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Middle School Boys: Just Keep Swimming

May6

Ratfink by Marcia Thornton Jones.
How To Survive Middle School by Donna Gephart.
How I, Nicky Flynn, Finally Get a Life (and a Dog) by Art Corriveau.
Milo: Sticky Notes and Brain Freeze by Alan Silberberg.

Logan is the fifth grade ratfink in Marcia Thornton Jones’ story of the same name, and he has a couple of problems. First of all, there’s his beloved but embarrassing grandfather who keeps getting lost and forgetting stuff and doing things that make Logan want to deny that he even has a grandfather living with his family. Then the new girl at school, Emily Scott, finds a way to blackmail Logan into betraying his best friend, Malik. And no one believes or listens to Logan even when he’s telling the truth. The relationships make this book: Logan and Malik have a friendship only a couple of fifth grade boys could love, and Logan and his grandfather love and help each other in spite of the issues that Grandpa’s failing memory causes.

How To Survive Middle School features sixth grader David Greenburg whose hero and role model is Jon Stewart of The Daily Show. In fact David plans to become a TV talk show host just like Jon Stewart. And he’s already gotten a head start on his future by posting a series of videos called TalkTime on YouTube. Most of the videos feature Hammy, the pet hamster that David’s mom gave him before she ran away with a guy named Marcus to a beet farm in Maine. Just before school starts, David and his best friend Elliott have a major argument, and Elliott ends up becoming pals with the school’s worst bully, Tommy. And David is the target. So, as he starts middle school, David Greenburg has a lot to survive.
I’m not sure the book lives up to its title, since David never does figure out how to repair his relationship with Elliott or get rid of the bully or get his mom to come for a visit. (Thing do sort of work out, but not because of any great epiphany for David.) However, he does survive, so I guess the main lesson is just “grit your teeth and wait for things to improve.”

How I (Nicky Flynn) Finally Get a Life (and a Dog) by Art Corriveau tells the story of another boy, Nicky, who like Logan in Ratfink, gets himself caught up in a web of lies and stories and half-truths. Nicky’s dad has left Nicky and his mom, and mom isn’t handling the situation too well. Neither is Nicky. So when Mom brings home a “retired” seeing eye dog named Reggie, it could be a solution for the emotional and family problems that Nicky won’t talk to anyone else about, or it could be a disaster. As Nicky begins to solve the mystery associated with Reggie’s past life as a guide dog, he also becomes attached to the dog and begins to deal with the fact that his dad just isn’t going to be there for him. It’s a sad, but realistic, picture of the aftermath of divorce, and Nicky and Reggie do come through OK, somewhat damaged but OK.

Milo in Milo: Sticky Notes and Brain Freeze also has a missing parent, but Milo’s mom is dead. In fact she died a couple of years before the opening of the book, but Milo still feels as if his life and his home are filled with fog. Milo’s goal is middle school survival, just like the other boys in these books. In fact, it seems as if it doesn’t get much better than mere survival in any of these stories. Milo eventually learns to cope with his mom’s absence by remembering the good times he had with her and by keeping some things to remind him of who his mom was and what she left him.

All of the boys in these books have major problems to deal with on top of the regular stresses of growing up and getting through school. Milo misses his mom, and his dad is still in mourning and doesn’t help Milo much. Nicky’s dad turns out to be loser who’s more interested in his new girlfriend than he is in Nicky. And Nicky’s mom tries to help, but she’s on an emotional roller coaster herself. David Greenburg’s mom has some kind of agoraphobia and can’t or won’t come to see him, even though she writes happy little letters to cheer him up. Neither her notes nor David’s dad’s advice is much help when it comes to middle school friendships and bullies and the high price of internet fame. Logan, at least, has an intact family and a grandfather who loves him, but Logan’s parents don’t listen too well, and Logan mostly has to work out his own problems by himself.

I read these books for the Cybils last fall but never actually posted this round-up on the blog. I think the books would all appeal to a particular demographic that’s sometimes hard to engage in reading, namely middle school boys.

Taking Off by Jenny Moss

May4

Nominated for 2011 Cybil Awards, Young Adult Fiction category. Nominated by Kelly Jensen at Stacked.

Houston author, Jenny Moss, has written about my hometown setting, Clear Lake City, a suburb of Houston, and Johnson Space Center, the NASA facility where Engineer Husband works. Of course, when I saw such a local interest YA novel on the shelf at the library, I had to read it. And the time for a review, with the last shuttle Endeavor flight scheduled for this month, seems appropriate.

Annie Porter lives in Clear Lake, but she’s never been interested in the space program until her best friend invites her to a dinner where she’ll be able to meet Christa McAuliffe, NASA’s first Teacher-in-Space. Inspired by Christa’s zest for life, Annie, a senior in high school, decides to go to Florida to see the launch of the space shuttle Challenger.

Knowing how the story of Christa McAuliffe ends made this novel of a Texas girl torn between staying at home and venturing forth, well, a bit dark and foreboding. When the launch finally happens in the novel, even though I knew it would happen, the explosion of the Challenger was traumatic and terribly sad. Of course, Annie, who has placed almost all of her hopes and dreams for the future in her admiration for Christa McAuliffe, is devastated.

But Annie recovers and goes on to make a decision about whether she will be a “keeper or a dreamer.” I got those two labels from this post at Rabbit Room by Sarah Clarkson. As I commented there, I think all of us have some of the dreamer and some of the keeper inside us. The key is deciding when it’s time to “take off” and when it’s time to hold fast and make a nest and a community. Taking Off by Jenny Moss offers both a good story and some wisdom about choosing between the two modes of living intentionally.

Nothing To Fear by Jackie French Koller

Mar1

My American History class has reached the era of the Great Depression, the 1930’s, and we’re reading Nothing To Fear by Jackie Koller. This read is going much better than the last book they were asked to read, Christy by Catherine Marshall. Christy is one of my favorite novels, but had I known when I wrote the syllabus that I would have a class of nine fourteen-fifteen year old boys, I might have chosen a different book to exemplify the early twentieth century.

Back to Nothing To Fear. All of the boys were enthusiastic about this one. It’s the story of a boy, Danny Garvey, who lives with his Irish American family—father, mother, and little sister Maureen–in a tenement apartment in New York City in 1932. Like all of the men in Danny’s neighborhood, Danny father is out of work and feeling desperate about providing for his family. Danny’s mother does laundry and ironing from her home for Miss Emily’s Hotel for Young Women. Danny shines shoes to make a few extra pennies.

But when Danny gets in with the wrong crowd and a window gets broken at old man Weissman’s store, Danny learns just how important his good name is to his father and eventually through the course of events, Danny also learns to value his own name and reputation.

Some bad stuff happens in this book, but it ends on a note of hope and perseverance. Danny and his mother trust in God and President Roosevelt to get them through the Depression, a trust somewhat misplaced in my opinion, but it’s true to the era and matches the stories that I’ve heard from people who lived during the 1930’s. Danny and his mom and all their neighbors are ecstatic when Roosevelt is elected, and even though, again realistically, the election of Roosevelt does nothing to improve the Garveys’ lives, they still cling to the hope that FDR will do something to end the Depression and return the country to prosperity. It reminds me of people nowadays who still maintain that President Obama will get our economy going again, except that I don’t think we’re as desperate as people were during the Great Depression. Therefore, we have a little room to see clearly that Obama is not our rescuer. FDR was any port in a storm and too much of a last chance for people to give up on him, even when he didn’t/couldn’t deliver.

I would recommend Nothing To Fear for boys ages 12-16 who are studying the Depression era in history or who just enjoy history and historical fiction. A few other recommended fiction books set in the same time period for children and young adults:

Roll of Thunder, Hear My Cry by Mildred Taylor. Cassie Logan lives with her family in rural Mississippi and experiences the family closeness and racial tensions of the 1930’s time period.

I like these Dear America diaries:
Christmas After All: The Great Depression Diary of Minnie Swift. Indianapolis, IN, 1932 by Kathryn Lasky.
Mirror, Mirror on the Wall: The Diary of Bess Brennan, The Perkins School for the Blind, 1932 by Barry Denenburg.
Survival in the Storm: The Dust Bowl Diary of Grace Edwards, Dalhart, Texas, 1935 by Katelyn Janke.

Year Down Yonder by Richard Peck. Winner of the 2001 Newbery Medal. Fifteen year old Mary Alice is sent downstate to live with Grandma Dowdel while her Ma and Pa stay in Chicago to work.
Bud, not Buddy by Christopher Paul Curtis. Bud, not Buddy, Caldwell is an orphan who thinks he might just have a dad, Herman E. Calloway, bass player for the Dusky Devastators of the Depression. Will he find Calloway, and is Calloway really his father?
Moon Over Manifest by Clare Vanderpool is the story of a girl, twelve year old Abilene Tucker, whose father, Gideon, is a hobo. Abilene and her dad have been riding the rails together for as long as she can remember, but now (summer, 1936) Gideon has sent Abilene to live with an old friend of his in Manifest, Kansas while Gideon takes a job on the railroad back in Iowa. 2010 Newbery Award winner. Semicolon review here.
Ten Cents a Dance by Christine Fletcher. For older teens and adults. Semicolon review here.
William S. and the Great Escape by Zilpha Keatley Snyder. William escapes his abusive home along with his little sister and brother, but can the three fugitives find a place to call home in a time when home is hard to find? Semicolon review here.
Turtle in Paradise by Jenifer L. Holm. Semicolon review here. Take one eleven year girl named Turtle with eyes as “gray as soot” who sees things exactly as they are. Plunk her down in Key West, Florida with her Aunt Minnie the Diaper Gang and a bunch of Conch (adj. native or resident of the Florida Keys) relatives and Conch cousins with nicknames like Pork Chop and Too Bad and Slow Poke.

The Wager by Donna Jo Napoli

Jan25

Ms. Napoli has novelized several folk and fairy tales already, and The Wager is another good entry in that genre. It’s the story, taken from a Sicilian fairytale “Don Giovanni de la Fortuna“, of Don Giovanni who makes a wager with the devil: he can have riches unimaginable that will never run out if he will go for three years, three months, and three days without bathing, shaving, changing clothes, or combing his hair. If he loses the bet, the devil, of course, gets Don Giovanni’s soul.

The details of Don Giovanni’s three+ years of degradation are fairly graphic and horrific. If you’re not up for pustules and bodily wastes, don’t read the book. Nevertheless, although the book started out rather slowly, the tension and the theme in particular built to a compelling read that I’m still thinking about today. (I finished the book last night.) Making a bet or a deal with the devil, hazarding one’s soul in return for X, is a popular theme in folk tales and in literature. The story mirrors the first story of Adam and Eve who exchange their souls for a lie and a piece of fruit. And only the sacrifice of Christ can redeem the soul from Satan’s lies.

However, in many popular stories, like this one of Don Giovanni, the wagerer pays for his own folly, redeems himself, so to speak, by outwitting the devil. Don Giovanni emerges through great suffering to live happily ever after. The idea that suffering, in this case self-inflicted suffering, is redemptive in and of itself seems to me to be flawed. Suffering is suffering; it’s nasty, uncomfortable, and possibly meaningless—unless it can be redeemed and madeinto a growth experience by someone else, someone who transcends our suffering and gives us hope and a future. Of course, the Someone is Jesus Christ. Although, Don Giovanni professes to be a “good Catholic” in Ms. napoli’s novel, he doesn’t look either to religion or to Christ for rescue. He does find meaning in the simple kindness of strangers and fellow beggars and that of a myserious artist who sees past his appearance into his soul.

It’s true that if I can be loved in spite of, in the middle of, all my sin and humiliation, my life can become something beautiful by the power of Christ in me. It’s not true that any human love can accomplish this transformation in me; however, I suppose Don Giovanni’s story is an imperfect picture of The Great Story of God’s reclamation and cleansing of his people.

Other fairytales for young adults reimagined by Donna Jo Napoli (well worth your time if you like this sort of thing):
The Magic Circle (Hansel and Gretel)
Zel (Rapunzel) Brown Bear daughter recommends.
Beast (Beauty and the Beast)
Crazy Jack (Jack and the Beanstalk)
Spinners (Rumpelstiltskin)
Hush: An Irish Princess’s Tale (Icelandic folk tale) Brown Bear Daughter also recommends.
Breath (The Pied Piper of Hamelin)
Sirena (Greek mythology)
Bound (Chinese Cinderella)

I’ll leave you with a humorous take on making a bet with the devil, not to mention some fine fiddle playing, in this 1979 song, “The Devil Went Down to Georgia” by the Charlie Daniels Band:

In spite of the success of Johnny, the boy fiddle player, and Don Giovanni, I would suggest that you make no bets with the devil unless you’re prepared to pay the price. Satan is a deceiver, and our souls are already in hock without Jesus.

It’s a Story, Folks, Not a How-to Manual

Jan17

In the front of my paperback copy of Snipp, Snapp, Snurr Learn to Swim by Maj Lindman, Brown Bear Daughter found the following disclaimer:

“A note to grownups: In this story, the characters are not wearing personal flotation devices or practicing some of the other water safety measures we now consider essential. While reading this book with children, you may want to use the story as a springboard to discuss safety around water and boats.”

O.K. Or you could just read the story, first published in the U.S. in 1954, and enjoy the old-fashioned Scandinavian setting and the self-reliant triplets and the lovely illustrations. Nanny does try to ensure the boys’ safety in the water —by having them learn to swim!

Ship Breaker by Paolo Bacigalupi

Jan17

Ship Breaker is on the shortlist for the Cybils YA Fantasy/Science Fiction Award.

Ship Breaker was a finalist for 2010 National Book Award in the category of Young People’s Literature. (The winner was Mockingbird by Katherine Erskine.)

Ship Breaker won the 2011 Printz Award for Excellence in Young Adult Literature.

And, having just finished reading this award-winning piece of dystopian fiction, I would say it deserves the nominations and awards and accolades it’s recieved. I would also say that the PC setting and themes in the book didn’t hurt its chances in the running for awards. The world in Ship Breaker is a world destroyed and reconfigured by climate change and the greed of oil hungry corporations and industries. By the time the story opens, oil is an extremely scarce commodity, and the world’s transportation systems run on other forms of energy, for the most part. Our hero, Nailer, is one of the lowest of the low in the New World Order, a scavenger who works the light crew on wrecked oil tankers and other useless hulks washed up on the beach where Nailer lives. The best Nailer can hope for is a place on another crew when he outgrows his ability to crawl into the small spaces where copper wiring and other “scavenge” can be found on the wrecked ships. Nailer’s mother is dead, and his father is mean, violent and drug-addicted.

Ship Breaker becomes a story about loyalty and heredity and the limits of trust when Nailer finds a “lucky strike,” something that could make him rich beyond his wildest dreams. Will he take advantage of his luck and run with it, or will he choose to save the life of a worthless and dangerous captive at the risk of his own? This story was exciting and spell-binding. It will appeal to Hunger Games fans and other readers of dystopian science fiction and technofiction.

I had only one problem with the book, not a problem that made me consider quitting the book, but a problem, nevertheless. Why does Nailer make the choices he makes? Nailer is a classic hero. He chooses right, no matter that he stands to gain riches and save his own life by making other decisions than the ones he makes. Why? He’s loyal to his friend, Pima, and her mother, Sadna, because they have taken care of him in the past, given him a place to stay, food, and a job. Tit for tat. Pima is Nailer’s crew leader, and Nailer has sworn a blood oath to “have her back”. Then, other people enter the equation, and although Nailer has no rational reason, and no real sense of morality, to give his loyalty to anyone else, he does. Why? Nailer himself doesn’t know, and the reader is never given any good insight into Nailer’s core allegiance either. He’s realistic about the cruelty of the world he lives, somewhat superstitious, and highly intelligent inspite of his lack of education and opportunity. So why does he turn quixotic without Quixote’s code of knightly honor to sustain him?

“The blood bond was nothing. It was the people that mattered. If they covered your back, and you covered theirs, then maybe that was worth calling family. Everything else was just so much smoke and lies.”

If that’s so, then why does Nailer sacrifice himself for someone who has done nothing for him and very likely never will?

Still, it’s a good book, and you may find answers to my questions that I didn’t see. Warning: Lots of violence, very little or no language or sexual situations.

Moon Over Manifest by Clare Vanderpool

Jan12

So, on Monday Moon Over Manifest was something of a surprise winner of the Newbery Medal for “the most distinguished American children’s book published the previous year” (2010). And I just happened to have a copy of the winning book in my library basket, a leftover from the Cybils Middle Grade Fiction panel that I hadn’t been able to find before the deadline in late December for our shortlist to be finalized. I read the book yesterday.

I can now say that if the publisher (Delacorte) had seen fit to send a review copy, I might very well have pushed to put Moon Over Manifest on our shortlist. Of course, that’s easy to say now, hindsight and all. But I haven’t been too excited about or fond of some of the recent Newbery Award books. And I said so. Last year’s book, When You Reach Me by Rebecca Stead was great, but of course, I’m a Madeleine L’Engle fan, so I would like anything that paid tribute to A Wrinkle in Time. I tried to read Neil Gaiman’s The Graveyard Book three times year before last and never got past the first few chapters. Good Masters! Sweet Ladies! seemed sort of, dare I say it, boring, and The Higher Power of Lucky was just O.K.

Moon Over Manifest is the story of a girl, twelve year old Abilene Tucker, whose father, Gideon, is a hobo. Abilene and her dad have been riding the rails together for as long as she can remember, but now (summer, 1936) Gideon has sent Abilene to live with an old friend of his in Manifest, Kansas while Gideon takes a job on the railroad back in Iowa. Abilene is not happy about being separated from her loving and beloved father, and she is determined that Gideon will come get her by the end of the summer. In the meantime, Abilene wants to find some information about the time Gideon spent in Manifest during World War I, before Abilene was born. What she gets is a nun, Sister Redempta, who teaches at the Sacred Heart of the Holy Redeemer Elementary School and gives her a summer assignment on the last day of school. Abilene also meets:
Shady Howard, the bootlegger who is also the interim pastor of the First Baptist Church
Miss Sadie, fortune teller, spirit medium, conjurer, and story-teller extraordinaire,
Hattie Mae Harper Macke, newspaper columnist and amateur historian of Manifest,
and two new friends, Lettie and Ruthanne, who join Abilene in searching for The Rattler, a spy who may or may not be selling secrets from Manifest to the enemy.

The story alternates between 1936 and Abilene and her friends and 1917-18 when the Manifest townspeople of 1936 were just growing up and when Abilene’s father should have been making his mark on Manifest’s history. Will Abilene find mention of her father in any of the stories Miss Sadie tells? How does Miss Sadie know so much about all of the secrets and events that make up the story of Manifest, Kansas? Does Shady have stories to tell about Abilene’s father? Who is or was The Rattler, and is he still in Manifest, spying on people and keeping secrets? Will Gideon come back to get Abilene, or has he deserted her for good?

Let’s start with the cover. Abilene is walking on the railroad track, thinking about her father and about the stories Miss Sadie tells. Do kids walk on the railroad tracks anymore? I lived about four blocks from the railroad tracks when I was growing up, and I certainly did. I walked along the tracks and looked for lost coins and thought about stuff. I love the cover of this book. So nostalgic.

Then there’s the story. Abilene is an engaging character, independent, feisty, and determined. But she’s also respectful and grateful for the people in Manifest who help her and feed her and take care of her. I like respectful and thankful, since it seems to be in short supply sometimes in book characters and in real kids. Abilene’s story feels real and has a flavor of the summertime adventures of the Jem and Scout in To Kill a Mockingbird. Abilene and her two buddies roam all over Manifest all summer long, and they make up stories and hunt for The Rattler with impunity and without much adult interference. The adults are available, but not over-involved. I think my kids could use some of that kind of independence and free-range experience.

As Abilene grows up over the course of the summer, she also learns more about her father and about his history, his character, and his flaws. Twelve is about the right time for a daughter to begin to see her father as a real person with a past and with hurts that need to be healed. In Moon Over Manifest, Gideon is a good father who “deserts” his daughter for good reasons, unlike the mother in another lauded book of 2010, One Crazy Summer. In facter the two books could be compared in several ways—feisty young heroine, absent parent, a summer of growth and discovery, people who are not who they seem to be–and I think Moon Over Manifest would come out the winner in a head-to-head competition between the two books.

So, Moon Over Manifest is a fine novel; it will probably appeal most to mature readers with good to excellent reading skills. The chronological jumps are well marked and easy to follow, but some of the psychological insights into family history and relationships are going to go over the head of young readers no matter how well they can follow the plot. Still, Ms. Vanderpool’s book is a good addition to the historical fiction of the Great Depression and a worthy Newbery Medalist.

Awards Time: Newbery and Such

Jan10

Newbery Award: Moon over Manifest by Clare Vanderpool. This book was on the list of nominees for the Cybils Middle Grade Fiction, but I couldn’t find it anywhere. About a week ago I finally got it from the library, and it’s in my library basket waiting for me to get around to it. I guess today would be a good day for that.
Honors:
Turtle in Paradise, by Jennifer L. Holm. I loved this one, tried to talk the panel into shortlisting it for the Cybils. Semicolon review here.
Heart of a Samurai by Margi Preus. I liked this one, too. Semicolon review here.
Dark Emperor and Other Poems of the Night by Joyce Sidman.
One Crazy Summer by Rita Williams-Garcia. I was the hold-out on this novel because although it told a good story, I thought it had issues. Semicolon review here.

Printz Award for YA literature: Ship Breaker by Paolo Bacigalupi. I have this one on order from the library. Shortlisted for the YA Cybils.
Honors:
Stolen by Lucy Christopher. I also have this novel requested at the library, and it was shortlisted for the Cybils in the YA Fiction category.
Please Ignore Vera Dietz by A.S. King.
Revolver by Marcus Segdwick.
Nothing by Janne Teller.

Alex Awards: The Alex Awards are given to ten books written for adults that have special appeal to young adults, ages 12 through 18. I haven’t read a single one of these ten, and the only one that’s already on my TBR list is Room. Judging just from the titles, several of them sound interesting. Can you recommend any of the ten Alex Award winners?

The Boy Who Couldn’t Sleep and Never Had To by DC Pierson.
Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard by Liz Murray,.
Girl in Translation by Jean Kwok.
The House of Tomorrow by Peter Bognanni.
The Lock Artist by Steve Hamilton.
The Particular Sadness of Lemon Cake: A Novel by Aimee Bender.
The Radleys by Matt Haig.
The Reapers Are the Angels: A Novel by Alden Bell.
Room: A Novel by Emma Donoghue.
The Vanishing of Katharina Linden: A Novel by Helen Grant.

A couple of other award winners that have been reviewed here at Semicolon:
Hush by Eishes Chayill. Finalist for the William C. Morris YA Debut Award. Semicolon review here.
Tomie DePaola won the Laura Ingalls Wilder Award for his entire body of work. The award honors an author or illustrator whose books, published in the United States, have made, over a period of years, a substantial and lasting contribution to literature for children. His work has been featured here at Semicolon several times, including:
Charlie Needs a Cloak.
Francis the Poor Man of Assisi.
The Cloud Book.
The Christmas Pageant.
The Friendly Beasts. And many more.

The Narnia Code by Michael Ward

Jan9

Subtitle: C.S. Lewis and the Secret of the Seven Heavens.
Clive Staples Lewis was an awesomely talented, gifted, subtle, and boisterous genius!

Douglas Gresham on Lewis’s genius:

“He was a complete genius. He also was a very fast reader, but he had honed the talent and perfected the strange memory that resulted in never forgetting anything he had read. Now he could, he could ask you to pick any book off of his shelves, and you would pick a page and read him a line and he would quote the rest of the page; in fact, quote the rest of the book until you told him to stop. He had this enormous capacity to remember everything he’d ever read.”

In The Narnia Code by Michael Ward, Dr. Ward, who is also a minister in the Church of England, demonstrates Lewis’s genius by showing how all seven of the Narnia chronicles are linked together by a single unifying motif or plan. Ward’s thesis is that each of the seven Chronicles of Narnia takes as its central underlying imagery and atmosphere one of the seven “planets” of the medieval, classical astrological world. These “planets” are not the eight or nine that we moderns know and memorize but rather the medievals believed that the seven heavenly bodies, each with its own influences and associated imagery, were the Sun, Mercury, Venus, the Moon, Mars, Jupiter, and Saturn. Each of these planets is featured in a particular Narnia book in a sort of “code” of symbols and images that Lewis never spelled out for anyone but about which he left clues both in the Chronicles of Narnia themselves and in his other writings.

I found Dr. Ward’s reasoning compelling and fascinating. The Narnia Code is a popular abridgement of a longer, more scholarly dissertation on these ideas, a book called Planet Narnia: The Seven Heavens in the Imagination of C.S. Lewis. Despite the somewhat misleading title, The Narnia Code is no DaVinci Code knock-off, associating C.S. Lewis and his Narnia books with some hokey new age interpretation and bad theology. Instead, I found in The Narnia Code a new appreciation for C.S. Lewis’s genius and for his heartfelt desire to communicate the truth of the gospel in a way that would enter deep into the imaginations and souls of both children and adults. No, C.S. Lewis didn’t believe in astrology, the telling of fortunes and of the future by means of the stars. However, Lewis did believe that the ancient mythologies and symbols and worldviews contained God’s truth and had ways of speaking to us that would break through and shake up our modern paradigms.

Psalm 19
The heavens are telling the glory of God;
and the firmament proclaims his handiwork.
Day to day pours forth speech,
and night to night declares knowledge.
There is no speech, nor are there words;
their voice is not heard;
yet their voice goes out through all the earth,
and their words to the end of the world.

In Reflections on the Psalms, C.S. Lewis said of Psalm 19, it is “the greatest psalm in the psalter and one of the greatest lyrics in the world.” In the Chronicles of Narnia, Lewis apparently left traces of his love for God’s handiwork in the stars and planets and of his delight in the medieval cosmology and the mythology associated with the heavenly bodies. My next reading of The Chronicles of Narnia will be richer because of the ideas and explanations that I read about in The Narnia Code. If you are a Narnia lover, I highly recommend either Planet Narnia or The Narnia Code as an introduction to the use of cosmological symbology in the Narnia books.

The Many Faces of Homeschooling in Cybils Middle Grade Fiction

Jan3

The Ignorant Abusive Religious Zealot Homeschoolers: Mary Mae and the Gospel Truth by Sandra Dutton. The “Christian” mother in the story threatens to homeschool Mary Mae if Mary doesn’t forget about fossils and quit asking so many questions about the Bible. Then Mama slaps Mary Mae for being sassy. That was the last straw for me. Homeschooling is not a threat or a penalty, folks.

The Negligent Irresponsible Homeschoolers: I, Emma Freke by Elizabeth Atkinson. Semicolon review here. Donatella decides that Emma isn’t fitting at school, and she needs help in the bead shop. So mom gives her an old math book and puts Emma behind the counter to mind the shop. Not my favorite image of homeschooling and not fair.

The Overprotective Smothering Homeschoolers: How To Survive Middle School by Donna Gephart.
A secondary character in the book is David’s new friend, Sophie, whose mom has serious smother mother issues. Sophie has been homeschooled before the beginning of the story, and now she’s “escaped.” Her mother just needs to find something to occupy her time other than Sophie’s life and education.

The Happy Nomad Homeschoolers: Travels With Gannon and Wyatt by Patti Wheeler and Keith Hemstreet.

“A home, most of us think, is where we have our stuff–our bed and clothes and books and games–but I don’t really agree. My home is wherever I happen to go to bed that night, be it a hotel in Hong Kong or a sailboat off the coast of Fiji.
My brother and I have been home schooled most of our lives. Lucky for us, my mother is an amazing teacher. So is my dad, for that matter.”

The Simple Life Homeschoolers: Nuts by Kacy Cook.

“I wasn’t always homeschooled. When I was in first grade, we lived in a big city and I went to a big school. But Mom and Dad wanted to ‘simplify’ our lives, so we moved to this small town, Meadowlake, Ohio. Mom began working from home and learned about homeschooling. I haven’t gone to regular school since. My brothers have never been.
There is a lot I like about being homeschooled–especially that we get to travel and I can spend more time playing the piano, reading, or poking around on the computer–but at that moment I loved being homeschooled. There wouldn’t be any way to raise a baby squirrel if I went to regular school all day.”

Of course, I prefer the impression that the last title on the list gives of homeschooling. The adventure scenario isn’t too bad either, although most of us don’t get to go to Africa on safari.

I must say that the other three are stereotypes that I really don’t see too often, if at all. I’ve never met a homeschool mom as ignorant as Mary Mae’s mother in Mary Mae and the Gospel Truth. I don’t know any homeschooled families who use their kids as free child laborers and throw them outdated textbooks as a pretense of educating them the way Emma Freke’s mother does. And if some of the homeschool parents I know are a little over-protective by my standards, so are many of the moms and dads who have their children in public and private schools. I’m sort of a free-range kids advocate myself with a lot of spiritual (Christian) training thrown into the mix.

Have you noticed homeschooling becoming more mainstream in children’s and YA fiction? If so, is it being depicted faithfully or stereotypically? I did notice that the only Christian (so-called) homeschooler in this bunch was Mary Mae’s mom, and of course she’s the one who slaps her daughter for being sassy. Whereas most of the homeschoolers I know are approaching education from a Christian perspective, no slapping involved, and only a healthy minority are non-religious.