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Winterbound by Margery Williams Bianco

Aug13

Illustrated by Kate Seredy and published in 1936, Winterbound is a Newbery Honor book that would be classified as Young Adult fiction nowadays, if it were even considered for publication. I doubt it would be considered or published in the current century, however, since it’s a clean, wholesome story of two teen sisters, ages nineteen and sixteen, and how they work together to manage an impoverished household in the country through a Connecticut winter. The older sister, Kay, is an aspiring artist whose art education has been cut short by the family’s move from the city to the country. Kay is refined and tasteful, but also hard-working and determined to make the best of their financially strained circumstances. The younger sister, Garry (short for Margaret), is an outdoors type, interested in gardening, travel, science, and animals. Garry is the practical sister, the one who keeps them afloat financially while both parents are unavoidably absent from the home: Dad is off on a two year long scientific expedition, and Mom is in New Mexico, caring for a sick relative.

This story of two strong, independent young women learning to care for a home and a family is just the sort of “feminist” novel that should be required reading for today’s up and coming generation. There are two younger siblings in the family, Martin and Caroline, and Kay and Garry are responsible for the care and upbringing of their younger family members as well as for feeding the wood stove, doing the shopping, making the meals, pumping the water from an outside pump, and scrounging for extra income when their money almost runs out. It’s really a delightful, self-reliant sort of story that shows how some young people used to learn to be adults in difficult circumstances. I was quite impressed with Kay and Garry and their good humor and their tenacity and determination while living in a home—-no running water, no electricity, cracks in the walls, below zero temperatures—that would be daunting to me and absolutely impossible for most anyone younger than I am. (I sound OLD.)

I think fans of the later Betsy-Tacy books by Maud Hart Lovelace (Heavens to Betsy, Betsy and Joe, etc.) or of the later Anne of Green Gables books ( Anne of the Island, Anne of Windy Poplars, etc.) or of the Emily books also by L.M. Montgomery would enjoy this story by author Margery Williams Bianco, most famous for her children’s book The Velveteen Rabbit. Winterbound is as I said for older readers, with just a touch of hinted romance at the very end of the book, and it’s not nearly as sentimental as The Velveteen Rabbit. But Bianco’s writing skill and ability to tell a good yarn are evident in both books. My copy of this book is a Dover reprint edition, published in 2014 in Dover’s series Dover Newbery Library. Thanks to Dover Press for making these older books available again.

The Wonder Smith and His Son, retold by Ella Young

Jun15

The Gobán Saor was a highly skilled smith or architect in Irish history and legend.  Gobban Saer (Gobban the Builder) is a figure regarded in Irish traditional lore as an architect of the seventh century, and popularly canonized as St. Gobban. The Catholic Encyclopedia considers him historical and born at Turvey, on the Donabate peninsula in North County Dublin, about 560.

Wikipedia, Goban Saor

Ella Young, an Irish poet and mythologist and part of the literary revival in Ireland around the turn of the last century, took the myths and stories about Gubban Saor or Cullion the Smith aka Mananaun and rewrote them for children in this Newbery Honor book of 1928. The full title of the book is The Wondersmith and His Son: A Tale from the Golden Childhood of the World. The tales were fantastical and very odd to my ear, but maybe not so very child-like. I’m too used to my folklore in simple everyday language, pre-digested and probably dumbed down. This collection is written in highly poetical language, and the tales meander about without a clear meaning or plot or character arc.

The Gubbaun wandered at his own will, as the wind wanders. Every place seemed good to him, because his heart was happy.

p.31

On the morrow the Son of the Gubbaun rose in the whiteness of dawn. He put a linen robe on his body. He crowned himself with a chaplet of arbutus that had fruit and blossom. Barefooted he went three times around the Sacred Well, as the sun travels, stepping from East to West. Then he knelt and touched the waters with his forehead and the palms of his hands.

p.109

Tulkinna the Peerless one stepped forward. He had nine golden apples and nine feathers of white silver and nine discs of findruiney. He tossed them up: they leaped like a plume of sea-spray, they shone like the wind-stirred flame, they whirled like leaves rising and falling. He wove them into patterns. They danced like gauze-winged flies on a summer’s eve. They gyrated like motes of dust. They tangled the mind in a web of light and darkness till at last it seemed that Tulkinna was tossing the stars.

The Gubbaun’s Feast, p.168

Perhaps it would be fun to read these tales aloud to a group of children and see just what they make of them. I’m baffled, befuddled, and bewildered, although I do catch some moments of beauty in the midst of the confusion. If you are of Irish extraction or just interested in myths and folktales and hero tales, you might enjoy trying to make sense of these stories. I read for plot, meaning, and characters, with a nod to language along the way. Therefore, I had to force myself to finish this translation and retelling of old Gaelic tales.

The pictures by Boris Artzybasheff, a Caldecott honor winner in 1938 for his illustrations for the tale Seven Simeons, are fittingly odd themselves. They’re black and white woodcut-looking pen and ink drawings with lots of Celtic knots and strangely writhing creatures and illuminated letters at the beginning of each tale. I thought they were . . . interesting and perhaps would bear closer examination if I were interested enough in the stories themselves to try to match illustration to prose.

Young ends her introduction to this storybook with the wish: “I would wish to have for this book the goodwill of Ireland and of America.” She has my goodwill, but not my further interest, unless someone else can explain them or simplify them enough for them to make sense to me. Your mileage may vary.

The Winged Girl of Knossos by Erick Berry

Sep11

Erick Berry was the pen name of author, illustrator, and editor Evangel Allena Champlin Best. She wrote this book, based on the Greek myths about Icarus, Theseus, Ariadne, and Daidalos, and interestingly enough, for this female author with a male pseudonym, she turns Icarus, Daidalos’ son, into a daughter named Inas.

Inas, the protagonist of this myth retold as historical fiction, is a brave and daring character. She dives in the Aegean Sea for sponges. She assists the Princess Ariadne of Crete in her court intrigues and plots to save the life of the Greek captive Theseus. She uses the wings that her inventor father has built to glide from the cliffs down to the seashore. She is a bull-vaulter, taking part in the ancient games of skill that her countrymen celebrate. She helps her father to escape the wrath of King Minos when the king is misled into thinking that Daidalos is a traitor.

There is a bit of romance in the novel, and the characters do a bit more dithering about trying to decide what to do and how to do it than I would like. But overall the book is a lovely introduction to the culture and history of ancient Crete encased in an exciting adventure saga.

“Long, long before blind Homer sang his songs of ancient Troy, long even before Troy itself rose from the ashes of her past and fair Helen smiled from the towers of Ilium, Minos reigned in Crete. The broad halls of the palace at Knossos welcomed traders from Egypt and from Sicily, from far Africa and rain-swept Cornwall and the savage shores of the Black Sea, and Daidalos built the Labyrinth, and dark Ariadne loved the brown-haired Theseus.”

I was, of course, reminded as I read of my favorite adult historical fiction that retells the story of Theseus and Ariadne and Crete and the Labyrinth: The King Must Die and its sequel The Bull From the Sea, both by Mary Renault. In Ms. Berry’s 1934 Newbery Honor winning version of the myth, Theseus is a boorish hunk who captures Ariadne’s eye for gorgeousness more than her heart. I found this image of Theseus hard to reconcile with the suave, bold, and daring Theseus of Mary Renault’s books. Middle grade readers won’t have this problem—unless they encounter the Berry Theseus now and later try to make him into a more heroic character when they read Renault’s books.

At any rate, The Winged Girl of Knossos, long out of print and unavailable for most of today’s readers, was re-published in 2017 by Paul Dry Books in a beautiful paperback edition. This edition includes an after-afterword, called “an appreciation,” written by librarian and blogger Betsy Bird, who advocated for its reissue.

Born on This Date: Carol Kendall, b.1917, d.2012

Sep13

The Gammage Cup by Carol Kendall. The story of five non-conformist Minnipins who become unlikely heroes. The Periods, stodgy old conservatives with names such as Etc. and Geo., are wonderful parodies of those who are all caught up in the forms and have forgotten the meanings. And Muggles, Mingy, Gummy, Walter the Earl, and Curley Green, the Minnipins who don’t quite fit in and who paint their doors colors other than green, are wonderful examples of those pesky artistic/scientific types who live just outside the rules of polite society. The Gammage Cup was a Newbery Honor book in 1960.

The Whisper of Glocken by Carol Kendall. A sequel to The Gammage Cup, Whisper continues the story of the Minnipins and their isolated valley home. In this story which takes place among a new generation of Minnipins, the Minnipin valley is being flooded. Five new unlikely heroes—Crustabread, Scumble, Glocken, Gam Lutie, and Silky— set out on a quest to release the dammed river.

The Firelings by Carol Kendall is a third fantasy novel for middle grade readers and older, but it does not take place in the the world of the Minnipins. Instead, the Firelings are a group of people who live underneath a volcano and worship the fire god, Belcher. As the heretofore dormant volcano begins to erupt, a group of again “unlikely heroes” must find a way to save the Firelings.

Ms. Kendall also wrote a couple of children’s mysteries, a couple of adult mysteries, and two collections of folk tales, Chinese and Japanese. She liked to travel, but made her home in Lawrence, Kansas.

In a 1999 lawsuit, an author, Nancy Stouffer, accused J.K. Rowling of plagiarizing the name “Muggles” from her books. But Rowling’s lawyer pointed out that Carol Kendall used the name “Muggles” for one of her, very ordinary, characters many years previous to Rowling’s or Stouffer’s use of the term/name. Carol Kendall is said to have laughed at the brouhaha and said, “I’ve got no quarrel with them … There’s only so many ideas and if you have one then someone else out there probably has the same one, too.”

Quotes from Kendall’s books:

“No matter where There is, when you arrive it becomes Here.”

“When you say what you think, be sure to think what you say.”

“You never can tell
From a Minnipin’s hide
What color he is
Down deep inside.”

“If you don’t look for Trouble, how can you know it’s there?”

“Where there’s fire, there’s smoke.”

“It was easy to be generous when you had a lot of anything. The pinch came when you had to divide not-enough.”

“No hurry about opening his eyes to see where he was. If he was dead, he wouldn’t be able to open them anyway; and if he was alive, he didn’t feel up to facing whatever had to be faced just now. After a while it occurred to him that he had no business being dead. You couldn’t just selfishly go off dead, leaving your friends to their fate, and still feel easy in your mind.”

“[I]t came to him—–the truth about heroes. You can’t see a hero because heroes are born in the heart and mind. A hero stands fast when the urge is to run, and runs when he would rather take root. A hero doesn’t give up, even when all is lost.”

All three of Kendall’s fantasy novels for children, but especially The Gammage Cup, are not as well known as they ought to be and also highly recommended—by me.

Last Stop on Market Street by Matt de la Pena

Apr1

Winner of the 2016 Newbery Medal
A 2016 Caldecott Honor Book
A 2016 Coretta Scott King Illustrator Honor Book
A New York Times Bestseller
A New York Times Book Review Notable Children’s Book of 2015
An NPR Best Book of 2015
A Kirkus Reviews Best Book of 2015
A Wall Street Journal Best Book of 2015
A 2015 Publishers Weekly Best Book of the Year
A Horn Book Best Book of 2015
. . . and many more honors and awards.

So, this book was lauded, honored, and awarded to pieces. And I can see why. The plot is simple: C.J. and his nana leave church on Sunday morning and travel across town on the bus to their stop on Market Street. On the way they discuss the beauty that C.J.’s nana finds in the city. They talk about the reasons for the poverty, sickness, and dirt that C.J. sees, but his nana says, “Sometimes when you’re surrounded by dirt, C.J., you’re a better witness for what’s beautiful.”

I pray that the beauty of the Holy Spirit in me would stand out like a beacon light against the darkness all around. I pray that even my own “dirt” would magnify the beauty and wonder of the Lord’s purity and love. It’s a good thought—and a good picture book for adults and children. I’m happy to have this award-winning picture book in my library.

“He wondered how his nana always found beautiful where he never even thought to look.”

The Perilous Gard by Elizabeth Marie Pope

Nov30

This take-off on the story of Tam Lin and the Fair Folk is an oldie-but-goodie that deserves to be revived. Since fairy tale and folk tale retellings are so popular these days, young adult fans of authors Donna Jo Napoli, Jessica Day George, Robin McKinley, and Shannon Hale should check out this combination of folklore and historical fiction. Ms. Pope’s excellent novel won a Newbery Honor in 1975, an honor it richly deserved.

The story takes place at the end of the reign of Queen Mary I, aka “Bloody Mary.” Kate and her impulsive, lovable sister Alicia are ladies-in-waiting to the Princess Elizabeth, in exile from court at the drafty manor of Hatfield. When Alicia sends a letter of complaint to the Queen, Kate gets the blame, and she is banished to a manor house called The Perilous Gard in Derbyshire to live out her days in disgrace and under close guard. There, Kate meets the master of the castle/manor, Sir Geoffrey Heron and his strange, silent younger brother, Christopher. She also meets a strange lady dressed in green and hears many odd stories about the Elvenwood that surrounds Perilous Gard as well as the nearby Holy Well that draws pilgrims from near and far in search of healing and comfort.

I was especially intrigued by the hints and uses of Christian truth in this fantasy novel. (It does turn into a fantasy novel, as Kate encounters the reality of the Fairies who are behind all the stories she hears about strange, pagan rituals and kidnappings that have characterized Elvenwood.) The central conflict in the novel is between Paganism and the Fair Folk’s thirst for magical power and the Christian ideals of love and service and simple living. There is also a conflict within Kate herself as she sees herself as clumsy, unlovely and unlovable, but learns to see herself in a new light, giving herself in selfless service to another. The book is not overtly Christian or preachy, but in one conversation between Kate and the Lady in Green (queen of the Fair Folk), Kate actually puts into words some of the truths of the gospel in a rather compelling and interesting way:

Lady in Green: “I will not deny that your Lord paid the teind (ransom), nor that it would be good to have had some part in it, for He was a strong man, and born of a race of kings, and His tend must have been a very great one. But that was long ago, long ago in his own time and place. It’s strength is spent now. The power has gone out of it.”

Kate: “It has never gone out of it. All power comes from life, as you said yourself, but the life that was in Him came from the God who is above all the gods; and that is a life that knows nothing of places and times. I–I mean, that with us there is time past and time present and time future, and with your gods perhaps there is time forever; but God in Himself has the whole of it, all times at once. It would be true to say that He came into our world and died here, in a time and a place; but it would also be true to say that in His eternity it is always That Place and That Time–here–and at this moment–and the power He had then, He can give to us now, as much as He did to those who saw and touched Him when He was alive on earth.”

Granted, the Fairy Lady doesn’t really understand Kate’s gospel presentation, but I thought it was quite well put, and it fits in well with the imagery and the tension between paganism and Christianity that threads through the novel. I loved this story, and I think fairy tale fans would love it, too. A touch of romance, a bit of danger, and a coming of age motif combine to make The Perilous Gard a great read for older teens and adults both. I’d say it’s PG-12 or 13, only because it has some pretty intense descriptions of pagan sacrifice and Halloween evil, nothing nasty or sexual or graphically violent, though.

Down Ryton Water by E.R. Gaggin

Aug20

Down Ryton Water is a 1942 Newbery Honor book about the Pilgrims–published back when children’s books were really meaty and challenging reads. It’s 369 pages of pilgrim wanderings and family building and moving and rearranging and traveling and birthing and marrying.

The (sainted) Pilgrims come across as real people with personalities and foibles and humor and salty language (nothing that’s shocking for nowadays) and full lives. The book focuses on the Over family: Mother Orris Brode Over, a gardener and herbalist; Father Matt Over, a farmer; Young Matt, five years old as the story opens in Scrooby, England; and baby Remember, “the damp woman child” as Young Matt calls her. The family soon grows: Young Matt’s young uncle John Brode, an adopted orphan child named Winifrett, a new baby boy born in Holland and named for the Dutch St. Nicholas, and later a young Native American teen named Wisset, all join the Over family.

It’s a book about family and about continuity of that family amidst pilgrim upheavals and separations and reunions. I found it encouraging and full of wisdom nuggets:

Orris to Young Matt upon the occasion of the Overs leaving Scrooby for Holland: “Strangers and pilgrims on the earth. That’s what we are . . . Because pilgrims, my lad, are strangers in a strange land. And so will we be–and my poor simples! Pilgrims wander about the earth in search of the blessed vision that keeps ever out of reach, just ahead of them. . . . Our vision is a place to live where we may have freedom to think, freedom to worship, and freedom to dig in the muck once more.”

Uncle John, when the Pilgrims are leaving Holland: “Freedom must be earned; it must first be understood and then fought for. It must be forever guarded, lest it slip away. It is the most precious thing in life.”

William Bradford at the first Thanksgiving: “We have been in a race for life. But a halt must be made in such a race sometime. A halt to consider what has been accomplished with God’s help, and to give thanks to Him for His blessings. A halt for–for–well, for laughter and feasting and pleasantry. Both young and old need a bolus of merriment now and then to keep them in good health.”

When Young Matt is building himself a house, his uncle John tells him: “Get some beauty into the design! No dwelling is too simple for beauty! There’s a correctness for every need. In building, as in garments.”

This fictional family of Pilgrims, the Overs, shows young (and old) readers the vicissitudes of life in colonial America as the first Europeans came to settle in the New World. It would make a good November read aloud book for upper elementary or even middle school children. And for skilled readers in that age group who are interested in history, this book would also be a fascinating and challenging independent reading choice. The book is long and descriptive passages abound, so patience and a tolerance for such is required. I found it a good antidote to the internet-based reading that I often get accustomed to and have to wean myself from in order to read deeply and enjoy fully the reading that I do.

The Wonderful Year by Nancy Barnes

Aug9

I found this book at a local public library, and I was rather surprised to discover it in the middle of the vampires and the magical worlds and the middle school angst: a realistic, turn of the century setting story, published in 1946, about an only child, Ellen, who travels from Kansas to Colorado with her lawyer father and her adventurous mother to start a fruit-growing farm. The family is also in search of a rest cure and healthy situation for Father, who has been prescribed fresh air and exercise to alleviate the pain in his neck. Ellen, who is a worrier like her father, is reluctant to leave her friends in Kansas, but Mother is excited about the the new venture and soon talks Ellen into joining in her eager anticipation.

Ah, I see now why the book is still on the shelves at the library; it won a Newbery Honor in 1947. And I would say the honor was well-deserved. The pace and atmosphere of the story is reminiscent of Ruth Sawyer’s Roller Skates or of the Betsy books by Maud Hart Lovelace, especially the older Betsy books in which Betsy goes to middle school and high school. Ellen is eleven as the story begins, and she has her twelfth birthday near the end of the book, but as only children tend to be, she’s somewhat mature for her age. One of the themes of the novel is about growing up and staying a child and not growing up too fast nor being too impatient to leave one’s childhood behind. Ellen makes friends with a fifteen year old boy, Ronnie, who lives nearby, and there is some understated tension about whether the two can remain friends and comrades in adventure when Ronnie is so much older and interested in girls his own age while still enjoying Ellen’s company as a friend. The interpersonal give and take is very well written, and I would love for my early teen and pre-teen girls to read the story and then discuss the possibilities that are suggested about boys and girls being friends and not having to get jealous of one another or have crushes.

Another area for discussion would be the “sexist” and “feminist” stereotypes that the characters seem to take for granted. Boys don’t cry. Girls need to be more like boys, tough and hardy, if they are to be seen as equal partners in adventure. It’s important for a girl to “find her own place, stand on her her own two feet, and not cling to anyone.” Are these true lessons? How is Ellen “like a girl”? How is she “like a boy”? Are these really even useful descriptions?

At the risk of being sexist myself, I would recommend The Wonderful Year for girls ages eleven to thirteen who want to read more about girls in other times and places. Fans of Betsy-Tacy, the Little House books, the American Girl series, or other girls-in-history realistic fiction should enjoy this coming of age story. And Colorado readers would especially enjoy this look at the history of Colorado settlement and farming. The illustrations in the book are by author and illustrator Kate Seredy, and they are quite lovely in their own right. Pen and ink, or perhaps pencil, drawings show Ellen and her family and friends in the thick of their homesteading experiences, and the expressive faces and captured actions add a lot to the story.

I would love to have a copy of this book for my library, and I’ll be adding it to my wishlist, which is growing much too long for the available shelf space in my library.

The Silver Pencil by Alice Dalgliesh

Apr19

A 1945 Newbery Honor book, The Silver Pencil really isn’t a children’s book at all. It’s more of a young adult fiction book in the tradition of L.M. Montgomery’s sequels to Anne of Green Gables or her Emily of New Moon books, or maybe more like Little Women, the book that The Silver Pencil alludes to and depends upon for its framing device. (The main character, Janet, is a fan of Little Women, and hence of the United States, a country she has never seen until she comes to New York to study in her late teens, except in the pages of Alcott’s inspirational book.)

The Silver Pencil is also quite the autobiographical novel:

“Born October 7, 1893 in Trinidad, British West Indies, to John and Alice (Haynes) Dalgliesh, Alice immigrated to England with her family when she was 13. Six years later she came to America to study kindergarten education at the Pratt Institute in New York City. She eventually received a Bachelor in Education and Master in English Literature from the Teachers College at Columbia University. While she was at school Dalgliesh applied for and received her naturalization as an American citizen. She taught for 17 years at the Horace Mann School, while also leading courses in children’s literature and story writing at Columbia.”

The Silver Pencil‘s protagonist, Janet Laidlaw, also moves from Trinidad to England and then to the United States, to study kindergarten education. She has some health issues and also spends some time recuperating in Nova Scotia, Canada. Janet becomes a kindergarten teacher, but finds that she is better suited to be a writer. She struggles with young adult sorts of issues: finding her vocation, responding to the men who come into her life, deciding in what country her true citizenship should lie. I daresay most young adults don’t need to make the final decision, but they do decide how much of a citizen they will be and what citizenship and civic duty entail.

I liked the book, but it’s not going to appeal to the masses. For teen and twenty-something girls who like stories about bookish and thoughtful young ladies growing up in and earlier time period (again fans of Montgomery’s Emily books, perhaps), The Silver Pencil might be just the thing.

Lone Journey by Jeanette Eaton

Jan19


Lone Journey: The Life of Roger Williams by Jeanette Eaton. Illustrated by Woodi Ishmael.

Four of Jeanette Eaton’s books received the Newbery Honor (runner-up), but her books, mostly biographies for young adults, never won the Newbery Medal. Lone Journey was published in 1944, and was a Newbery Honor book in 1945.

I found the book quite fascinating in its portrait of a man who was ahead of his times in many ways. Roger Williams began life in an orthodox Church of England family, became a Puritan as a youth, and then moved on to become a separatist and a dissenter who certainly preached and believed in Christ but eschewed all churches and denominations as holding undue sway and authority over the conscience of the individual. Williams, according to the book, made a life study of government and the relationship of church and state, and he came to the conclusion that the civil authority and the church were to be wholly separate, ruling in different spheres, and that the individual conscience before God was to reign supreme in matters of religion.

Betsy-Bee just read Nathaniel Hawthorne’s The Scarlet Letter for her English class, and we had a good discussion of which of God’s laws were to be enforced by the state (laws against murder and theft and others of what Williams would call “civil crimes”), which laws should be enforced by the church upon church members (laws against gossip, profanity, adultery, and other sins, perhaps?), and which laws were up to the individual before God. Or should the church become involved at all when its members sin against one another? How should the church discipline its members, if it does?

The Massachusetts Bay colony and its leaders eventually banished Roger Williams, but his exile turned out to be a blessing in disguise, even though it entailed much hardship, since he was able to found a colony in which:

“We have no law among us, whereby to punish any for only declaring by words theire mindes and understandings concerning the things and ways of God.”

In a letter to a friend, Roger Williams wrote of the colony of Rhode Island and Providence Plantations:

” . . . We have long drunk of the cup of as great liberties as any people that we can hear of under the whole heaven. We have not only long been free (together with a New England) from the iron yolk of wolfish bishops, and their popish ceremonies, but we have sitten quiet and dry from the streams of good spilt by that war in our native country.
We have not felt the new chains of the Presbyterian tyrants, not in this colony have we been consumed with the over-zealous fire of the (so-called) godly christian magistrates. Sir, we have not known what an exise means; we have almost forgotten what tithes are, yea or taxes either, to church or commonwealth.”

Williams was a friend to the native Americans of the colony, and he led the colony to accept both Quakers and Jews as full citizens with the rights to vote and own land. He was a preacher and a practitioner of religious liberty for all, and it is from Roger Williams and others who followed in his footsteps that we learned many of the principles that eventually went into the U.S. Constitution and became enshrined in American government and culture. This biography is somewhat fictionalized, with dialog that is obviously made up, but the events of Roger Williams’s life are faithfully chronicled, as far as I could tell.

Jeanette Eaton was a prolific biographer, and she wrote biographies of all of the following persons over the course of her career:

A Daughter of the Seine: The Life of Madame Roland (1929) (Newbery Honor 1930)
Jeanne d’Arc, the Warrior Saint (1931)
The Flame, Saint Catherine of Sienna (1931)
Young Lafayette (1932)
Betsy’s Napoleon (1936)
Leader By Destiny: George Washington, Man and Patriot (1938) (Newbery Honor 1939)
Narcissa Whitman: Pioneer of Oregon (1941)
Lone Journey: The Life of Roger Williams (1944) (Newbery Honor 1945)
David Livingstone, Foe of Darkness (1947)
That Lively Man, Ben Franklin (1948)
Buckley O’Neill of Arizona (1949)
Washington, the Nation’s First Hero (1951)
Gandhi, Fighter Without a Sword (1950) (Newbery Honor 1951)
Lee, the Gallant General (1953)
The Story of Eleanor Roosevelt (1954)
Trumpeter’s Tale: The Story of Young Louis Armstrong (1955)
America’s Own Mark Twain (1958)

Wikipedia calls Eaton a “suffragist” and a “feminist”, but judging from the subjects of her books, she also had an interest in religion and religious leaders.

Woodi Ishmael, whose woodcut illustrations, grace the pages of Ms. Eaton’s book, seems to have been a rather successful World War II era illustrator, producing numerous advertisements and drawings and paintings for the armed forces, especially the Air Force. You can look at some of his Air Force artwork here. And here’s a blog post that shows several of Mr. Ishmael’s illustrations for another Eaton bio, Narcissa Whitman.

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