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Old Friends by Tracy Kidder

I like Tracy Kidder’s books. His Soul of a New Machine is a classic nonfiction introduction to the culture of the high-tech computer industry. Among Schoolchildren gives an in-depth look at the community of a fifth grade classroom. House shows the joys and challenges of building one’s own home. And in Kidder’s Strength in What Remains the protagonist of the book, also nonfiction, is a young man from war-torn Burundi who finds friends and sustenance in the United States. Mountains Beyond Mountains is about American philanthropist and doctor, Paul Farmer, who works through the medical and international aid communities to help tuberculosis patients in poverty-stricken places.

I guess one thing that draws me to Kidder’s books is their emphasis on community, on looking deeply into a community of people who are pursuing a goal or forming a group to mutually support one another in life. Old Friends is about the forced community of a nursing home. Lou Freed, a 90-something Jewish man, and Joe Torchio, a 70-something stroke victim, are assigned to each other as roommates. Lou, nearly blind but otherwise healthy, has recently lost his beloved wife. Joe has re-taught himself to walk and talk, but he still warns others that he is only working with half a brain. The two men live in a New Jersey nursing home, Linda Manor, where they interact with other residents, staff, and visitors in a “home” that will most likely be their final place, their last experience of community.

It’s a gentle story, somewhat tragic, but ultimately hopeful. The residents of Linda Manor are a mixed bag. Some are cognizant of their surroundings, intelligent and aware, and others are overcome by dementia or Alzheimer’s or some combination. Joe calls the former, the mentally alert residents, those who got-all-their-buttons. Some Linda Manor residents spend their days in bed or watching television; other roam the halls. One picks imaginary flowers from the carpet as she walks through the home. Joe and Lous participate in exercise classes, bingo games, and other planned, and sometimes unplanned, activities. They deal with visitors and phone calls and health alarms and staff cuts. They talk about how to maintain or improve their health and how to relate to or help the other residents and the staff at Linda Manor. They make jokes, act in a play directed by one of the residents, Eleanor, and monitor each other’s mental state and physical ailments.

The ending for this book was always going to be a problem because we all know how it ends. These men are not going to recover their health, go home, and start over. As it is written, the book covers a year of life at Linda Manor, and the two old friends are still old and still friends at the end of the year. Of course, I wanted to know what exactly happened to Lou and Joe and when, but a part of me is content to leave it there. I guess I know generally what happened since it’s been over twenty-five years since the events in the book took place. And that’s enough. From the introduction to the book:

There is an ancient proverb:
Don’t judge a life good or bad before it ends.
~Sophocles, Women of Trachis

Other books about growing old or about nursing home residents:
The Song of Sadie Sparrow by Kitty Foth-Regner. Sadie Sparrow is an eighty-six year old widow who has come to live at The Hickories because her daughter is too busy to care for her at home. Meg Vogel is freelance writer who has been hired to write the residents’ biographies, to take down their stories. Their friendship seems unlikely, but as they get to know each other and the other residents and visitors, their questions and the answers they find lead them to consider eternal truth and ultimate answers.
A Song I Knew By Heart by Bret Lott. This novel is based on the book of Ruth, and the characters even share (or come close to) the Biblical names: Naomi, Ruth, Mahlon, Eli, and Beau. However, this book is the story of an elderly Southern woman who has been living in the Northeast. After the deaths of both her husband and her only son, Naomi decides to return to her childhood home in South Carolina.
Winter Birds by Jamie Langston Turner.
A Severed Wasp by Madeleine L’Engle. Katherine Forrester Vigneras is an elderly, and quite famous, pianist, musician, and grande dame. She moves to lives in New York City and finds community in the people who live near and in relation to the Cathedral of St. John the Divine.
Summer of the Great-Grandmother by Madeleine L’Engle. Nonfiction. Reflections on family life, death, and dying in a Connecticut farmhouse.
Being Mortal: Illness, Medicine and What Matters in the End by Atul Gawande. A doctor writes about his own experiences with aging parents and the issues surrounding terminal illness, hospice, nursing home care, and death and dying.

100 Movies of Summer: Unforgiven (1992)

Director: Clint Eastwood
Writer: David Webb Peoples
Starring: Clint Eastwood, Morgan Freeman, Gene Hackman, RIchard Harris, Jaimz Woolvett, Frances Fisher

Mom says: When writing about the movie Red River, I said, “Dunson shoots or threatens to shoot a few men in cold blood basically for just getting in his way or challenging his authority, and that part was rather shocking to my youngest (and to me).” Now that I’ve seen Unforgiven, Red River would be a walk in the park.

Unforgiven is a western about cowboys and gunslingers, too. The movie begins with a shocking scene of graphic violence when a cowboy cuts up a prostitute’s face because she says something he doesn’t like. It get worse after that. I lost track of the body count towards the end. The language is crude, profane, and socially unacceptable. None of the characters is really very likable or sympathetic.

But what really bothered me were all the moments when I felt as if I were left hanging. I kept asking over and over again, “What the heck was that?” Why did Clint Eastwood’s character, William Munny, suddenly decide to leave his kids and go kill somebody after eight or nine years of peaceful pig-farming? Why did his friend Ned go with him? What was the significance of Little Bill’s bad carpentry? Comic relief? Or was he living in a shaky house, metaphorically speaking? Why were the prostitutes so vengeful and willing so spend so much money to get revenge? Why were two cowboys held responsible for the knife cutting when only one of them did it? What happened to the journalist fellow? Why was he in the movie at all? Why couldn’t Ned shoot at the critical moment? Why could Will shoot at all of the critical moments? Was the point of the movie that people never really change? If so, why does the Kid seem to learn from his violent act that he’s not really a killer at all?

Maybe the point of the movie was that people are crazy and unfathomable and don’t follow the movie western formulas. Although I easily can believe that, I don’t want to think about the fact that I inhabit a world in which violence and murder are so easy for some, the “unforgiven”, and so shattering and unrepeatable to others (the forgiven?). If the goal of the movie was to make me think and to turn movie conventions on their heads, Unforgiven was successful. I just don’t want to spend much time thinking about what the creators of this movie gave me to ponder–mostly a lot of unanswered questions and raw, violent brokenness and spiritual emptiness.

Key quote:

The Schofield Kid: [after killing a man for the first time] It don’t seem real… how he ain’t gonna never breathe again, ever… how he’s dead. And the other one too. All on account of pulling a trigger.
Will Munny: It’s a hell of a thing, killing a man. Take away all he’s got and all he’s ever gonna have.
The Schofield Kid: Yeah, well, I guess they had it coming.
Will Munny: We all got it coming, kid.

I don’t recommend this movie for children (rated R), and I actually felt uncomfortable with my 13-year old watching it. He lost interest fairly quickly, though. Adults who are interested in the western genre might find the movie has “redeeming qualities.” Not my favorite, but it did make me think.

IMDB link to Unforgiven.
Buy Unforgiven at Amazon.