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Poetry and Fine Art Friday: The Flag

I love the way words in poetry play off one another like shadows across the floor.
I think poetry is one way to blow away all the fog and see life in full light. A certain kind of poetry can prettify and falsify life, no doubt about it, but the right kind can boil it down to its essence.”

From A Garden to Keep by Jamie Langston Turner.

American Parade

Some more of “literature’s greatest lines” courtesy of Dr. Huff:

The Flag Goes By by Henry Holcomb Bennett

HATS off!
Along the street there comes
A blare of bugles, a ruffle of drums,
A flash of color beneath the sky:
Hats off!
The flag is passing by!

Blue and crimson and white it shines,
Over the steel-tipped, ordered lines.
Hats off!
The colors before us fly;
But more than the flag is passing by.

Sea-fights and land-fights, grim and great,
Fought to make and to save the State:
Weary marches and sinking ships;
Cheers of victory on dying lips;

Days of plenty and years of peace;
March of a strong land’s swift increase;
Equal justice, right and law,
Stately honor and reverend awe;

Sign of a nation, great and strong
To ward her people from foreign wrong:
Pride and glory and honor,—all
Live in the colors to stand or fall.

Hats off!
Along the street there comes
A blare of bugles, a ruffle of drums;
And loyal hearts are beating high:
Hats off!
The flag is passing by!

Essential or prettifying? You decide. At any rate, that ought to get you ready for the Fourth of July! And if you don’t live in the USA, then salute your own country’s flag the next time you see it.

Poetry and Fine Art Friday: A Book

I’ve written here before about my college professor, Dr. Huff, who was the initiator and chief of what he called “The Six Hundred Club.” For his freshman English classes, he encouraged the students to memorize six hundred lines of poetry; his upper level Shakespeare classes were asked to memorize six hundred lines of SHakespeare. Either accomplishment entitled one to membership in “that exclusive and august society, THE SIX HUNDRED CLUB.” He wrote as an introduction to the mimeographed pages of poems for the freshmen, “Because one of the fringe thrills of your life will be your ability to recall the magic of some of literature’s greatest lines long after your college years, the following selections are offered for you to commit to memory.” The following poem is one of Dr. Huff’s selections:

Girl Stands in a Field Reading Her Book

Who Hath A Book

by Wilbur D. Nesbit

Who hath a book
Hath friends at hand,
And gold and gear
At his command;
And rich estates,
If he but look,
Are held by him
Who hath a book.

Who hath a book
Hath but to read
And he may be
A king, indeed.
His kingdom is
His inglenook-
All this is his
Who hath a book.

By the way, I am a member of The Six Hundred Club, not because I memorized this poem or any of the others on the freshman poetry list, but because I once could quote six hundred lines of Shakespeare. I still know some of the passages: “Tomorrow and tomorrow and tomorrow/ Creeps in this petty pace from day to day/ To the last syllable of recorded time.”

The Poetry Friday round-up is posted at A Wrung Sponge today.

PFbutton

Poetry and Fine Art Friday: Home Sweet Home

What do these subjects have in common? Frankenstein. Cherokee Indians. Tunisia. Operatic arias.

Tomorrow is the birthday of John Howard Payne (b. June 9, 1791). He was an interesting guy. He was born in New York City and became an actor when he was sixteen years old. He was popular and good-looking and invited to perform in Boston, Philadelphia, and Baltimore in various roles. He went to London, failed in the theatrical business, and was imprisoned for debt. He wrote several plays, and the only one that had any success was an opera called Clari, the Maid of Milan that was produced at Covent Garden in 1823. For the opera, Payne wrote a song called Home Sweet Home. The song became quite popular, but Payne received little or no money for it. While he was living in England, Mr. Payne developed quite a crush on Mary Shelley whose husband Percy died in 1822 in a boating accident. Mary wasn’t interested in John Howard, preferring to cling to the memory of her erratic and unfaithful, but talented and romantic, late husband. John Howard Payne returned to the United States after nearly twenty years in Europe and went to live with the Cherokee Indians. He lived with Cherokee Chief John Ross and collected myths and traditions of the Cherokees and wrote magazine articles. In 1842, he somehow got himself appointed by President John Tyler as U.S. Consul to Tunis, Tunisia. (?) He died in Tunis ten years later in 1852.

Home Sweet Home

Home Sweet Home

Mid pleasures and palaces
Though we may roam,
Be it ever so humble,
There’s no place like home.
A charm from the skies
Seems to hallow us there,
Which seek thro’ the world,
Is ne’er met with elsewhere.
Home, home, sweet sweet home,
There’s no place like home,
There’s no place like home.

I gaze on the moon
As I tread the drear wild,
And feel that my mother
Now thinks of her child;
As she looks on that moon
From our own cottage door,
Thro’ the woodbine whose fragrance
Shall cheer me no more.
Home, home, sweet sweet home,
There’s no place like home,
There’s no place like home.

An exile from home,
Splendor dazzles in vain,
Oh, give me my lowly
Thatched cottage again;
The birds singing gaily,
That came at my call:
Give me them and that
Peace of mind, dearer than all.
Home, home, sweet sweet home,
There’s no place like home,
There’s no place like home.

Payne wrote in a letter to C.E. Clark (approximately 1850): “Surely there is something strange in the fact that it should have been my lot to cause so many people in the world to boast of the delights of home, when I never had a home of my own, and never expect to have one now—especially since those here at Washington who possess the power seem so reluctant to allow me the means of earning one!”

Poetry Friday round-up is at HipWriterMama today.

June: Death in Summer

“The report of my death was an exaggeration.” Mark Twain, after reading his own obituary, June 2, 1897.

Miracle Max: He probably owes you money huh? I’ll ask him.
Inigo Montoya: He’s dead. He can’t talk.
Miracle Max: Whoo-hoo-hoo, look who knows so much. It just so happens that your friend here is only MOSTLY dead. There’s a big difference between mostly dead and all dead. Mostly dead is slightly alive. With all dead, well, with all dead there’s usually only one thing you can do.
Inigo Montoya: What’s that?
Miracle Max: Go through his clothes and look for loose change.
—From the movie Princess Bride.

Nevertheless, death, and near-death, in summer do happen —especially in books. I thought, in honor of Mr. Twain’s exaggerated death and Westley’s almost death, I’d gather together some loose change, er —summer reading suggestions and other odds and ends, having to do with murder, mayhem, and possible death.


Windcatcher by Avi. “The moment Tony saw the boat, he knew, sure as he knew anything, what he wanted, what he needed, was a Snark.”

“Early one June morning in 1872 I murdered my father – an act which made a deep impression on me at the time.” Ambrose Bierce. Bierce was born in 1842, so he would have been about thirty years old when the alleged patricide occurred.

I Know What You Did Last Summer by Lois Duncan. “The note was there, lying beside her plate, when she came down to breakfast. Later, when she thought back, Julie would remember it. Small. Plain. Her name and address lettered in stark black print across the front of the envelope.”

The House on the Gulf by Margaret Peterson Haddix. “Bran was up to something. I knew it the first day he showed me the house.”


June Night
by Sarah Teasdale

Oh Earth, you are too dear to-night,
How can I sleep while all around
Floats rainy fragrance and the far
Deep voice of the ocean that talks to the ground?

Oh Earth, you gave me all I have,
I love you, I love you, — oh what have I
That I can give you in return —
Except my body after I die?

Evil Under the Sun by Agatha Christie. “And from June till September (with a short season at Easter) the Jolly Roger Hotel was usually packed to the attics. . . . There was one very important person (in his own estimation at least) staying at the Jolly Roger. Hercule Poirot, resplendent in a white duck suit, with a panama hat tilted over his eyes, his mustaches magnificently befurled, lay back in an improved type of deck chair and surveyed the bathing beach.”

To Kill a Mockingbird by Harper Lee. “There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, nothing to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself. That summer, I was six years old.”

June by Amy Levy

Last June I saw your face three times;
Three times I touched your hand;
Now, as before, May month is o’er,
And June is in the land.

O many Junes shall come and go,
Flow’r-footed o’er the mead;
O many Junes for me, to whom
Is length of days decreed.

There shall be sunlight, scent of rose;
Warm mist of summer rain;
Only this change–I shall not look
Upon your face again.

The Summer of the Danes by Ellis Peters. “The extraordinary events of that summer of 1144 may properly be said to have begun the previous year, in a tangle of threads both ecclesiastical and secular, a net in which any number of diverse people became enmeshed . . . And among the commonality thus entrammeled, more to the point, an elderly Benedictine monk of the Abbey of Saint Peter and Saint Paul at Shrewsbury.”

Message from Malaga by Helen McInnes. ” . . . he had come a long way from the tensions and overwork of Houston, a longer way than the thousands of miles that lay between Texas and Andalusia. He hadn’t felt so happily unthinking, so blissfully irresponsible in months. He lifted his glass of Spanish brandy in Jeff Reid’s direction to give his host a silent thanks.”

An End by Christina Rossetti

Love, strong as Death, is dead.
Come, let us make his bed
Among the dying flowers:
A green turf at his head;
And a stone at his feet,
Whereon we may sit
In the quiet evening hours.
He was born in the Spring,
And died before the harvesting:
On the last warm summer day
He left us; he would not stay
For Autumn twilight cold and grey.
Sit we by his grave, and sing
He is gone away.

To few chords and sad and low
Sing we so:
Be our eyes fixed on the grass
Shadow-veiled as the years pass,
While we think of all that was
In the long ago.

Summertime + Death: any more suggestions?

Poetry and Fine Art Friday: Knee-Deep in June

Orchard with Roses, c.1911




Orchard with Roses, c.1911

Art Print

Klimt, Gustav


Buy at AllPosters.com

Knee-Deep in June by James Witcomb Riley

Tell you what I like the best —
‘Long about knee-deep in June,
‘Bout the time strawberries melts
On the vine, — some afternoon
Like to jes’ git out and rest,
And not work at nothin’ else!

Orchard’s where I’d ruther be —
Needn’t fence it in fer me! —
Jes’ the whole sky overhead,
And the whole airth underneath —
Sort o’ so’s a man kin breathe
Like he ort, and kind o’ has
Elbow-room to keerlessly
Sprawl out len’thways on the grass
Where the shadders thick and soft
As the kivvers on the bed
Mother fixes in the loft
Allus, when they’s company!

. . . . . . . . .

March ain’t never nothin’ new! —
April’s altogether too
Brash fer me! and May — I jes’
‘Bominate its promises, —
Little hints o’ sunshine and
Green around the timber-land —
A few blossoms, and a few
Chip-birds, and a sprout er two, —
Drap asleep, and it turns in
Fore daylight and snows ag’in! —
But when June comes – Clear my th’oat
With wild honey! — Rench my hair
In the dew! And hold my coat!
Whoop out loud! And th’ow my hat! —
June wants me, and I’m to spare!
Spread them shadders anywhere,
I’ll get down and waller there,
And obleeged to you at that!

Read the entire poem at Poem Hunter.

Today’s Poetry Friday round-up is at Adventures in Daily Living.

Fine Art and Poetry Friday: Silk and Butterflies

salvador_dali_allegorie_de_soie

Salvador Dali was born May 11, 1904. The painting is called Alegorie de Soie; I think it means Allegory of Silk.

Who is the woman in right background?

Why are the shadows of the butterflies so prominent? Because it’s an allegory?

What is the yellow egg in the center?

And what are the two rock pillars on either side?

It’s almost like figuring out a LOST episode. What do you think it means?

I found this poem that I liked and which seemed to go with the painting:

To the Dead Favourite of Liu Ch’e

by Djuna Barnes (1892–1982)

THE SOUND of rustling silk is stilled,
With solemn dust the court is filled,
No footfalls echo on the floor;
A thousand leaves stop up her door,
Her little golden drink is spilled.

Her painted fan no more shall rise
Before her black barbaric eyes—
The scattered tea goes with the leaves.
And simply crossed her yellow sleeves;
And every day a sunset dies.

Her birds no longer coo and call,
The cherry blossoms fade and fall,
Nor ever does her shadow stir,
But stares forever back at her,
And through her runs no sound at all.

And bending low, my falling tears
Drop fast against her little ears,
And yet no sound comes back, and I
Who used to play her tenderly
Have touched her not a thousand years.

The poet seems to have been a person of rather dubious character, but I still like the poem.

Today’s Poetry Friday round-up is posted at HipWriterMama.

Mother Goose Day

May 1 is Mother Goose Day.
My favorite nursery rhyme is one that Organizer Daughter altered when she was little:

Mary, Mary, quite contrary,
How does your garden grow?
With silver bells and taco shells,
And pretty maids all in a row.


The Mary in the rhyme was either Mary, Queen of Scots or Bloody Mary (Elizabeth I’s half-sister) or Mary Magdalene. And the silver bells and cockle shells are either decorations on a dress or instruments of torture. The pretty maids? Mary’s ladies in waiting or the guillotine. Take your pick. Admit it. Don’t you like our version better than the original? Taco shells are so harmless and good to eat, and they have no hidden symbolic meaning as far as I know.

For more information on how to celebrate Mother Goose Day, go to the Mother Goose Society website.
For recipes, crafts and coloring pages, try mother goose.com, or go to this Nursery Rhyme page for more educational links. Also, DLTK has coloring pages and craft ideas.

Mother Goose-based games: Mother Goose Caboose.
The Mother Goose Pages: Nursery Rhymes.

My favorite nursery rhyme/Mother Goose books:

In a Pumpkin Shell illustrated by Joan Walsh Anglund.

Lavender’s Blue: A Book of Nursery Rhymes compiled by Kathleen Lines.

Mother Goose: If Wishes Were Horses and Other Rhymes illustrated by Susan Jeffers.

Mother Goose illustrated by Brian Wildsmith.

Old Mother Hubbard by Alice and Martin Provensen.

The Real Mother Goose by Blanche Fisher Wright.

The Arnold Lobel Book of Mother Goose: A Treasury of More Than 300 Classic Nursery Rhymes collected and illustrated by Arnold Lobel.

The fair maid who, the first of May
Goes to the fields at break of day
And washes in dew from the hawthorn tree
Will ever after handsome be.
– Mother Goose Nursery Rhyme

What’s your favorite Mother Goose rhyme or book?

To This Great Stage of Fools: Born April 28th

Harper Lee, b. 1926. Enough has been said and written about To Kill a Mockingbird. If you haven’t read it, put down whatever you’re reading now, especially if it was published after 1940, and go borrow or purchase a copy of Miss Lee’s book and read it.

Lois Duncan, b. 1934. Author of many YA suspense novels, including Killing Mr. Griffin and I Know What You Did Last Summer.
Lois Duncan’s website.
From the website: “Lois Duncan is known for award-winning suspense novels. Few people know she’s led a secret second life as a poet.” In her new poetry book, Seasons of the Heart:

“You can read about Belinda, who chewed her nails so fiercely that she ended up eating her fingertips:

They just went “Crunch” and disappeared.
Belinda thought, Now this is weird!
I wonder why that knucklebone
Is sticking up there all alone?

And there’s a poem about Jerome, who refused to take a bath:

There were deposits in his ears
That had been rotting there for years.
His neck and chest were quickly crusting.
His belly button was disgusting.”

A Midsummer Night’s Dream

Titania with her Fairies




Titania with her Fairies

Giclee Print

Rackham, Arthur


Buy at AllPosters.com

We were in Waco last night to see an English department production of this rather odd play in the Armstrong-Browning Library at Baylor University. Eldest Daughter played the attendant fairy Mustard-Seed.

Some disconnected thoughts that occurred as I watched:

***The play was staged in Victorian costumes partly because it was not revived in its entirety, after Shakespeare’s day, until the 1840’s. I think the costumes and setting worked quite well, or maybe I just like tophats and stiff collars.

***Shakepeare critic William Hazlit once said in an essay on a production of Midsummer: “A Midsummer Night’s Dream, when acted, is converted from a delightful fiction into a dull pantomime. All that is finest in the play is lost in the representation. The spectacle was grand; but the spirit was evaporated, the genius was fled.–Poetry and the stage do not agree well together. The attempt to reconcile them in this instance fails not only of effect, but of decorum. The IDEAL can have no place upon the stage, which is a picture without perspective; everything there is in the foreground.
I think it is difficult to get the dream-like effect on stage that Mr. Shakepeare was attempting to achieve. The whole play is full of dreams and even at the end Puck tells the audience:

If we shadows have offended,
Think but this, and all is mended,
That you have but slumber’d here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream . . .

Lots of sleeping and dreaming, dreams within dreams, weird dream-like sequences of events . . . Nevertheless, I still knew that I was in a building, sitting in stadium chairs, watching a play, not dreaming. That’s no insult to the acotrs nor to the production, but rather a comment on the difficulty of staging the play. (The same comment, abbreviated, was in the program notes, probably what made me think about it.)

***The actor who played Bottom was actually, according to Eldest Daughter, a librarian at Baylor. He was magnificent, stole the show. The comedic parts of the play were hilarious. Bottom was indeed an ass, in the funniest, Charlie Browniest sense of the word.

The Dream in a nutshell:
Act 1, Scene 1
Lysander: The course of true love never did run smooth

Hermia of Demetrius: I give him curses, yet he gives me love.

Act 1, Scene2
Bottom: Ready. Name what part I am for, and proceed.

Act 2, Scene 1
Titania: What, jealous Oberon! Fairies, skip hence:
I have forsworn his bed and company.

Helena to Demetrius: I am your spaniel; and, Demetrius,
The more you beat me, I will fawn on you:
Use me but as your spaniel, spurn me, strike me,
Neglect me, lose me; only give me leave,
Unworthy as I am, to follow you.

Act 2, Scene 2
Lysander to Hermia: One turf shall serve as pillow for us both;
One heart, one bed, two bosoms and one troth.

Act 3, Scene 1
Bottom: I see their knavery: this is to make an ass of me; to fright me, if they could.

Act 3, Scene 2
Hermia to Helena: O me! you juggler! you canker-blossom!
You thief of love! what, have you come by night
And stolen my love’s heart from him?

Act 4, Scene 1
Titania: My Oberon! what visions have I seen!
Methought I was enamour’d of an ass.

Act 4, Scene 2
Bottom: Masters, I am to discourse wonders: but ask me not what; for if I tell you, I am no true Athenian.

Act 5, Scene 1
Quince: Gentles, perchance you wonder at this show;
But wonder on, till truth make all things plain.

Puck: So, good night unto you all.
Give me your hands, if we be friends,
And Robin shall restore amends.

To This Great Stage of Fools: Born April 11th

Christopher Smart, b. 1722. English poet and song-writer, he was sometimes confined to the madhouse for praying in the streets and at other times arrested and thrown into jail for debt. Here’s a Kit Smart poem for the cat lovers among us (of which group I am not a member, but I like the poem):

Jubilate Agno (excerpt)

For I will consider my Cat Jeoffry.
For he is the servant of the Living God duly and daily serving him.
For at the first glance of the glory of God in the East he worships in his way.
For this is done by wreathing his body seven times round with elegant quickness.
For then he leaps up to catch the musk, which is the blessing of God upon his prayer.
For he rolls upon prank to work it in.
For having done duty and received blessing he begins to consider himself.
For this he performs in ten degrees.
For first he looks upon his forepaws to see if they are clean.
For secondly he kicks up behind to clear away there.
For thirdly he works it upon stretch with the forepaws extended.
For fourthly he sharpens his paws by wood.
For fifthly he washes himself.
For sixthly he rolls upon wash.
For seventhly he fleas himself, that he may not be interrupted upon the beat.
For eighthly he rubs himself against a post.
For ninthly he looks up for his instructions.
For tenthly he goes in quest of food.
For having consider’d God and himself he will consider his neighbour.
For if he meets another cat he will kiss her in kindness.
For when he takes his prey he plays with it to give it a chance.
For one mouse in seven escapes by his dallying.
For when his day’s work is done his business more properly begins.
For he keeps the Lord’s watch in the night against the adversary.
For he counteracts the powers of darkness by his electrical skin and glaring eyes.
For he counteracts the Devil, who is death, by brisking about the life.
For in his morning orisons he loves the sun and the sun loves him.
For he is of the tribe of Tiger.
For the Cherub Cat is a term of the Angel Tiger.
For he has the subtlety and hissing of a serpent, which in goodness he suppresses.
For he will not do destruction, if he is well-fed, neither will he spit without provocation.
For he purrs in thankfulness, when God tells him he’s a good Cat.

Dr. Samuel Johnson on Christopher Smart.