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The Nine Moons of Han Yu and Luli by Karina Yan Glaser

Chang’An, China, 731: Han Yu sells steamed buns in a bustling market full of whispers about his ability to summon tigers.

Chinatown, New York City, 1931: Luli Lee gazes out from the roof of her parents’ restaurant, dreaming of dim sum and Chinese art.

Two places, two times, and two main characters. It could be confusing, but author Karina Van Glaser does a masterful job of telling and intertwining the stories of these two children, both of whom are trying to help their families through a hard time. Han Yu must travel the trade routes (Silk Road) to learn money for his quarantined family and find the healing grasses that might heal his little sister from her life-threatening illness. Luli’s family is about to lose the restaurant that is their dream and livelihood as the Great Depression squeezes all businesses in its financial collapse.

The story has a slight amount of “magical realism”, as a secretive, ghostly, guardian tiger appears and disappears, seeming to protect Han Yu on his journey. (For me, the tiger is reminiscent of the figure of Aslan in the Narnia books, but that may be my own eccentric reading.) For the most part, however, the stories are engaging, well written, and well researched straight historical fiction. The histories of Han Yu and Luli intersect in a believable way, and the story becomes a sort of ode to Chinese food, especially dim sum, Chinese art, Chinese history, and Chinese culture.

This book would be a great read aloud. Each chapter ends on something of a cliff-hanger which impels the reader to hurry on to see what will happen. And the chapters switch back and forth between Han Yu’s story and Luli’s, a device that adds to the suspense and interest. I can see why this book won a Newbery Honor. I would have chosen it for the Newbery Award.

The Black Fawn by Jim Kjelgaard

Jim Kjelgaard was a prolific author of over forty novels for children and young adults, mostly animal stories. His most famous and best-selling book was Big Red, the story of an orphan boy and his beloved Irish setter.

The main character in The Black Fawn is also an orphaned boy, Allan “Bud” Sloan. Bud comes to live with Gramps and Gram Bennett in an attitude of guarded fear and determination.

“With his little bundle of belongings wrapped in a spare shirt and tucked under his right arm–the orphanage did not furnish suitcases when they farmed you out–Bud started up the drive with his head held high and with what he hoped was a fearless, manly tread. But his insides felt like jelly that has stood too long in a warm place and his feet seemed to weigh five hundred pounds each. If he had been sure no one was looking, he would have burst into tears. He could not be sure, and not for an instant must he forget that weakness made him easy prey for whoever saw it.”

Slowly, over the course of the novel, Bud responds to the open-hearted love and care of Gram Bennett and the measured and careful teaching and example of Gramps, and the three become a family even as Bud learns to be a man. The black fawn is something of a touchstone that Bud first saves when the fawn is almost orphaned in infancy, and then watches in brief glimpses as he grows to be a mighty buck that Bud reluctantly hunts along with Gramps. 

So the book showcases the love of animals, but also the thrill of hunting and the satisfaction to be found in farming and animal husbandry. Bud learns “the ways of nature and the meaning of true sportsmanship.” It’s a balanced view of all three of these ways that man interacts with nature and the animal world.

I’m just starting a re-read of James Herriot’s All Creatures Great and Small, and I couldn’t help comparing the two books. Herriot’s Yorkshire farmers care for their animals, but they also know that farm animals are meant to be of use, sometimes for food. The attitude in Kjelgaard’s story is the same. The deer are meant to be respected and admired for their beauty and animal sense, but also to be hunted for food and for sport as well. Gramps sees the black buck as a magnificent and wily adversary, and himself as an elder with lessons worth teaching to young Bud. Some of those lessons come through the medium and process of deer hunting.

The ending to the story is perfect for hunters and animal lovers both, although animal welfare activists and vegetarians might not love it so much. Kjelgaard balances a respect for wildlife and nature with a deep appreciation for the sport of hunting and the lessons that it teaches. This blog post by Daniel Schmidt, a deer hunter, explicates the basic idea contained in this story: Humble Appreciation: A Deer Hunter’s Prayer.

Time and Time Again by James Hilton

James Hilton was the author of the best-selling novels Lost Horizon, Goodbye, Mr. Chips, and Random Harvest. These three were his 1930’s pre-WW2 novels and his most successful. Time and Time Again was published in 1953 when Hilton was 52 years old, and it was his final published novel. The story takes place in the time in which it was published, the early 1950’s, and its protagonist, Charles Anderson, is 52 years old, looking back on his life and diplomatic career with a very British outlook that combines measured judgment, some regret, and overall contentment.

It would seem that Charles Anderson is James Hilton to some extent, but the differences are as obvious as the similarities. James Hilton was married and divorced twice and childless. Charles Anderson has a college romance with a lower class Cockney office worker, and later marries and has a son. If the book has a theme or a set of ideas, it’s about those two kinds of relationships: upper middle class and lower class, and fathers and sons. Even though Hilton moved to California, became a screenwriter in Hollywood and an American citizen, the concerns in Time and Time Again are very British.

Anderson is never very sure of his place in society, in the diplomatic corps, and even in his own family. The entire story is told from Charles’ perspective, so we’re never entirely sure whether his insights and evaluations are completely accurate. In fact, Charles, although he knows his own worth and intelligence, is never sure whether his view of life, his own life in particular, is accurate or not, which ends up making him a very endearing character.

I tried to think, while I was reading, of other writers that this book reminded me of. The only one that came to mind is Nevil Shute, who is also very British, with books set in the 1940’s and 50’s. Hilton’s novel has the same sort of gentle, unhurried exploration of British society and British mores and the changes that manifested themselves in the first half of the twentieth century that Shute writes about. Someone wrote that Hilton gives readers an idealistic, unrealistic picture of Britain in his books, and maybe he does in other books. However, Time and Time Again seems realistic in its portrayal of an ordinary, average upper middle class man and how he comes to terms with his own capacities and limitations.

It’s not an exciting read, more contemplative and somewhat thought-provoking. Like the man Charles Anderson, it’s a modest story about a modest Englishman and his interaction with the events and changing culture of the first half of the twentieth century.

Rilla of Ingleside by L.M. Montgomery

Rilla of Ingleside is L.M. Montgomery’s eighth and final book about Anne Shirley Blythe (Anne of Green Gables) and her family. Rilla is Anne’s youngest daughter, named for Marilla of Green Gables, but affectionately called Rilla, or sometimes Rilla-my-Rilla. The time setting is 1914, just at the beginning of World War I, which makes this book a perfect read for teens who are interested in that time period or in finishing out the story of Anne and her family.

As the book begins Rilla is fourteen years old, and according to her mother, “her sole aspiration seems to be to have a good time.” Over the course of the book and of the war, Rilla grows to become a woman of courage and perseverance as she accepts responsibilities far beyond her years. News about the war is interspersed throughout the story, but that news is digested by the family at Ingleside and by their friends and neighbors as it applies to their own lives and to the men they have sent off to war.

I would call Rilla of Ingleside a gentle romance story and also a coming of age story. Rilla herself is a fine character, and her growth into womanhood provides a model for young adults, teen girls in particular, to think about and perhaps even emulate in some aspects. Susan, the Blythes’ cook and housekeeper is something of a counterweight to the seriousness of the wartime novel with her wry humor and optimistic attitude that persists throughout the book.

Rilla’s romantic interest, Kenneth, is a rather vague character, not too well fleshed out, just as the war itself is rather vague and far away over in Europe, even though the war news is almost a central character in the story. Nevertheless, the man that Kenneth becomes will have a lasting influence in Rilla’s life just as the events and tragedies of a war far across the ocean will change the lives of all those who live at Ingleside.

Rilla of Ingleside is much more of a serious novel than Anne of Green Gables or any its other sequels. Rilla gets into “scrapes” and there are various humorous incidents and characters, but the war and its battles and casualties hang over the lives of the family at Ingleside like a dark cloud. It’s an old-fashioned young adult novel, nothing gory or ugly, and even the description of the death of one of the characters in battle is more tragic and sad than it is bloody and violent.

Rilla of Ingleside is recommended for Anne Shirley fans and for anyone looking for a tender but unshrinking introduction to the difficulties and sacrifices required of a young girl who is living through a major war while growing up and becoming a mature adult. Warning: this story may evoke both tears and admiration.

Free Fall by David Wiesner

Free Fall is a wordless picture book, created and illustrated by David Wiesner, author and illustrator of many such books who has been awarded the Caldecott Medal three times and the Caldecott Honor thrice as well. Free Fall is one of Mr. Wiesner’s three Caldecott Honor books.

This book was donated to my library. I had never seen it before, but I picked it up to show to my five year old granddaughter. She immediately engaged with the story and delighted in the idea that she could “read” this book herself by telling the story that she saw in the pictures. This kind of reading seems like good practice for Charlotte Mason-style narration and picture study if that is what you want to use as a learning tool later on your child’s education.

The first page of this book shows a boy asleep in bed with an open book on his chest. He’s obviously fallen asleep while reading. On the next page, we see that the book is a book of maps, and one of the pages floats out into the outdoors. Perhaps into the boy’s dreams?

From there, I’ll leave you to make up your own story. The boy encounter kings and queens, castles and chess pieces, knights and an odd-looking alien creature, pigs in the city and in the desert, and many other weird, strange dreamlike landscapes and events. Eventually, he flies through the air, and then floats on a large leaf. Just as dream images are only connected by our own imagination into a somewhat coherent story, the images and pictures in this book are left for your imagination to tie together into a narrative.

And it’s hard not to try to make the picture into a story that has a beginning, a middle, and an end. Of course, the book itself does begin with a boy asleep and end with him waking up in the morning, with a few of the images from his dreams sitting on the bedside table. But the middle, the dream sequence, does lose the thread of plot from page to page, even though some of the images keep returning. Anyway, it’s a fun exercise in imagination and storytelling and fantasy.

If you know Chris Van Allsburg’s Ben’s Dream or if you’ve read Alice in Wonderland, you will be reminded of those books when you read this dreamy picture book by David Wiesner. For more books like this one, check out:

  • Journey by Aaron Becker. Using a red marker, a young girl draws a door on her bedroom wall and through it enters another world where she experiences many adventures, including being captured by an evil emperor.
  • Dreams by Peter Spier. Two children find fantastic pictures in the clouds.
  • Flotsam, also by David Wiesner. A camera goes floating through and under the sea, taking pictures as it goes?
  • Tar Beach by Faith Ringgold. A young girl dreams of flying above her Harlem home, claiming all she sees for herself and her family.
  • The aforementioned Ben’s Dream by Chris Van Allsberg. Ben has a dream in which he and his house float by the monuments of the world, half submerged in flood water.

Giant by Judith McQuoid

Published by independent Irish publisher, Little Island, and written by debut author Judith McQuoid, Giant is the the imagined story of a working class boy named Davy and his upper middle class friend, Jacks, in Belfast, c.1908. Jacks Lewis is an imaginative ten year old who lives in a big house with his mother and father and sometimes his brother Warnie, who is away at school for most of the story in our book. Davy lives on the other side of Belfast, near the shipyards, where his father drives a delivery cart. Davy’s little sister Minnie is his only sibling, and his mother works as a maidservant for the Lewises.

You may have already guessed that “Jacks” is the Belfast boy who grew up to become the famous professor and author, C.S. Lewis. Judith McQuoid, who is Irish herself, born in Belfast, wanted to write a story about Lewis’s boyhood and how his growing up years in Belfast might have shaped his later life and writings. In Giant, Jacks Lewis is seen through the eyes of Davy, and he becomes Davy’s mentor and inspiration and most of all friend, even though Jacks is a bit younger, much more wealthy, and less worldly-wise than Davy. Davy shows Jacks something of the real world outside his middle class home, and Jacks inspires Davy to see the magic and wonder that exists in that world despite Davy’s poverty and limited opportunities.

The boys share and communicate through the media of books and storytelling and drawings. There are so many references to Jacks’s favorite books and stories, books that he shares with Davy. But the stories and the everyday magic of nature and art are a contrast to Davy’s dangerous and difficult working life as a heater boy and later a rivet boy, working on the huge ships that were built in the Belfast shipyard, ships like the Olympic and the Titanic.

For Lewis fans who are ready to get a picture of some of the background for Lewis’s Narnia tales, Giant is great read. And for anyone interested in a visit to Northern Ireland, its history and landscape, Giant is a must read. I enjoyed all of it: the history, artfully woven into the story with a light touch, the Lewisian and literary references, and just the story of a boy growing up with grace and courage in difficult circumstances. I’d say it’s appropriate for readers ages nine or ten and up.

I actually met author Judith McQuoid a few years ago in England, and I even read an early draft of her manuscript for Giant. I think she solicited my advice on the story, but I had very little to give. I am a reader, not an author or and editor, but Ms. McQuoid, with this book, shows that she is indeed a first class writer. Her love for all things Irish and Belfastian shines throughout the book. I hope she writes more books. We need more books in the world about C.S. Lewis and about Ireland from people who love them both.

A Papa Like Everyone Else by Sydney Taylor

Sydney Taylor, author of the beloved series of All-of-a-Kind Family books, also wrote this story of a Jewish Hungarian family living in a newly constituted Czechoslovakia just after the end of World War I. The family consists of Mama and her two daughters, Szerena, about 12 years old, and Gisella, age 8. (As far as I can find, the book never gives their exact ages.) The family has a papa, too, but he has been absent in America for seven years, most of Gisella’s life. In fact, Gisella doesn’t even remember her papa, and whenever she thinks about him, she mostly feels some mixture of confusion and resentment. Gisella longs to have a “papa like everyone else”, but she does not want to leave her village, the only home she has ever known, and go to America to join a papa she doesn’t really know at all.

The story paints a vivid picture of life in a small Eastern European village. The girls celebrate holidays, Jewish holidays like Passover and Sabbath, and also secular Hungarian holidays like May Day. They herd and pick the feathers from their geese, help Mama spin the flax into linen, raise silkworms, go to school, and help with all of the multitude of tasks to be done on a small family homestead. And all the while they are anticipating their eventual journey to New York City where Papa is living. Mama has had to take care of her girls mostly by herself all through the war and its aftermath, and she and Szerena are looking forward to the time when Papa will have enough money saved for them to join him in America.

This year-in-the-life-of book reminds me a little bit of All-of-a-KInd Family, except for the fact that in this story Papa is absent and the community is a rural village in Hungarian Czechoslovakia. A Papa Like Everyone Else also reminds me of Kate Seredy’s The Good Master and The Singing Tree, set in rural Hungary at about the same time period, during World War I. These books are so wonderfully descriptive of Hungarian and Jewish life during that time. I felt transported to another place and time.

Even though it might be a difficult book for any child who is missing a beloved father, deployed perhaps or just having to travel for work, A Papa Like Everyone Else might also be cathartic for children in that situation. And everyone can enjoy the depiction of farm life and Jewish life with just enough detail about how the family make plum preserves, lechwar, or how they fatten the geese by force feeding them, or how they do all the other tasks that support their meager, but also rich, family and community life.

A few content considerations: A robber comes when the family is away from home and steals almost all of their possessions. This robber is said to be a “gypsy”, and the constable slaps one of the Roma suspects, showing the usual contempt and prejudice that was current at the time for Roma people. One of GIsella’s cousins is whipped by the schoolteacher for the cousin’s lack of preparation for his lessons. And a neighbor shoots the fox that has come to steal the chickens and geese in the barn.

All’s well that ends well as Gisella and Szerena and Mama do leave the village and go to join Papa in America. The ending, in case you’re a reader of endings, is:

“As Papa caught them both in his strong arms, the girls buried their faces against his dark jacket, too overwhelmed to speak. Gisella thought, Szerena and I aren’t orphans with only a Mama to love, anymore. We’re a real family now–a family with a mama and a papa.

Papa knelt down and tipped Gisella’s chin up.

“Papa!” she whispered in shy happiness. “Oh, Papa!”

A Papa Like Everyone Else would be a perfect read aloud book for Father’s Day (or really anytime). Maybe it would give us all a renewed appreciation for our own fathers.

Harry, the Dirty Dog by Gene Zion

Zion, Gene. Harry the Dirty Dog. Illustrated by Margaret Bloy Graham. Harper, 1956.

Here’s another book that was first published in 1956, the year before I was born. And it’s remained in print all the years since then because it tells a classic story of a dog who doesn’t want a bath. (I remember some children who were much like Harry–bath-resistant.) Because Harry, a white dog with black spots, runs away when it’s bath time, he gets very dirty and turns into an unrecognizable black dog with white spots. And when his own family doesn’t recognize him, well, Harry begs for that bath that he so successfully avoided at the beginning of the story. I could read this story over and over and not get tired of it, which is why it’s one of the 520 books listed in Picture Book Preschool.

I have A Harry the Dirty Dog Treasury in my library with Harry the Dirty Dog and two more stories about Harry, No Roses for Harry and Harry by the Sea. In No Roses for Harry, Harry’s hated sweater from grandmother unravels, to his delight. And in Harry by the Sea, another Picture Book Preschool selection, Harry, covered in seaweed, is mistaken for a sea monster. Harry and the Lady Next Door is the fourth and last of the Harry books. All four Harry books, whether you read them in the treasury or individually, are warm and funny and just a delight that no preschooler should miss out on.

Illustrator Margaret Bloy Graham and author Gene Zion were a husband and wife team collaborating on the Harry books. And a fine team they were. Unfortunately, the couple divorced in 1968, and there were no more books about Harry, the dirty dog after that. Margaret Bloy Graham did, however write and illustrate at least one book of her own, Be Nice to Spiders, which is also a Picture Book Preschool selection in the week themed “Creepy Crawly Creatures.” Mr. Zion, on the other hand, quit writing after their 14-year long collaboration ended with the divorce.

I’m thankful they were together long enough to give us Harry, one of the great dogs of picture book literature. You can check out all of the Harry books by Gene Zion and Margaret Bloy Graham from Meriadoc Homeschool Library.

The Little Fish That Got Away by Bernadine Cook

Cook, Bernadine. The Little Fish That Got Away. Illustrated by Crockett Johnson. William R. Scott, 1956.

This little book was published the year before I was born, in hardcover and then in a paperback edition from Scholastic. Then it went out of print at some point, and for a long time, the old Scholastic paperbacks were all that could be found. Then, HarperCollins published a new edition in 2005 and again in 2019, and now it’s readily available, new and used at reasonable prices for the used books.

If the cover reminds you of The Carrot Seed and Harold and the Purple Crayon, that’s because Crockett Johnson illustrated all three. Crockett Johnson was the pen name for author, cartoonist, and painter David Johnson Leisk. He was married to children’s author Ruth Krauss, who wrote The Carrot Seed and many other picture books. Johnson’s little round faced boys with the big eyes are iconic, easily recognizable in this book about a boy who goes fishing–and about the fish that he caught and the one that got away.

“Once upon a time there was a boy who liked to go fishing. . . He went fishing every day. But he never, no never, got any fish. All he ever did catch was a bad cold. But ONE day . . .”

The story goes on to tell about the boy’s adventures with a GREAT GREAT big fish, a GREAT big fish, a BIG fish, and finally a little fish. Can you guess which one got away?

The story is repetitive, which children love. Of course, it lends itself to being read aloud. I can get a little tired of repeating the same phrases over and over again for each of the boy’s attempts at catching a fish, but I haven’t met a child yet who gets tired of the repeating choruses. And the ending, which escapes the repetitive cycle, is funny every time.

The Little Fish That Got Away is a Picture Book Preschool selection. It can be seen as teaching tool for learning about relative sizes of things, but I wouldn’t suggest pointing that aspect out to little children. Let them enjoy the story and pick up on the “math” and measurements as they listen. Children absorb learning better if they are not force fed.

You can also check out The Little Fish That Got Away from Meriadoc Homeschool Library.

The ABC Bunny by Wanda Gag

Wanda Gag, author of Millions of Cats and Gone Is Gone, or The Story of a Man Who Wanted To Do Housework, also wrote The ABC Bunny, in which the aforesaid bunnies crash and dash and meet up with all kinds of other alphabetically named forest creatures and events and objects– all the way from “A for Apple, big and red” to “Z for ZERO, Close the Book.” In this book, X, always a letter I check in alphabet books because it’s so hard find words that begin with X, is “for eXit–off, away,” with a picture of a rabbit rushing to hide in his burrow.

Really, though, I like the text in this book, but the pictures are so delightful that they could carry an entire wordless book by themselves. These illustrations of bunny rabbits doing everything that can be done by rabbits in a forest or a garden, are black and white lithographs, similar to those in Millions of Cats if you are familiar with that classic. However while the cats and the little old man and lady in Millions of Cats are exquisitely tiny and quaint, these rabbits and their fellow forest creatures are big and bold and full of dash and flash and dart. I just love them!

In the front of my book and again in the back there is music for you to sing the text as an ABC Song. I don’t sight read music, so I don’t know if the tune is catchy or not, but if you do, let me know what you think. The music was written by Wanda Gag’s younger sister, Flavia Gag. The words in the book were hand lettered by Wanda’s younger brother, Howard. And Wanda created The ABC Bunny for Gary, her small nephew. So it’s a family collaborative endeavor, shared with the world.

Alphabet books are kind of hit and miss with me. “A is for Apple, B is for Boy,” just doesn’t engage adults or young children unless there’s something added to the illustrations or the text itself to make the book more appealing and nourishing. The written story in this one is fine, well written enough to win Ms. Gag a Newbery Honor for her work in The ABC Bunny in 1934. However, I think it would have garnered a Caldecott Honor or Award, had the Caldecott been around in 1934. As far as I’m concerned, in The ABC Bunny the “eXtra” is in the pictures (and maybe the song.) Wanda Gag’s artistry was enough to make this one a Picture Book Preschool selection, one of the ten ABC books included in Picture Book Preschool.

You can check out a copy of ABC Bunny from Meriadoc Homeschool Library. Or you can purchase your own copy, brand new, since this 1933 book is actually in print from University of Minnesota Press.

Learn more about this and other living books at Biblioguides.