump into the lake, anytime, and go for a swim by themselves, either.)

If you can ignore those two mistakes(?) or plot decisions(?), then you might just enjoy A Clatter of Jars quite a lot. You don’t have to read A Tangle of Knots to understand the sequel, but it might work better if you read the first book first. Or you can read them as I will be doing, backwards.

Furthermore by Tahereh Mafi

Alice Alexis Queensmeadow is a dull, colorless girl in a land full of color, and she is quite un-magical in a place where magic is the sustenance of life. When her father goes missing and her mother neglects and spurns her, Alice is determined to make something of her colorless, ugly life in spite of her lack of talent.

There’s a lot of falling involved in the course of the journey that Alice makes to find her father, and of course, the girl is named Alice. And Alice and her friend Oliver meet lots of strange creature in land of Furthermore, as they also encounter loads of nonsensical situations and obstacles. It all sounds like that other Alice, in Wonderland, but I would recommend that you read Lewis Carroll’s Alice books before or instead of this one. Mr. Carroll’s nonsense made some sense.

The writing is witty and imaginative at the sentence level, but the actual story starts out slowly. Over a hundred pages of introduction and set-up before the real adventure begins is a little too much of a muchness. Nevertheless, some delightful sentences and scenes kept me reading and enjoying the journey, even though the incessant squabbling between Alice and Oliver and the sheer ridiculousness of it all was a bit overwhelming.

Examples of lovely sentences:

“Humility had gotten lost on its journey to his ego, but the two had finally been reunited, and the meeting appeared to be painful. Oliver swallowed hard and looked away.”

“People are so preoccupied with making sense despite it being the most uninteresting thing to manufacture. . . Making magic . . . is far more interesting than making sense.”

“Laughter was a silk that would soften even the roughest moments.”

“Birds were pirouetting through the air and lambs were bleating their woes and flowers dipped and swayed in the wind like this was just another perfect day. But Alice wouldn’t believe it.”

Examples of sheer nonsense:

“Few come to Furthermore in search of decent pastures.” (decent what?)

“So she pet him between the ears and he nuzzled right into her hand.” (Isn’t the past tense of pet, “petted”?)

” . . . her feet kept moving even when she didn’t want them to. Not only did she not want them to keep moving, she wanted them to do the very opposite of keep-moving, but there was no one to tell her feet anything at all, as her mind was always missing when she needed it most.” (What does that mean?)

Alice and Oliver argue and lie to one another and and generally make their own lives miserable as well as the lives of those around them. On the other hand, they have excuses for their behavior. Alice feels rejected by her mother and abandoned by her father; Oliver has his own childhood sob story. And both of them are quite unkind to each other in the beginning of the story. If you can get past all that and enjoy the imaginative language and the nonsensical world of the story, maybe Furthermore will be just right for you. I liked Alice in Wonderland much better, thank you.

Five Children on the Western Front by Kate Saunders

Edith Nesbit’s classic story of siblings and magic, The Five Children and It, was first published in 1905. In Five Children on the Western Front, British children’s author Kate Suanders gives us the Bastable children about nine years older and wiser and the Psammead (pronounced Sammy-ad) as irascible as ever, but not quite so magical. Maybe that’s because the world itself was more magical in 1905 than it became in 1914.

World War I has intruded upon the lives of the grown-up or nearly grown-up children, Cyril, Anthea, Jane and Robert, and even The Lamb (Hilary) and the new little Bastable sister, Edie, are living in a wartime Britain rather than the idyllic turn-of-the century British countryside in which the older children first encountered magic. The story covers the wartime years, 1914-1918. The Psammead has returned to see the children through the war—or maybe he’s come back because he can’t really control his magic or grant wishes anymore, and he just needs a place to live. He thinks he’s been “de-magicked and dumped” in the Bastables’ garden by an angry universe. At any rate, Edie, nine years old at the story’s inception, takes a liking to the grumpy and rather sleepy sand fairy, and occasionally even manages to be involved in some magical adventures on his behalf.

I thought this was a fascinating look at “what ever happened to the five children and It”, but I would have to try it out on a real child to know whether this is just a book for nostalgic adults and teens who were Nesbit fans or whether actual children would enjoy it, too. There’s a lot of kissing and war romance and war scenes, shown from a child’s (sometimes eavesdropping) perspective and totally appropriate for children, but the story is really about adults as much as it is children.

It’s also about repentance. The Psammead has a cruel and tyrannical past life, and part of his task during the years of the book’s tale is to repent. Repentance in this particular case means understanding that he’s done something bad and feeling a bit sorry. No reform or payment is required, but the Psammead has trouble with even a minimal amount of humility or apology. So, the children take turns laughing at his unrepentant cruelty and carelessness and trying to convince him that he is not the center of the universe. Again, I was interested in whether or not the old Psammead would ever be able to “go home”, reconciled to the universe, but I don’t know how many children would stay interested.

For fans of Edith Nesbit or Downton Abbey (for the history) or maybe World War I settings.

Cybils Nominations Are Open

The 2016 Cybils nominations are now live!

What are Cybils?
The Cybils awards are given each year by bloggers for the year’s best children’s and young adult titles. Nominations open to the public on October 1st.

What are the categories?
An award will be given in each of the following categories:
Audiobooks
Easy Readers and Early Chapter Books
Elementary/Middle-Grade Speculative Fiction
Fiction Picture Books/Board Books
Graphic Novels
Middle-Grade Fiction
Middle-Grade/Young Adult Nonfiction
Juvenile/Elementary Nonfiction
Poetry
Young Adult Fiction
Young Adult Speculative Fiction

Why do I (and why should you) care?
Well, every year thousands of new books for young adults and children are published in English in the United States and Canada. Some of those books are really good, but many are not. Sorting out the good from the bad and the ugly takes time and energy that most of us don’t have. The Cybils help, along with other awards like the Newbery, Caldecott and the National Book Awards, to highlight some of the best children’s books of the year, including some that might otherwise be missed in the rush. And I get to be on the judging panel this year for Middle Grade Fantasy and Science Fiction to choose a shortlist which will be the basis for the award given in that category. (So be sure to nominate your favorite “Middle Grade Speculative Fiction” books so that I and the committee I’m working with have all the best books to read and choose from.)

More important information about Cybils:
Be sure to check out the category descriptions. If you don’t know where the book should go, please read through the descriptions to help you decide. If you’re still not quite sure, make your best guess, and the Cybils organizers can straighten things out behind the scenes.

Take a minute to check out the rules for nominating. The big one: the book needs to be published in the U.S. or Canada between October 16, 2015 and October 15, 2016. Also you can nominate only ONE book per CATEGORY per PERSON. No exceptions. The form will kick you back if you try to nominate more than one book (or if someone else has already nominated the book).

If you have any other questions, check out the FAQ page.

Follow this link to nominate your favorite books in all categories. You have until October 15th.

Assassin’s Heart by Sarah Ahiers

A society is built on the foundation of legalized murder, purchased assassination, killing as an offering to the goddess. Nine families serve the goddess Safraella. They are her acolytes, killing people in her name with the promise of resurrection to a new life for those who die in the goddess’s good graces. Lea Saldana is one of Safraella’s clippers, those who clip people’s lives short in the name of law and order and the goddess.

In this book, murder is good, family loyalty is the paramount value, and revenge is an obligation to one’s own honor and to the gods. This world turned upside down could have been worth exploring. What happens to a society in which murder is legalized within strict boundaries and rules? Is it possible to become a cool, dispassionate murderer for hire and at the same time retain a passionate love for family and for friends? Or does that kind of conscience-bending to the breaking point carry over into all relationships? Why does one of the nine Families decide to follow the God of Light instead of remaining true to Safraella, the Goddess of Death and Resurrection? Is it possible to worship death and resurrection (life) at the same time? Does legalized murder really make a more well-behaved populace because people are afraid to offend anyone lest they be marked for assassination?

Lots of questions to explore in this story, but the emphasis is on Lea Saldana’s love life, her revenge for the murder of her family, and her assassin skills. The deeper questions are sometimes raised, but not pursued. Instead, Lea rather blithely falls in love while plotting her revenge, and why she is able to trust one stranger when another lover has just betrayed her and her entire family is barely questioned and unresolved.

Because I misread a review, I started this book thinking it was a middle grade fiction novel. It isn’t. It’s definitely Young Adult, but I wouldn’t recommend it for that age group either. There’s a Romeo and Juliet-type love affair in the beginning pages of the novel, but for that plot and characterization, teens would be better off with Shakespeare’s play or with watching West Side Story to get a much more realistic view of the consequences of star-crossed lovers in a lawless and honor-based society. Assassin’s Heart gives readers a cold-blooded assassin with a tender, loyal, and trusting heart, not a likely combination. And it turns traditional morality upside down without really asking the important questions about what such a revolution in moral standards would do to individuals and to a culture as a whole. Cheap thrills and unexamined rebellion are not an adequate foundation for a good novel, just as assassination and revenge are not adequate values to sustain a society. In fact, these things undermine good novels and good communities.

The Lost Compass by Joel Ross

In Book one of this series (or maybe it’s just a book and a sequel), The Fog Diver, Chess, the foggy-eyed tether boy, and his crew escape from the slums of evil Lord Kodoc, and the slum kids make it to the “promised land” of Port Oro. However, in The Lost Compass, Chess continues to be a target for Lord Kodoc’s diabolical plans to rule the world above the fog. And the Fog itself continues to be both a menace and a possible concealer of rich and useful secrets. Furthermore, the citizens of Port Oro may want Chess to pay them back for their rescue of Chess and his friends and for their healing of Mrs. E, Chess’s mentor, by doing something that will risk the loss of everything that they have gained.

The characters in this series are the draw for me. Chess is brave and bold, yet self-effacing and unsure of what his true destiny is. Hazel, the crew’s captain, is described as “bossy”, but she’s bossy in a good way. She usually has good ideas and knows what to do and how to do it. Bea, the gear girl (engineer), is my favorite. She talks to engines and other machines—and they talk back to her. Swede is the pilot, more than competent and kind of grumbly. And Loretta, a raw and uncivilized slum brawler, is an extreme example of what a kid without a home or family or love could turn out like. Her attitude is summed up in this quote from a discussion of information found in books: “Books . . . What’s the point? You can’t wear’em, you can’t eat’em, and you can’t even stab someone with’em.”

The Lost Compass depends on the same kind of sci-fi and pop culture jokes and the same kind of non-stop action as The Fog Diver. If you read and enjoyed The Fog Diver, you will also enjoy this more than adequate sequel. The ending feels complete to me, but Mr. Ross may have one or even a dozen more novels in this series yet to be revealed. The very last words in the novel are: “Maybe our story wasn’t over. Maybe the world was bigger than I’d ever imagined.” Take from that what you will.

The Goblin’s Puzzle by Andrew S. Chilton

The Goblin’s Puzzle: Being the Adventures of a Boy with No Name and Two Girls Called Alice by Andrew S. Chilton.

I was reminded of the movie and book The Princess Bride while reading this debut middle grade fantasy novel, and that is high praise indeed. For a book to remind one of The Princess Bride, it must be clever in a similar way to the the wit and wisdom of that classic. It is. I can also say that I wanted to see The Goblin’s Puzzle as a film and that I think it could be a good one. Other than The Princess Bride, which may or may not have been an inspiration, Mr. Chilton’s sources seem to be good and quite varied:

From the author’s website at Penguin Random House: “Andrew S. Chilton drew inspiration for The Goblin’s Puzzle from a wide variety of sources, ranging from The Hobbit to Monty Python to Aristotle’s Nicomachean Ethics. As a kid, he gobbled up fantasy novels and logic puzzles, and as an adult, he spent over ten years as a practicing lawyer before launching his career as a writer.”

The book stars a nameless slave boy, a girl called Plain Alice (to distinguish her from all the other Alices in the kingdom), Princess Alice, heir to the throne, and a goblin named (something long and complicated), Mennofar for short. The Boy is running for his life from an unfortunate incident that ended in the violent death of his master’s son. It really wasn’t The Boy’s fault, but it will be blamed on him anyway, and he feels quite guilty about breaking a lot of the 99 rules for being a good slave, most of which he can’t even remember. Meanwhile, Plain Alice, who wants to become a sage but can’t get an opportunity because she’s a girl, has been kidnapped by a dragon. And Princess Alice, who should have been the object of the dragon’s kidnapping, is worrying King Julian, her father, with her frequent giggling and lack of a serious education. The goblin, Mennofar, is running away, too, and he owes The Boy for his help in the goblin’s escape from captivity. But Mennofar is indeed a goblin, and “it is hard for a goblin and a human to be friends. Goblin honor and human honor are so very different.” Mennofar feels obligated to do something for The Boy, but his “goblin honor” also demands that he make the whole thing into a particularly difficult and complicated puzzle.

There’s a afterword to the book that explains a bit about the basics of the study of logic, which is the main theme and framework for the story. But it’s a subtle use of logic, not an in-your-face teaching of logic. (Don’t worry. If you aren’t at all interested in the study of logic, it’s still a great story, and you won’t be tricked into learning logic—much. Although goblins are kind of tricky that way.) I enjoyed the discussions between Mennofar and The Boy and between Plain Alice and the dragon, Ludwig, that were illustrations of the different aspects of logic, which is the study of how we prove things, according to Mr. Chilton. I might have guessed, if I had thought of it, that Mr. Chilton was a lawyer before he decided to write a book for middle grade logicians and fantasy lovers.

I also just liked this story. Do I have to prove that it’s a good book for this to be a good review or for you to believe me when I say that you would probably enjoy it, too? I don’t think so. After all, we’re humans, not goblins. We don’t have to be strictly logical. Or tricky.

Grayling’s Song by Karen Cushman

Just like her Newbery award winning book, The Midwife’s Apprentice, Karen Cushman’s new foray into fantasy/magical realism has a touch of medieval wisdom and a cartload of feminist historical perspective to bring to middle grade readers. The image of medieval “hedge witches” and “cunning folk” and “wise women” is rehabilitated and given respectability and even honor as Grayling, the daughter of one such herbalist and witch, goes on a journey to rescue her mother from an evil magic smoky shadow that has rooted her to the ground and is changing her into a tree.

Although it reminded me of the book I reviewed yesterday, Red by Liesl Shurtliff, this book was just a little too “witchy” for my tastes. In addition to Grayling’s mother, Hannah Strong, and Grayling herself, the story features a grumpy weather witch, an evil wannabe witch, an alluring enchantress, and a professor of divination, all of whom team up with Grayling to help her on her quest. I can like stories with witches—Baba Yaga, The Wizard of Oz, Harry Potter, Narnia’s White Witch—all are perfectly good stories in their own way. But this feminist version of medieval witches that reimagines them as harmless but wise healers and herbalists, and yet at the same has them wielding powers that are far from harmless . . . It’s just not my favorite storyline or characterization.

Grayling is the typical “strong female” character that’s all the rage nowadays. She tells a young man who tries to rescue her from drowning to quit rescuing her and let her rescue herself. She learns to rely on her own strength and courage, even when she doesn’t feel strong or courageous. One of the several songs that Grayling makes up during the course of the story to work her own kind of magic goes like this:

You cannot just sit here,
Dreaming and hoping,
March forward to battle
With pennants unfurled,
I call on your courage,
No fretting or moping.
Stand tall.
Stand tall.

If we stand alone,
It still must be done.
If it must be done,
You are the one.

That’s OK, as far as it goes, but something about it feels like a pep talk and leaves me wanting.

Nevertheless, there’s nothing really wrong with this coming of age story about a girl who leaves home to save her mother’s life, succeeds with the help of others, and returns to find that she’s outgrown the home she left. Amanda at The Willow Nook has a much better, and more positive, review of the book, and she makes some excellent points about the redemptive and heroic themes to be found in this short novel, only 200 pages. I predict it will find an audience, just not me.

Red by Liesl Shurtliff

Red: The True Story of Red Riding Hood by Liesl Shurtliff.

In her author’s note at the end of the book, Ms. Shurtliff says that she wrote this story about Red and her Granny, the Witch of the Woods, in honor of her own grandmother who died while the writing of this fairy tale reimagined was still in progress. Somehow her grandmother’s death shook something loose in Ms. Shurtliff’s mind and enabled her to finish the book with its themes of living and dying, facing fear, and seeing things from different perspectives.

When Red goes to stay with her granny while her parents are away, she is happy to depend on Granny’s magic to ease the way and make things grow. However, when Granny falls sick, Red is determined to find the secret of eternal life, not for herself but for her beloved granny. Red is so afraid of life without Granny and of her own clumsy and sometimes dangerous attempts to make magic that she will do anything, except magic, to find a way to prolong Granny’s life.

With the unwelcome help of a blonde, curly-headed chatterbox named Goldie, Red sets off on a journey through the Woods on her own special magical path to find life for Granny. Along the way she learns about friendship (even with annoying chatterers), appearances (things are not always what they seem), and fear. What if a wolf can be Red’s closest friend? What if fear, not death, is the greatest enemy of all?

I really enjoyed this story of Red who is afraid that Granny will die and leave her alone, without Granny’s magical presence to comfort and sustain her. There were some wise themes embedded in the story, even though I’m not a fan of the whole “circle of life” philosophy that is employed by the author to explain the inevitability of death. Red does overcome her fears and come to accept that Granny, like everyone else, will die someday. And she does learn to see life and events from the perspective of others, including a grumpy dwarf and a harsh beast.

Favorite quotes:

“Some mistakes need to be made. Sometimes we have to fall down before we can stand up.”

” . . . you should never give up. Unless, of course, you’re doing something wrong, in which case you should give up entirely.”

“Fear doesn’t only twist our magic, it also makes us forget. It made me forget who I was, the strength and goodness I had inside me. But when I let go of my fear and faced what was before me, the memories came rushing back.”

“Funny, that we always told stories with wolves and beasts and demons as villains, but in real life it seemed the humans were always the worst enemies. You could be your own villain.”