Archive by Author | Sherry

How the Scots Invented the Modern World by Arthur Herman

How the Scots Invented the Modern World: The True Story of How Western Europe’s Poorest Nation Created Our World & Everything in It by Arthur Herman.

What a fascinating piece of narrative nonfiction history! I learned so many things that I didn’t know before:

The Treaty of Union between England and Scotland (1706-1707), according to Mr. Herman, was actually a huge boost to Scottish commerce, progress, and culture. As he writes the story, the Scots may have given up their independence, but they received innumerable benefits from the deal, including a paradoxical and practical independence from English interference in their affairs that enabled the Scots to “invade” London and indeed England and become leaders in government, education, and business for over a century.

Philosophers Adam Smith and David Hume, historians and biographers James Boswell and Thomas Babbington Macaulay, poets Robert Burns and Sir Walter Scott, inventors John Macadam (macadam roads), Thomas Telford (canals and bridges galore), James Watt (steam engine), and many other men, both famous and under-appreciated, were all Scots or of Scottish extraction.

Scotswomen, other than the Jacobite heroine Flora MacDonald, seem to have been quite unheard of and unremarkable in the eighteenth and nineteenth centuries, at least. The dearth of women in the pages of this book reminded me of the scarcity/non-mention of dwarf women in The Lord of the Rings. You know there must be women, and every once in a while a “mother” is mentioned, but the women were not part of literary, educational, or polite society. (Scotsmen remind me of dwarves, or vice-versa, anyway.)

The whole Bonnie Prince Charlie thing and Highland kilts and bagpipes made the Highlands of Scotland a tourist attraction in the early 1800’s, mostly because of Sir Walter Scott’s novels.

Scotland’s literacy rate (boys and girls) was higher than any other country in the world by the end of the eighteenth century, and printing and book-selling were major industries in Edinburgh during that same century.

And lots more. I found this book fascinating, even if it was a somewhat one-sided view of the power, influence and sheer overwhelming greatness of Scotland and its culture. If everything good, especially in the eighteenth century, came out of Scotland, what happened in England, Ireland, France, America, even China? Another fault in the book, the author begins his story with the true tale of Edinburgh theology student Thomas Aikenhead who was hanged in 1697 for the crime of “obstinate blasphemy”. Herman calls Scotland “a nation governed by a harshly repressive Kirk; a nation of an unforgiving and sometimes cruel Calvinist religious faith.” However, the rest of the book makes little of the influence of the “Kirk” or of Calvinism or indeed of Christianity in general, even though most of the Enlightenment figures in Scotland who dominate the culture for the next two centuries were professing Christians, many of them ordained ministers. With the notable exception of atheist philosopher David Hume, it’s as if their religious beliefs were baggage to be hidden away or overcome and not an influence on their thinking at all.

I would have liked to read more about how the faith of men such as educator, theologian, and philosopher Francis Hutcheson shaped their theology —or perhaps how Mr. Hutcheson was able to reconcile his Presbyterianism with his belief in the innate goodness of man. In fact, the author, Mr. Herman, does highlight the Christian faith of Hutcheson, although with less of a explanation of how that faith was worked out in his life than I would have liked. But the faith of other men who are featured in the book would have been valuable to explore and in treating to read about.

Nevertheless, even if the book is biased in favor of Scotland’s influence and standing in the world, and even if Scots Calvinism is given short shrift in the building of that Scottish moral philosophy, How the Scots Invented the Modern World certainly was a good read. It made me want to look up and find the names and histories of some of my own Scottish ancestors so that I could claim a part in the Scottish heritage that Mr, Herman so ably extols.

Outlaws of Time: The Legend of Sam Miracle by N.D. Wilson

I’m honestly not sure what I think about N.D. Wilson’s newest book, the beginning of a series called Outlaws of Time. The story is really dark and violent, and as with some of Wilson’s other books it moves too fast for me with too many layers of meaning. I feel as if I’m missing something when I read Wilson’s fantasy, in particular. Actually, I feel dumb. On the other hand, I loved Boys of Blur and Leepike Ridge, especially, and this one has some of the elements that I liked from those: a very American setting, brave kids, adventure, lots of good writing with good metaphors and similes. I just feel as if I have whiplash from trying to follow all the symbolism and hidden meanings and the time travel.

For example, Sam Miracle (his real name) begins the story as a resident (inmate?) of Saint Anthony of the Desert Destitute Youth Ranch, SADDYR. And it’s a sad place, governed by your typical fictional orphanage parents, Mr. and Mrs. Spalding. There are twelve boys at SADDYR, including Sam, and the others are Pete, Drew, Jude, Barto, brothers Jimmy Z and Johnny Z, Flip the Lip, Matt Cat and Sir T(homas), Tiago Lopez, and Simon Zeal. They’re all juvenile delinquents, but they have the names of the twelve apostles in the Bible, minus Judas Iscariot. Yes, I noticed that little naming trick immediately, and it’s kind of cool. But why? Why do Sam’s friends and cohorts have the same names as Jesus’ twelve disciples? What does it mean? Sam isn’t Jesus or a Christ figure, or is he? The priest, Father Tiempo, that Sam meets in the desert is kind of a Christ figure who gives up his life/lives to save Sam and the rest of the world through Sam, but then the priest turns out to be someone else, not Jesus at all. Sam is the one sent to save the world from the evil Vulture, El Buitre, but he’s a violent and at the same time, vulnerable, savior, sent to use his deadly snake arms to kill The Vulture. Even though he’s mangled and wounded by the bad guys in the story, and handicapped by his unreliable memory and his lack of confidence in his own abilities, Sam is a survivor, redeemed and resurrected multiple times. I suppose I’m trying to make the story too simplistic, the characters too allegorical. But allegory is implied in the names and actions of the characters. (I am reminded of C.S. Lewis’s professed hatred of allegory in all its forms while at least parts of his Narnia stories are clearly allegorical in nature.)

Then there’s the time travel, enough time travel to make Hurley’s head hurt a lot (LOST reference, there). This book reminded me of LOST–way too much to figure out, and maybe half of it doesn’t mean anything, just the author playing around. Sam and his friend Glory travel though time, around time, behind time, on the edges of time, and through the cracks between times. I’m a straight-forward, A-Z kind of gal, and although I can handle one time jump, or maybe two, the ramifications of all the time travel in this book make me feel as if I’ve lost my grip on reality. Sam Miracle certainly loses his mind and memory and his sense of what’s real and what’s a dream quite often throughout the course of the story. And since Sam is the main viewpoint character, so did I.

PC critics are going to hate all the guns and all the bullets flying. Even though one of Sam’s snake arms, Speck, is a little bit goofy and doesn’t want to hurt anyone, the other one, Cindy, is “a killer, a nightmare.” Speck shoots the weapons out of the bad guys’ hands, but Cindy shoots to kill. Again, I’m tempted to draw allegorical parallels or symbolical confusion from the contrast between Sam’s left arm, vicious sidewinder Cindy, and his right arm, distractible pet snake Speck, but I will refrain.

Do I think kids will like Outlaws of Time: The Legend of Sam Miracle? Yes, I think so, but I’m not sure what exactly they will get out of it. Maybe that’s good. Maybe that makes me a little uneasy as a parent who’s tempted to give them a neat little book in which I know the “moral of the story”. Maybe one moral of this particular story is that life isn’t neat or predictable, and neither should the stories that we share with each other and with our children be unsurprising and tidily understood. Or maybe, like the authors of LOST, Mr. Wilson is just playing around, having fun with the names and the nicknames and the numbers and the times and the snakes and the guns and all the things that make me want to read the next book in the series.

However, I would warn the author that playing with guns can be quite dangerous.

“You know,” Glory said, watching. “There’s a difference between real life and books. Don’t act like they’re the same.”

“Sure,” Sam said. “Getting life right is a lot harder.”

The Marquis’ Secret by George MacDonald

In 1875, George MacDonald, Scottish author, poet, and Christian minister, published the novel Malcolm, the rags-to-riches story of a common fisherman who finds his identity as a (Christian) gentleman. The sequel to Malcolm, The Marquis of Lossie, soon followed in 1877. This was the era of Charles Dickens and the other great Victorian novelists, and MacDonald was following in their tradition, with a bit of a difference. First of all, MacDonald, a friend and mentor to Lewis Carroll (Alice in Wonderland), was a pioneering author of fantasy (The Princess and the Goblin, At the Back of the North Wind, The Light Princess) as well as the realistic, romantic novels the Victorians had grown to love and read avidly. And MacDonald was emphatically a Scot. His novels almost all take place in Scotland or in a fantasy world that looks and sounds a lot like Scotland—–with all the heather and mountains and seas and kilts and bagpipes and thick Scottish brogue that such a setting implies.

In the 1980’s, Christian author Michael Phillips wanted to make MacDonald’s realistic fiction more accessible for a new generation. He edited the two volumes of Malcolm’s story and re-published them with the Gaelic language toned down and reinterpreted and with some of MacDonald’s long didactic passages either excised or edited to be shorter and more to the point. Phillips also gave the novels new titles, The Fisherman’s Lady and The Marquis’ Secret. You can purchase these updated versions (or borrow them from Meriadoc Homeschool Library). Or you can read Malcolm and The Marquis of Lossie in the original language online at Project Gutenberg or other online book sites.

In The Marquis’ Secret, Malcolm, who has been secretly told of his true identity, must decide how to handle the information and the responsibility he has inherited. There’s a running analogy in the book between the taming of a wild horse and the growth of a man (or woman) and the “taming” of that man’s (or woman’s) sin nature. As Malcolm must discipline and guide the horse, so the Lord must tame and discipline His children to bring them into the fullness of what He has created them to be.

The two novels that make up the story of Malcolm are all that modern literature is required not to be: melodramatic, yes; didactic, absolutely; one dimensional characters, yes, that too. Malcolm is a hero, through and through, although he says he has had to allow God to tame his temper and his passion for justice. The bad guys are obviously evil, but in MacDonald’s near-universalist worldview there is much hope for redemption for each of them. Nevertheless, sometimes a dose of hopeful preaching through Victorian drama with characters who are recognizably either good or bad (until the bad repent and become good) is just what the reading soul needs. If you want an absorbing drama that will leave you encouraged rather than discouraged about mankind and the depth of God’s mercy, George MacDonald’s Malcolm is just the ticket.

And if you’re in the Friendswood/Clear Lake/South Houston area this weekend, the play, Malcolm, is being performed by Selah Arts at Trinity Fellowship in Friendswood, May 26, 27, and 28th at 7:00 pm each evening.

Come With Me to . . . by Gloria Fowler

Come With Me to Paris by Gloria Fowler. Illustrated by Min Heo.
Come With Me to New York by Gloria Fowler. Illustrated by Min Heo.

“Min Heo is an illustrator and recent graduate of the prestigious Art Center College of Design in Pasadena, California. She lives and works in the San Francisco Bay area of Northern California.” (From Amazon)

The illustrations are what create interest in this series of books exploring the world’s cities. We have Paris and New York, soon to be joined in July, 2016 by a book entitled Come With Me to London. The pictures are simple, yet colorful and intriguing. If you like the cover illustration, you’ll get more similar pictures inside each book.

The text is rhyming, and although the rhythm or scansion is really off in most of the mostly four line poems that describe each site in either Paris or New York, they are readable, short and to the point. Again, I think the pictures are the focal point anyway. For example:

Along the Seine,
Where the bridges do cross;
From Pont Neuf, make a wish,
With a coin we can toss.

(I’ve no idea why there’s a semicolon after the word “cross” in that one?) It annoys me that the poetry is so poor, but the pictures make up for the lack of rhythm.

In Paris, we get a picture and verse for the Eiffel Tower, the Palais Garnier, the Louvre, Sacré-Coeur, Sainte-Chapelle, Notre Dame, the Luxembourg Gardens, the Arc de Triomphe, Shakespeare and Company bookstore, and several other sites. For New York City, there are visits to Central Park, the Statue of Liberty, the Natural History Museum, the Empire State Building, Brooklyn Bridge, Central Park Zoo, Grand Central Station, the Chrysler Building, Times Square, and more.

If you’re taking a trip to either city, or to London in the future, these exciting picture books would be a good accompaniment to your vacation. Or if you live in New York or Paris, your child might enjoy getting to know the city through one of these books and then visiting the places that are featured.

The Hornet’s Nest by Sally Watson

In 1773, Ronald Cameron and his sister Lauchlin are busily waging their own private war against the oppressive Sassenach (English soldiers) as the two young Highlanders work and play around their Scottish home. Their parents fought the English invaders and supported the Stuart King Jamie and Bonnie Prince Charlie. Now Ronald and Laughlin believe it is their turn to carry on the struggle, especially when their elderly cousin Matthew from Virginia comes to visit and encourages their rebellion and love for liberty. However, when the sister and brother team get into real trouble with the occupation forces, their parents have no choice but to send them to Virginia to stay with their loyalist aunt, Lavinia Lennox.

The characters in Sally Watson’s Family Tree Series are all a part of the same family, the Lennoxes, and Cousin Matthew in this book is even studying his family genealogy. So there’s a running thread of family heritage and pugnacious, spunky traits that are handed down through the family, especially among the girls. The other books in the series are Linnet (London, 1582), Mistress Malapert (Shakespearean England, 1599), The Outrageous Oriel (English civil war, 1641), Loyal and the Dragon (English civil war, 1642), Witch of the Glens (Scotland, 1644), Lark (Puritan England, 1651), Highland Rebel (Jacobite revolution, 1745), and Jade (pirates in Colonial Virginia and the Caribbean). Read more here about how Ms. Watson’s books and characters are all related to each other.

I read at least some of these books when I was a kid of a girl, and I loved them then, especially Jade, the story of Melanie Lennox who frees a cargo of slaves headed for Virginia and becomes a pirate queen. The only ones of Ms. Watson’s books that I own are The Hornet’s Nest and Lark. But if any of you have any of her books lying around gathering dust, I would be happy to take them off your hands.

Characteristics of Ms. Watson’s heroines: outspokenness, a passion for justice, courage, over-confidence to the point of foolhardiness. These rather willful girls, mostly girls, make for interesting, exciting, adventurous stories, and of course, that’s the best kind. If you run across any of Ms. Watson’s novels for young people, I recommend them—even the ones I haven’t read yet.

Playground by Mies Van Hout

Originally published in the Netherlands under the title Speeltuin, this visually rich and colorful picture book is fun to look through, if a little confusing. The pictures are stunning, busy, and lively. The plot is almost non-existent: two children travel through the pages of this colorful world on their way to The Playground. The reader is invited to “take an exciting trip through this book! Find the way with your finger. These red arrows on each page show you where to start and where to go next.”

Maybe I just don’t get it, but the arrows seem unnecessary. If a child reader wants to run his finger over the double page spreads of rather abstract landscapes, I can’t see how the arrow on the edge of each page helps. But the adventure in art is enticing, and as the two children collect animal friends on each page to accompany them on their journey, the illustrations become more and more imaginative. I can see how this book would inspire children to create their own artistic journey-scape.

The ending is . . . disappointing. Perhaps the author/illustrator is trying to show that the journey is more interesting than the destination, or maybe I’m reading too much into it. At any rate, I would let children explore this book on their own and see what they come up with. Maybe start them on the adventure with the invitation, “Let’s go to the playground! Are you coming?”, but the text, translated from the Dutch, is fairly basic and dull. In fact, I can see this one as a wordless book, and it might work better that way.

Enjoy the color. (Did I mention that the book is very colorful?)

Saturday Review of Books: May 14, 2016

“Literature can be the salve for a weary heart. I do not mean directly; I do not think literature is a form of therapy. I mean that books enable students to experience an extraordinary range of emotions in 180 days” ~Nick Ripatrazone

SatReviewbutton

Welcome to the Saturday Review of Books at Semicolon. Here’s how it usually works. Find a book review on your blog posted sometime during the previous week. The review doesn’t have to be a formal sort of thing. You can link to your thoughts on a particular book, a few ideas inspired by reading the book, your evaluation, quotations, whatever.

Then on Friday night/Saturday, you post a link here at Semicolon in Mr. Linky to the specific post where you’ve written your book review. Don’t link to your main blog page because this kind of link makes it hard to find the book review, especially when people drop in later after you’ve added new content to your blog. In parentheses after your name, add the title of the book you’re reviewing. This addition will help people to find the reviews they’re most interested in reading.

After linking to your own reviews, you can spend as long as you want reading the reviews of other bloggers for the week and adding to your wishlist of books to read.

The Fisherman’s Lady by George MacDonald

This book is half of George MacDonald’s novel, Malcolm, as edited by Michael R. Phillips, prolific author of Christian novels. The story is continued in another Phillips-edited novel, The Marquis’ Secret.

The Scots dialect and the didactic passages are heavy going for modern readers, so Phillips tried to make the romance novels that MacDonald wrote a bit more accessible. And he was quite successful in this necessary endeavor; at least it was necessary for me. Take a look at the following few lines from the beginning of MacDonald’s original 1823 book, Malcolm:

“Na, na; I hae nae feelin’s, I’m thankfu’ to say. I never kent ony guid come o’ them. They’re a terrible sicht i’ the gait.”
“Naebody ever thoucht o’ layin’ ‘t to yer chairge, mem.”
“‘Deed, I aye had eneuch adu to du the thing I had to du, no to say the thing ‘at naebody wad du but mysel’. I hae had nae leisur’ for feelin’s an’ that,” insisted Miss Horn.
But here a heavy step descending the stair just outside the room attracted her attention, and checking the flow of her speech perforce, with three ungainly strides she reached the landing.
“Watty Witherspail! Watty!” she called after the footsteps down the stair.
“Yes, mem,” answered a gruff voice from below.
“Watty, whan ye fess the bit boxie, jist pit a hemmer an’ a puckle nails i’ your pooch to men’ the hen hoose door. The tane maun be atten’t till as weel’s the tither.”

If you get more than the gist of that dialogue, you’re a better man than I am, Gunga Din. A whole book’s worth of deciphering that speech would be be a mighty task indeed.

Phillips begins with some description of the setting and the situation of the characters, and then he has Miss Horn say, “No, no. I’ve got no feelings, I’m thankful to say. I never knew any good to come to them.” Got it: Miss Horn prides herself upon having no feelings.

So, if you want to read the original, have at it; it’s available online at Project Gutenberg and probably elsewhere, too.. I’ll stick with the Phillips version, which has enough dialect and Scots flavor to keep me satisfied without confusing the reading too much.

Malcolm McPhail is a handsome and gentlemanly young fisherman with a mysterious past. Lady Florimel is the daughter of the present marquis, Lord Colonsay of Lossie. Duncan McPhail is a blind bagpiper and grandfather to Malcolm. As the story begins, a certain Lady Grizel has just died, and the Marquis is returning to his home near Portlossie on the Scottish coast where Malcom and his grandfather make their home.

I did think that some of the plot elements of MacDonald’s story were a little far-fetched, but then he was writing at about the same time as Dickens and the other Victorian novelists, and I don’t suppose MacDonald’s plot is any more unbelievable than some of Dickens’. (Charles Darnay and Sydney Carton practically twins? Oliver Twist just happens upon his long lost family in the middle of London?)

The Fisherman’s Lady ends with the death of one character and the revelation of a long-held family secret, but there is no real resolution to the dilemma of how to reconcile Malcolm’s fine and gentleman-like character with his lowly situation and class. The citizens of Scotland and England in the early nineteenth century were even more class conscious than those of early twentieth century Downton Abbey, and there’s wide, wide gulf between Malcolm the fisherman and the Lady Florimel. It remains to be seen, in The Marquis’ Secret, whether the author George MacDonald can bridge that gap with the revelation of secrets of parentage or the preaching of sermons about the equal standing of mankind before God.

The Hill of the Red Fox by Allan Campbell McLean

Spies. Lies. Danger.

That’s the subtitle teaser on the cover of my copy of The Hill of the Red Fox, a Scottish book, first published in 1955, but now available (2015) in a new paperback edition from Floris Books, in the series Kelpies Classics.

“The Kelpies are a highly-respected and much-loved range of children’s novels set in Scotland and suitable for 8 to 12 year olds. The Kelpies range includes classic children’s novels by Kathleen Fidler and award-winning contemporary children’s fiction by Lari Don.” from the website for Kelpies.

I think these books are available in the U.S. from:

Steiner Books Inc
c/o Books International
22883 Quicksilver Drive
Dulles, VA 20166
Telephone: 1-800-856 8664
service@steinerbooks.org

Maybe The Hill of the Red Fox is available from other sources, too. (Yes, click on the book cover picture for a link to Amazon.) I got my copy as an ARC for possible review.

And I did like the novel. It’s a Cold War spy novel. Thirteen year old Alisdair is of Scottish descent, but he’s grown up in London. He knows very little about actual life in rural Scotland, but he is unexpectedly allowed by his mother (father is dead) to go to visit an old friend of his father on the Isle of Skye. On his way to the Isle, a stranger gives Alisdair a mysterious message. Soon Alisdair is caught up in an old family feud and in a web of danger and espionage that may claim his very life.

The 1950’s setting is key to my enjoyment of this book. Alistair is given the privilege of traveling to the Islae of Skye alone on a train from London, and although his mother is somewhat concerned about him, she gives him lots of instructions and lets him go. Then, the events of the story conspire to mature Alisdair even more, and although he is a typical thirteen year old who makes some horrifically dangerous but well-meaning decisions, the author doesn’t tidy thing up for Alisdair. Events play out just as one would expect them to with the impetus of such risky and immature decisions, and Alisdair learns what it means to be a real man in a dangerous and risky world.

The spy/espionage part of the plot is a little hokey, but it’s not too bad. And I can’t believe that Alisdair doesn’t feel a wee bit of guilt for his part in how things turn out in the end. The descriptions of Scotland and of Scottish customs and characters such as the “ceilidh” (house party) and the “cailleach” (old woman with second sight) are fascinating and fit right into the story. The descriptions of the landscape and the sprinkling of Gaelic words and phrases through the book are fun, too.

If you want to read a book set in nearly modern day Scotland, and you like spy stories, I would recommend this one. It’s somewhat heart-rending, but really good.

Some other Kelpies I’d like to read someday:

The Blitz Next Door by Cathy Forde. “Pete’s new house in Clydebank near Glasgow would be fine if it wasn’t for the girl next door crying all the time. Except, there is no house next door. A vivid adventure story based on the Clydebank Blitz of 1941.”
The Nowhere Emporium by Ross MacKenzie. “When the mysterious Nowhere Emporium arrives in Glasgow, orphan Daniel gets drawn into its magical world.”
Pyrate’s Boy by E.B. Colin. “Silas, pyrate’s boy on the pirate ship Tenacity, has adventures from the West Indies to the west coast of Scotland.”
The Sign of the Black Dagger by Joan Lingard. “Four children, two hundred years apart, must uncover the secret of the Black Dagger in this fast-paced mystery by award-winning author Joan Lingard. Set in and around Edinburgh’s Royal Mile.”
The Accidental Time Traveller by Janis Mackay. “Saul has to work out time travel to return Agatha Black to 1812.”

The Anatomist’s Wife by Anna Lee Huber

First in a series, “A Lady Darby Mystery”, The Anatomist’s Wife takes place in Scotland, 1830. Lady Kiera Darby is a young woman, recently widowed and involved in a scandal related to her late doctor husband’s anatomical studies. As the story opens, Kiera has taken refuge with her sister’s family on their estate in Scotland, away from the vicious gossip of Edinburgh and London society.

Unfortunately for Lady Darby, when Lady Godwin is murdered (within the first few pages of the novel), Lady Darby is asked to assist Mr. Sebastian Gage in his inquiry into the crime. Not only is Mr. Gage a rake and perhaps somewhat brainless, he also may, like everyone else in the house party, suspect Kiera Darby of having some culpability in the murder. After all, Kiera’s reputation is still in shreds after her husband’s death and subsequent revelations about his work with dissecting dead bodies and having his wife draw them.(!)

There wasn’t really much Scottish atmosphere to be found in this mystery novel. The occupants of the manor call upon the services of a “procurator fiscal” rather than a coroner in the wake of the murder, and Kiera’s brother-in-law, Philip, lapses into Scots dialect a couple of times under stress. Other that that, the events in the novel could have taken place anywhere in England or Scotland or even Ireland or the continent without much change in the descriptions or the plot.

The post-Regency and pre-Victorian time period of the novel, makes it an interesting mix between what I think of as Regency promiscuity and profligacy and Victorian propriety and conventionality. The society women are appalled at Kiera’s history of having helped her husband in his study of human anatomy. And yet, these same ladies seem to be quite athletic in their pursuit of other women’s husbands. This moral schizophrenia affects the men, too, as when Gage explains to Keira that he is a rake, but certainly not a rogue: “I assure you, my lady, that were you closeted with a rogue rather than a rake, you would know the difference. If a rogue decided he wanted you, he would use all of the means at his disposal to persuade you, but ultimately he would debauch you whether you wished it or not. A rake would never dishonor a woman in such a way.” (In other words, he may be an adulterer and a cad, but at least he’s not a rapist.)

I found the ending to the book and the solution to the whodunnit rather unsatisfactory. The murderer turns out to be insane, with quite a thin motive for his or her actions. And those actions progress from a bloody and violent beginning to an even more brutal and murderous ending.So, finally, although it was good enough to keep me turning the pages, I found only few things to like about this mystery and many others to dislike: too much romance, not enough mystery, too much insanity, not enough sense, too much sexual immorality, not enough virtue, and too much generic setting, not enough Scotland. Fans of Georgette Heyer or other Regency/Victorian romance/mystery writers may enjoy this one more than I did. It wasn’t awful, just not what I was looking for.

If you want to do some more research in the area of Scottish mysteries or post-Regency era mysteries:

Rachel Knowles: When Is the Regency era?
Cozy Mystery Books with a Scottish Theme.
Books in Scotland: a resource for information on all the best in Scottish Books and Writers.