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Poetry Friday: Charlotte Zolotow and the Poets

The recently deceased children’s author Charlotte Zolotow was also an editor and a poet herself. She edited many of the most gifted authors of poetry for children of the twentieth century during her tenure at Harper and Row.

Lee Bennet Hopkins wrote of his editor Charlotte Zolotow: “Charlotte was editor-supreme. Her respect for an author, her insight, foresight, her vision of what could be — become — has been a highlight of my career. Lucky is one to be caught in the true Charlotte’s web.”

Paul Fleischman, winner of the 1989 Newbery Medal for Joyful Noise: Poems for Two Voices was also edited by Ms. Zolotow. In a tribute to her editorial skills, he says: “In matters of larger scope, her vision was truly exceptional. She was an astounding discoverer of talent. Once she’d found you, she didn’t rewrite you any more than she did your sentences. Ideas for books weren’t thrust upon you. The latest trends in publishing were never bandied about. Charlotte operated on the theory that the best book you had inside you was the one you most wished to write, no matter what happened to be selling at the moment.”

61AjTymBiWL._SX258_PJlook-inside-v2,TopRight,1,0_SH20_BO1,204,203,200_Poet Karla Kuskin, also a friend and protege of Ms. Zolotow, wrote a poem for a 1990 celebration of Charlotte Zolotow’s work:

There is that smile
that warms us like the sun.
There is the ouevre
(fine work done,
fine work yet to come).
There is all this, and more
combined
with that well honed and stainless
steel trap mind…

Mind and imagination combined made Charlotte Zolotow a formidable and talented author and editor and poet. Here are a couple of poems by Ms. Charotte herself:

51CA533HDML._SY344_PJlook-inside-v2,TopRight,1,0_SH20_BO1,204,203,200_Ladybug by Charlotte Zolotow

Little ladybug
With your
Glazed red wings
and small black polka dots
you look like a porcelain statue
until suddenly
you
fly
away.

People by Charlotte Zolotow

Some people talk and talk
and never say a thing.
Some people look at you
and birds begin to sing.

Some people laugh and laugh
and yet you want to cry.
Some people touch your hand
and music fills the sky.

Women of the Frontier by Brandon Marie Miller

51aDnzTnIKL._SY344_PJlook-inside-v2,TopRight,1,0_SH20_BO1,204,203,200_Women of the Frontier: 16 Tales of Trailblazing Homesteaders, Entrepreneurs, and Rabble-Rousers by Brandon Marie Miller.

This collective biography/history was a fascinating book, although I found myself skimming the explanatory material at the beginning of each chapter to go directly to the stories of the women themselves. Some of the women I knew something about: Margret Reed, a survivor of the ill-fated Donner Party; Narcissa Whitman, missionary to Oregon; Carry Nation, prohibition campaigner; and Cynthia Ann Parker, captive of the Comanches and mother to Quanah Parker, famous Comanche chief.

Even about these women I learned new things:
According to the author, Narcissa Whitman grew to nearly despise the Native Americans she traveled to Oregon to minister to and convert.

After years of “smashing” saloons to protest the evils of alcohol, Carry Nation settled in Eureka Springs, Arkansas and opened a home for the (abused) wives of alcoholics. The home was called Hatchet Hall.

Indian captive Cynthia Ann Parker was taken back from the Comanches when her son Quanah was only twelve years old, and she thought he was dead. She did not know that he became a great warrior chief of the Comanche.

Then, there were the many seemingly ordinary, actually extraordinary, women who managed to survive a life of hardship and vicissitudes that would have put me into an early grave. Amelia Stewart Knight traversed the Oregon Trail, “out of one mud hole into another all day.” And she was four months pregnant when she and her husband and their seven children left Iowa to head for Oregon. Luzena Wilson learned that she could make more money by cooking and cleaning for the 49ers in the California gold fields than she or her husband could by mining. Then, she learned by experience with both that a fire or flood could destroy everything she had built and earned, and she learned to start all over again.

Mary Lease fought for government regulation of the railroads, the graduated income tax, the direct election of senators, and suffrage for women. She lived to see all of these things enshrined in law. Sarah Winnemucca and Susette La Flesche, on the other hand, both championed the rights of Native Americans, but lived to see most of the promises of the U.S. government to the Native peoples broken and the Native people themselves mistreated and disrespected.

I was inspired and a bit humbled by the stories of these ladies. Again, I’m not sure how I would have done, given their circumstances and faced with their choices. I’d like to say that I would have persevered and made a life despite the difficulties and adversities they faced, but I don’t really know.

Said one Kansas woman:

“It might seem a cheerless life, but there were many compensations: the thrill of conquering a new country; the wonderful atmosphere; the attraction of the prairie, which simply gets into your bloom and makes you dissatisfied away from it; the low-lying hills and the unobstructed view of the horizon; and the fleecy clouds driven by the never failing winds.”

Maybe those things, and more, were enough.

Breakfast on Mars, edited by Rebecca Stern and Brad Wolfe

Breakfast on Mars and 37 Other Delectable Essays: Your Favorite Authors Take a Stab at the Dreaded Essay Assignment, edited by Rebecca Stern and Brad Wolfe.

These 38 essays by children’s and YA authors such as Elizabeth Winthrop, Rita Williams-Garcia, Kirsten Miller, Laurel Snyder, and Wendy Moss, are not your average English assignment, get it written and turn it in, essays. These essays sparkle. From the introduction to this collection:

“For too long, we have held essays captive in the world’s most boring zoo. We’ve taken all the wild words, elaborate arguments, and big hairy ideas found in essays, and we’ve poached them from their natural habitat. We’ve locked essays in an artificial home.

********

Essay, we must tame you We must squish you into five paragraphs, and we must give you so much structure that you cower in the corner, scared for your life.

The essay’s fate has long looked bleak. But do not despair, for change is brewing. In the following pages, you’ll catch a glimpse of something most people have never seen in the wild. We’ve let essays out of their cages, and we’ve set them loose. We’ve allowed them to go back to their roots.”

So, in this collection we have a variety of essays, all written with creativity and flair.

How about a personal essay: Ransom Riggs on “Camp Dread, or How to Survive a Shockingly Awful Summer”? It’s a new twist on “What I Did Last Summer.”

Or perhaps a persuasive essay on why we should (Chris Higgins) or shouldn’t (Chris Higgins again) colonize Mars or why the author (Kirsten Miller) believes “Sasquatch Is Out There (And He Wants Us to Leave Him Alone)” or “Why We Need Tails” by Ned Vizzini.

A character analysis essay on Princess Leia (Cecil Castellucci, who is a female, by the way) or Super Mario (Alan Gratz).

The authors take on subjects such as memories (Rita Williams-Garcia), time machines (Steve Almond), life before television (Elizabeth Winthrop), invisibility (Maile Meloy), humpback anglerfish (Michael Hearst) and names (Jennifer Lu).

Did you know you can write graphic essays with pictures (“Penguin Etiquette” by Chris Epting) or cartoons (“On Facing My Fears” by Khalid Birdsong)?

My favorite essay of the bunch, because it spoke to me as a parent, was Lena Roy’s “Sex, Drugs, and Rock ‘n’ Roll”. I won’t tell you the details of Ms. Roy’s adolescent adventures with being “cool”, but I will refer you to the essay in which her dad makes some very wise parenting decisions and gives the young Lena some very wise words to live by:

“Words matter, Lena. What we say about ourselves matter. The words we use to represent ourselves matter. You know that. We only have so many ways we can express ourselves, and words are the most powerful.”

These essays are examples for teens (and adults) of how words can matter in a good way, how, to use the title of yet another essay in this collection, “A Single Story Can Change Many Lives” (Craig Kielburger). It’s time for us all to start writing those stories— in un-squished, wild, and powerful essays.

What a great tool for teachers and what a great illustration of what the essay can be for students of all ages!

Sunday Salon: Books Read in October, 2013

Children’s and Young Adult Fiction:
Navigating Early by Clare Vanderpool.
Listening for Lucca by Suzanne LaFleur.
The Incredible Charlotte Sycamore by Kate Maddison.
The Edge of Nowhere by Elizabeth George. (YA)
A Song for Bijou by Josh Farrar.
Forgive Me, Leonard Peacock by Matthew Quick. (YA)

Adult Fiction:
Major Pettigrew’s Last Stand by Helen Simonson.

Nonfiction:
Rapture Practice by Aaron Hartzler. I couldn’t review this one; it was too, too sad. It’s the reverse conversion story of a young man from a loving, but very conservative, Christian family who converts to become an atheist homosexual, full of grace for his messed-up parents. I’ll just piggy-back onto what Janie B. Cheaney said in World magazine.
Andrew Jenks: My Adventures as a Young Filmmaker by Andrew Jenks.
Bad Girls: Sirens, Jezebels, Murderesses, Thieves & Other Female Villains by Jane Yolen and Heidi E.Y. Stemple.
Lost in the Cosmos by Walker Percy. Well, I read half of it anyway.
Breakfast on Mars and 37 Other Delectable Essays, edited by Rebecca Stern and Brad Wolfe.
Dear Teen Me: Authors Write Letters to Their Teen Selves, edited by E. Kristin Anderson and Miranda Kenneally.
Bullying Under Attack: True Stories Written by Teen Victims, Bullies & Bystanders by Stephanie Meyer.

Emancipation Proclamation: Lincoln and the Dawn of Liberty by Tonya Bolden.
Helga’s Diary: A Young Girl’s Account of Life in a Concentration Camp by Helga Weiss.
Home Front Girl: A Diary of Love, Literature, and Growing Up in Wartime America by Joan Wehlen Morrison.
Lincoln’s Grave Robbers by Steve Sheinkin.
The Boy on the Wooden Box: How the Impossible Became Possible . . . on Schindler’s List by Leon Leyson.
Your Food Is Fooling You: How Your Brain Is Hijacked by Sugar, Fat, and Salt by David A. Kessler
C.S. Lewis: A Life by Alister McGrath.
Saving a Life: How We Found Courage When Death Rescued our Son by Charles and Janet Morris.

Lost in a Walker Percy Cosmos, Part 1

A couple of months ago Eldest Daughter asked if I would like to accompany her to an academic conference in New Orleans in October. New Orleans in October with Eldest Daughter who is one of my favorite persons? Of course, I would love to go. Then, she told me the subject of the conference, “Still Lost in the Cosmos: Walker Percy & the 21st Century.”

Now I am not a fan, really, of Mr. Percy’s fiction. I say that, having read one, maybe two, books by Percy, The Moviegoer and another book long ago that I think was The Thanatos Syndrome. I remember people in trees(?) or sitting on flagpoles and something about poisoning the water supply and a priest and a doctor. It sounds like the beginning of a bad joke, and unfortunately that’s all I remember of the novel. The Moviegoer I read more recently, and according to Eldest Daughter herself, who is a fan, I just didn’t get it. I concur: I didn’t get it. The main character, Binx Bolling, was the kind of person who, if I were to meet him, I would feel strongly impelled to shake until he spits, as my mother would say. Existentialists (Percy had a thing for Kierkegaard) affect me that way, oddly enough.

Still I am a fan of Eldest Daughter and of a trip to New Orleans, and I like to feel as if I know what people are talking about when I listen to them speak. So in preparation for the conference I began reading Mr. Percy’s book, Lost in the Cosmos: The Last Self-Help Book. Lost in the Cosmos is not a novel, but rather a parody of the myriad of self-help books that tell us that we can categorize our angst and work it out in six easy steps or by repeating one mantra or by listening to the author who will tell us who we really are. The first part of the book is really quite clever as Percy gets the reader first to admit that “it [is] possible to learn more in ten minutes about the Crab Nebula in Taurus, which is 6,000 light-years away, than you presently know about yourself, even though you’ve been stuck with yourself all your life.” Then, through a series of “thought experiments”, Percy leads his readers to recognize the existential lostness that afflicts each of us: we are indeed lost in the cosmos.

So far, so clever. In the middle of the book, however, Percy stops for an extended tour of the science of semiotics, a word I had to look up in my handy, dandy dictionary. Semiotics is “the study of signs and symbols, and their use or interpretation.” (Clear as mud? No? You obviously need to undertake a serious study of semiotics.) This part of the book is called “A Semiotic Primer on the Self.” The print becomes much smaller, and the text much, much more dense. Diagrams are inserted, and footnotes abound. Percy himself writes, “The following section, an intermezzo of some forty pages, can be skipped without fatal consequences.” I skipped. Not only did I skip, I also skipped out and never managed to finish Lost in the Cosmos before the conference in New Orleans. The consequences were not fatal, but perhaps were an inhibition to my understanding of the presenters at the conference.

So, there you have a synopsis of my preparation for the Walker Percy conference at Loyola University in New Orleans. My preliminary studies were inadequate at best. However, I went with the expectation that I would be enriched and challenged by the conference speakers and satiated and enlivened by the food and sights of New Orleans. And Eldest Daughter is still one of my favorite people, even if she does understand Walker Percy when I do not.

Tomorrow, read part 2, Amnesia, Moby Dick, Gulliver’s Travels, and the Shadow of Catastrophe, or How to Title an Academic Paper on Walker Percy.

Lincoln’s Grave Robbers by Steve Sheinkin

Well, this episode in history was news to me. At the same time, actually on election night, that Republican Rutherford B. Hayes was in a neck-in-neck election race with Democrat Samuel Tilden, a group of counterfeiters became would-be grave robbers. Their plan was to steal the body of America’s favorite and perhaps most revered president, Abraham Lincoln, and hold it for ransom.

Although the grave robbers come across in the book as incompetent at best, criminally idiotic at worst, the plot was real, as were the guns the criminals carried to Lincoln’s tomb on that election night in 1876. They were serious, and the Secret Service agents who were determined to catch them red-handed were just as deadly serious. Not only does the reader get to read about a little known historical crime, but also we get a vocabulary lesson in criminal and counterfeiting jargon of the late nineteenth century. How many of the following words can you define? (There’s a glossary in the back of the book to help those of us who are unfamiliar with criminal underworld vocabulary.)

Boodle game or boodle carrier
Coney or coney man
Shover
Cracksman
Hanging bee
Resurrectionist
Roper
Ghouls
To pipe (someone)
Bone orchard

And what would you think of reading the following sentence in your local newspaper about a group of escaped criminals?

“If human ingenuity can track them it will be done. It is earnestly hoped that the double-distilled perpetrators of this attempted robbery of the remains of America’s most loved President will soon be brought to justice.” ~reporter John English in The Chicago Tribune

Double-distilled perpetrators? My, how writing styles have changed!

I enjoyed Lincoln’s Grave Robbers mostly as look into history and the almost comical antics of both criminals and police in the post-Civil War time period. The politicians and journalists were somewhat hapless and disorganized as well. On the other hand, I hope that counterfeiters nowadays are not as successful as they back in the late 1800’s. Sheinkin notes that “by 1864 an astounding 50 percent of the paper money in circulation was fake.” And “the one and only task of the Secret Service was to stop the counterfeiters.”

What does all this fake money have to do with stealing poor Mr. Lincoln’s bones? Well, there’s a connection, and it’s rather surprising–and ridiculous. I don’t know how the grave robbers thought they were going to get away with such a plot. But try they did, and you can read all about it in Lincoln’s Grave Robbers.

Lincoln’s Grave Robbers by Steve Sheinkin has been nominated for the Cybils Award in the category of Young Adult Nonfiction. The thoughts in this review are my own and do not reflect the thoughts or evaluations of the Cybils panel or of any other Cybils judge.

Emancipation Proclamation: Lincoln and the Dawn of Liberty by Tonya Boldenn

Award-winning children’s and young adult author Tonya Bolden “offers readers a unique look at an often misunderstood American document.” It is unique. Part 1 of this nonfiction book about the proclamation that “freed the slaves” begins with a quotation from Frederick Douglass, recounting the the atmosphere on Thursday, January 1, 1863 as about three thousand people waited at Tremont Temple in Boston for word from Washington, D.C. that the Emancipation Proclamation had been signed:

“We were waiting and listening as for a bolt from the sky . . . we were watching,as it were, by the dim light of the stars, for the dawn of a new day; we were longing for the answer to the agonizing prayers of centuries.”

Part 1 continues on in third person plural as if both author and reader were there, waiting, too. “We waited for all America to repent.” “We abhorred the compromise of 1850’s Fugitive Slave Law.” “Many of us put great faith in the fledgling Republican party.” Since I wasn’t there and since I’m not a “person of color”, I found the continued use of “we” and “us” to be off-putting, at best, confusing, at worst.

Then comes Part II which is written as straight third person history. The author tries to get behind the history and unravel the enigma of Lincoln’s thoughts and motivations, but like most other authors who’ve tired, she meets with limited success. Lincoln was “moody, prone to brooding,”; he “truly loathed slavery.” Yet, Lincoln told abolitionist Charles Edward Lester in regard to freeing the slaves, “We must wait until every other means has been exhausted. This thunderbolt will keep.” And so, throughout Part II of this narrative history, Lincoln is is pushed and pulled back and forth by the events of the Civil War and the politics of maintaining what there was left of the Union, and he proposes or considers first one solution and then another for the slaves: partial emancipation of some slaves, compensation to slaveholders, banning slavery in the territories, gradual emancipation, allowing escaped slavs (contraband) to enter the Union Army, confiscation of Confederate property including slaves, deportation of freed slaves and free black persons to Africa or South America.

Part III returns to the disconcerting “we” for a couple of pages (p. 75-76) and then, inexplicably, back to third person narrative voice. I compared the entire book to the old classic children’s history of the same vent that I have on my shelves, The Great Proclamation by Henry Steele Commager, published in 1960. Other than the fact, dissonant to modern ears, that Mr. Commager calls African Americans “Negroes”, the book differs from Ms. Bolden’s account of the same events in other ways. Commager paints Lincoln as an unadorned hero, bravely attempting in every way possible to free the slaves as quickly as practicable. Commager does not quote Lincoln’s famous statement in a letter to Horace Greeley in 1862:

“If I could save the Union without freeing any slave I would do it, and if I could save it by freeing all the slaves I would do it; and if I could save it by freeing some and leaving others alone I would also do that. What I do about slavery, and the colored race, I do because I believe it helps to save the Union; and what I forbear, I forbear because I do not believe it would help to save the Union.”

That statement of intent should be a part of any discussion of Lincoln and his attitude about emancipation, and Ms. Bolden includes it prominently in her book. Ms.Bolden’s book also has the great advantage of 21st century illustration techniques, layout and design. Mr. Commager’s text in a layout similar to that of Ms. Bolden’s book would be a great improvement. However, what Mr. Commager does well is tell the story of the “great proclamation” straight, without the confusing changes in point of view. So, in the end I think I would either go with Commager’s book or find something else that would be less poetic and and more attuned to current historical perspectives than either of these books. There seem to be several to choose from.

Other books for children on the Emancipation Proclamation (found on Amazon):
Lincoln, Slavery, and the Emancipation Proclamation by Carin T. Ford.
The Emancipation Proclamation by Karen Price Hossell.
The Emancipation Proclamation (Cornerstones of Freedom) by Brendan January and R. Conrad Stein.
The Emancipation Proclamation: Ending Slavery in America by Adam Woog.

Emancipation Proclamation: Lincoln and the Dawn of Liberty by Tonya Bolden has been nominated for the Cybils Award in the category of Young Adult Nonfiction. The thoughts in this review are my own and do not reflect the thoughts or evaluations of the Cybils panel or of any other Cybils judge.

Poetry Friday: Nobody’s Secret by Michaela MacColl

In 1846 fifteen year old Emily of Amherst, Massachusetts, meets a mysterious young man whom she nicknames “Mr. Nobody.” Since he refuses to tell Emily his real name, she is regrettably unable to identify him when he turns up dead in her family’s pond. However, Miss Emily Dickinson feels a responsibility not only to find out the name of the deceased but also to determine just how he died.

I was reminded of Alan Bradley’s Flavia de Luce mysteries as I read this murder mystery featuring a fictionalized Emily Dickinson as amateur detective. Emily, as portrayed in Nobody’s Secret, is a sharp, intelligent, and very private young lady who is already scribbling down poems in a secret notebook that she keeps hidden in a very secret place. Like Flavia, Emily is not afraid of dead bodies or possible confrontations with murderers, and she is just as determined and ingenious as that other fictional girl detective.

However, in this novel we have the added flavor and pleasure of poetry, and not just any poetry but the verse of Miss Dickinson herself. The author of this YA mystery writes in a note at the end of the book, “Emily’s poems inspired this story, especially ‘I’m Nobody! Who Are You?,’ which is about how enticing anonymity might be in a small town where everyone knows everyone else’s business.”

I’m Nobody! Who are you?
Are you – Nobody – too?
Then there’s a pair of us!
Don’t tell! they’d advertise – you know!

How dreary – to be – Somebody!
How public – like a Frog –
To tell one’s name – the livelong June –
To an admiring Bog! –

Emily Dickinson’s use of “creative punctuation”–particularly all the dashes– annoyed editors and publishers in the nineteenth century and provoked them to change her punctuation marks to more acceptable ones. That kind of editing, in turn, provoked Emily Dickinson, and as a result she did not allow very many of her poems to be published, or “corrected,” during her lifetime. Her poems also often had several versions. I memorized the one above a long time ago with the words “banish us” instead of “advertise”, and that’s the way I quote it, frequently, to my children.

A good solid mystery woven around immortal poetry: what more could one desire? Nobody’s Secret would be an excellent Cybils nominee in the category of Young Adult Fiction.

Poetry Friday is hosted today by Jen at Teach Mentor Texts.

Poetry Friday: To Autumn by John Keats

'Yellow fruitfulness' photo (c) 2008, Tim Green - license: http://creativecommons.org/licenses/by/2.0/Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eaves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells.

'' photo (c) 2012, Larry Miller - license: http://creativecommons.org/licenses/by-sa/2.0/Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,
Thou watchest the last oozings hours by hours.

'Ickworth Park (NT) 01-04-2007' photo (c) 2007, Karen Roe - license: http://creativecommons.org/licenses/by/2.0/

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,-
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.

What lovely descriptive lines:
“season of mists and mellow fruitfulness”
“thy hair soft-lifted by the winnowing wind”
“barred clouds bloom the soft-dying day”
“the small gnats mourn among the river sallows”

Could you even begin to describe a season, or a day, or a mood so vividly and beautifully? I couldn’t, which is why John Keats is the poet and I am me, a humble admirer of Keats’ craft.

Listen to Robert Pinsky read To Autumn.

For more poetry on this Friday or any day, see Poetry Friday at Author Amok.

Sunday Salon: Coming this Fall to a Bookstore Near You

These are some of the books set for publication in fall 2013 that I would really, really like to read:

The Song of the Quarkbeast by Jasper Fforde. 09/03/2013 The Chronicles of Kazam, Book Two, sequel to The Last Dragonslayer.

Silence: A Christian History by Diarmaid MacCulloch. 09/12/2013

United We Spy by Ally Carter. 09/17/2013

The Book of Common Prayer: A Biography by Alan Jacobs. 09/30/2013

One Summer: America, 1927 by Bill Bryson. 10/01/2013

Allegiant by Veronica Roth. 10/22/2013

Sycamore Row by John Grisham: Grisham’s latest is a sequel to A Time to Kill, his first book. 10/22/2013

We Are Water by Wally Lamb. 10/29/2013. I just finished Lamb’s The Hour I First Believed, and although I wouldn’t recommend it to everyone, I found it quite absorbing and insightful.

The Valley of Amazement by Amy Tan. Read about three generations of women from Shanghai, a remote Chinese village and San Francisco. 11/05/2013

The Minor Adjustment Beauty Salon by Alexander McCall Smith. 11/05/2013

Roomies by Sara Zarr and Tara Altebrando. 12/24/2013

And the one I’ve already read, thanks to Net Galley, due out September 10th, is Rose Under Fire by Elizabeth Wein, a companion novel to Wein’s Code Name Verity. I can tell now that Rose Under Fire is an excellent read. Look for my review in September.