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What I Learned from Psalm 1

Aug8

My church is doing a project called 100 Days of Psalms: our pastor is preaching on one psalm each Sunday. Today the sermon focused on Psalm 1. This week we are to read Psalms 2-7, one per day. Then, next Sunday the sermon will be about Psalm 8. This pattern will continue until we finish reading and meditating on the first 100 poems in the book of Psalms. Our pastor implied that if we read each psalm and meditate and ask God to open His Word to us, we will reap blessing. I’m feeling fairly dry, spiritually, these days, and I could use the blessing. So, here goes.

1 Blessed is the man
who does not walk in the counsel of the wicked
or stand in the way of sinners
or sit in the seat of mockers.
2 But his delight is in the law of the LORD,
and on his law he meditates day and night.

3 He is like a tree planted by streams of water,
which yields its fruit in season
and whose leaf does not wither.
Whatever he does prospers.

4 Not so the wicked!
They are like chaff
that the wind blows away.

5 Therefore the wicked will not stand in the judgment,
nor sinners in the assembly of the righteous.

6 For the LORD watches over the way of the righteous,
but the way of the wicked will perish.

I want to delight in the Lord and in His way. I want to be like a tree, stable and fruitful. I believe that God is watching over my life, that I have been made righteous in Christ, and that by His grace, I can stand among those who are upheld and guided by His hand. “For by grace are you saved, through faith, and that not of yourselves: it is the gift of God, not by works, so that no one can boast.” Ephesians 2:8-9

But sometimes it’s a struggle. Life is hard, and I don’t know how to do it right about 99% of the time. I don’t think the psalm is supposed to be discouraging, but I don’t feel like much of a tree.

What I learned: Walk by faith and not feelings. I will do the best I can, and God will have to do the rest. Or not. “Here I stand; I can do no other. God help me. Amen.”

Unleavened Bread by Robert Grant

Jul30

According to this list of bestselling books of the first decade of the twentieth century, Unleavened Bread by Robert Grant was one of the bestselling books of 1900. Sister Carrie by Theodore Dreiser, also published in 1900, was not a best seller. Still, the books have much in common. Unleavened Bread is “the story of a woman who abandons her moral standards in her search for prestige and dominance.” Sister Carrie is the story of a girl who abandons her moral standards in her search for money and a life of ease. I suppose Sister Carrie is the darker of the two novels, but both stories dealt with the pressures of getting and maintaining one’s societal status, and both stories implied that money, ease, and acceptance into high society were common, if unworthy, goals for many young women coming of age around the turn of the century.

I don’t think the “getting into society” goal is quite so common or tempting nowadays. But wealth and power and luxury are all still quite alluring. The ending of Unleavened Bread was quite unsatisfactory. Our heroine, or anti-heroine, Selma, connives her way from poverty and obscurity to power and fame, and at the end she enjoys the beatific vision of her husband as he makes his acceptance speech after being elected to the U.S. senate.

Selma heard the words of this peroration with a sense of ecstasy. She felt that he was speaking for them both, and that he was expressing the yearning intention of her soul to attempt and perform great things. She stood gazing straight before her with her far away, seraph look, as though she were penetrating the future even into Paradise.

The End. Oh, by the way, the senator sold his vote and cheated, with his wife’s encouragement, to get the office. But, all’s well that ends well–or not.

A couple of other quotes from the novel:

“A seven mile drive is apt to promote or kill the germs of intimacy.” That’s a drive in a horse drawn carriage or wagon. I would say the same of a five day road trip through West Texas.

“He had chosen as a philosophy of life the smart paradox, which he enjoyed uttering, that he spent what he needed first and supplied the means later; and the the same time he let it be understood that the system worked wonderfully.”
I doubt that system would work for long for anyone who wasn’t already supplied with at least some of the “means.”

Unleavened Bread reminded me of Sister Carrie, of Robert Penn Warren’s All the King’s Men, and of Main Street by Sinclair Lewis. It’s about the thirst for power and popularity, about the Midwest rubes meeting the Eastern establishment, and about the slow but steady dissolution of a woman’s ethical standards in her quest to become rich and fashionable.

You can read Unleavened Bread online at Project Gutenberg.

In Which I Am Born

Jul28

In 1957, the year I was born, Ed Sullivan had Elvis on his show for the third time, showed him only from the waist up, and said: “This is a real decent, fine boy. We’ve never had a pleasanter experience on our show with a big name than we’ve had with you. You’re thoroughly all right.”

Published in 1957:
The Cat in the Hat by Dr. Seuss.
On the Road by Jack Kerouac.
Doctor Zhivago by Boris Pasternak.
On the Beach by Nevil Shute.
Atlas Shrugged by Ayn Rand.
If Death Ever Slept by Rex Stout.
Through Gates of Splendor by Elisabeth Elliot

Movies released in 1957:
Loving You with Elvis Presley.
Jailhouse Rock with Elvis Presley.
The Bridge on the River Kwai with Alec Guinness, which went on to win the Academy Award for Best Picture.

On the actual day of my birth an earthquake shook Mexico City and Acapulco. But I doubt if my mom noticed it way out in West Texas.

Also born on July 28th (not 1957): Beatrix Potter, Gerard Manley Hopkins

Last year I wrote a list of lists and a bit of a meditation on the number 52. 52 is an interesting number with lots of associations. It’s a good number for lists, and I used it this year a few times to confine and order my thoughts in certain areas:

52 Ways to Celebrate Independence Day
52 Things That Fascinate Me
Summer Reading: 52 Picks for the Hols

I have several other lists of 52 in the works. I think I’ll stick with 52 (and 12) for lists; it just feels right.

53 is more solitary. It’s prime. In fact, it’s an Eisenstein prime. Whatever that means. And 53 is a self number. 53 is obviously not a number for links and lists and affiliations and organization. 53 is independent and somewhat isolated. It’s unique.

For this year, I’ll enjoy being 53, somewhat solitary, odd, and eccentric. Perhaps I’ll even be reclusive at times, as much as one can be reclusive in a family of ten people. I enjoy alone and different and distinctive and slightly idiosyncratic. 53 is the number of countries in Africa, so I’ll continue to work on my African reading project. But 53 isn’t the number for much else. It stands alone.

But at the same time, I still get to be 52. I still get to make lists and connections and relationships. Life, like numbers, has a rhythm. Pull back and enjoy your individual times of 53-ness, and then be 52 or 12 or whatever age the Lord has given you to be and fill the year with people and books and written words and encouragement and the messiness and joy of relationships.

That’s how I plan to celebrate this next year of becoming what God has for me.

And I might memorize Isaiah 53, a very 53-ish passage of scripture:

1 Who has believed our message
and to whom has the arm of the LORD been revealed?

2 He grew up before him like a tender shoot,
and like a root out of dry ground.
He had no beauty or majesty to attract us to him,
nothing in his appearance that we should desire him.

3 He was despised and rejected by men,
a man of sorrows, and familiar with suffering.
Like one from whom men hide their faces
he was despised, and we esteemed him not.

4 Surely he took up our infirmities
and carried our sorrows,
yet we considered him stricken by God,
smitten by him, and afflicted.

5 But he was pierced for our transgressions,
he was crushed for our iniquities;
the punishment that brought us peace was upon him,
and by his wounds we are healed.

6 We all, like sheep, have gone astray,
each of us has turned to his own way;
and the LORD has laid on him
the iniquity of us all.

7 He was oppressed and afflicted,
yet he did not open his mouth;
he was led like a lamb to the slaughter,
and as a sheep before her shearers is silent,
so he did not open his mouth.

8 By oppression and judgment he was taken away.
And who can speak of his descendants?
For he was cut off from the land of the living;
for the transgression of my people he was stricken.

9 He was assigned a grave with the wicked,
and with the rich in his death,
though he had done no violence,
nor was any deceit in his mouth.

10 Yet it was the LORD’s will to crush him and cause him to suffer,
and though the LORD makes his life a guilt offering,
he will see his offspring and prolong his days,
and the will of the LORD will prosper in his hand.

11 After the suffering of his soul,
he will see the light of life and be satisfied;
by his knowledge my righteous servant will justify many,
and he will bear their iniquities.

12 Therefore I will give him a portion among the great,
and he will divide the spoils with the strong,
because he poured out his life unto death,
and was numbered with the transgressors.
For he bore the sin of many,
and made intercession for the transgressors.

Books About Teddy

Jul24

Mornings on Horseback by David McCullough.

River of Doubt: Theodore Roosevelt’s Darkest Journey by Candice Millard.

Theodore Rex by Edmund Morris.

Theodore Roosevelt is one of my fascinations. I read McCullough’s Mornings on Horseback back in March, but I never got around to reviewing it. It was a lovely narrative biography of the young Teddy Roosevelt and a good attempt to bring to light some of the influences and experiences in his childhood and youth that made Teddy Roosevelt the man he became. However, the book stops rather abruptly just as young Theodore is on the brink of his national political career. I was primed and eager for more “Teedy” after reading Mornings.

A few Teddy-isms:

“For unflagging interest and enjoyment, a household of children, if things go reasonably well, certainly makes all other forms of success and achievement lose their importance by comparison.”

“There are two things that I want you to make up your minds to: first, that you are going to have a good time as long as you live – I have no use for the sour-faced man – and next, that you are going to do something worthwhile, that you are going to work hard and do the things you set out to do.”

“Don’t hit at all if you can help it; don’t hit a man if you can possibly avoid it; but if you do hit him, put him to sleep.”

“A thorough knowledge of the Bible is worth more than a college education.”

“In any moment of decision the best thing you can do is the right thing, the next best thing is the wrong thing, and the worst thing you can do is nothing.”

“I can be President of the United States, or I can control Alice. I cannot possibly do both.” Teddy’s response to a request to better control the behavior of his eldest daughter, Alice Roosevelt.

“Far better is it to dare mighty things, to win glorious triumphs, even though checkered by failure… than to rank with those poor spirits who neither enjoy nor suffer much, because they live in a gray twilight that knows not victory nor defeat.”

“I don’t think any President ever enjoyed himself more than I did. Moreover, I don’t think any ex-President ever enjoyed himself more.”

“If I’m to go, it’s all right. You see that the others don’t stop for me . . . I’ve the shortest span of life ahead of any in the party. If anyone is to die here, I must be the one.”

That last statement was made to a member of Roosevelt’s expedition through the Amazon when Roosevelt was so seriously ill with fever and infection that he was not expected to survive to complete the journey of exploration. On this expedition Theodore Roosevelt was 55 years old, and until his leg became infected he could keep up with or outlast any man in the group.

Theodore Roosevelt became president at forty-two, when William McKinley was assassinated. Although he wasn’t the youngest man ever elected president (that was Kennedy, age 43), Teddy was the youngest to become president. When TR’s second term was over, he was still only fifty years old, making him the youngest ex-president, too.

T.R., b. 1858, is my favorite of all the presidents. I don’t say he was the best or the wisest or the one I would most agree with politically, but he would definitely be the most interesting dinner guest of all the presidents. He was a talented politician and statesman, but he was also real and straightforward and ingenuous. That’s an amazing combination.

What people said about Teddy Roosevelt:

“Look out for Theodore. He’s not strong, but he’s all grit. He’ll kill himself before he’ll even say he’s tired.” ~A doctor who knew young Teddy Roosevelt.

“Now look–that d— cowboy is President of the United States!” ~Senator Mark Hanna after hearing of McKinley’s assassination.”

“You must always remember that the President (TR) is about six.” ~Cecil Spring RIce

“One subject I do know, and ought to know, is the birds. It has been one of the main studies of a long life He (TR) knew the subject as well as I did, while he knew with the same thoroughness scores of other subjects of which I am entirely ignorant.” ~Naturalist John Burroughs.

“Mr. Roosevelt is the Tom Sawyer of the political world of the twentieth century; always showing off; always hunting for a chance to show off; in his frenzied imagination the Great Republic is a vast Barnum circus with him for a clown and the whole world for audience; he would go to Halifax for half a chance to show off and he would go to hell for a whole one.” ~Mark Twain

“And talk! I never saw a man who talked so much. He would talk all the time he was in swimming, all of the time during meals, traveling in the canoe and at night around the camp fire. He talked endlessly and on all conceivable subjects.” ~Brazilian Colonel Candido Rondon who led with TR an expedition down the previously unexplored River of Doubt in Brazil’s Amazon rainforest.

“The truth is, he believes in war and wishes to be a Napoleon and to die on the battle field. He has the spirit of the old berserkers.” ~William Howard Taft.

Teddy Roosevelt “read so rapidly that he had to plan very carefully in order to have enough books to last him through a trip.” ~Roosevelt’s son, Kermit.

“Death had to take him in his sleep, for if he was awake there’d have been a fight.” ~Thomas R. Marshall, Vice-president of the U.S.

“Never before has it been so hard for me to accept the death of any man as it has been for me to accept the death of Theodore Roosevelt. A pall seems to settle upon the very sky. The world is bleaker and colder for his absence from it. We shall not look upon his like again.” ~John Burroughs

I saw River of Doubt at a bookstore in South Dakota, and I had to buy it. After viewing Teddy’s unmistakeable visage on Mount Rushmore and then seeing the Badlands Teddy’s old stomping grounds, I had to read about this Amazonian journey of exploration undertaken after Roosevelt’s disappointing loss in a bid for a third term as president. Teddy Roosevelt was intrepid and courageous to a fault, and he lived for adventure. At the age of 55 a trip down an unexplored South American river in canoes passing through the territory of savage and violent native tribal peoples who had never seen a white man before should have been out of the question. And the fact that the trip almost ended Roosevelt’s life makes it all the more fascinating.

I’m still reading the my third book about Theodore Roosevelt, a biography that begins with TR’s sudden elevation to the presidency. I’m finding it just as interesting and inspiring as the other two were. I’m not tempted to undertake any physical feats of daring and bravery, but I do want to live as passionately as Teddy Roosevelt. Don’t you know that heaven itself is a more lively and passion-filled place because God created Theodore Roosevelt and took him to explore the universe of God’s creation?

100 Movies of Summer: North by Northwest (1959)

Jul14

Director: Alfred Hitchcock
Writer: Ernest Lehman
Starring: Cary Grant, Eva Marie Saint, James Mason, and Martin Landau.

Karate Kid says: The movie had a fairly interesting plot, but I didn’t like it that much because it didn’t confuse me. I thought it was predictable.

Betsy-Bee says: The movie wasn’t really scary, but it got my attention when the suspenseful parts came.

Z-baby says: It was about a guy getting mistaken for somebody else. He got drugged and arrested, and they were chasing him.

Mom says: I like North by Northwest because I like Cary Grant. And some of the scenes are unforgettable: Roger Thornhill (Cary Grant) running through the corn fields to get away from the crop duster assassin, Thornhill and Eve Kendall climbing around on Mt. Rushmore, the flirting on the train and the meeting in the woods.

Some lovely dialog, too:

Thornhill: In the world of advertising, there’s no such thing as a lie. There’s only expedient exaggeration.

Roger Thornhill: The moment I meet an attractive woman, I have to start pretending I have no desire to make love to her.
Eve Kendall: What makes you think you have to conceal it?
Roger Thornhill: She might find the idea objectionable.
Eve Kendall: Then again, she might not.

Roger Thornhill: What’s wrong with men like me?
Eve Kendall: They don’t believe in marriage.
Roger Thornhill: I’ve been married twice.
Eve Kendall: See what I mean?

Roger Thornhill: I don’t like the games you play, Professor.
The Professor: War is hell, Mr. Thornhill. Even when it’s a cold one.
Roger Thornhill: If you fellows can’t whip the VanDamm’s of this world without asking girls like her to bed down with them and probably never come back, perhaps you should lose a few cold wars.
The Professor: I’m afraid we’re already doing that.

IMDB link for North By Northwest
Screen shot gallery for North by Northwest.
Buy North by Northwest at Amazon.

100 Movies of Summer: Unforgiven (1992)

Jul12

Director: Clint Eastwood
Writer: David Webb Peoples
Starring: Clint Eastwood, Morgan Freeman, Gene Hackman, RIchard Harris, Jaimz Woolvett, Frances Fisher

Mom says: When writing about the movie Red River, I said, “Dunson shoots or threatens to shoot a few men in cold blood basically for just getting in his way or challenging his authority, and that part was rather shocking to my youngest (and to me).” Now that I’ve seen Unforgiven, Red River would be a walk in the park.

Unforgiven is a western about cowboys and gunslingers, too. The movie begins with a shocking scene of graphic violence when a cowboy cuts up a prostitute’s face because she says something he doesn’t like. It get worse after that. I lost track of the body count towards the end. The language is crude, profane, and socially unacceptable. None of the characters is really very likable or sympathetic.

But what really bothered me were all the moments when I felt as if I were left hanging. I kept asking over and over again, “What the heck was that?” Why did Clint Eastwood’s character, William Munny, suddenly decide to leave his kids and go kill somebody after eight or nine years of peaceful pig-farming? Why did his friend Ned go with him? What was the significance of Little Bill’s bad carpentry? Comic relief? Or was he living in a shaky house, metaphorically speaking? Why were the prostitutes so vengeful and willing so spend so much money to get revenge? Why were two cowboys held responsible for the knife cutting when only one of them did it? What happened to the journalist fellow? Why was he in the movie at all? Why couldn’t Ned shoot at the critical moment? Why could Will shoot at all of the critical moments? Was the point of the movie that people never really change? If so, why does the Kid seem to learn from his violent act that he’s not really a killer at all?

Maybe the point of the movie was that people are crazy and unfathomable and don’t follow the movie western formulas. Although I easily can believe that, I don’t want to think about the fact that I inhabit a world in which violence and murder are so easy for some, the “unforgiven”, and so shattering and unrepeatable to others (the forgiven?). If the goal of the movie was to make me think and to turn movie conventions on their heads, Unforgiven was successful. I just don’t want to spend much time thinking about what the creators of this movie gave me to ponder–mostly a lot of unanswered questions and raw, violent brokenness and spiritual emptiness.

Key quote:

The Schofield Kid: [after killing a man for the first time] It don’t seem real… how he ain’t gonna never breathe again, ever… how he’s dead. And the other one too. All on account of pulling a trigger.
Will Munny: It’s a hell of a thing, killing a man. Take away all he’s got and all he’s ever gonna have.
The Schofield Kid: Yeah, well, I guess they had it coming.
Will Munny: We all got it coming, kid.

I don’t recommend this movie for children (rated R), and I actually felt uncomfortable with my 13-year old watching it. He lost interest fairly quickly, though. Adults who are interested in the western genre might find the movie has “redeeming qualities.” Not my favorite, but it did make me think.

IMDB link to Unforgiven.
Buy Unforgiven at Amazon.

100 Movies of Summer: Anatomy of a Murder (1959)

Jul8

Director: Otto Preminger
Writer: Screenplay adapted by Wendell Mayes from the novel by John D. Voelker
Starring: Jimmy Stewart, Lee Remick, Ben Gazzara, Eve Arden, Arthur O’Connell, George C. Scott

Mom says: The actors in this movie were of particular interest:

Jimmy Stewart is always good. The unassuming, but brilliant, country lawyer who outsmarts the big city sophisticates has become a cliche, but my man Stewart does the role with panache and credibility.

Lee Remick plays a beautiful and enigmatic young wanton, Laura Manion, and she has the allure to pull it off. She may be one of the most beautiful actresses I’ve ever seen. She was offered the role after first choice Lana Turner had a disagreement with director Otto Preminger.

Duke Ellington did the musical score for the movie, and he makes a cameo appearance.

George C. Scott plays prosecuting attorney, Claude Dancer. (Isn’t that a great name for a prosecutor? I wonder if it’s from the novel.) I couldn’t place him. I knew I knew him, but in this movie he’s so young. I just didn’t associate him with grizzled old Patton.

Ben Gazzara is, of course, Paul Bryan, the fugitive in Run for Your Life. In Anatomy of a Murder, Gazzara is Lt. Frederick Manion, on trial for shooting the man who raped his lovely young wife. He’s not a sympathetic character.

The movie keeps you guessing to the end. Did he or didn’t he? Was he justified? Was he insane? I thought it was a very cynical movie. Nothing is as it seems. No one can really be trusted. Defendants don’t really get exonerated as they do in Perry Mason, but rather they get off on a technicality or a mistaken doubt on the part of the jury.

Maybe that’s the way the world really is, but I prefer tales of innocence vindicated or guilt revealed and punished. I can see why it’s a good movie. Lee Remick, especially, gave a brilliant performance. The story reminded me of the perennially popular novels of John Grisham, right down to the jaded view of justice and the courtroom drama. But Grisham is more hopeful somehow.

The only hopeful thing about this movie was Jimmy Stewart’s indefatigable and irrepressible attitude. You just can’t keep a good man down.

I read the first chapter of Anatomy of a Murder by (Judge) John D. Voelker here. I might like to read the rest of it someday and compare it to the movie.

Link to Anatomy of a Murder at IMDB.
Buy Anatomy of a Murder at Amazon.

100 Movies of Summer: Adam’s Rib (1949)

Jul6

Director: George Cukor
Writers: Ruth Gordon and Garson Kanin
Starring, Katharine Hepburn, Spencer Tracy

Brown Bear Daughter says: Good movie. Very feminist, which is not necessarily a bad thing. However, the feminism was sort of undermined in the end when Spencer Tracy fakes tears in order to get Katherine Hepburn back, saying later that he only did what all women do. Ehhh.. I guess I think the wife (the one on trial) was sort of crazy, and I don’t believe that someone of the male sex is actually more likely to be exonerated from such a crime.

Mom says: Not bad, but I think neither the feminists nor the traditional marriage crowd would be completely pleased with this story of husband and wife who are both lawyers litigating against one another in the same court case. She says the woman who shot her adulterous husband should be acquitted because a man who did the same thing to his wife and her lover would be exonerated. He says the law is the law, and people shouldn’t be allowed to go around waving and shooting loaded guns at each other. I’m on his side.

However, when the characters in the film go on to argue about the nature of marriage itself, I’m not so sure I’m with Mr. Tracy/Assistant DA Adam Bonner nor with Ms. Hepburn/Amanda Bonner. He says something to the effect that marriage is not meant to be a competition and implies that defense attorney Bonner isn’t “fighting fair.” She says at the end of the movie that “there’s no difference between the sexes. Men, women, the same.” Nonsense. If it’s legal and the judge allows it, it’s fair in the courtroom. And of course there’s a huge difference between the sexes, thank the Lord.

According to IMDB, the movie screenplay was “inspired by the real-life story of husband-and-wife lawyers William Dwight Whitney and Dorothy Whitney, who represented Raymond Massey and his ex-wife Adrienne Allen in their divorce. After the Massey divorce was over, the Whitneys divorced each other and married the respective Masseys.” Adam’s Rib is comedy, so you can guess that the ending

IMDB link to Adam’s RIb

100 Movies of Summer: Double Indemnity (1944)

Jun24

Director: Billy Wilder
Writers: Screenplay by Billy Wilder and Raymond Chandler from the novel by James M. Cain
Starring: Fred MacMurray, Barbara Stanwyck, Edward G. Robinson

The entire movie is narrated by insurance salesman, Walter Neff, as he confesses into a dictaphone the terrible crime he has been led to commit. His partner in murder is Phyllis Dietrichson, a blonde bombshell who’s unhappily married to a grouchy and jealous oil executive, Mr. Dietrichson (we never learn his first name). Neff and Phyllis deserve each other, but Phyllis comes across as the more ruthless and cruel of the two. (According to IMDB, Barbara Stanwyck was the first choice to play Phyllis, but she was unnerved when seeing the role was of a ruthless killer. When she expressed her concern to Billy Wilder, he asked her, “Are you a mouse or an actress?” ) It was bit disconcerting at first watching the father of My Three Sons play a cad and a murderer, but Fred MacMurray was quite convincing in the role.

This is one of the few 1940’s movies I’ve seen that could give Hitchcock a run for his money. It’s well-plotted, the dialog is snappy and not too hokey, and the ending is good. I highly recommend this one to fans of Hitchcock and of film noir in general. Wilder plays with the lighting and camera angles with a finesse that made me a believer in his directorial skills. Barbara Stanwyck, by the way, is absolutely beautiful, a lot prettier than most of the other actresses of her day.

My urchins learned from this movie the meaning of the term “double indemnity” and the lesson that crime never pays. At least, I think that’s what they learned.

Walter Neff: Who’d you think I was anyway? The guy that walks into a good looking dame’s front parlour and says, “Good afternoon, I sell accident insurance on husbands… you got one that’s been around too long? One you’d like to turn into a little hard cash?”

Ummm, yeah, that’s who she thought you were, sucker.

The novella by James Cain was based on a “1927 crime in which a married Queens woman, Ruth Brown Snyder, persuaded her lover to kill her husband Albert after Albert had just recently taken out a large insurance policy with a double indemnity clause.” Ms. Snyder was executed at Sing-Sing on January 12, 1928 for the murder of Albert Snyder. Her accomplice, a corset salesman, also received the death sentence.

Has any one here read the Cain novel? Better or worse than the movie? Or just different?

IMDB link to Double Indemnity.
Buy Double Indemnity at Amazon.

100 Movies of Summer: Red River (1948)

Jun23

Directors: Howard Hawks and Arthur Rosson
Writers: Borden Chase and Charles Schnee
Starring: John Wayne, Montgomery Clift, Joanne Dru, and Walter Brennan

Karate Kid says: This movie was about some cowboys on a cattle drive. They live next to the Red River, which is the river that makes up the border between Texas and Oklahoma. They owned the Red River Ranch, and decided to take their cattle to somewhere they could sell it. On their way, they will have a stampede, an ambush, and even a mutiny!

Mom says: I liked this one better than I did The Searchers, but the ending was lame. The writers were drawing on the imagery of herd behavior in which dominant males fight for leadership of the group. There are two young “bucks” on the cattle drive, Matt and Cherry. Then, there’s Dunson, the old but strong leader of the drive, who is also conservative and set in his ways and determined to be obeyed and feared, no matter what the cost. The tension between these three, but mostly between Matt and Dunson, who is Matt’s mentor and father figure, makes the movie go. But then, at the end, although Matt’s love interest, Tess Millay, has a great scene in which she tells them both off for acting like idiots, the tension just sort of drains off into anti-climax.

Still, it’s a good movie to watch with your kids if you’re learning about the cattle drive/cowboy era of U.S. history or if you just like cowboy movies. Dunson shoots or threatens to shoot a few men in cold blood basically for just getting in his way or challenging his authority, and that part was rather shocking to my youngest (and to me). The stereotype of savage Native Americans was still there, but not as prominent as it was in The Searchers. In Red RIver, the Indians are not characters, and the Indian attack is just a plot device to place another obstacle in the way of the cattle drive and give the hero a chance to be heroic. The one Native American character who is on the cattle drive with the cowboys is a part of the comic relief, not very believable or interesting.

IMDB link to Red River.
Buy Red River on Amazon.