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Poetry Friday: Prodigals and Preachers

I’m quite entranced by the poetry of James Weldon Johnson who took the cadence of a preacher and wrote it into poetry that sings and preaches at the same time. What wise words for a foolish young man: “Your arm’s too short to box with God!”

The Prodigal Son
BY JAMES WELDON JOHNSON
Departure of the Prodigal Son

Young man—
Young man—
Your arm’s too short to box with God.

But Jesus spake in a parable, and he said:
A certain man had two sons.
Jesus didn’t give this man a name,
But his name is God Almighty.
And Jesus didn’t call these sons by name,
But ev’ry young man,
Ev’rywhere,
Is one of these two sons.

And the younger son said to his father,
He said: Father, divide up the property,
And give me my portion now.
The Banquet of the Prodigal Son

And the father with tears in his eyes said: Son,
Don’t leave your father’s house.
But the boy was stubborn in his head,
And haughty in his heart,
And he took his share of his father’s goods,
And went into a far-off country.

There comes a time,
There comes a time
When ev’ry young man looks out from his father’s house,
Longing for that far-off country.

And the young man journeyed on his way,
And he said to himself as he travelled along:
This sure is an easy road,
Nothing like the rough furrows behind my father’s plow.

Young man—
Young man—
Smooth and easy is the road
That leads to hell and destruction.
Down grade all the way,
The further you travel, the faster you go.
No need to trudge and sweat and toil,
Just slip and slide and slip and slide
Till you bang up against hell’s iron gate.

Read the rest of Mr. Johnson’s poem at Poetry Foundation.

The paintings are by Murillo; the first one is titled Departure of the Prodigal Son, and the second, Banquet of the Prodigal Son.

Lisa Chellman has the Poetry Friday round-up at Under the Covers.

Poetry Friday: Despair and Faith

“I can truthfully affirm that I never learned anything which would now be considered worth learning until I had done with them all (governesses) and started foraging for myself. I did have a few months of boarding-school at the end, and a very good school for its day it was, but it left no lasting impression on my mind.”
~Ada Cambridge Cross

Ada Cambridge Cross was a British Australian writer born on this date in 1844. She was married to the Rev. George Frederick Cross, and she began writing to make money to help support their five children. (I suppose the pastorate in Australia didn’t pay too well.)

She wrote novels as well as poetry, and the following poems are two of her sonnets:

Despair
Alone! Alone! No beacon, far or near!
No chart, no compass, and no anchor stay!
Like melting fog the mirage melts away
In all-surrounding darkness, void and clear.
Drifting, I spread vain hands, and vainly peer
And vainly call for pilot, — weep and pray;
Beyond these limits not the faintest ray
Shows distant coast whereto the lost may steer.
O what is life, if we must hold it thus
As wind-blown sparks hold momentary fire?
What are these gifts without the larger boon?
O what is art, or wealth, or fame to us
Who scarce have time to know what we desire?
O what is love, if we must part so soon?

Faith
And is the great cause lost beyond recall?
Have all the hopes of ages come to naught?
Is life no more with noble meaning fraught?
Is life but death, and love its funeral pall?
Maybe. And still on bended knees I fall,
Filled with a faith no preacher ever taught.
O God — MY God — by no false prophet wrought —
I believe still, in despite of it all!
Let go the myths and creeds of groping men.
This clay knows naught — the Potter understands.
I own that Power divine beyond my ken,
And still can leave me in His shaping hands.
But, O my God, that madest me to feel,
Forgive the anguish of the turning wheel!

Poetry Friday: Roberta Anderson

Roberta Joan Anderson was born on November 7, 1943, in Fort Macleod, Alberta, Canada.

As a teen she listened to rock-n-roll radio broadcasts out of Texas. She bought herself a baritone ukelele for $36 because she couldn’t afford a guitar.

“In a hundred years, when they ask who was the greatest songwriter of the era, it’s got to be her or Dylan. I think it’s her. And she’s a better musician than Bob.”~David Crosby

“She took the clay and moulded it in a way we hadn’t seen before. If you really sort of analyse songwriting at that time, male or female, what she was doing with her structures and her use of melody and her poetry and the voice too, you know that’s just one of the gifts that we’ve had.” ~Tori Amos

Sometimes change comes at you
like a broadside accident
There is chaos to the order
Random things you can’t prevent
There could be trouble around the corner
There could be beauty down the street
Synchronized like magic
Good friends you and me.

Moons and Junes and Ferris wheels
The dizzy dancing way you feel
As ev’ry fairy tale comes real
I’ve looked at love that way

But now it’s just another show
You leave ’em laughing when you go
And if you care, don’t let them know
Don’t give yourself away

I’ve looked at love from both sides now
From give and take, and still somehow
It’s love’s illusions I recall
I really don’t know love at all

Tears and fears and feeling proud
To say “I love you” right out loud
Dreams and schemes and circus crowds
I’ve looked at life that way

But now old friends are acting strange
They shake their heads, they say I’ve changed
Well something’s lost, but something’s gained
In living every day

I’ve looked at life from both sides now
From win and lose and still somehow
It’s life’s illusions I recall
I really don’t know life at all
.

As a child I spoke as a child–
I thought and I understood as a child–
But when I became a woman–
I put away childish things
And began to see through a glass darkly.
Where, as a child, I saw it face to face
Now, I only know it in part
Fractions in me
Of faith and hope and love
And of these great three
Love’s the greatest beauty…

You may know her as singer/songwriter Joni Mitchell.

Lyric excerpts taken from Ms. Mitchell’s website.

Poetry and Fine Art Friday: 1492

Johnny’s Hist’ry Lesson by Nixon Waterman

I think, of all the things at school
A boy has got to do,
That studyin’ hist’ry, as a rule,
Is worst of all, don’t you?
Of dates there are an awful sight,
An’ though I study day an’ night,
There’s only one I’ve got just right –
That’s fourteen ninety-two.

Columbus crossed the Delaware
In fourteen ninety-two;
We whipped the British, fair an’ square,
In fourteen ninety-two.
At Concord an’ at Lexington.
We kept the redcoats on the run,
While the band played “Johnny Get Your Gun,”
In fourteen ninety-two.

Pat Henry, with his dyin’ breath –
In fourteen ninety-two –
Said, “Gimme liberty or death!”
In fourteen ninety-two.
An’ Barbara Frietchie, so ’tis said,
Cried, “Shoot if you must this old, gray head,
But I’d rather ‘twould be your own instead!”
In fourteen ninety-two.

The Pilgrims came to Plymouth Rock
In fourteen ninety-two,
An’ the Indians standin’ on the dock
Asked, “What are you goin’ to do?”
An’ they said, “We seek your harbor drear
That our children’s children’s children dear
May boast that their forefathers landed here
In fourteen ninety-two.”

Miss Pocahontas saved the life –
In fourteen ninety-two –
Of John Smith, an’ became his wife
In fourteen ninety-two.
An’ the Smith tribe started then an’ there,
An’ now there are John Smiths ev’rywhere,
But they didn’t have any Smiths to spare
In fourteen ninety-two.

Kentucky was settled by Daniel Boone
In fourteen ninety-two,
An’ I think the cow jumped over the moon
In fourteen ninety-two.
Ben Franklin flew his kite so high
He drew the lightnin’ from the sky,
An’ Washington couldn’t tell a lie,
In fourteen ninety-two.

How many historical errors, aside from the obvious dating errors, can your children find in Johnny’s poem? I find at least six, maybe ten, depending on what you count as mistakes. It’s a good exercise in spotting historical inaccuracies. I’ll start you out:

1. Columbus never even saw the Delaware River.

Poetry and Fine Art Friday: Eliot and Frangipane

Today is the 120th birthday of T.S. Eliot, poet of twentieth century angst and twentieth century faith. I liked this poem because I remember one time long ago laughing hysterically and concentrating on one thing to calm myself.

HYSTERIA

by: T.S. Eliot (1888-1965)

As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps,
inhaled at each momentary recovery, lost finally
in the dark caverns of her throat, bruised by
the ripple of unseen muscles. An elderly waiter
with trembling hands was hurriedly spreading
a pink and white checked cloth over the rusty
green iron table, saying: “If the lady and
gentleman wish to take their tea in the garden,
if the lady and gentleman wish to take their
tea in the garden …” I decided that if the
shaking of her breasts could be stopped, some of
the fragments of the afternoon might be collected,
and I concentrated my attention with careful
subtlety to this end.

“Hysteria” was originally printed in Catholic Anthology, November 1915.

Mr. Eliot might have enjoyed this picture by Niccolo Frangipane since it combines the laughter of the poem with a cat. Eliot was rather fond of cats.

Four People Laughing at the Sight of a Cat


Here’s actor Michael Gough reading Eliot’s “The Love Song of J. Alfred Prufrock”.

Ezra Pound on T.S. Eliot: “Mr Eliot is at times an excellent poet and has arrived at the supreme Eminence among English critics largely through disguising himself as a corpse.”

Corpse or hysterical? I suppose it all depended on what mood he was experiencing at the time.

Poetry Friday: Seasons (Mostly Winter)

By Bethy-Bee, age 9

Hello, I will tell you what I think of the seasons,

and get your self very even.

Spring is okay, It’s cold and warm.

Sometimes I have to sit  in my bed while their are storms.

Summer is hot, horuble and glum.

It makes me not want to suck my thum.

Now fall is pretty good with the leaves to fall….

but Winter Is the best one of all!

It’s cold, and I go outside and I will find ….

MY winter is there to comefert me!

Semicolon’s September: Celebrations, Links and Birthdays

Ike Watch 2 and Poetry Friday

Well, we evacuated. Or rather we were told to evacuate, and we obeyed. We’re in Fort Worth now. The traffic wasn’t too bad; it only took us seven hours to get here from South Houston. We left twenty year old Computer Guru Son in Houston to weather the storm and take care of the house, at his insistence. He’s young and thinks he’s invincible. However, he promised to move farther north into Houston if things get too bad or if he loses electricity.

So here’s a nice Poetry Friday hurricane poem to cheer us all up as we think: it could have been much worse. It could have been the wreck of the Hesperus.

The Wreck of the Hesperus
by Henry Wadsworth Longfellow

It was the schooner Hesperus,
That sailed the wintry sea;
And the skipper had taken his little daughtèr,
To bear him company.

Blue were her eyes as the fairy-flax,
Her cheeks like the dawn of day,
And her bosom white as the hawthorn buds,
That ope in the month of May.

The skipper he stood beside the helm,
His pipe was in his mouth,
And he watched how the veering flaw did blow
The smoke now West, now South.

Then up and spake an old Sailòr,
Had sailed to the Spanish Main,
“I pray thee, put into yonder port,
For I fear a hurricane.

“Last night, the moon had a golden ring,
And to-night no moon we see!”
The skipper, he blew a whiff from his pipe,
And a scornful laugh laughed he.

Colder and louder blew the wind,
A gale from the Northeast,
The snow fell hissing in the brine,
And the billows frothed like yeast.

Down came the storm, and smote amain
The vessel in its strength;
She shuddered and paused, like a frighted steed,
Then leaped her cable’s length.

“Come hither! come hither! my little daughtèr,
And do not tremble so;
For I can weather the roughest gale
That ever wind did blow.”

He wrapped her warm in his seaman’s coat
Against the stinging blast;
He cut a rope from a broken spar,
And bound her to the mast.

“O father! I hear the church-bells ring,
Oh say, what may it be?”
“‘T is a fog-bell on a rock-bound coast!” —
And he steered for the open sea.

“O father! I hear the sound of guns,
Oh say, what may it be?”
“Some ship in distress, that cannot live
In such an angry sea!”

“O father! I see a gleaming light,
Oh say, what may it be?”
But the father answered never a word,
A frozen corpse was he.

Lashed to the helm, all stiff and stark,
With his face turned to the skies,
The lantern gleamed through the gleaming snow
On his fixed and glassy eyes.

Then the maiden clasped her hands and prayed
That saved she might be;
And she thought of Christ, who stilled the wave
On the Lake of Galilee.

And fast through the midnight dark and drear,
Through the whistling sleet and snow,
Like a sheeted ghost, the vessel swept
Tow’rds the reef of Norman’s Woe.

And ever the fitful gusts between
A sound came from the land;
It was the sound of the trampling surf
On the rocks and the hard sea-sand.

The breakers were right beneath her bows,
She drifted a dreary wreck,
And a whooping billow swept the crew
Like icicles from her deck.

She struck where the white and fleecy waves
Looked soft as carded wool,
But the cruel rocks, they gored her side
Like the horns of an angry bull.

Her rattling shrouds, all sheathed in ice,
With the masts went by the board;
Like a vessel of glass, she stove and sank,
Ho! ho! the breakers roared!

At daybreak, on the bleak sea-beach,
A fisherman stood aghast,
To see the form of a maiden fair,
Lashed close to a drifting mast.

The salt sea was frozen on her breast,
The salt tears in her eyes;
And he saw her hair, like the brown sea-weed,
On the billows fall and rise.

Such was the wreck of the Hesperus,
In the midnight and the snow!
Christ save us all from a death like this,
On the reef of Norman’s Woe!

Semicolon’s September: Celebrations, Links and Birthdays

Poetry and Fine Art Friday: Of the Father’s Love Begotten

This week we’ve been learning and singing this o-l-d hymn from the fourth century. (We’re studying the Middle Ages and the Renaissance this year in school.) Anyway, the hymn poem was written by a man named Aurelius Prudentius who lived in Spain and wrote in Latin. It was translated into English by John Mason Neale in the mid-nineteenth century in England. The version I copied for the urchins and me to sing runs to nine verses, and we sang them all, much to someone’s chagrin. I always want to sing all the verses.

1. Of the Father’s love begotten,
Ere the worlds began to be,
He is Alpha and Omega,
He the source, the ending He,
Of the things that are, that have been,
And that future years shall see,
Evermore and evermore!

2. At His Word the worlds were framed;
He commanded; it was done:
Heaven and earth and depths of ocean
In their threefold order one;
All that grows beneath the shining
Of the moon and burning sun,
Evermore and evermore!

3. He is found in human fashion,
Death and sorrow here to know,
That the race of Adam’s children
Doomed by law to endless woe,
May not henceforth die and perish
In the dreadful gulf below,
Evermore and evermore!

4. O that birth forever blessed,
When the Virgin, full of grace,
By the Holy Ghost conceiving,
Bare the Savior of our race;
And the Babe, the world’s Redeemer,
First revealed His sacred face,
Evermore and evermore!

5. This is He Whom seers in old time
Chanted of with one accord;
Whom the voices of the prophets
Promised in their faithful word;
Now He shines, the long expected,
Let creation praise its Lord,
Evermore and evermore!

6. O ye heights of heaven adore Him;
Angel hosts, His praises sing;
Powers, dominions, bow before Him,
And extol our God and King!
Let no tongue on earth be silent,
Every voice in concert sing,
Evermore and evermore!

7. Righteous judge of souls departed,
Righteous King of them that live,
On the Father’s throne exalted
None in might with Thee may strive;
Who at last in vengeance coming
Sinners from Thy face shalt drive,
Evermore and evermore!

8. Thee let old men, thee let young men,
Thee let boys in chorus sing;
Matrons, virgins, little maidens,
With glad voices answering:
Let their guileless songs re-echo,
And the heart its music bring,
Evermore and evermore!

9. Christ, to Thee with God the Father,
And, O Holy Ghost, to Thee,
Hymn and chant with high thanksgiving,
And unwearied praises be:
Honor, glory, and dominion,
And eternal victory,
Evermore and evermore!

Computer Guru Son, who also considers himself something of an expert on music, says that the traditional tune that this hymn is sung to is not very good music, not very good at all. I, philistine that I am in terms of musical appreciation, kind of like it. In fact, I like it very much. Click here to listen at Cyberhymnal. (I don’t much care for the plinkety-plunk midi sound, but on a real organ or a piano . . . . )

On another note, pun intended, you should posilutely, absotively, read this article at Poetry Foundation by Susan Thomsen of the blog Chicken Spaghetti: Home Appreciation: Homeschoolers are turning a million kids on to poetry through fun, not homework. Here’s how you can do it too.

Semicolon’s September Links, Celebrations, and Birthdays.

Poetry Friday: Robert Southwell

Robert Southwell was a Jesuit priest in a time and a place when Jesuit priests were not welcome: Elizabethan England. The law was that no priest who had entered into Holy Orders after the ascension of Elizabeth to the throne could stay in Britain longer than forty days or else he would be subject to the death penalty. Southwell asked to be sent to England anyway. After six years of going from house to house administering the sacraments, he was arrested, tortured, and eventually after three more years in prison, tried and hanged. He probably wrote much of his poetry in prison, and it was published after his death. This poem about the vicissitudes of life may have given him hope or not, as he waited in the Tower for Elizabeth’s judges to decide his fate. He does know Who is ultimately in control, writing that “God tempereth all.”

Times Go by Turns
By Robert Southwell

THE lopped tree in time may grow again,
Most naked plants renew both fruit and flower;
The sorriest wight may find release of pain,
The driest soil suck in some moistening shower.
Times go by turns, and chances change by course,
From foul to fair, from better hap to worse.

The sea of Fortune doth not ever flow,
She draws her favours to the lowest ebb.
Her tides hath equal times to come and go,
Her loom doth weave the fine and coarsest web.
No joy so great but runneth to an end,
No hap so hard but may in fine amend.

Not always fall of leaf, nor ever spring,
No endless night, yet not eternal day;
The saddest birds a season find to sing,
The roughest storm a calm may soon allay.
Thus, with succeeding turns, God tempereth all,
That man may hope to rise, yet fear to fall.

A chance may win that by mischance was lost;
The net, that holds no great, takes little fish;
In some things all, in all things none are crossed;
Few all they need, but none have all they wish.
Unmeddled joys here to no man befall;
Who least, hath some; who most, hath never all.

The Poetry Friday Round-up is at Read. Imagine. Talk. today.

Poetry Friday: W.H. Auden and Donny Osmond?

PFbuttonEldest Daughter is leaving today to go to graduate school in Nashville, and I am missing her already. So I’m posting this poem for her, because she says it’s one of her favorites. (She said choosing a favorite poem was too hard.)

As I Walked Out One Evening
by W. H. Auden

As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
‘Love has no ending.

‘I’ll love you, dear, I’ll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,

‘I’ll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.

Things sort of go downhill for Auden after that, until “the crack in the tea-cup opens/ A lane to the land of the dead.” Read the rest of the poem at Poets.org.

However, it’s a rather facile reaction, but that first part of Auden’s poem reminds me of this song by Jerry Livingston and Paul Francis Webster:

You ask me how much I need you, must I explain?
I need you, oh my darling, like roses need rain
You ask how long I’ll love you, I’ll tell you true
Until the Twelfth of Never, I’ll still be loving you

Hold me close, never let me go
Hold me close, melt my heart like April snow

I’ll love you ’til the bluebells forget to bloom
I’ll love you ’til the clover has lost its perfume
I’ll love you ’til the poets run out of rhyme
Until the Twelfth of Never and that’s a long, long time

Until the Twelfth of Never and that’s a long, long time . . .

Ah, those were the days . . . Donny Osmond, and bell bottom pants, and Gogo boots.

We’re going to miss you, Miss Eldest, until the Twelfth of Never and until the salmon sing in the street.

(Listen to Donny the Heartthrob here on Youtube.)

Poetry Friday round-up is at Becky’s Book Reviews today.