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Once a Queen by Sarah Arthur

Jun8

At first, I thought this 2024 middle grade/YA fantasy novel from Waterbrook Press was Narnia fan fiction, or perhaps a Narnia sequel, Susan’s Story: Once a Queen in Narnia or something like that. (“Once a king or queen of Narnia, always a king or queen of Narnia.”) That expectation was a disservice to the novel as it is. Sarah Arthur’s story certainly has strong echoes of Narnia, as well as being indebted to E. Nesbit, George MacDonald, Elizabeth Goudge, and Madeleine L’Engle, influences the author acknowledges in an author’s Q & A in the back of the book. So in my defense, I didn’t know, and the Narnia-love was there from the beginning.

I would advise readers to take Once a Queen on its own terms and NOT try to compare or find connections to any other stories or worlds until you get to the end. In this particular story, fourteen year old American Eva Joyce comes with her British mother to visit her estranged grandmother in the family manor of Carrick Hall in the West Midlands region of England. The year is 1995. Eva has been nurtured by the classic fantasy tales and children’s books, especially the Ternival tales of Mesterra by A.H.W. Clifton. She’s never actually experienced a magical portal to another world, however, even though this trip to England feels a bit like a fairy tale.

And the story does turn into a fairy tale, complete with magical worlds, an evil queen, secret gardens, fantastical creatures, and a quest to be completed. And secrets. Lots of secrets. Eva’s mum has secrets. Eva’s grandmother has secrets. Eva herself discovers so many wondrous secret things that she finds herself unable to keep all of the secrets straight. Who can be told about what, and when, and how? And what secrets are being withheld from Eva and why? This whole secret motif is the weakest part of the book: too many people keeping too many secrets for too little reason. Nevertheless, I resigned myself to getting bits of information doled out to me in each chapter –reluctantly and incompletely.

The novel itself alternates between strange occurrences in our world as Eva gets to know her grandmother and her grandmother’s tragic history and equally strange events in the world of Mesterra, woven by Magister, and ruled by a long line of kings and queens who built a a great kingdom called Ternival. Of course, there are doors between the worlds, hard to find and harder to open, but real. And Eva and her friend Frankie, the gardener’s grandson, are determined to find the way into the fantasy world that they have read about in books and somehow to solve the problems of their own world by doing so.

Once a Queen is a a lovely story with Christian worldview underpinnings, despite all of the secrets and slow revelations, and I highly recommend it to lovers of high fantasy and adventure stories. The novel is set up for a sequel, perhaps many sequels, and indeed there is a “sneak preview” of the next book in the series that is printed in the back of of this first book. The next book is to be called Once a Castle, and I look forward to its publication. (Once a Queen is complete in itself, and does not end in a cliffhanger.) Recommended for ages 12 and up.

The Black Cauldron by Lloyd Alexander

May27

In his Author’s Note at the beginning of The Black Cauldron, Lloyd Alexander notes that “a darker thread runs through the high spirits” of this second novel in the Prydain series as compared to the first book, The Book of Three. The first book sent Taran, Assistant Pig-Keeper, on a quest to find the lost Hen-Wen and brought him to face the evil Horned King, servant of the Lord of Annuvin. This book involves another quest, darker indeed, to capture and destroy the Black Cauldron, birthplace of the deathless Cauldron-born warriors who also fight for Arawn, Lord of Annuvin. This journey is harder and longer and more perilous than the search for Hen-Wen, and Taran must face sacrifice, hardship and even death itself in his quest to end the power of the Black Cauldron.

But still there is Gurgi with his “smitings and bitings” and Fflewddur Fflam with his harp and Eilonwy, the girl with the sharp tongue and the golden bauble. And “good old Doli” joins the quest, reluctantly, to lend a bit of invisible help. New friends, or perhaps enemies, are Ellidyr, Prince of Pen-Larcau, and Adaon, Son of Taliesin. This second book in the Prydain series really picks up the pace of the story, and readers gain more insight into the characters of Taran and his companions and friends. The Black Cauldron is better than The Book of Three, which is a good book in its own right. That’s as it should be: in a series the books should get better, or else what’s a series for? Alexander writes in the Author’s Note, “[W]hile extending the story, I have also tried to deepen it.”

You can read The Black Cauldron as a stand alone book, but the books in this five book series are better read in chronological and publication sequence. The Prydain books, in order, are:

  • The Book of Three
  • The Black Cauldron
  • The Castle of Llyr
  • Taran Wanderer
  • The High King

The stories are inspired by Celtic and Welsh mythology, but they don’t follow any one folk tale or myth closely. Prydain is an imaginary realm, not Wales, and the characters in the book may remind one of Celtic heroes, but they are filtered through and created by Mr. Alexander’s imagination, illuminated by Celtic heroes. It’s a lovely set of stories.

These books can be borrowed by member families from Meriadoc Homeschool Library.

The Book of Three by Lloyd Alexander

Feb23

Whenever I am asked for a book suggestion in the vein of or as a follow up to Narnia or Tolkien, my first question is always, “Have you read Lloyd Alexander’s Prydain Chronicles?” And yet, I haven’t read these five books in the Prydain series, beginning with The Book of Three, in many, many years. Since I am working on reading children’s books published in 1964, sixty years ago, it was definitely time for a reread: The Book of Three was first published in 1964.

I love Lloyd Alexander’s quirky, idiosyncratic characters:

  • Taran, Assistant Pig-Keeper, is the immature, rash, and bumbling sort-of-hero of the story. Well, if not the hero, at least he’s the main character, and he’s about to go on an epic hero’s journey, even if he is only an Assistant Pig-Keeper.
  • Hen Wen, the oracular pig is lost. Can the rag-tag group that gathers around Taran help him find Hen Wen and warn the good guys of impending danger?
  • Prince Gwydion, the older and true hero, still relies on Taran and his friends to help save the kingdom of Prydain from the evil Arawn and his henchman, the Horned King.
  • Eilonwy, girl child or young woman or enchantress, speaks in metaphors and similes and always keeps Taran humble with her sharp observations.
  • Fflewddur Fflam, the bard who used to be a king. His harp is magical in the music it produces and in its response to the exaggerated stories that Fflewddur tells.
  • Gurgi, beast-man or man-beast, is a brave though smelly companion whose constant talk of “crunchings and munchings” and “walkings and stalkings” and “seekings and peekings” adds a memorable bit of spice and humor to the story.
  • Doli is the irascible dwarf guide who can’t manage to turn himself invisible no matter how long and hard he holds his breath.
  • Dallben, who only enters the story at the beginning and at the end, is Taran’s wizard mentor, three hundred and seventy-nine years old and devoted to the work of meditation, “an occupation so exhausting he could accomplish it only by lying down and closing his eyes” for an hour and a half every morning and evening.

The characters and the setting are drawn from Welsh legend and mythology, just as Tolkien’s Middle Earth was taken somewhat from Norse and Finnish mythology. “Arawn, the dread Lord of Annuvin, comes from the Mabinogion, the classic collection of Welsh legends, though in Prydain he is considerably more villainous.” I think Alexander was also influenced by Tolkien, although he never says so, never even admits to having read LOTR. And the stories of Prydain are deeply influenced by the existentialism of Jean Paul Sartre; Lloyd Alexander was the first person to translate Sartre’s novel Nausea into English.

Actually, the plot is somewhat predictable: Young Taran goes on a journey with a mission to save the land of Prydain from the forces of evil. On the way he meets many obstacles and dangers but also finds unexpected helpers and friends.The evil is defeated, temporarily, but of course not conclusively, since there are four more books to come in the series. In some series this ending-not-ending would be irritating, but this story is more about the characters and their growth and the humor and the serious philosophical and even religious journey that each of them is taking. (But there is really no religion in these books. They are more existentialist, about finding out the depths of your own character and identity, but not in an annoying way?)

Anyway, I’m just now beginning my 1964 journey. I may find other books from that year that equal or even better Mr. Alexander’s first entry into the world of Prydain. But I would guess that The Book of Three will be among the top ten books of 1964, at the very least. Highly recommended.

“Most of us are called on to perform tasks far beyond what we can do. Our capabilities seldom match our aspirations, and we are often woefully unprepared. To this extent, we are all Assistant Pig-Keepers at heart.”

~Lloyd Alexander, Author’s Note at the beginning of The Book of Three

This book can be borrowed by member families from Meriadoc Homeschool Library.

The Dream Coach by Anne Parrish

Jan11

A Guest Review from Terri Shown of The Dream Coach by Anne Parrish, a 1925 Newbery Honor book.

Embark on a tranquil journey through the pages of The Dream Coach, a 1924 publication that, while potentially lulling readers into a peaceful slumber, may not resonate with every audience. Despite its promise of a celestial odyssey, the collection unfolds with narratives that are predominantly lengthy, meandering, and easily forgettable.
The initial tale, “The Seven White Dreams of the King’s Daughter,” follows the unfortunate Princess Angelica on her unhappy birthday, marred by the burdensome formalities of royal life. Witnessing her distress, an angel endeavors to uplift her spirits by bestowing seven white dreams, each portraying moments of freedom – a daisy in a field, a little white cloud in the blue sky, a lamb frolicking in lilies, a butterfly in flight, a small egg in a soft nest, and a snowflake dancing.
Next, “Goran’s Dream” unfolds in Norway, where six-year-old Goran faces solitude as he cares for the animals in his grandmother’s absence. The story takes an unusual turn as Goran’s dream, a whimsical and somewhat perplexing Alice in Wonderland-type scenario, adds a layer of complexity to his winter experience.
In “A Bird Cage With Tassels of Purple and Pearls (Three Dreams of a Little Chinese Emperor),” the Dream Coach shifts its mission, aiming to impart a lesson rather than providing comfort. The young emperor, having confined a songbird, experiences a transformative dream where he understands the hardships of captivity. Filled with newfound empathy, he releases the bird, demonstrating personal growth.
Concluding with “King” Philippe’s Dream, the narrative takes us to France, where a young boy envisions his relatives transformed into natural forces during a slumber. He dreams that all his close relations turn into forces of nature like river, rain, wind, and snow. His little cousin becomes spring and the dream goes on till he awakes to find he is back with his parents.
While the tales may not be exceptional, there’s a sweetness and a touch of exoticism that might appeal to certain readers. The charming highlight of the book, however, seems to be the black-and-white illustrations, which are visually appealing and serve as a complement to the narratives.

The Dream Coach may not captivate many modern readers. Yet, for those seeking a calming bedtime experience, there may be some enjoyment within its pages.

Elf Dog and Owl Head by M.T. Anderson

Jul31

M.T. Anderson took his dreams and his nightmares mixed with a goodly helping of imagination and fairy tales and wrote this story about a twelve year old boy named Clay who finds a mysterious dog in the woods. Clay also makes a friend, Amos the Owl-Head Boy, and he and Amos and Elphinore the Elf Dog have an exciting and perilous adventure.

This story is weird, so if you’re not into weird imaginings, it won’t be the best choice for you. But if you can go with the story and let your imagination run wild, so to speak, you just might enjoy this sometimes meandering, sometimes fast and furious, tale of boy and his dog. I had to tell myself to let go of my expectations and just enjoy the story for what it is: a fun romp about how reality and faery might meet and become intertwined.

The only negative thing I have to say about this middle grade fiction book is that the children–Clay has two sisters, one older and one younger–in the story are very much the nasty and insulting siblings that many expect siblings to be. Clay’s older teenage sister, DiRossi, is a brat whose stereotypical adolescent anger and ugliness is exacerbated by the “worldwide sickness” that has trapped Clay’s family at home together for weeks. Clay’s younger sister Juniper is better, but Clay and DIRossi treat Juniper with disdain and unpleasantness. I wish Mr. Anderson had left out the insulting banter and the teen angst.

I still would recommend this story if you think you can overlook the sibling infighting. The children do come together in the end, and all’s well that ends well. But it’s only after Clay has learned about friendship and adventures and the price that must be paid to make wishes come true.

“Amos and Clay stared out into the heart of an underground palace. The castle towers were so high that several went right into the roof of the cavern. The whole cavern was lit softly by some kind of artificial sun–a gemstone stuck in the ceiling. . . . Clay felt weird, being so far beneath Mount Norumbega. He had been living all his life above this secret city. His little house and his quiet, boring days all went on like normal, and own here, there were miracles.”

Retelling a Classic Story for Young Adults

Nov28

Sometimes an author loves a classic story so much that he or she takes that fandom and makes it into something brand new, not exactly fan fiction, but close. In the following books, the affinity for old books and authors is evident, but the story itself is something new and surprising.

A Secret Princess by Margaret Stohl and Melissa de la Cruz. Riffing on the novels of Frances Hodgson Burnett—Little Lord Fauntleroy, The Secret Garden, and A Little Princess, all three–A Secret Princess has characters Sara Crewe, Mary Lennox, and Cedric Erroll all together as students and friends at Ms. Minchin’s boarding school. Some elements of the story are a little weird, such as the rule that parents are only allowed to visit on one day once a year. What kind of school has a rule like that? Well, of course, a very bad school with things to hide. And Sara Crewe in this story is a Filipina girl, which is fine but over-emphasized. Nevertheless, I enjoyed the story. No ugly language or sex, but racism is a problem. If you like Burnett’s novels, you’ll probably like this Young Adult update.

The Wonderland Trials by Sara Ella. Semicolon review here. Recommended YA.

Goblin Market by Diane Zahler. Not exactly a retelling, but this rather spooky story is “rich world-building inspired by both Polish folklore and the poetry of Christina Rossetti,” namely the eponymous poem, Goblin Market. Which is a bit of a problem. The audience for this one is said to be ages 8-12, grades 4-6. Minka and Lizzie are . . . older than twelve. And the basic plot is about how Minka is seduced by a boy in the market who gives her luscious fruit and induces her to follow him into the dark forest to marry him. And how Lizzie saves Minka. It’s the same problem that first appeared in Rossetti’s poem:

Goblin Market (composed in April 1859 and published in 1862) is a narrative poem by Christina Rossetti. The poem tells the story of Laura and Lizzie who are tempted with fruit by goblin merchants. In a letter to her publisher, Rossetti claimed that the poem, which is interpreted frequently as having features of remarkably sexual imagery, was not meant for children. However, in public Rossetti often stated that the poem was intended for children, and went on to write many children’s poems. 

~Wikipedia

I might share this story with a twelve year old, but no one younger. It’s well written, remarkably disturbing, and ends well. However, it’s a bit much for most eight year olds.

A Dragon Used to Live Here by Annette LeBlanc Cate

Oct17

Noble children Thomas and Emily have always known their mother to be sensible, the lady of the castle—if anything, a bit boring. But then they discover Meg, a cranky scribe who lives in the castle basement, leading a quirky group of artists in producing party invitations and other missives for the nobles above. Meg claims that she was a friend of their mother’s back when the two were kids—even before the dragon lived in the castle. Wait—a dragon? Not sure they can believe Meg’s tales, the kids return again and again to hear the evolving, fantastical story of their mother’s escapades.

~Amazon summary

 I thought this one was pure fun. It reminded me of telling my own children stories that I made up on the fly. “Once upon a time there was a princess named Maria who lived in a BIG castle with her mother the queen, her father the king, and her eighteen brothers and sisters . . .” My stories always began with those words and went on to ramble about in much the same way Meg’s stories do. Throughout the book Thomas and Emily are ambivalent and unsure as to whether or not Meg is telling the real story of her past friendship with their mother the queen or whether she is just stringing them along to get their help with all the pre-party preparations. Could there really have been a dragon living at their castle in the past? Were Mom and Meg really tennis partners? Are there alligators in the moat? Fairies in the woods?The reader is just as uncertain as the children are, and just as anxious to hear the rest of the story.

There is an ongoing question as to whether or not Meg might be a witch, but it’s never really resolved, and she doesn’t cast spells or do anything witchy. This middle grade fiction story is fun and adventurous, mildly ridiculous, with no really deep questions or themes, except maybe the reunification of old friends. I loved it.

Vivid (The Color Theory #1) by Ashley Bustamante

Sep26

All of the people left on Earth live together on a protected island run by those who manifest some sort of color magic as children and by those magical adults who become Benefactors, protectors of the world on this island. Ava’s goal as she studies in her school Prism has always been to become a Benefactor someday. So, there are three kinds of color magic:

  • Red Augmenters have magic that affects the body: healing, strengthening, and increasing agility and speed.
  • Blue Shaper magic changes and makes objects, technology, building and re-forming things into different things.
  • Yellow Mentalists, however are dangerous. They can work on, even control, others’ thoughts and emotions. Yellow, the color and the magic associated with it, has been outlawed, and practitioners of yellow magic have disappeared from the island. They are exiled or perhaps destroyed?

This book is firmly in the Young Adult camp. There’s an on again-off again romance building throughout the novel, and it reads like a very teenage-y, somewhat ridiculous, romantic entanglement in the eyes of this sixty-five year old grandmother. (Not a criticism. If you’re a teen girl, you may fall hard for Ava’s love interest, Elm.) Ava indeed does fall for the “bad boy”, only maybe he’s not a bad boy at all. But he is a Yellow magic mentalist, so maybe he’s manipulating her mind? Ick! Is he good or bad? Can Ava trust him or not? That’s a lot of the plot and tension in the entire story.

I enjoyed the book, but I never could get over my discomfort with the idea that Yellow magic people could manipulate other people’s thoughts and feelings. How would you ever know if what you were feeling or thinking was real and accurate if that’s the case? I think this is exactly why God gives us free will; our responses have to be our own, and we have to know that our loves and and beliefs are not coerced. Otherwise, nothing can be trusted to be real or meaningful or logical.

So, although the premise of the story is catchy, and the writing is decent, I’m having trouble staying on the train. Maybe the second book in the series will explain more. And maybe the romantic part of the story will be just a little more mature? I don’t mean explicit, just less angsty, more carefully considered.

Overall, it’s a decent start to a possibly good series. You might want to wait for the next installment, or if you like clean bad boy romances, you could go ahead and jump in now.

The Wonderland Trials by Sara Ella

Sep17

The Wonderland Trials (The Curious Realities Book 1) by Sara Ella. Enclave Publishing, 2022.

Alice in Wonderland by Lewis Carroll is one of those love/hate it kinds of books. I happen to love it, and now I want to reread it after finishing The Wonderland Trials, a “love letter to Alice and fairy tales and children’s literature and games,” according to the author. Trials is not only a love letter, it’s a Christian love letter, not obvious or preachy, but bringing up Biblical concepts and allusions in an artful and intriguing way. And that makes me think the author and I would have much in common if we were to enjoy a nice cup of tea together.

Still, I’m from Texas, not London, and my cup of tea would probably be a glass of sweet iced tea. Ms. Ella, on the other hand, lives in Arizona and as a young person she immersed herself in Disney’s Alice in Wonderland, not just Carroll’s Alice. Her American nationality shows. The story is good, but the references to British culture are sometimes a bit off. Do people really eat Yorkshire pudding for dessert? And I caught at least a couple of instances of words that were slightly misused. Can you concur when no one has said anything to concur or agree with in the first place?

Nevertheless, I found a lot to like about this story of a girl named Alice who makes a journey into Wonderland to search for the lost competitors in the Wonder Trials. The sense of confusion and nonsense and riddle that pervades the story made my head ache just a little–along with Alice. And I’m still not sure where this journey is taking us as readers any more than I know where Alice and the other members of Team Heart are going. This is only Book 1, and it ends . . . unfinished. I’m not fond of cliffhangers, especially if I enjoyed the story.

And I did enjoy this story despite its minor glitches, so I’ll make an exception. Alice is an interesting, well-rounded protagonist, and her love interest Chess Shire is intriguing and a bit mysterious. Oh, yes, this book is firmly in the Young Adult speculative fiction camp, but also clean and romantic in a playful way. It’s just right for the 13-17 year old crowd, which happens to be the age group of most of the team players and main characters.

By the way, why is a raven like a writing desk?

The Ogress and the Orphans by Kelly Barnhill

Sep12

I read Kelly Barnhill’s The Girl Who Drank the Moon a few years ago and liked it, although I probably wouldn’t have awarded it the Newbery Medal. However, I wasn’t on the committee, and those people who were, did think it the best of the year (2016). The Ogress and the Orphans is much better, IMHO, and should be a contender for this year’s Newbery Award.

Stone-in-the-Glen was once a lovely community, “famous for its trees”, with people who shared the fruit of those trees and spent a great deal of time “discussing literature or politics or philosophy or art” in a leisurely manner as they worked together to care for one another and to share ideas.

“But then, one terrible night, the Library burned.”

This middle grade speculative fiction book tells a very book-centric, literature loving story. As for characters, there are a gentle ogress, fourteen orphans who live in an orphanage with an elderly couple to take care of them, a menagerie of assorted townspeople, a murder of crows, a blinded dog, a charismatic mayor, and a very unpleasant dragon. Oh, and a mysterious, maybe magical narrator.

The writing in this book is beautiful, maybe a bit too precious at times, but I didn’t mind. And the story itself could have been hurried along a bit without losing much, if any, of its charm, but I didn’t mind that either. To tell the truth, I wanted it to last. I enjoyed spending time with the Ogress and with Anthea and Bartleby and Cass and all the other orphans. And all the book-love was, well, music to my ears.

. . . the Orphan House’s collection was surprisingly large–there were more books than the space seemed to allow.  This is not unusual.  Books, after all, have their own peculiar gravity, given the collective weight of words and thoughts and ideas.  Just as the gravitational field around a black hole bends and wobbles the space around it, so, too, does the tremendous mass of ideas of a large collection of books create its own dense gravity.  Space gets funny around books.

The world is filled with goodness, and our response should not be silence and suspicion. You have a responsibility to be grateful. You have a responsibility to do good as a result.

So maybe the Reading Room is magic because books really are magic. I read once that books bend both space and time, and the more books you have in one place, the more space and time will bend and twist and fold over itself. I’m not sure if that’s true but it feels true. Of course, I read that in a book, and maybe the book was just bragging.