The Wager by Donna Jo Napoli

Ms. Napoli has novelized several folk and fairy tales already, and The Wager is another good entry in that genre. It’s the story, taken from a Sicilian fairytale “Don Giovanni de la Fortuna“, of Don Giovanni who makes a wager with the devil: he can have riches unimaginable that will never run out if he will go for three years, three months, and three days without bathing, shaving, changing clothes, or combing his hair. If he loses the bet, the devil, of course, gets Don Giovanni’s soul.

The details of Don Giovanni’s three+ years of degradation are fairly graphic and horrific. If you’re not up for pustules and bodily wastes, don’t read the book. Nevertheless, although the book started out rather slowly, the tension and the theme in particular built to a compelling read that I’m still thinking about today. (I finished the book last night.) Making a bet or a deal with the devil, hazarding one’s soul in return for X, is a popular theme in folk tales and in literature. The story mirrors the first story of Adam and Eve who exchange their souls for a lie and a piece of fruit. And only the sacrifice of Christ can redeem the soul from Satan’s lies.

However, in many popular stories, like this one of Don Giovanni, the wagerer pays for his own folly, redeems himself, so to speak, by outwitting the devil. Don Giovanni emerges through great suffering to live happily ever after. The idea that suffering, in this case self-inflicted suffering, is redemptive in and of itself seems to me to be flawed. Suffering is suffering; it’s nasty, uncomfortable, and possibly meaningless—unless it can be redeemed and madeinto a growth experience by someone else, someone who transcends our suffering and gives us hope and a future. Of course, the Someone is Jesus Christ. Although, Don Giovanni professes to be a “good Catholic” in Ms. napoli’s novel, he doesn’t look either to religion or to Christ for rescue. He does find meaning in the simple kindness of strangers and fellow beggars and that of a myserious artist who sees past his appearance into his soul.

It’s true that if I can be loved in spite of, in the middle of, all my sin and humiliation, my life can become something beautiful by the power of Christ in me. It’s not true that any human love can accomplish this transformation in me; however, I suppose Don Giovanni’s story is an imperfect picture of The Great Story of God’s reclamation and cleansing of his people.

Other fairytales for young adults reimagined by Donna Jo Napoli (well worth your time if you like this sort of thing):
The Magic Circle (Hansel and Gretel)
Zel (Rapunzel) Brown Bear daughter recommends.
Beast (Beauty and the Beast)
Crazy Jack (Jack and the Beanstalk)
Spinners (Rumpelstiltskin)
Hush: An Irish Princess’s Tale (Icelandic folk tale) Brown Bear Daughter also recommends.
Breath (The Pied Piper of Hamelin)
Sirena (Greek mythology)
Bound (Chinese Cinderella)

I’ll leave you with a humorous take on making a bet with the devil, not to mention some fine fiddle playing, in this 1979 song, “The Devil Went Down to Georgia” by the Charlie Daniels Band:

In spite of the success of Johnny, the boy fiddle player, and Don Giovanni, I would suggest that you make no bets with the devil unless you’re prepared to pay the price. Satan is a deceiver, and our souls are already in hock without Jesus.

7 thoughts on “The Wager by Donna Jo Napoli

  1. Ah, Charlie Daniels–reminds me of a dear, deceased cousin of mine who liked his fiddling. :-). I haven’t read any if Napoli’s books, but I might give them a go since I’ve rediscovered fairy tales with my girls.

  2. I have yet to read any of Napoli’s retellings, although I’ve wanted to for a while. I’ll have to add this one to the list.

  3. I like the new look!

    I tried to read Zel, but for some reason it didn’t hold my interest when I tried. the foul nature of this one wold probably do me in. I just can’t get past the thought of pustules. Just not enough money in the world. The beggars and the stranger who saw into his soul weren’t representations of Christ?

  4. No, actually the stranger turns out to be something else altogether, not a representation of Christ. More explanation would be a definite reveal/spoiler.

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