Even though all ends well, this novel, based on the author’s own experiences in China during World War II, is darker and more scary than any of the other books by DeJong that I have read.

“The House of Sixty Fathers is based on Meindert DeJong’s actual experience. During World War II Mr. DeJong was official historian for the Chinese-American Composite Wing which was part of Chennault’s famous Fourteenth Air Force. A young Chinese war orphan, the Tien Pao of this story, was adopted by DeJong’s outfit. The boy chose DeJong as his special “father,” and the two were devoted to one another. Mr. DeJong wanted to bring the boy back to the United States with him, but because of legal complications, he was unable to do so. However, the men in the outfit left the youngster well provided for when they returned to America. The Communists then took over that section of China, and DeJong has never heard what happened to the boy.”

I read that note after I finished reading the novel about Tien Pao, a young Chinese boy who becomes separated from his family during the Japaneses invasion of China with only his pet pig to keep him company. Tien Pao’s story is harrowing. He becomes lost behind the Japanese lines, almost starves to death, is shot at, nearly captured, and pursued for rescuing an American flyer. Tien Pao is a very small boy lost in a sea of soldiers and refugees and casualties of war. Nevertheless, there are friends and helpers along the way: the Chinese guerrilla leader who carries Tien Pao across enemy lines, the man who pulls Tien Pao onto a train at the last minute and hides him in a tall basket, and the American airmen (Flying Tigers) who become his “sixty fathers” when Tien Pao cannot find his own parents.

It’s a war story and people are killed, but the descriptions of the war itself are not too graphic. It’s the effects of the war on the civilian population that are the focus of the story, and that part is difficult to imagine and to read about. The children, who are starving, eat grass and mud to fill their stomachs. People target Tien Pao for the sake of his pig companion, Glory-of-the-Republic, and Tien Pao struggles to keep Glory-of-the-Republic from being eaten. Refugees flee the city of Hengyang when it is taken by the Japanese, and Tien Pao is caught up in the flight of the people from the dreaded Japanese army.

If a child is looking for a war story about heroes and daring deeds, The House of Sixty Fathers might be an appropriate recommendation, even though the heroes in this story are quiet, understated heroes, and the daring deeds are ones of persistence, patience, and continued, careful resistance. Tien Pao’s story is one small slice of life in the midst of a complicated war, but it does satisfy the desire for a story of what might happen to a child caught in a war that is beyond his comprehension or control.

What can a lost boy do, other than keep trying to find his home and his parents? I do really wonder, though, what happened to the Chinese boy that Meindert DeJong and his fellow soldiers befriended in China during the war.