Archives

Portrait of Jennie by Robert Nathan

Unlike everyone else in the known universe, I hated The Time Traveler’s Wife. I thought it was way too long, way too confusing, and way too crude and sexually and violently graphic. This book, A Portrait of Jennie, is a much gentler, shorter (125 pages) book with a plot comparable to The Time Traveler’s Wife. I liked it very much.

A Portrait of Jennie was published in 1940; it’s out of print but available used from Amazon. In the story, it’s 1938, and the narrator, a starving artist, meets a little girl named Jennie. She’s a girl from the past, and she inspires a painting that captures the interest of an art gallery owner. As the girl re-appears in the narrator’s life, a bit older each time, she continues to inspire paintings and, finally, love.

Author Robert Nathan wrote many novels, a couple of children’s books, and some collections of poetry. According to Wikipedia, he had seven wives. You wouldn’t think he’d know much about romance and long term love and commitment, but A Portrait of Jennie is poignantly romantic.

A Portrait of Jennie was made into a movie in 1948 starring Jennifer Jones and Joseph Cotten. Nathan also wrote The Bishop’s Wife, a novel which was also made into a movie.

Quotation Time:

“I suppose most artists go through something of the sort; sooner or later it is no longer enough for them just to live —to paint, and have enough, or nearly enough, to eat. Sooner or later God asks His question: are you for me, or against me? And the artist must have some answer, or feel his heart break for what he cannot say.”

The Neverending Story by Michael Ende

I think this book is the kind of fantasy/fairy tale that I would have liked very much had I read it at a different time in my life or when I wasn’t feeling ill or something. As it was, I could see that it was a good story, even a great story, but somehow I didn’t appreciate it properly. There were some wonderful passages about books and reading and some episodes that made me think that the author might be quite profound if only I could figure out what profound thought it was that lay just beneath the surface of the story.

Bastian Balthazar Bux is a great name for a main character, I must say.

No, I’ve never seen the movie.

“I wonder,” he said to himself, “what’s in a book while it’s closed. Oh, I know it’s full of letters printed on paper, but all the same, something must be happening, because as soon as I open it, there’s a whole story with people I don’t know yet and all kinds of adventures and deeds and battles. And sometimes there are storms at sea, or it takes you to strange cities and countries. All those things are somehow shut up in a book. Of course, you have to read it to find out. But it’s already there, that”s the funny thing. I just wish I knew how it could be.”

Book Review: Bella at Midnight, by Diane Stanley

newonce2
Note from Sherry: This book is on my list for the Once Upon a Time Challenge because Brown Bear Daughter read it and enjoyed it so much. I haven’t read it yet, but she did and here’s her review:

I wasn’t too enthusiastic about reading this book at first. I didn’t think I would like it very much, though I love a few others similar to it (Ella Enchanted, to name one). Nevertheless, I did read it, and I really enjoyed it. I like books with romance in them almost as much as I like depressing books, and this was a romantic book.

The whole book is in first person, but the chapters switch from character to character narrating, which was interesting. (I wrote a story like that except that it switched between two characters while this one switched between many more than two.) I really liked this because it gave me different views of different people though of the same situation.

It starts with Maud, the title character (Bella’s) aunt, narrating. She is sent a letter from her brother-in-law, which said that her sister, was pregnant and that he wanted Maud to be there during the birth. Maud, greatly surprised at this because her brother had never shown any interest in her family except for her sister and had moved his family away soon after the marriage, rode quickly to Sir Edward, to her brother-in-law’s, house. There, Catherine, her sister, gave birth to a baby girl named Isabel, but died soon afterwards. Maud gives the baby to Beatrice, who fosters Isabel for a time. Beatrice has also fostered Julian, a prince of Moranmoor, who, when he was about three years old, left them. He came back to visit them, however, and there he met Isabel, still a baby. He could not pronounce her name, so he called her “Bella.” Later, when many events have changed Bella’s life to where she lives with her unloving father and his harsh, new wife, Bella discovers that the life of Julian may be in danger. Julian, who is a truce hostage at a neighboring kingdom, is far away and Bella despairs of warning him soon enough to save his life.

I liked this book for its adventure and romance. It’s too bad I’m not going to give away the ending, which is one of the best parts of the entire story. You’ll just have to read it.

Once Upon a Time Faery Challenge

I need another reading project in my life. I’m already reading through the Newbery award and honor books, re-reading the works of Madeleine L’Engle, and working on my TBR list. However, I just couldn’t resist Carl’s (Stainless Steel Droppings) Once Upon a Time Challenge. The Once Upon a Time Challenge will take place beginning Thursday, March 22nd (I’m late, per usual) and will end on Midsummer Night’s Eve, June 21st. The challenge is to read five fantasy/folklore/faery related books in that period of time. Actually, as you can read at Carl’s site, the challenge is more complicated than that with different “quests” to choose from, but I’m simplifying. So here are my chosen books for the challenge, chosen mostly from my already long TBR list.

Bella at Midnight by Diane Stanley. Brown Bear Daughter read this Texas Bluebonnet Award nominee and said it’s her new favorite. It’s the story of a blacksmith’s daughter who finds out she’s really the daughter of a knight. Then, she goes on a quest to save the kingdom with the help of three enchanted gifts and . . . I don’t know if it ends happily ever after or not, but I’m looking forward to finding out.

According to Wikipedia, The Anubis Gates (1983) is a time travel fantasy novel by Tim Powers. It won the 1983 Philip K. Dick Award and is regarded as one of Powers’s best works.

The Curse of Chalion by Lois Master Bujold is, according to Wikipedia again, “a 2001 fantasy novel by Lois McMaster Bujold. It was nominated for the Hugo Award for Best Novel and the World Fantasy Award for Best Novel in 2002.”

The King of Ireland by Padraic Colum is a re-telling of Irish folklore that I’ve been meaning to read for quite some time.

The Wand in the Word: Conversations with Writers of Fantasy edited by Leonard S. Marcus. It seems to me that during this particular challenge would be a good time to read this book of interviews with such authors as Susan Cooper, Madeleine L’Engle, Tamora Pierce, Lloyd Alexander, Franny Billingsley, Brian Jacques, Diana Wynne Jones, and Jane Yolen.

A Midsummer Night’s Dream

Titania with her Fairies




Titania with her Fairies

Giclee Print

Rackham, Arthur


Buy at AllPosters.com

We were in Waco last night to see an English department production of this rather odd play in the Armstrong-Browning Library at Baylor University. Eldest Daughter played the attendant fairy Mustard-Seed.

Some disconnected thoughts that occurred as I watched:

***The play was staged in Victorian costumes partly because it was not revived in its entirety, after Shakespeare’s day, until the 1840’s. I think the costumes and setting worked quite well, or maybe I just like tophats and stiff collars.

***Shakepeare critic William Hazlit once said in an essay on a production of Midsummer: “A Midsummer Night’s Dream, when acted, is converted from a delightful fiction into a dull pantomime. All that is finest in the play is lost in the representation. The spectacle was grand; but the spirit was evaporated, the genius was fled.–Poetry and the stage do not agree well together. The attempt to reconcile them in this instance fails not only of effect, but of decorum. The IDEAL can have no place upon the stage, which is a picture without perspective; everything there is in the foreground.
I think it is difficult to get the dream-like effect on stage that Mr. Shakepeare was attempting to achieve. The whole play is full of dreams and even at the end Puck tells the audience:

If we shadows have offended,
Think but this, and all is mended,
That you have but slumber’d here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream . . .

Lots of sleeping and dreaming, dreams within dreams, weird dream-like sequences of events . . . Nevertheless, I still knew that I was in a building, sitting in stadium chairs, watching a play, not dreaming. That’s no insult to the acotrs nor to the production, but rather a comment on the difficulty of staging the play. (The same comment, abbreviated, was in the program notes, probably what made me think about it.)

***The actor who played Bottom was actually, according to Eldest Daughter, a librarian at Baylor. He was magnificent, stole the show. The comedic parts of the play were hilarious. Bottom was indeed an ass, in the funniest, Charlie Browniest sense of the word.

The Dream in a nutshell:
Act 1, Scene 1
Lysander: The course of true love never did run smooth

Hermia of Demetrius: I give him curses, yet he gives me love.

Act 1, Scene2
Bottom: Ready. Name what part I am for, and proceed.

Act 2, Scene 1
Titania: What, jealous Oberon! Fairies, skip hence:
I have forsworn his bed and company.

Helena to Demetrius: I am your spaniel; and, Demetrius,
The more you beat me, I will fawn on you:
Use me but as your spaniel, spurn me, strike me,
Neglect me, lose me; only give me leave,
Unworthy as I am, to follow you.

Act 2, Scene 2
Lysander to Hermia: One turf shall serve as pillow for us both;
One heart, one bed, two bosoms and one troth.

Act 3, Scene 1
Bottom: I see their knavery: this is to make an ass of me; to fright me, if they could.

Act 3, Scene 2
Hermia to Helena: O me! you juggler! you canker-blossom!
You thief of love! what, have you come by night
And stolen my love’s heart from him?

Act 4, Scene 1
Titania: My Oberon! what visions have I seen!
Methought I was enamour’d of an ass.

Act 4, Scene 2
Bottom: Masters, I am to discourse wonders: but ask me not what; for if I tell you, I am no true Athenian.

Act 5, Scene 1
Quince: Gentles, perchance you wonder at this show;
But wonder on, till truth make all things plain.

Puck: So, good night unto you all.
Give me your hands, if we be friends,
And Robin shall restore amends.

Resurrection Reading: The Singer by Calvin Miller

Humanity is fickle. They may dress for a morning coronation and never feel the need to change clothes to attend an execution in the afternoon.

So Triumphal Sundays and Good Fridays always fit comfortably into the same April week.

I’ve written about Calvin Miller’s trilogy, The Singer, The Song and The Finale, here before. I first read Miller’s trilogy when I was in high school. I once took part in a drama based on The Singer at First Baptist Church in Austin. I was the Mother of the Singer.

So, these books, which tell in poetic narrative the story of the New Testament, are full of memories for me. I love the way Mr. Miller takes the story of Jesus and His church and fits it into a form which is fresh and poetic and infused with meaning. If you’re looking for some “Resurrection reading” for this week before Resurrection Sunday, I can recommend these books, especially the first one, The SInger which tells the story of Earthmaker, his son, The Troubadour, and the enemy of mankind, World-Hater.

. . . the Singer looked through glazed eyes and saw his foe, sitting on an old and rotten beam. He leered above the stretched and dying man before him.

“You give me joy and music you will never hear, Singer. Groan for me. Scream the fire that fills your soul. Spew the venom of your grudge upon the city. Never have I known the triumph of my hate till now.”

He rose and walked across the beam and stepped upon a cable. The added strain drew the manacles into the wrists of the dying Singer.

“Check-mate, Singer!” He howled into the mist and the shrieking of his laughter was absorbed into the opaque air.

The Singer felt the agony of dying, the multiplied pain of a hundred thousand men all dying at one time.

With an agility of delight the Hater danced his way round the armature and strutted on the ropes. He looked into the fog again and shouted, “Your move, Earthmaker!”

. . . .

“Now who will sing the Father-Spirit’s Song?” he asked the dying man.

The Singer seemed to rally in his suffering. From somewhere far beyond himself he drew a final surge of strength and sang the final verse again.

“And now the great reduction has begun:
Earthmker and his Troubadour are one.”

He sang. And then his lips fell silently apart and his head slumped forward on his chest.

The Father-Spirit wept.

The fog swirled in bleak and utter numbness.

Existence raved.

The stones bled.

The Shrine of Older Life collapsed in rubble.

And Terra shuddered in her awful crime.

There you have a sample of Mr. Miller’s version of the Gospel. If it appeals to you, you migh want to read the rest of the story. (By the way, it doesn’t end there.)

LOST Rehash: Flashes Before Your Eyes

I want everybody to tell me I’m wrong —and why I’m wrong. However, I think the LOST guys have messed up big time. They haven’t read enough science fiction or theology. First of all, however, I give the obligatory SPOILER ALERT. Probably there are spoilers here. I don’t know. If we live in a self-correcting universe, then the spoilers get corrected, too. Right?

Either everything is predestined or determined or nothing is. A basic law of science fiction and of theological speculation is that you can’t have it both ways. Right? If the guy in the red shoes is meant to die under a falling building, then in a deterministic universe, he has to die under the building. He can’t die in a car wreck the next day, as the universe “self corrects,” because that would affect other people and their predetermined fates. What about the guy who’s driving the other car? Was he meant to kill Red Shoes in a car accident? Won’t the accident, or the lack thereof, affect his life in profound ways? If Charlie was supposed to be struck by lightning, then who was supposed to save Claire when she was drowning? Not Desmond; he just stepped in to save Charlie. Or was Claire supposed to drown? In that case, Claire’s fate is messed up, too, and the Universe will have to do some more self-correcting. The universe can’t “self correct.” There are too many factors. An impersonal force like the Universe can’t make everything work the way it’s supposed to as people make choices in opposition to the Will of the Universe. Shoot, the Universe can’t even have a will in the first place.

So maybe Desmond is crazy, and the universe is not predestined. Desmond is just using predestination or determinism as an excuse for his own cowardice. But that can’t be so because Desmond really is having flashes of true precognition. Claire really does almost drown. The soccer team on TV really does win the game. So Desmond must be seeing things that really are planned to happen or have already happened. By whom? The Universe? If so, why don’t they happen? How can Desmond prevent something that is supposed to happen without changing the Plan completely?

There is a Third Way. But I don’t think the writers of LOST have left room for a God who is in control of the Universe and yet allows human beings to make real choices. A God who is powerful enough and intelligent enough could weave corrections into the predetermined plan for the universe without making human choice into a farce. It’s the only path I see between determinism and chaos. But I’m no philosopher.

I’ve just read a little sci-fi and a lot of Bible.

Aside from all that philosophical junk, I think Desmond has a great accent. And Pen’s father is a particularly nasty villain —the kind everybody loves to hate. Very satisfying.

Oh, and they can’t kill off Charlie. If the Orcs couldn’t kill him and Saruman couldn’t get him, then what chance has a puny old universe that can’t even keep Desmond from buying a ring that he wasn’t supposed to buy? And if the universe self corrects, what was the white-haired lady so upset about? It would all get corrrected anyway, right?

I give this episode a C-. Was Henry supposed to die of cancer, and is Jack messing around with the universe?

“Que Sera, Sera,
Whatever will be, will be
The future’s not ours, to see
Que Sera, Sera
What will be, will be.”

(I wish I knew how to do accent marks. It bothers me to see it without the accents. Maybe the Universe will correct it for me.)

Comparison and Contrast

Judy Garland
Z-Baby, age 5: Mommy, you know, Alice in Wonderland is like The Wizard of Oz.

Me: Oh, really, how?

Z-baby: Well, they both have a girl. And the girl has all these friends. And the girl is trying to get home.
Alice

Me: And they both go to a strange place with lots of odd characters.

Z-baby: Yeah, and at the end it’s a dream. But Mommy, in The Wizard of Oz, what’s that thing on her forehead? She has a thing right in the middle of her forehead.

Me: I don’t know.

Z-baby: Maybe it’s an icepack.

Doe anyone else know about The Thing in the middle of Dorothy’s forehead?

Gossamer by Lois Lowry

Let me say first that I really, really liked this book. I’m surprised it didn’t win some sort of award. (It was on the ALSC list of Notable Children’s Books.) Littlest One, the main character, is a dream-giver-in-training with a gossamer touch. Ms. Lowry has created in Gossamer a lovely imaginary world in which dreams have meaning, and even nightmares are susceptible to “dream therapy.”

My library system classifies this book as “young adult.” The main human character in the book, a boy, is seven years old, and Littlest One is of an undetermined age, but young. Maybe she’s the “young adult” character. Or maybe the book is “young adult” because it deals with child abuse. I wouldn’t suggest it for seven year olds, but middle grades and teenagers maybe? Alabama Moon, a book I wrote about not too long ago, was nominated for the Middle Grade Fiction Cybil Award, and I thought it was great but more appropriate for maybe junior high, or even high school students. Gossamer is also appropriate for the same age groups. So what is the age grouping for YA? Grades seven through 12? Through college? Does middle grades include middle school (grades 6-8) or just elementary school (grades 3-6)? Those poor twelve year olds, where do they fit in?

Anyway, I thought Gossamer was a satisfying story. It’s not too long; it felt more like a short story than a novel. However, it was meaningful and brought a smile to my face several times as I was reading. I’m planning to recommend it to Brown Bear Daughter and maybe even Organizer Daughter, the one who reads no fantasy except for Harry Potter. She might enjoy Gossamer, not that it will rival HP in any sense of the word rival.

Philippa Pearce

Author Philippa Pearce died December 21, 2006 after suffering a stroke, at the age of 86. (HT: H2Oboro Blog) She wrote several books for children, including her most famous fantasy Tom’s Midnight Garden. This book is classic British fiction about time travel and the ending of childhood.

The Independent: Obituary for Philippa Pearce

Telegraph: Obituary for Philippa Pearce.

Two articles from Horn Book, one by and one about Philippa Pearce.

Philippa Pearce was born on January 23, 1920. Have you read Tom’s Midnight Garden or her Whitbread prize-winning book, The Battle of Bubble and Squeak? I read Tom’s Midnight Garden a long time ago and remember it fondly if not too clearly. I seem to remember a strange sort of clock that strikes thirteen to signal the onset of magical events, but I may be mixing it up with something else.