Bicycle, a foundling who has grown up at the Mostly Silent monastery in Washington, D.C., is now twelve years old, a lover of cycling, and in need of a good friend. But she’s not likely to find a real friend either at the monastery where the monks are limited in their speech to only eight sacred words, used infrequently and only when necessary, or at the Friendship Factory, a camp where she is guaranteed to make three friends or else. So, Bicycle sets off on her own, with her trusty bicycle, to make her own friends in her own way.
This story of a girl and her cross-country bicycle trip from Washington, D.C. to California is enlivened by the appearance of unexpected characters along the way: a Civil War ghost who decides to haunt Bicycle’s bicycle (named Clunk), a bike-loving horse named Cannibal, a frustrated restauranteur, Estrella and her bike-crushing herd of pigs, The Cookie Lady, and Jeremiah, the Fried Pie seller—and that’s just in the first half of the trip before Bicycle reaches the Continental Divide. Bicycle is a determined and honest girl with a mission: she wants to make friends with her cycling hero, Zbigniew Sienkiewicz, aka Zbig (for obvious “pronouncibility” reasons), who is coming to San Francisco for The Blessing of the Bicycles. The only way she can get to meet Zbig is be there for the event, and Bicycle is going to make it by bicycling all the way across the United States.
The story does require some suspension of disbelief, and a certain appreciation or at least tolerance for the quirky and off-beat. However, the author, Christina Uss, “has ridden her own beloved bicycle across the United States, once widthwise and once lengthwise.” That familiarity with cross-country bicycling and U.S. geography shows up in the details of the story as Bicycle pedals through miles and miles of Kansas sunflowers or through more miles and miles of Nevada desert. Just as Bicycle has people and events that cross her path and help get her through those long miles, the book never slows down too much without a new place to see a friend to meet, or without something happening to enliven Bicycle’s journey and keep the pages/pedals turning.
The book could be classified in the “magical realism” genre, with a bit of science fiction thrown in. However, it’s mostly a story about a girl who learns to persevere and make friends, who has a little luck and a lot of pluck, and who loves bicycling. If any of those themes and ideas pique your interest, you should check it out.
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This book may be nominated for a Cybils Award, but the views expressed here are strictly my own and do not reflect or determine the judging panel’s opinions.