The 2nd Gift of Christmas at Lake Truckee, California, 1846

Margret [Reed] did her best to revive a few hours of Christmas joy for her hungry children. She’d saved a meager hoard for the occasion–a few dried apples, a few beans, a little tripe, and a small piece of bacon. The children watched as the treats simmered in the kettle, and when they sat down to this Christmas feast, Margret told them, ‘Children, eat slowly, for this one day you can have all you wish.’ For the rest of her life, not matter how grand a Christmas dinner spread on her table, Virginia never forgot what her mother did for them. ‘So bitter was the memory relieved by that one bright day, that I have never since sat down to a Christmas dinner without my thoughts going back to Donner Lake.'” ~Women of the Frontier by Brandon Marie Miller

The Reed family was a part of the famous, or infamous, Donner Party, a group of families headed for Oregon/California who attempted to cross the Sierra Nevada Mountains in the fall of 1846. Many of the settlers in the party perished of cold or starvation when the winter snows trapped the group at Lake Truckee, now called Donner Lake to commemorate the unfortunate Donner Party. Margret Reed, her husband, James, and their four children—Virginia, Patty, James, Jr. and Thomas—survived the ordeal to settle in California.

Today’s gifts from Semicolon:
A song: One of my favorite songs by one of my favorite singers, Karen Carpenter singing I Heard the Bells on Christmas Day.

A movie: I’ve become fond of The Ultimate Gift with a really aged James Garner as the grandfather/gift-giver. It made me feel old to watch and remember The Rockford Files when James Garner was young(ish) and played one of the great TV detectives. The movie has a great message, and if the plot gets a little thin at times, the characters and the heart make up for a creaky plot.
A booklist: Gift books for what they want to be when they grow up.
A birthday: David Macaulay, b.1946.
A verse: Christmas Bells by Henry Wadsworth Longfellow. The entire poem has seven stanzas or verses.

Yoko Ono, Collector of Skies by Nell Beram and Carolyn Boriss-Krimsky

51zA84zWYPL._SX258_PJlook-inside-v2,TopRight,1,0_SH20_BO1,204,203,200_I wouldn’t say that Yoko Ono would be someone I would be interested in reading about on my own, but since this biography was nominated for the YA Nonfiction Cybils award, I gave it a go. And I learned some interesting things.

First of all, I was confirmed in my preconceived opinions about so-called “rebels” and “nonconformists.” Yoko Ono was “sick and tired of that middle-class scene”—“the value system adopted by her parents.” So she turned to her avant-garde friends in Greenwich Village—composers John Cage and Philip Glass, artists Robert Rauschenberg and Jasper Johns and art patron Peggy Guggenheim— for validation. The biographers tell us over and over that Yoko struggled all her life to impress and leave a mark on the art world, and later the music world. She was just as conformist as her parents; she just chose a different culture to conform to and inhabit.

Yoko Ono:
“The thought of being able to do something, that thought that I may be able to leave a mark on the world excited me tremendously.”

“Many people thought that I was a very rich girl who was just ‘playing avant-garde.’ . . . I had to say, ‘I know you are a talented artist. All you have to do is reciprocate that and just realize that I am a talented artist.'”

“I was an outcast in avant-garde because the rest of the avant-garde was trying to alienate the audience. . . . I was trying to communicate. I was trying to say ‘love’ and ‘yes’ and ‘peace.'”

Finally, after becoming frustrated with the art world and its critics and their failure to recognize her genius, she found her own worshipper, John Lennon. The biography descends into hagiography as the biographers try to justify and be completely non-judgemental about Lennon’s desertion of his wife and child and Yoko’s abandonment of her (second) husband and child so that the two could be together and revel in their misunderstood genius-ness. When Yoko and John later travel to Majorca to kidnap the daughter that Yoko had abandoned for the previous three years, the authors assure us that “all she (Yoko) wanted was her fair share of time with her daughter.”

They did it all for art’s sake. I did find some of Yoko Ono’s “art instructions” interesting and somewhat thought-provoking. But she was much less profound than she thought she was. “Yoko believed that words, and even ideas themselves, could be art. She wanted viewers to ask: What makes something a painting? What makes something not a painting?”

Well, I would answer those questions rather simply. Words and ideas may be art, but for something to be a painting, it requires paint. An idea in the artist’s head, especially if communicated very imprecisely to the viewer by means of words and/or enshrined objects, is not art, and it is certainly not a painting. I would say that so-called “found objects” are not sculpture either, since sculpture requires an artist who manipulates a medium in some way. “Found poems” are only poetry if a real, live poet puts the words together in a way so as to create meaning.

And primal screams do not make music either. So, Ms. Ono and I are in disagreement about the nature of art, the definition of music, and the art and discipline of making a beautiful and loving life. Still, I found her life story interesting, but rather sad.