Favorite Poets: T.S. Eliot

I started out an Eliot scorner, but he and I made our peace many years ago. I didn’t understand his poems; I still don’t, but now I can enjoy without understanding completely. Here are a couple of excerpts from Eliot”s play, Murder in the Cathedral.

You think me reckless, desperate and mad.
You argue by results, as this world does,
To settle if an act be good or bad.
You defer to the fact. For every life and every act
Consequence of good and evil can be shown.
And as in time results of many deeds are blended
So good and evil in the end become confounded.
It is not in time that my death shall be known;
It is out of time that my decision is taken
If you call that decision
To which my whole being gives entire consent.
I give my life
To the Law of God above the Law of Man.
Those who do not the same
How should they know what I do?

You shall forget these things, toiling in the household,
You shall remember them, droning by the fire,
When age and forgetfulness sweeten memory
Only like a dream that has often been told
And often been changed in the telling. They will seem unreal.
Human kind cannot bear very much reality.

More Eliot:

Eliot’s Hysteria.

Actor Michael Gough reads The Love Song of J. Alfred Prufrock.

Macavity, the Mystery Cat.

Sir Thomas Becket: A Book and a Movie

“Thomas Becket (1118 – 29 December 1170) was Archbishop of Canterbury from 1162 to his death. He is venerated as a saint and martyr by both the Roman Catholic Church and the Anglican Communion. He engaged in conflict with Henry II of England over the rights and privileges of the Church and was assassinated by followers of the king in Canterbury Cathedral.” ~Wikipedia

Book: Time and Chance by Sharon Kay Penman.
Movie: Becket, starring Richard Burton and Peter O’Toole.


Reading the book and watching the movie made me want to re-read T.S. Eliot’s play, Murder in the Cathedral, but I haven’t gotten around to doing so.

In the movie Richard Burton’s Becket plays the hero to Peter O’Toole’s rather weak and whiny Henry II. Becket is the wiser, more compassionate, morally conflicted, but eventually winning through his weaknesses into sainthood.

In Penman’s book, Becket is more sanctimonious and unpredictable, nearly fanatical; Penman, through one of her characters, calls Becket a “chameleon” who takes on the coloring of his surroundings. Becket is not a hero in Time and Chance, but rather a man made nearly mad by power and responsibility.

I rather think that neither playwright Jean Anouilh, who wrote the play that was the source for the movie’s screenplay, nor Sharon Kay Penman, who based her portrayal on historical incidents of Becket’s inconsistencies and seeming contradictions, got Becket quite right. Anouilh makes hm out to be modern existential hero. Says Becket in the movie: “Honor is a private matter within; it’s an idea and every man has his own version of it.”

Penman makes him into a power-hungry religious fanatic who drives the worldly and pragmatic Henry near the brink of insanity. Penman’s Becket is practically suicidal, knowing that his words and actions will bring the wrath of the king to bear upon him and perhaps get him killed. But this Becket is more interested in besting Henry in their petty feud than in the health of the Church or even his own health and long life.

I prefer to think that Becket was converted at some point from worldliness and politics to the love of Christ and His Church. Maybe he just did what he thought was right and suffered the consequences.

I’d like to read Ken Follett’s Pillars of the Earth, which according to Wikipedia again ends with Becket’s death at the hands of Henry’s henchmen. I’ve heard good things about the 900 page tome, but it’s 900 pages and an Oprah pick. I’ll probably try it anyway. The Penman book is long, too, but worth it.

Favorite Poets: Sir Walter Scott

O Caledonia! stern and wild,
Meet nurse for a poetic child!

~Sir Walter Scott, The Lay of the Last Minstrel

To pair with a Regency romance review, one should feature a Regency poet. Sir Walter Scott was not only the most popular of Regency era novelists, he was also a poet. His most famous poems were The Lay of the Last Minstrel, The Lady of the Lake, and Marmion. Lochinvar is an excerpt from the longer poem Marmion.


O young Lochinvar is come out of the west,
Through all the wide Border his steed was the best;
And save his good broadsword he weapons had none,
He rode all unarm’d, and he rode all alone.
So faithful in love, and so dauntless in war,
There never was knight like the young Lochinvar.

He staid not for brake, and he stopp’d not for stone,
He swam the Eske river where ford there was none;
But ere he alighted at Netherby gate,
The bride had consented, the gallant came late:
For a laggard in love, and a dastard in war,
Was to wed the fair Ellen of brave Lochinvar.

So boldly he enter’d the Netherby Hall,
Among bride’s-men, and kinsmen, and brothers and all:
Then spoke the bride’s father, his hand on his sword,
(For the poor craven bridegroom said never a word,)
“O come ye in peace here, or come ye in war,
Or to dance at our bridal, young Lord Lochinvar?”

“I long woo’d your daughter, my suit you denied; —
Love swells like the Solway, but ebbs like its tide —
And now I am come, with this lost love of mine,
To lead but one measure, drink one cup of wine.
There are maidens in Scotland more lovely by far,
That would gladly be bride to the young Lochinvar.”

The bride kiss’d the goblet: the knight took it up,
He quaff’d off the wine, and he threw down the cup.
She look’d down to blush, and she look’d up to sigh,
With a smile on her lips and a tear in her eye.
He took her soft hand, ere her mother could bar, —
“Now tread we a measure!” said young Lochinvar.

So stately his form, and so lovely her face,
That never a hall such a gailiard did grace;
While her mother did fret, and her father did fume
And the bridegroom stood dangling his bonnet and plume;
And the bride-maidens whisper’d, “’twere better by far
To have match’d our fair cousin with young Lochinvar.”

One touch to her hand, and one word in her ear,
When they reach’d the hall-door, and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
“She is won! we are gone, over bank, bush, and scaur;
They’ll have fleet steeds that follow,” quoth young Lochinvar.

There was mounting ‘mong Graemes of the Netherby clan;
Forsters, Fenwicks, and Musgraves, they rode and they ran:
There was racing and chasing on Cannobie Lee,
But the lost bride of Netherby ne’er did they see.
So daring in love, and so dauntless in war,
Have ye e’er heard of gallant like young Lochinvar?

Other than the Caledonian Connection, this video at YouTube has nothing to do with Sir Walter Scott, but we’ve been rather obsessed with Celtic Thunder lately here in Semicolonland. Perhaps you’ll get the Caledonian Call, too. Love those kilts.

Lady of Quality by Georgette Heyer

I’ve never read a Regency romance novel before, but I did indulge in an orgy of Harlequins and Barbara Cartlands once when trapped in a country house for a week with no other reading material available. I must say that Ms. Heyer’s version of the romance novel is without doubt a cut above Cartlands and Harlequins even though Heyer used much the same formula here: tall, dark, and mysterious meets independent, spunky, and beautiful. The two spar and eventually fall into one another’s arms in passionate embrace. The language, the setting, and the characterization distinguish Heyer’s romance novel from others of the genre. Here’s an example of the Austen-esque nature of the book’s characters:

“She thought it would perhaps be as well if she didn’t discuss his character with her sister-in-law, for she had made the disconcerting discovery that however much she herself criticized his faults, an almost overmastering impulse to defend them arose in her whenever anyone else did so.”

And another:

“He was ruthlessly blunt, too often brusque to the point of incivility, paid her no extravagant compliments, and showed no disposition to go out of his way to please her. A very odd courtship–if courtship it was–and why he should have seriously disturbed her tranquility, which, since she was too honest to deceive herself, she owned that he had done, was a problem to which she could discover no answer.”

Lady of Quality is a book all about “the bubble reputation” and how easily it can be burst. And it’s about the attractiveness of a man who’s “rag-mannered”. The Mr. Darcys and the WIlloughbys of the world are somewhat fascinating, especially if they’re rich and intelligent and self-assured. Why are “good girls” attracted to “bad boys”? Why are the perfect gentlemen sometimes rather boring? Why do we sometimes enjoy playing with fire?

“The only fit place for any female crazy enough to consider becoming his wife for as much as a second was Bedlam.”

Nevertheless, you know how it ends, and as a reader I was somewhat captivated despite my better judgement. I may even find myself in the mood again someday.

Oh, by the way, one of the more intriguing aspects of the book was all the Regency slang I picked up.

Several words were used to describe a talkative person or a gossip: prattle-bag, forty-jawed, gabble-grinder, rattle, regular jaw-me-dead, gabster.

Someone who was depressed was blue-deviled or downpin. If a female indulged in silly crying she was a watering pot or a wet goose. If she were ill, she might be out of curl or in queer stirrups. If she was in bad skin or cantankersome, she was feeling grouchy. But if she was feeling fine and dandy, she was in plump currant.

To cut line was to shut up; to bullock was to bully. To rake down or set down was to put someone in their place with some well chosen words. If you were moped, you were bored, but if you were milky, you were wimpy. A man who was foxed or bosky was drunk. Incognitas were paramours or mistresses. A here-and thereian who was racketting about was a man about town who spent his time in somewhat disreputable pursuits.

A hubble-bubble female was silly, and a shuttlehead was an idiot. I deduced all of these definitions from the context, so I may be a shuttlehead myself. However, I never did figure out the meanings of the following slang terms from the book: muftiness, ames-ace, on the jaunter, fustian, and mawkish. If you know what any of those words meant in Regency England (early 1800’s), please do tell. But don’t attempt a hum (lie), or else you’ll be in the suds (in trouble).

I wonder what it would take to bring one or two of those words or phrases back into vogue?

P.S. Ah, thanks to Deb who left a link in the comments, here’s a webpage of Heyer slang terms with translations to modern English.

Sunday Salon: Books Read in March, 2009

The Sunday Salon.com
I read a LOT of books in March, mostly because I wasn’t blogging, but also because of some personal stuff going on in my life that enabled/forced me to sit in waiting rooms and and other waiting places regularly. I’ve written about most of these books in my Lenten journal, and I’ll be blogging those thoughts and reviews soon.

The School of Essential Ingredients by Erica Bauermeister. Recommended by Megan at Leafing Through Life. I sent my copy of this book to Eldest Daughter in Nashville after I finished it because she likes cooking and stories related to cooking. I think she’ll enjoy it as much as I did.

The End of the Alphabet by C.S. Richardson. Recommended by She Is Too Fond of Books.

Change of Heart by Jodi Piccoult. Recommended at the 3Rs.

The Amazing Potato by Milton Meltzer.

Alas, Babylon by Pat Frank. I’ve been reading a lot of apocalyptic, dystopian stuff lately; this one and several others fit that description.

The Compound –Bodeen. Recommended by Jen Robinson.

Star of Kazan—Ibbotson Recommended by Jen Robinson.

Stargirl by Jerry Spinelli.

Flipped by Wendelin Van Draanen. Recommended by Melanie at Deliciously Clean Reads.

Cutting for Stone by Abraham Verghese. Recommended at The Book Lady’s Blog.

Saving Juliet–Susan Selfors. Recommended by Melissa at Estella’s Revenge.

John Adams by David McCullough. The March Semicolon Book Club selection. If you’re participating in the book club and you posted about McCullough’s biography of John Adams, or even if you’re not doing the book club but you’ve written about this book, please leave a link in the comments. I’ll be posting my thoughts about the book this week, and I’ll be sure to link to yours.

Book by Book: Notes on Reading and Life by Michael Dirda. Recommended by Krin at Enough to Read.

Life As We Knew It–Pfeiffer Recommended by SassyMonkey.

Doomsday Book—Willis Recommended by Lazy Cow.

Maisie Dobbs by Jaqueline Winspear.

Birds of a Feather by Jaqueline Winspear.

Pardonable Lies by Jaqueline WInspear.

When Zachary Beaver Came to Town by Kimberly Willis Holt.

Careless in Red by Elizabeth George.

In the Woods by Tana French. Recommended by Kelly at BigAlittlea. Also recommended at Whimpulsive.

So Brave, So Young and So Handsome by Leif Enger.

22 books read in March.

The best fiction of March: Doomsday Book by Connie Willis. I am now reading the sequel, or book set in the same world, To Say Nothing of the Dog.

The best nonfiction of March: John Adams by David McCullough. I was inspired to not only watch the mini-series, which was very well done, but I’m also reading Alexander Hamilton by Ron Chernow, for a different perspective on the times.

Favorite Poets: Francis Thompson

“Poetry stands at the center of Christian living. We glorify God by noticing, comparing, and naming in sometimes startling ways. Unlike the eye of science, poetry sees the meanings that bind seemingly bare facts together. The poet sees the world in a grain of sand—the roar on the other side of the silence.”
~Suzanne Clark

Most people are familiar with Thompson’s The Hound of Heaven in which he compares God’s pursuit of a human soul to the hound’s pursuit of its quarry. In the following poem, Thompson writes of the immanence of God in Christ.

In No Strange Land

The kingdom of God is within you

O world invisible, we view thee,
O world intangible, we touch thee,
O world unknowable, we know thee,
Inapprehensible, we clutch thee!

Does the fish soar to find the ocean,
The eagle plunge to find the air–
That we ask of the stars in motion
If they have rumor of thee there?

Not where the wheeling systems darken,
And our benumbed conceiving soars!–
The drift of pinions, would we hearken,
Beats at our own clay-shuttered doors.

The angels keep their ancient places–
Turn but a stone and start a wing!
‘Tis ye, ’tis your estrangèd faces,
That miss the many-splendored thing.

But (when so sad thou canst not sadder)
Cry–and upon thy so sore loss
Shall shine the traffic of Jacob’s ladder
Pitched betwixt Heaven and Charing Cross.

Yea, in the night, my Soul, my daughter,
Cry–clinging to Heaven by the hems;
And lo, Christ walking on the water,
Not of Genesareth, but Thames!

Jesus is Immanuel, God with us. May you see Him, hear Him at your own “clay-shuttered door” and never “miss the many-splendored thing” nor the sound of angel’s wing.

Favorite Poets: Edgar Allan Poe

“The death of a beautiful woman is the most poetical subject there is.”
~Edgar Allan Poe

Since I’ve already posted about my favorite, Annabel Lee, and about The Raven, here’s another poem by Poe on the death of a beautiful woman.

To One in Paradise

Thou wast all that to me, love,
For which my soul did pine-
A green isle in the sea, love,
A fountain and a shrine,
All wreathed with fairy fruits and flowers,
And all the flowers were mine.

Ah, dream too bright to last!
Ah, starry Hope! that didst arise
But to be overcast!
A voice from out the Future cries,
“On! on!”- but o’er the Past
(Dim gulf!) my spirit hovering lies
Mute, motionless, aghast!

For, alas! alas! me
The light of Life is o’er!
“No more- no more- no more-”
(Such language holds the solemn sea
To the sands upon the shore)
Shall bloom the thunder-blasted tree
Or the stricken eagle soar!

And all my days are trances,
And all my nightly dreams
Are where thy grey eye glances,
And where thy footstep gleams-
In what ethereal dances,
By what eternal streams.

Poe Links:
Tricia reviews Nevermore: A Photobiography of Edgar Allan Poe by Karen Lange.

The Bells and tintinnabulation.

My favorite Poe poem: Annabel Lee.

In which I am stripped of my romantic illusions about the poem Annabel Lee by Someone Who Knows (at Wittingshire).

The Edgar Allan Poe Calendar, a blog celebrating the life and work of Edgar Allan Poe.

And I can’t resist including this video of John Astin performing The Raven:

Favorite Poets: Ogden Nash

I love Ogden Nash. He had a common-sense sort of view of the world, and then he wrote about it —in verse. He doesn’t seem to have worried about being profound or a pundit or winning prizes for his timeless and immortal poetry. He often ignored form and rhythm and meter and even made up his own rhyming words when necessary, and yet he wrote poems that pierced to the heart of the matter, as common sense often does.

For instance, there’s this poem in which Mr. Nash volunteers his definition of marriage: humorous, insightful, and eminently debatable.

For pure fun, Custard has always been one of my favorites.

Even the titles of many of Mr. Nash’s poems are a delight and a wonder and a word to the wise:

I Always Say a Good Saint Is No Worse Than a Bad Cold
To A Small Boy Standing On My Shoes While I Am Wearing Them
Cat Naps Are Too Good for Cats
Do Sphinxes Think?
A Plea for a League of Sleep (I plan to send this one to Engineer Husband, who averages five hours of sleep per night and often falls asleep during the day.)

I ask you: aren’t those enticing titles?

And for today’s dose of Nashian Sense and Fun, I give you:

Very Like a Whale

One thing that literature would be greatly the better for
Would be a more restricted employment by the authors of simile and metaphor.
Authors of all races, be they Greeks, Romans, Teutons or Celts,
Can’t seem just to say that anything is the thing it is but have to go out of their way to say that it is like something else.
What does it mean when we are told
That that Assyrian came down like a wolf on the fold?
In the first place, George Gordon Byron had enough experience
To know that it probably wasn’t just one Assyrian, it was a lot of Assyrians.
However, as too many arguments are apt to induce apoplexy and thus hinder longevity.
We’ll let it pass as one Assyrian for the sake of brevity.
Now then, this particular Assyrian, the one whose cohorts were gleaming in purple and gold,
Just what does the poet mean when he says he came down like a wolf on the fold?
In heaven and earth more than is dreamed of in our philosophy there are great many things.
But I don’t imagine that among them there is a wolf with purple and gold cohorts or purple and gold anythings.
No, no, Lord Byron, before I’ll believe that this Assyrian was actually like a wolf I must have some kind of proof;
Did he run on all fours and did he have a hairy tail and a big red mouth and big white teeth and did he say Woof Woof?
Frankly I think it is very unlikely, and all you were entitled to say, at the very most,
Was that the Assyrian cohorts came down like a lot of Assyrian cohorts about to destroy the Hebrew host.
But that wasn’t fancy enough for Lord Byron, oh dear me no, he had to invent a lot of figures of speech and then interpolate them,
With the result that whenever you mention Old Testament soldiers to people they say Oh yes, they’re the ones that a lot of wolves dressed up in gold and purple ate them.
That’s the kind of thing that’s being done all the time by poets, from Homer to Tennyson;
They’re always comparing ladies to lilies and veal to venison,
And they always say things like that the snow is a white blanket after a winter storm.
Oh it is, is it, all right then, you sleep under a six-inch blanket of snow and I’ll sleep under a half-inch blanket of unpoetical blanket material and we’ll see which one keeps warm,
And after that maybe you’ll begin to comprehend dimly
What I mean by too much metaphor and simile.

Oh, yes, Mr. Nash sees straight through that pretentious but admittedly handsome Lord Byron, doesn’t he?

So, let’s not get all pompous and highfalutin about this Poetry Month gig, but rather let’s just celebrate and enjoy it all, even the metaphors and the similes.

Birthday Watch: April 3rd

George Herbert, b. 1593.
Easter Wings
The Dawning by George Herbert.
The Sonne by George Herbert.
A Wreath by George Herbert.
The Pulley by George Herbert
More April 3 Birthdays.

Washington Irving, b.1783. “Rip van Winkle, however, was one of those happy mortals, of foolish, well-oiled dispositions, who take the world easy,, eat white bread or brown, whichever can be got with least thought and trouble, and would rather starve on a penny than work for a pound. If left to himself, he would have whistled his life away in perfect contentment . . .”
Christmas at Bracebridge Hall, 1819.

Edward Everett Hale, b.1822.
The Man WIthout a Country:

‘In Memory of
PHILIP NOLAN,
Lieutenant in the Army of the United States.
HE LOVED HIS COUNTRY AS NO OTHER MAN HAS LOVED HER; BUT NO MAN DESERVED LESS AT HER HANDS.’”

Favorite Poets: Aileen Fisher

“Poetry is a rhythmical piece of writing that leaves the reader feeling that life is a little richer than before, a little more full of wonder, beauty, or just plain delight.”
~Aileen Fisher

Read a profile of poet Aileen Fisher by Lee Bennet Hopkins.

Time for Rabbits

“Look!” says the catkin
in its gray hatkin.
“Look!” say the larks and sparrows.
“The pasture is stirring,
the willows are purring,
and sunlight is shooting its arrows.”

“Look!” wind is humming.
“Easter is coming.
Hear how the brooklet rushes.
It’s time for the rabbits
with Easter-egg habits
to get out their paints and brushes.”

from Cricket in a Thicket by Aileen Fisher.

The book Cricket in a Thicket is copyrighted 1963, and I assume my copy was printed prior to 1985, therefore banned by the CPSIA police. The illustrations in the book are pen and ink or pencil drawing by Feodor Rojankovsky, the delightfully talented illustrator whose book Frog Went A-Courtin’ won the Caldecott Medal in 1956.

Z-baby, inspired by Rojan, as he was sometimes called, and by Ms. Fisher’s poem, drew this picture with charcoals:

Zion's Picture:TIme for Rabbits